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cacophony of voices a harmonious whole (p. 212). The subtle and perceptive
commentary is rich enough to reward reading and re-reading.
C. A. Colmo
Dominican University, Emeritus
E-mail: farabi@dom.edu
Gregory A. Lipton’s engaging book Rethinking Ibn ‘Arabi is not, as one might
expect from its title, a revisionist evaluation of the modern scholarly and/or
popular reception of Ibn 6Arab; across the board based on a comprehensive,
new reading of his vast oeuvre, which would have been nothing less than a
Herculean task, but instead an in-depth analysis of Ibn 6Arab;’s reception by
the Swiss Perennialist Frithjof Schuon (1907–1998) and some of his followers.
In fact, going beyond such a somewhat limited, albeit fascinating and fruitful,
reception study, Lipton directs the full weight of his considerable scholarly acu-
men to uncovering the genealogy of Schuon’s religious universalism, trenchantly
exposing its rootedness in essentialist and racialist nineteenth century
Eurohegemonic discourses on religion through deft comparisons of his thought
with those of Schleiermacher and Kant. In the process, he skilfully traces the
absolutist contours of the discourses of religious universalism he analyses, re-
vealing the exclusive supersessionism that lies at their core. Ultimately, even
though Ibn 6Arab;’s presence is palpable throughout the book, it is overshadowed
by that of Schuon: Rethinking Ibn ‘Arabi, it turns out, is a theoretically rich,
critical assessment of Schuonian Perennialism.
After a short prologue and an introduction, in which Lipton gives his readers
glimpses of the overall architecture of his study and provides a chapter outline,
the author plunges into a detailed criticism of Schuonian misreading of Ibn
6Arab; on the issue of religious universalism. In ch. 1, ‘Tracking the camels of
love’, he focuses on the following celebrated verses of Ibn 6Arab; from his
Tarjum:n al-ashw:q (The Interpreter of Desires) that are frequently cited by
Perennialists and others as evidence of his religious pluralism: ‘My heart has
become capable of every form: it is a/ pasture for gazelles and a convent for
Christian monks, /And a temple for idols and the pilgrim’s Ka‘ba and the / Tables
of the Tora and the book of the Koran. / I follow the religion of Love: whatever
way Love’s / camels take, that is my religion and my faith’ (p. 24, as translated by
Reynold Nicholson, 1911). Pointing to the ‘conflation between Ibn 6Arabi’s con-
ception of belief and the modern idea of religion’ (p. 29) that allows modern
Euro-American readings (Affifi, Corbin, Izutsu, Sells, and Chittick are discussed,
of whom only the last has Perennialist connections) to occlude the ‘cosmology of
power’ (p. 26) behind these lines, Lipton sets out to demonstrate, with help from
122 BOOK REVIEWS
Ibn 6Arab;’s own commentary on The Interpreter of Desires, that the poem is
instead a ‘forceful assertion of the spiritual sovereignty of Muhammad from both
socio-historical and metaphysical perspectives’ (p. 53). He develops this argu-
ment further in ch. 2, ‘Return of the solar king’, with clear textual evidence
drawn from al-Fut<A:t al-Makkiyya (The Makkan Openings), where he argues