THE COMPLETE,IHPORTANT NOTICE? The unnvthorined copying ofthe le or any part ot i Cc MAJOR 1 One Octave Seale 2 Arpeggio 3 Twelfth, 4 Arpeggio a § Two Octave Scale 6 Arpeggio 7 Compass of Instrument ” ‘Sevenths 8 Dominant One Octave 9 Dominant Two Octaves 10 Diminished One Octave LL Diminished Two Octaves Chromatics 12 One Octave aor Se ne ae 14 Two Octaves Arpeggios 15 Added Sixth (C Maj 6) 16 Major Seventh (C Maj 7) 2 © Copyright 1995 by Boosey & Hawkes Music Publishers LtdWy the scales and arpeggios in the following tonguings: PA SYS a a oy TOT KKK KT K T RTT K TKTtTT KT! ‘ TT TK T 1 2 3 Whole Tone Scales One Octave 18 Two Octaves Scales in Thirds One Octave Two Octaves for Further Practice Intervals ve Broken Arpeggio 3 2 = 13 Scale in Octaves =F 2A Scale in SixthsAMINOR 2 0 1 One Octave Scale (Harmonic) One 3 One Octave Scale (Melodic) 5 Arpegsio 4 Twelfth (Harmonic) meee! 7 Two Octave Scale (Harmonic) 9 Two Octave Seale (Melodic) 3 10 Compass of Instrument (Harmonic) 11 Compass of instrument (Melodic) pas Arpeggios 12. Added Sixth (A Min 6) 13 Minor Seventh (A Min 7) 14 Broken Arpeggio 3 2 3fy the scales and arpeggios in the following rhythms and articulations: Ryeims 235 cay AMteaations ee y oy oy 1 2 3 : 1 ad 3 Seales in Thirds (Harmonic) One Octave Two Octaves, SS == ret tt, iS SS See eS Sara al For Further Practice Intervals (Harmonic) Interrupted Scale (Melodic) = 3 a Sane nS Scale in Thirds (Melodic) 2% Dorian on AG MAJOR 1 One Octave Seale 2 Arpeggio 3 Twelfth 4 Arpesaio 5 Two Octave Scale 7 Compass of Instrument aS SS a Seedcaaaee gay e5333gae> Sevenths 8 Dominant One Octave 9 Dominant Two Octaves aa 10 Diminished One Octave 11 Diminished Two Octaves Chromatics 12 One Octave 2 =} 13 Twelfth, 3 ae Arpeggios 415 Added Sixth (G Maj 6) 16 Major Seventh (G Maj 7)he scales and arpeggios in the following rhythms and articulations: Rhythms ce nde te gy Arcalatins DAD TWh aoe 1 2 3 1 2 3 Whole Tone Scales One Octave 48 Two Octaves -Seales in Thirds One Octave ‘Two Octaves ee Seve sivig For Further Practice Interrupted Scale 22 Broken Dominant Seventh 3. Ad. 3 23 Mixolydian on GE MINOR 1 One Octave Seale (Harmonic) 2 Arpeggio 5 4 3 One Octave Scale (Melodic) 4 Twelfth (Harmonic) 5 aaa 6 Twelfth (Melodic) 7 Two Octave Scale (Harmonic) au 9 Two Octave Scale (Melodic) 10 Three Octave Scale (Harmonic) a jeer 11 Three Octave Scale (Melodic) eee aeeeaae 2S 12 Ampessio ae ga3* 3 e waz Z 3 Arpeggios 13. Added Sixth (E Min 6) 44 Minor Seventh (E Min 7) 15 Broken Arpeggio 3a¢ + z2 aun}the scales and arpeggios in the following tonguings: mm 01 Ty CT ct tTTTtdt KK KK "Tok T x TTR TT K 1 2 3 4 Seales in Thirds (Harmonic) One Octave a SSS SS Two Octaves Zee Fee Ss === For Further Practice Broken Fourths 3 Ze Scale in Octaves (Harmonic) 20 Interrupted Scale (Melodic) 21 Mixolydian on ED MAJOR 1 One Octave Seale 2 Arpeggio. 3 Twelfth 4 Arpeggio 5 Two Octave Scale 6 Arpession 7 Compass of Instrument Sevenths 8 Dominant One Octave 9 Dominant Two Octaves 11 Diminished Two Octaves Chromatics 12 One Octave 13 Twelfth, 14 Two Octaves Arpeggios 15 Added Sixth (D Maj 6) 16 Major Seventh (D Maj 7)‘Try the scales and arpeggios in the following rhythms and articulations: Biythrss a 5 5 Ge 4+ GOS yy 1 2 : : 3 Whole Tone Scales 17 One Octave PS Seales in Thirds 19 One Octave === SS SS ¥ SSS SS Sa 20 Two Octaves For Further Practice 21 Broken Arpeggio ae “agi 3 2 22 Scale in Fourths 23 Diminished Seale 4B MINOR 1 One Octave Scale (Harmonic) 2 Arpeggio 3. One Octave Scale (Melodic) 4 Twelfth (Harmonic) 5 Arpeggio ee 6 Twelfth (Melodic) 7 Two Octave Scale (Harmonic) 8 Arpeggio 9 Two Octave Scale (Melodic) =——— ver 10 Compass of Instrument (Harmonic) 11 Compass of Instrument (Melodic) Arpeggios 12 Added Sixth (B Min 6) 13 Minor Seventh (B Min 7) # ve 14 Broken Arpegsto rf (orin4’s 12zy the scales and arpeggios in the following rhythms and articulations: Riythms Articulations CASS TED Aa Ao Scales in Thirds (Harmonie) 5 One Octave 16 Two Octaves for Further Practice 7 Interrupted Scale (Harmonic) SS SS SS = Ssegee ceo gates gas aee eens” none ere rere 18 Scate in Thirds (Melodic) ' Diminished ScaleA MAJOR 1 One Octave Seale * 5 Two Octave Scale ~ 7 Compass of Instrument Sevenths 8 Dominant One Octave * 9 Dominant Two Octaves | 10 Diminished One Octave N11 Diminished Two Octaves Chromatics 12 One Octave 13 Twelfth 14 Two Octaves Arpeggios 15 Added Sixth (A Maj 6) “AG Major Seventh (A Maj 7) = 3 ge 14‘Try the scales and arpeggios inthe following tonguings: Whole Tone Scales 17 One Octave 7] 18 Two Octaves Scales in Thirds 19 One Octave 20 Two Octaves ——_ SS SSE Se 2S a eee eee For Further Practice 21 Interrupted Scale 22 Scale in Sixths 23 Blues Scale'¢ MINOR 1 One Octave Scale (Harmonic) 2 Arpession 9 3 One Octave Scale (Melodic) 4 Twelfth (Harmonic) 5 Arpeggio 6 Twelfth (Melodic) 7 Two Octave Scale (Harmonic) 8 Arpeggio 2 9 Two Octave Scale (Melodic) gisverr” 10 Compass of instrument (Harmonic) 2S 3 11 Compass of Instrument (Melodic) dy Arpeggios 12 Added Sixth (H4Min 6) 13 Minor Seventh (F#Min 7) 14 Broken Arpeggio‘Try the scales and arpeggios in the following rhythms and articulations Rhythms AD eis de eds pty Atticlations 0 mo 5 1 2 3 1 2 Scales in Thirds (Harmonic) 15 One Octave 16 Two Octaves SS SS SSS Figeise sr SS= ==. oS SSS =| at Wee ave Soe gesaa z For Further Practice 17 Intervals (Harmonic) 16 Scale in Octaves (Melodic) 19 Interrupted Scale (Harmonic)E MAJOR yne Octave Scale 1 One Octave 5 ’ oh SS SS SS 3 Twelfth, 3 2 5 Two Octave Scale i 7 Three Octave Scale EE 5a aut ul Min 6) 14 Minor Seventh (Es Min 7) zs 7 . 15 Broken Arpeggio 3the scales and arpeggios in the following rhythms and articulations Rhythms edn edn 34 dy AMteuations FA Alig Ww Mold gO yO yo 1 2 3 1 2 3 tales in Thirds (Harmonic) ‘One Octave For Further Practice 18 Intervals (Harmonic) 19 Interrupted Seale (Melodic) "Shea, 20 Seate in Octaves (Harmonic) 21 Scale in Thirds (Melodic)D; MAJOR 1 One Octave Scale 2 Ampegato 3 Twelfth 4 Arpeasio 5 Two Octave Scale 6 Arpegsio 34s 7 Compass of Instrument 2 fee. = E Se zprt £ £ SS witaasese Sevenths 8 Dominant One Octave 9 Dominant Two Octaves su 10 Diminished One Octave LL Diminished Two Octaves Chromatics 12 One Octave 13 Twelfth 14 Two Octaves Arpeggios 4S Added Sixth (D+ Maj 6) 16 Major Seventh (D> Maj 7)‘Try the scales and arpeggios in the following ehythms and art a a PALI Oy poo oy 1 2 3 1 Siler Whole Tone Scales 17 One Octave 18 Two Octaves Scales in Thirds 19 One Octave 20 Two Octaves For Further Practice 21 Interrupted Scale 22 Scale in Sixths 23 Broken Dominant Seventh 3 at1 One Octave Scale (Harmonic) 3 One Octave Scale (Melodic) 4 Twelfth (Harmonic) 6 Twelfth (Melodic) 2 Anpeasio 5 Arpeggio. o— = ———= SS SS 7 Two Octave Scale (Harmonic) = 9 Two Octave Scale (Melodic) S—— SS “ « 8 Arpeggio aa — as E ee eS ae SI ee 10 Compass of Instrument (Harmonic) settee = Arpeggios 12 Added Sixth (B>Min 6) ¥ 14 Broken Arpeggio _——_4 32 13 Minor Seventh (BYMin 7) 3‘Try the scales and arpeggios in the following tonguings: moo I I 1 Re 3 4 TT "KK KK 7 1 2 : ‘Scales in Thirds (Harmonic) 15 One Octave Ee = =. SS SSS SS = 16 Two Octaves SSE SS Se —= SS Sa ==] For Further Practice 17 Intervals (Harmonic) 18 Interrupted Scale (Melodic) Rie 19 Scale in Sixths (Melodic) S = ir wee 20 Blues ScaleMAJOR 1 One Octave Scale 3 3 Twelfth 5 Two Octave Seale 7 Compass of Instrument Sevenths 8 Dominant One Octave 9 Dominant Two Octaves ate 10 Diminished One Octave 11 Diminished Two Octaves ae Chromatics 12 One Octave 13 wet saaesies 14 Two Octaves, beret Arpeggios 15 Added Sixth (Ab Ma} 6) 16 Major Seventh (A> Maj 7)‘Try the scales and arpeggios in the following rhythms and articulations: ys Arculations ny BE D Whole Tone Scales 17 One Octave — 18 Two Octaves Scales in Thirds 19 One Octave 333 SS ee SSS SSS SSS eS 20 Two Octaves For Further Practice 21 Seale in Octaves 7 22 Interrupted Scale 23 Broken Arpeggio 3 3F MINOR 1 One Octave Scale (Harmonic) 2 Ampeggio 5 2 3 One Octave Scale (Melodic) 4 Twelfth (Harmonic) 5 Arpesgio eS 6 Twelfth (Melodic) 7 Two Octave Scale (Harmonic) 8 Arpesgio 3 9 Two Octave Scale (Melodic) . = eee ee SSS EAs Sia Soo ns LL Three Octave Scale (Melodic) Arpeggios 13 Added Sixth (F Min 6) 14 Minor Seventh (F Min 7) 3 33 15 Broken Arpeggio > : 2 36 7‘Try the scales and arpeggios in the following rhythms and articulations: Rhythms Articulations OOOO Ty Do oy aan So poe HA 1 2 3 : 2 3 Scales in Thirds (Harmonic) 16 One Octave 17 Two Octaves For Further Practice 18 Broken Fourths 19 Interrupted Scale (Harmonic) 2S a SSS == St EE At 20 Scale in Fourths (Melodic) 21 Dorian on FMAJOR 1 One Octave Scale 2 Arpessio 3 Twelfth, 4 Arpesgion oT 5 Two Octave Scale 6 Arpessio 3 8 Ameggio E 5 = Ere ae Sevenths 9 Dominant One Octave 10 Dominant Two Octaves 11 Diminished One Octave 12 Diminished Two Octaves 3 Chromatics 13 One Octave Arpeggios 16 Added Sixth (Eb Maj 6) 17 Major Seventh (Es Maj 7) = is 33” 38.d arpeggios in the following tonguings: ‘Try the scales Whole Tone Scales 18 One Octave so 19 Two Octaves ad Scales in Thirds 20 One Octave 21 Two Octaves For Further Practice 22 Scale in Octaves 23 Interrupted Scale 24 Diminished Scale 39Cc MINOR 1 One Octave Scale (Harmonic) 2 Arpeggio 3 One Octave Scale (Melodic) 4 Twelfth (Harmonic) 5 Arpeggio 6 Twelfth (Melodic) 7 Two Octave Scale (Harmonic) : 8 Arpeggio 9 Two Octave Scale (Melodic) 10 Compass of Instrument (Harmonic) 11 Compass of Instrument (Melodic) Vaiwiaes Arpeggios 12 Added Sixth (C Min 6) 13 Minor Seventh (C Min 7) 14 Broken Arpeggio Fl‘Tey the scales and arpeggios in the following rhythms and articulations: Riythms cP edn ty or, Articulations ith yy DOO Soe myn : 2 3 1 2 3 Scales in Thirds (Harmonic) 15 One Octave 16 Two Octaves For Further Practice 17 Scale in Octaves (Harmonic) 18 Interrupted Scale (Harmonic) 19 Scate in Thirds (Melodic) 20 Mixolydian on C See == tote ep Sasa aoe anaes =e atMAJOR (One Octave Scale 2 Arpeggio 3 Twelrth, 4 Arpeggio TF 5 Two Octave Scale 6 Arpeggio 7 Compass of Instrument Sevenths 8 Dominant One Octave 9 Dominant Two Octaves 10 Diminished One Octave 11 Diminished Two Octaves 2 7 Chromatics 12 One Octave 13 Twelfth, iver 14 Two Octaves a5 SS == SS spear eran seas eaae x= = Wie TR se be Arpeggios 15 Added Sixth (B} Maj 6) 16 Major Seventh (Bt Maj 7) 42‘Ty the scales and arpeggios in the following rhythms and articulations: ys rd rd rg Arcatons phh bly MODI .o Deo yy 1 2 3 1 2 3 Whole Tone Scale: 17 One Octave 18 Two Octaves Scales in Thirds 19 One Octave 20 Two Octaves For Further Practice 21 Broken Arpeggio = eee ee 23 Scale in Sixths 43G MINOR 1 One Octave Scale (Harmonic) 2 Arpeagio 3 One Octave Scale (Melodic) 4 Twelfth (Harmonic) 3 3 6 Twelfth (Melodic) 7 Two Octave Scale (Harmonic) 8 Arpegsio au 9 Two Octave Scale (Melodic) Arpeggios 12 Added Sixth (A Min 6) 13 Minor Seventh (A Min 7) 14 Broken Arpeggio 3 P 44 —‘Try the scales and arpeggios inthe following tonguings: pO yo Se a HH cotta PRT eT TK TT KS fH 1 2 3 4 : Scales in TI is (Harmonic) 15 One Octave 16 Two Octaves 2 For Further Practice 17 Intervals (Harmonic) 18 Broken Fourths 2 be tt 3 SSS zoe 2 19 Interrupted Scale (Melodic) E SE are 20 Blues Scale 2F MAJOR 1 One Octave Seale 2 arpession 3 Twelfth 4 Arpessio 5 Two Octave Scale 6 Arpeggio 7 Three Octave Scale Sevenths 9 Dominant One Octave 10 Dominant Two Octaves 11 Diminished One Octave 12 Diminished Two Octaves. Chromatics 13 One Octave See dl ——S 14 Twelfth, == 15 Two Octaves = — = iss qos — Payee be Arpeggios 16 Added Sixth (F Maj 6) 17 Major Seventh (F Maj 7)‘Tey the scales and arpeggios in the following thythms and articulation ychms Articulations nn Tiwi Tt 5 i D « =) coho —< 1 2 3 1 2 3 Whole Tone Scales 18 One Octave 19 Two Octaves aie Scales in Thirds 20 One Octave 21 Two Octaves Z 7 For Further Practice 22 Scale in Octaves 23 Interrupted Scale EEErrrrerrcrrc a 24 Augmented Arpeggio 2 25 Blues ScaleD MINOR 1 One Octave Scale (Harmonic) 2 Arpeggio 3 One Octave Scale (Melodic) 4 Twelfth (Harmonic) 5 Arpeggio Bea 6 Twelfth (Melodic) 7 Two Octave Scale (Harmonic) 8 Arpeggio 3 9 Two Octave Seale (Melodic) 10 Compass of Instrument (Harmonic) nite sul 11 Compass of Instrument (Melodic) Arpeggios 12 Added Sixth (D Min 6) 13 Minor Seventh (D Min 7) 14 Broken Arpeggio —g 3 48‘Try the scales and arpeggios in the following thythms and articulations: Articulations ts pO Oy Ly Ty poy yay Sse ; GS By 1 2 3 1 2 3 Scales in Thirds (Harmonic) = 16 Two Octaves For Further Practice 17 Scale in Octaves (Harmonic) 19 Scale in Sixths (Melodic) 20 Dorian Scale = ao sey Hae Ca, Ament Bes