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Chapter i
C hapter 2
a) e e) o
b) A f) n
c) o g) ae
d) i h) e
200
Answers to w ritten exercises 201
2 a) n: d) 3: g) 3:
b) 0: e) u: h) i:
c) a: f) i: i) 3:
3 a) ao d) ei g) es
b) ai e) is h) ai
c) au f) 31 i) ei
C hapter 4
1 You will obviously not have written descriptions identical to the ones given
below. The important thing is to check that the sequence of articulatory events is
more or less the same.
a) goat
Starting from the position for normal breathing, the back of the tongue is raised
to form a closure against the velum (soft palate). The lungs are compressed to
produce higher air pressure in the vocal tract and the vocal folds are brought
together in the voicing position. The vocal folds begin to vibrate, and the back
of the tongue islowered to allow thecompressed air to escape. The tongue is
moved to amid-central vowel andthen moves in the direction of a closer, backer
vowel: the lips are moderately rounded for the second part. The tongue blade
is raised to make a closure against the alveolar ridge, the vocal folds are sepa
rated and voicing ceases. Then the compressed air is released quietly and the lips
return to an unrounded shape.
b) ape
The tongue is moved slightly upward and forward, and the vocal folds are
brought together to begin voicing. The tongue glides to a slightly closer and
more central vowel position. Then the lips are pressed together, making a
closure, and at the same time the vocal folds are separated so that voicing ceases.
The lips are then opened and the compressed air is released quietly, while the
tongue is lowered to the position for normal breathing.
2 a) beik d) bo:t g) bo:d
b) g s o t e) tik h) gu:d
c) daot f) bau i) pi:
202 Answers to w ritten exercises
C hapter 5
C hapter 6
a) fijiz e) 3t f i : v
b) J e i v a f) Adsz
c) siksG g) m e 3 3
d) di:z h) a h e d
Starting from the position for normal breathing, the lower lip is brought into
contact with the upper teeth. The lungs are compressed, causing air to flow
through the constriction, producing fricative noise. The tongue moves to the
position for i. The vocal folds are brought together, causing voicing to begin,
and at the same time the lower lip is lowered. Then the tongue blade is raised to
make a fairly wide constriction in the post-alveolar region and the vocal folds
are separated to stop voicing; the flow of air causes fricative noise. Next, the
vocal folds are brought together to begin voicing again and at the same time the
tongue is lowered from the constriction position into the i vowel posture. The
tongue blade is then raised against the alveolar ridge, forming a constriction
which results in fricative noise. This is initially accompanied by voicing, which
then dies away. Finally, the tongue is lowered from the alveolar constriction, the
vocal folds are separated and normal breathing is resumed.
C hapter 7
Plosives: p t k b d g
Fricatives: f 0 s j h v d z 3
Affricates: t j d3
Nasals: mng
Lateral: 1
Approximants: r w j
(This course has also mentioned the possibility of g and m.)
a) SQufo c) s t i a r i g
b) V3is d) bredkrAm
Answers to w ritten exercises 203
e) s k w e a g) b a it
f) asrjga h) n a i n t i m
3 a) The soft palate is raised for the b plosive and remains raised for ae. It is
lowered for n, then raised again for the final a.
b) The soft palate remains lowered during the articulation of m, and is then
raised for the rest of the syllable.
c) The soft palate is raised for the ae vowel, then lowered for rj. It is then raised
for the g plosive and remains raised for the 1.
Chapter 8
PEAK CODA
c) PRE POST
INITIAL INITIAL INITIAL FINAL
s P 1 £6 f
Chapter 9
1 a p a t i k j a l a p r D b la m a v d a b a u t w a z a li:k
2 aupm r) d a b o t l p r iz e n t id n a u d if ik lt i
204 Answers to w ritten exercises
C hapter io
1 a) pro'tect pro'tekt
b) 'clamber 'klaembo
c) fes'toon fes'tuin
d) de'test di'test
e) 'bellow 'belou
f) 'menace 'mems
g) disconnect ,disko'nekt
h) 'enter 'entorir) ('entrir))
2 a) 'language 'laer)gwid3
b) 'captain 'kaeptin
c) ca'reer ko'rio
d) 'paper 'peipo
e) e'vent 1'vent
f) 'jonquil 'd3 Dgkwil
g) 'injury 'ind 3 ori Cind3ri)
h) co'nnection ko'nek Jon (ka'nekfn)
C hapter i i
1 and 2
a) 'shop,keeper 'Jop.kiipa
b) ,open'ended .aupan'endid
c) Java'nese ,d3a:va'ni:z
d) 'birthmark 'b3:0ma:k
e) ,anti'clockwise .aenti'klokwaiz
g) .confirmation .kDnfa'meiJn
h) .eight'sided .eit'saidid
h) 'fruitcake 'fru:t,keik
i) de'fective di'fektiv
j) 'roof .timber 'ru:f,timba
C hapter 12
C hapter 13
P d s m z
Continuant - - + + +
Alveolar - + + - +
Voiced - + - + +
5 a) All the vowels are close or close-mid (or between these heights).
b) All require the tongue blade to be raised for their articulation, and all are in
the alveolar or post-alveolar region.
c) None of these requires the raising of the tongue blade - all are front or back
articulations.
d) All are voiceless.
e) All are rounded or end with lip-rounding.
f) All are approximants (they create very little obstruction to the airflow).
Chapter 14
c) Com j puters con j sume a con I siderable a i mount of j money and I time
d) j Most of them have a j rrived on the j bus
e) I Newspaper editors are in variably i under worked
2 a) b)
Royce
c)
d)
w s w
s w s w w s
Rolls Royce rail y e vent
(the stress levels o f‘Rolls’ and ‘Royce’ are exchanged to avoid “stress clash”
between ‘Royce’ and ‘ra-’.)
3 a) w a q k o :z 9v se sm sr is s p s u s tQ bi aetad3iz
b) w o t di 3i b m p D p j 3leiJn k o d 3u :z iz b e t s t r e m z
c) Ji aeks p o t i k p l i w e l in n s f 3 is siin
(Each of the above represents just one possible pronunciation: many others are
possible.)
C hapter 15
Chapter 16
1 (T h is is a n exercise w h e re th e re is m o r e th a n o n e c o r r e c t an sw er.)
a) b u y it fo r m e
b ) h e a r it
c) ta lk to h im
2 a) 'm in d th e ste p
b ) 'th is is th e 'te n to 'sev e n tr a i n
c) 'k e e p th e 'fo o d h o t
3 a) 'O n ly w hen th e vw in d -blow s
b) /W h e n d id you -say
Chapter 17
c) ,She w o u ld h av e ,th o u g h t it w as a o b v io u s
~ \
2 a) ,o p p o r t / u n it v
b ) v ac tu a lly
c) \ c o n fid e n t ly
V___
d) m a g Am fi c e n t
e) re / l a tio n sh ip
f) ,a f te r v n o o n
\y
Chapter 18
1 Its 'r a th e r v c o ld
2 B e 1ca u se I 'c a n t a x ffo rd it
3 Y oure \ silly th e n
4 O h v p lease
5 ,S even o x clo ck | ,sev en / th i r ty I a n d \ e ig h t
6 a Fout
7 Ive ,g o t to ,d o th e / s h o p p in g
8 v S o m e o f th e m - m ig h t
Answers to w ritten exercises 209
C hapter 19
C hapter 20
This accent has a distribution for r) similar to BBC pronunciation (i.e. a case can
be made for a 13 phoneme), except that in the case of the participial ‘-mg’ ending
n is found instead of g.
This accent has two additional long vowels (e:, o:) and, correspondingly, two
fewer diphthongs (ei, 30). This situation is found in many Northern accents.
The fricatives 9, 6, h are missing from the phoneme inventory, and f, v are used
in place of 0, d. This accent has w where BBC pronunciation has “dark 1”. This is
typical of a Cockney accent.
This data is based on the traditional working-class accent of Bristol, where words
of more than one syllable do not usually end in a The accent is rhotic, so where
there is an ¥ in the spelling (as in ‘mother5) an r is pronounced: where the spell
ing does not have V, an 1sound is added, resulting in the loss of distinctiveness
in some words (cf. ‘idea5,‘ideal5; ‘area5,‘aerial5).
Here we appear to have three vowels where BBC pronunciation has two: the
word ‘cat5has the equivalent of as, ‘calm5has a vowel similar to a : while in the set
of words that have se in many Northern accents (‘plaster5,‘grass5, etc.) an addi
tional long vowel a: is used. This is found in Shropshire.
Answers to recorded exercises
A udio U n it i
Exercise 2
1 radical • • •
2 emigration • • • •
3 enormous • • •
4 disability • • • • •
5 alive • •
Audio U n it 2
Exercise 2
A udio U n it 3
Exercise 3
Exercise 5
210
Answers to recorded exercises 211
Exercise ^
A udio U n it 4
Exercise 3 b )
Exercise 5
1 ‘debate’ 6 ‘guarded’
2 ‘copied’ 7 ‘dedicated’
3 ‘buttercup’ 8 ‘paddock’
4 ‘cuckoo’ 9 ‘boutique’
5 ‘decayed’ 10 ‘appetite’
A udio U n it 5
Exercise 3
Exercise 4
1 ‘keep’ 11 ‘duck’
2 ‘boat’ 12 ‘cope’
3 ‘cup’ 13 ‘dog’
4 ‘dirt’ 14 ‘coward’
5 ‘bike’ 15 ‘bake’
6 ‘cab’ 16 ‘tied’
7 ‘gate’ 17 ‘beard’
8 ‘cared’ 18 ‘put’
9 ‘tired’ 19 ‘bug’
10 ‘bird’ 20 ‘doubt’
A udio U n it 6
Exercise 2
a) initial position b) medial position c) final position
1 J- in Jao ‘show’ 6 v in novo ‘over’ 11 6 in lood ‘loathe’
2 0 in 0ai ‘thigh’ 7 3 in me30 ‘measure’ 12 v in i:v ‘Eve’
3 z in zu: ‘zoo’ 8 s in aisir) ‘icing’ 13 J in aej ‘ash’
4 f in fa: ‘far’ 9 J in ei j'o ‘Asia’ 14 f in rAf ‘rough’
5 d in dou ‘though’ 10 h in ohed ‘ahead’ 15 0 in ooB ‘oath’
A udio U n it 7
Exercise 6
1 j 11:303! ‘usual’ 7 vaiolons ‘violence’
2 rimein ‘remain’ 8 emfosis ‘emphasis’
3 eksasaiz ‘exercise’ 9 d3entli ‘gently’
4 we on t] ‘wearing’ 10 0ir)kir) ‘thinking’
5 3:d3ont ‘urgent’ 11 taipraito‘typewriter’
6 minimom ‘minimum’ 12 j iali ‘yearly’
A udio U n it 8
Exercise 6 (spellings)
1 ‘scraped’ 5 ‘crunched’
2 ‘grudged’ 6 ‘thrones’
3 ‘clothes’ 7 ‘plunged’
4 ‘scripts’ 8 ‘quench’
Answers to recorded exercises 213
A udio U n it 9
Exercise 5
1 'gaidna ‘gardener’ 6 'sAdn ‘sudden’
2 'k d a m ‘column’ 7 'kaelas ‘callous’
3 'haendlz ‘handles’ 8 'Sretnirj ‘threatening’
4 a'laiv ‘alive’ 9 pa'lait ‘polite’
5 pri'tend ‘pretend’ 10 'pAzl ‘puzzle’
A udio U n it 10
Exercise 1
1 'enami 6 sab'traekt
2 ka'lekt 7 'elifant
3 'kaepitl 8 ab'z 3 :va
4 kai'neijn 9 'profit
5 'paeradais 10 .enta'tein
1 Shrewsbury 6 Birmingham
2 Polperro 7 Northampton
3 Aberdeen 8 Dundee
4 Wolverhampton 9 Canterbury
5 Aberystwyth 10 Basingstoke
A udio U n it 12
Exercise 3
A udio U n it 13
Exercise 1 (s p e llin g s )
1 Colchester 4 Scunthorpe
2 Carlisle 5 Glamorgan
3 Hereford 6 Holyhead
214 Answers to recorded exercises
7 Framlingham 9 Cheltenham
8 Southend 10 Inverness
Exercise 2
Exercise 3
A udio U n it 14
Exercise 1
Exercise 2
Note: When recordings of conversational speech are used, it is no longer possible to give
definite decisions about “right” and “wrong” answers. Some problems, points of interest
and alternative possibilities are mentioned.
1 (Careful speech would have had b j u i t i f l or b j u i t i f u l . )
a b j u : t hf l g 3 i l
2 (Careful speech would have d e f i n i t ,
w i s i:m t a haev a d e f n a t w A n d e s
d e f i n o t or d e f n o t ; notice that this speaker uses a glottal stop at the end
o f ‘definite’ so that the transcription - phonetic rather than phonemic -
d e f n a ? would be acceptable. There is a good example of assimilation in
the pronunciation of ‘one there’; as often happens when n and d are com
bined, the n becomes dental n . In addition, the 6 loses its friction - which
is always weak —and becomes a dental nasal, so that this could be tran
scribed phonetically as w A n n e a . )
3 k u d it bi 9 stuil r a i d d n a teibl (Careful speech would have r a i d s d a n a ; the 6
is long, so the symbol is written twice to indicate this.)
Answers to recorded exercises 215
A udio U n it 15
E xercise 3
1 vone 6 /six
2 \tw o 7 \now
3 /three 8 vyou
4 Afour 9 Amore
5 \five 10 /u s
A udio U n it 16
Exercise 1
A udio U n it 17
Exercise 4
A udio U nit 18
Note: Since these extracts were not spoken deliberately for illustrating intonation, it is
not possible to claim that the transcription given here is the only correct version. There
are several places where other transcriptions would be acceptable, and suggestions about
alternative possibilities are given with some items, in addition to a few other comments.
1 it 'looks like a 'French magaxzine (slight hesitation between ‘looks’ and ‘like’)
2 the 'television 'is plugged vin
3 'does your 'colander have a \ handle (‘does’ possibly not stressed)
4 a /flap on it
5 'you tell me about / vours (narrow pitch movement on ‘yours’; ‘tell’ may also be
stressed)
6 'well x dark hair
7 .more than .half / wav
8 but er 'not in the \o th er -corners
9 a .sort o f ,Daily \ Sketch -format -newspaper (‘sort’ possibly not stressed)
Answers to recorded exercises 217
10 'on the \to g | 'on the \lid (both pronunciations o f‘on’ might be unstressed)
11 well theyre 'on al vternate -steps | theyre 'not on vevery -step
12 'what about the w en t | at the \ back
13 and a 'ladys \handbag | .hanging on a ,nail on th e\ wall
14 'you do the \left hand -bit of the -picture | and ,111 do the \ right hand -bit
15 were being 'very par vticular | but we 'just haven’t 'hit upon 'one of the \differ-
ences -yet (stress on ‘just’ is weak or absent)
16 and 'what about your telex vision | 'two / knobs | in the / front
A udio U n it 19
Exercise 1
| dea 'bildirj \ win fa:mz | 'oil 'auva di /earia | ,wea wi \ h v | wi kan si: 'lorj \ lainz av
dam | a,lDg da ,tDps av da \ hilz | an 'daun bai da vkanst J dar a 'win 't3:bainz 'aut
at / s i l | 'aend a'lDg d a x foi | dei 'aunli 'bild dam 'wea daz 'plenti av vwind | Aobviasli
| wi ,s3:tnli ,get a ,lot av \ daet mar -as | ju vkod -sei | da .laenskeips ,bi:r) kam,pli:tli
traensxfaimd | bap 'maus 'pi:pl 'daunt si:m ta \ maind |
A udio U n it 20
Note: Transcription of natural speech involves making decisions that have the effect of
simplifying complex phonetic events. The broad transcription given below is not claimed
to be completely accurate, nor to be the only “correct” version.
iwaz 'raida \ frai?mn
bikaz da dara\ skaiz
a di:z \baiskjz
ju 'riili \haev tu
218 Answers to recorded exercises
References to reading on specific topics are given at the end of each chapter. The following
is a list of basic books and papers recommended for more general study: if you wish to go
more fully into any of the areas given below you would do well to start by reading these.
I would consider it very desirable that any library provided for students using this book
should possess most or all of the books listed. I give full bibliographic references to the
books recommended in this section.
The best and most comprehensive book in this field is A. C. Gimson’s book originally
tided Introduction to the Pronunciation of English, now in its Seventh Edition edited by A.
Cruttenden with the title The Pronunciation of English (London, Edward Arnold, 2008);
the level is considerably more advanced and the content much more detailed than the
present course. All writers on the pronunciation of British English owe a debt to Daniel
Jones, whose book An Outline of English Phonetics first appeared in 1918 and was last
reprinted in its Ninth Edition (Cambridge University Press, 1975), but the book, though
still of interest, must be considered out of date.
Two other books that approach the subject in rather different ways are G. O. Knowles,
Patterns of Spoken English (London: Longman, 1987) and C. W. Kreidler, The Pronunciation
of English, Second Edition (Oxford: Blackwell, 2004). A. McMahon, An Introduction
to English Phonology (Edinburgh: Edinburgh University Press, 2002) covers the theory of
phonology in more depth than this book: it is short and clearly written. H. Giegerich,
English Phonology: An Introduction (Cambridge: Cambridge University Press, 1992)
is more advanced, and contains valuable information and ideas. I would also recommend
Practical Phonetics and Phonology by B. Collins and I. Mees (Second Edition, London:
Routiedge, 2008).
G eneral phonetics
I have written a basic introductory book on general phonetics, called Phonetics in the
series ‘Oxford Introductions to Language Studies’ (Oxford: Oxford University Press, 2002).
There are many good introductory books at a more advanced level: I would recommend
P. Ladefoged, A Course in Phonetics (Fifth Edition, Boston: Thomson, 2006), but see also
220 Recommendations for general reading
the same author’s Vowels and Consonants (Second Edition, Oxford: Blackwell, 2004) or M.
Ashby and J. Maidment, Introducing Phonetic Science (Cambridge: Cambridge University
Press, 2005). Also recommended is Phonetics: The Science of Speech by M. Ball and J.
Rahilly (London: Edward Arnold, 1999). D. Abercrombie, Elements of General Phonetics
(Edinburgh: Edinburgh University Press, 1967) is a well-written classic, but less suitable
as basic introductory reading. J. C. Catford, A Practical Introduction to Phonetics (Oxford:
Oxford University Press, 1988) is good for explaining the nature of practical phonetics;
a simpler and more practical book is P. Ashby, Speech Sounds (Second Edition, London:
Routledge, 2005). J. Laver, Principles of Phonetics (Cambridge: Cambridge University Press,
1994) is a very comprehensive and advanced textbook.
Phonology
Several books explain the basic elements of phonological theory. F. Katamba, An Introduction
to Phonology (London: Longman, 1989) is a good introduction. Covering both this area
and the previous one in a readable and comprehensive way is J. Clark, C. Yallop and
J. Fletcher, An Introduction to Phonetics and Phonology (Third Edition, Oxford: Blackwell,
2007). A lively and interesting course in phonology is I. Roca and W. Johnson, A Course
in Phonology (Oxford: Blackwell, 1999). A recent addition to the literature is D. Odden’s
Introducing Phonology (Cambridge: Cambridge University Press, 2005). The classic work
on the generative phonology of English is N. Chomsky and M. Halle, The Sound Pattern of
English (New York: Harper and Row, 1968); most people find this very difficult.
Accents o f English
The major work in this area is J. C. Wells, Accents of English, 3 vols. (Cambridge: Cambridge
University Press, 1982), which is a large and very valuable work dealing with accents of
English throughout the world. A shorter and much easier introduction is A. Hughes, P.
Trudgill and D. Watt, English Accents and Dialects (Third Edition, London: Edward Arnold,
2005). See also P. Foulkes and G. Docherty, Urban Voices (London: Edward Arnold, 1999)
and P. Trudgill, The Dialects of England (Second Edition, Oxford: Blackwell, 1999).
I do not include here books which are mainly classroom materials. Good introductions
to the principles of English pronunciation teaching are M. Celce-Murcia, D. Brinton and
J. Goodwin, Teaching Pronunciation (Cambridge: Cambridge University Press, 1996), C.
Dalton and B. Seidlhofer, Pronunciation (Oxford: Oxford University Press, 1994) and J.
Kenworthy, Teaching English Pronunciation (London: Longman, 1987). M. Hewings,
Pronunciation Practice Activities (Cambridge: Cambridge University Press, 2004) contains
much practical advice. A. Cruttenden’s revision of A. C. Gimson’s The Pronunciation of
Recommendations fo r general reading 221
English (Seventh Edition, London: Edward Arnold, 2008) has a useful discussion of
requirements for English pronunciation teaching in Chapter 13.
Pronunciation dictionaries
Most modern English dictionaries now print recommended pronunciations for each word
listed, so for most purposes a dictionary which gives only pronunciations and not mean
ings is of limited value unless it gives a lot more information than an ordinary diction
ary could. A few such dictionaries are currently available for British English. One is the
Seventeenth Edition of the Cambridge English Pronouncing Dictionary, originally by Daniel
Jones, edited by P. Roach, J. Hartman and J. Setter (Cambridge: Cambridge University
Press, 2006). Jones’ work was the main reference work on English pronunciation for most
of the twentieth century; I was the principal editor for this new edition, and have tried to
keep it compatible with this book. There is a CD-ROM disk to accompany the dictionary
which allows you to hear the English and American pronunciations of any word. Another
dictionary is J. C. Wells, Longman Pronunciation Dictionary (Third Edition, London:
Longman, 2008). See also C. Upton, W. Kretzschmar and R. Konopka (eds.), Oxford
Dictionary of Pronunciation (Oxford: Oxford University Press, 2001). A useful addition to
the list is L. Olausson and C. Sangster, The Oxford BBC Guide to Pronunciation (Oxford:
Oxford University Press, 2006), which makes use of the BBC Pronunciation Research
Unit’s database to suggest pronunciations of difficult names, words and phrases.
222
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224 Bibliography
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of Chicago Press.
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