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Politics as a vacation
Robin Wagner-Pacificia,* and Iddo Tavoryb
a
Department of Sociology, The New School for Social Research, 79 Fifth Avenue,
9th Floor, New York, NY 10003, USA.
E-mail: wagnerpr@newschool.edu
b
Department of Sociology, New York University, Puck Building, Room 4116, 295
Lafayette Street, New York, NY 10012, USA.
E-mail: iddo.tavory@nyu.edu
*Corresponding author.
Abstract This paper analyzes the electoral campaign and election of Donald Trump
as an ongoing event – a rupture of known trajectories and narratives. The ‘‘eventness’’ of
the election was both orchestrated by the Trump campaign, and desired by parts of the
electorate precisely as a rupture in the predictable trajectories of political life. We
locate this form of rupture in the tension Weber described between charisma and
rational-legal authority, as a tear in the mutual implication of these forms of authority
in the ordinary business of politics. We then show how such an analysis of rupture
problematizes the usual ways sociologists attempt to understand actors, using Weber’s
notion of ‘‘verstehen’’ that focuses on understanding individuals’ alternative motiva-
tions, meanings, and alternative trajectories of means and ends. We argue that we must
position rupture – the suspension and even rejection of such narratives – as an
important aspect of our understanding of action in this case.
American Journal of Cultural Sociology (2017) 5, 307–321.
doi:10.1057/s41290-017-0036-8; published online 9 August 2017
Keywords: charisma; event; politics; rupture; temporality; Trump
Introduction
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1
As Sewell (2005, p. 228) put it ‘‘Ruptures spiral into transformative historical events when a
sequence of interrelated ruptures disarticulates the previous structural network, makes repair
difficult, and makes a novel rearticulation possible.’’
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Politics as a vacation
As a way into the enactment of rupture in the election, it is useful to begin with
a minor moment. A few days after Trump’s victory, a note appeared on a
friend’s door. A colleague, a Filipino-American professor of sociology in a
public university, came to his office to find a post-it waiting for him. A one
word message. ‘‘Trump!’’ This was not an isolated incident. A couple of days
earlier, ‘‘Trump’’ was also scrawled on New York University’s prayer hall, used
mainly by Muslim students on campus. How can we understand these notes? To
use J. L. Austin’s (1975) terms, the note holds little locutionary content. It is the
name of the president elect, and, felicitously, also signifies a winning hand, ‘‘a
decisive overriding factor or final resource’’ (Merriam Webster Dictionary
2016). But the note has no set meaning beyond that. It also has little
illocutionary content, though it may be a warning or a declaration or an
exultation. There is no speech act directly evident, and despite the exclamation
mark, no call to action is apparent (Figure 1).
What it has in abundance, however, is perlocutionary force. For the Muslim
graduate student sobbing in the halls at NYU, the emotional resonance of the
scrawled name was unmistakable, as it was for the faculty member who found it
on his door. But what precisely is its emotional valence? There is surely some
gloating here, but mostly dread. Both for a Muslim student and for a gay
professor of color, there was a diffuse and murky threat afoot. Was it that the
perceived era of intellectual elites – especially of color – is past? Is it that
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Figure 1: Trump.
Photo: Anthony Ocampo.
Muslims are no longer welcome in Trump’s America? Perhaps. But the sign is
also an ambiguous marker of a future. It is one in which Muslims and liberal
gay professors should be wary, but not a clearly described one. As opposed to a
burning cross or a swastika – the semiotic cousins of the ‘‘Trump!’’ scrawl –
there is no explicit violent past being evoked, like the era of lynching in the US
or the Holocaust. The dread produced by the scrawls is built of possibility and
rupture.
As numerous Trump supporters and pundits alike agreed, potential voters’
disgust of ‘‘politics as usual,’’ always simmering in parts of the electorate, was
galvanized by Trump. In the words of Michael Moore, Trump served ‘‘as the
human Molotov cocktail that they get to toss into the system’’ (Wang, 2016).
And, part of what made this Molotov cocktail so incendiary was how it bucked
the usual political structures of historical, linear temporality and narrative.
Rather than an emplotment of political process and policy, backed up by
ideologically distinct values and positions, Trump’s campaign ran on what
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‘‘We are gonna win, win, win. We’re going to win with military, we’re
going to win at the borders, we’re going to win with trade, we’re going to
win at everything. And some of you are friends and you’re going to call,
and you’re going to say, ‘Mr. President, please, we can’t take it anymore,
we can’t win anymore like this, Mr. President, you’re driving us crazy,
you’re winning too much, please Mr. President, not so much, and I’m
going to say I’m sorry, we’re going to keep winning because we are going
to make America great again.’’ (quoted in Bedard, 2016).
‘‘Victor Vizcarra, 48, of Los Angeles, said he would much prefer Mr.
Trump to Mrs. Clinton. Though he said he disagreed with some of Mr.
Trump’s policies, he added that he had watched ‘‘The Apprentice’’ and
expected that a Trump presidency would be more exciting than a ‘‘boring’’
Clinton administration. ‘‘A dark side of me wants to see what happens if
Trump is in,’’ said Mr. Vizcarra, who works in information technology.
‘‘There is going to be some kind of change, and even if it’s like a Nazi-type
change, people are so drama-filled. They want to see stuff like that happen.
It’s like reality TV. You don’t want to just see everybody be happy with
each other. You want to see someone fighting somebody.’’ (Alcindor,
2016).
What is striking in this quote, of course, is precisely the way in which the
seductive quality of ‘‘change’’ wins over moral valence. Even as this specific
voter explicitly posits the valence of a Trump victory at the darkest point of the
moral spectrum – ‘‘Nazi-type change’’ – the interest this possibility holds is
seductive and exciting. And, where that valence was not an obstacle, and where
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economic hardship and poverty exacerbated voters’ disgust of the political, the
excitement over a Trump victory was colored in more optimistic anticipation.
As one ardent Trump supporter reiterated a couple of weeks after the election,
‘‘I hope our new president is going to make a change for us. We need a change.
It’s just been a nightmare’’ (Kruse, 2016).
But ‘‘the dark side’’ the potential voter above alluded to is no trivial matter in
another way. With the desire to be rid of boredom (with all of its disciplining
force) the relief and release of charisma is all the more welcome. Charismatic
authority is described by Weber as necessarily rupturing, breaking with the past
and jettisoning all into a radically different future. In its purest moments, it is
literally unhinged, and thus holds both promise and peril – whether it appears in
the realm of politics, war, or religion.
There is a clear connection in Weber’s account between the powerful and
mobilizing passion of the charismatic leader and the occult, violent means by
which politics naturally operates. These violent means are only tempered,
socialized as it were, by both character and process. That is why Weber insists in
an existentially fatalistic way at the end of ‘‘Politics as a Vocation’’ that the only
politician he can look on with approbation is one who exemplifies the ethic of
responsibility, one who is not a saint only interested in absolute ends, but rather
able to make a certain grudging peace with the violent means of the state and
compromise for the sake of earthly consequences. Such a politician would seem
to embody both the legal-rational strengths of bureaucratic authority and the
visionary qualities of the charismatic authority. But Weber is not sanguine
about the possibilities of such combining and ends the speech with, literally, icy
darkness.
As Weber understood, alongside diverse political theorists and philosophers
such as Schmidt, Shils, Agamben, and Derrida, underneath the law and legal-
rational bureaucracy lies power. There is a charismatic moment of unfettered
possibility underlying the greyest of trajectories. What these thinkers appreci-
ated less, however, is a version of Toqueville’s point with which we have started
this article: that, at least in democratic systems, the promise of charisma also
hides well-grooved bureaucratic institutions and trajectories. The relationship
between charisma and legal-rational authority in modern, highly expert-
dependent and heavily bureaucratic democracies, is structured more like a series
of figures in a Russian Matryoshka doll. While political candidates need to be
‘‘touched by grace,’’ and thus position themselves beyond and outside
bureaucratic authority as they court rupture and trade in ambiguity, they need
to simultaneously exhibit their understanding that this charismatic moment is a
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passing one. That at the end of the charismatic moment, and undergirding it, is
bureaucratic assurance, the rule of law, and the longevity of institutions.2
The image of bureaucracy, in this sense, has changed since Weber’s times. In
Prussia-cum-Germany, bureaucracy was an elite and highly respected profes-
sion. Over the course of the 19th into the 20th century, officials and the
bureaucratic systems they developed required rigorous educational training and
credentials and entry to the profession was based upon merit – a ‘‘noble-
bourgeois aristocracy of office’’ (Gillis, 1968: 108). As Weber outlined it, it was
a profession and a set of practices that did not inspire; that did not provide the
goals or ends of politics and political movements, but rather trafficked (only) in
means. Still, however, it had the image of an elite that is hard to grasp today.
Our contemporary understanding of bureaucracy is considerably less exalted
than that of Weber’s and his contemporaries. While bureaucracies have become
entrenched, and as the ‘‘rule by experts’’ that they represent had become more
and more deeply etched into the modern state, their image is even less
commanding. We view bureaucrats as ‘‘petty,’’ as grudging agents in processing
requests or as deniers of them or as demanding of forms and fees. There is a kind
of pathos surrounding the figure of the bureaucrat – a disliked figure whose
power is impersonal and limited, but nonetheless consequential.
In this regard, the juxtaposition of Trump’s rhetoric to Clinton’s is striking.
Where Trump’s rhetoric reveled in talk of the destruction of institutions and
institutionalized modalities of action, Clinton’s was painstakingly specific
precisely about the challenges of bureaucracy and the institutional order. Thus,
for example, when asked about Veterans waiting for their benefits, in a military
forum, Clinton answered that:
I’m going to do everything I can – I’m going to have a meeting every week
in the Oval Office. We’re going to bring the V.A. people, we’re going to
bring the DOD people, because we’ve got to have a better fit between
getting mustered out and getting into the V.A. system, sometimes – and
you probably know this, Sergeant – I’ve met so many vets who get
mustered out, who leave the service, they can’t find their records from
DOD, and those records never make it to the V.A. They feel like they’re
living in a funhouse. They have to go over the same things over and over.
We’re living in a technological world. You cannot tell me we can’t do a
better job getting that information. And so I’m going to focus on this. I’m
going to work with everybody. I’m going to make them work together.
2
Eisenstadt (1968, p. 19) describes Weber’s contradictory compound concept of the ‘‘charisma of
office’’ in which a charismatic figure has the, ‘‘ability to (…) transform any given institutional setting
by infusing into it some of his charismatic vision, by investing the regular, orderly offices, or aspects
of social organization with some of his charismatic qualities and aura.’’ Nevertheless, even here, the
contradictions reappear as ‘‘charismatic activities and orientations…contain strong tendencies
toward the destruction and decomposition of institutions’’ (ibid, p. 21).
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3
It is important to note that the emotional valences and political attitudes attached to such heightened
moments that break away from narratives of cause and effect may be quite varied. Abbott (2007)
writes about what he terms specifically localized lyrical moments of social and cultural apperception
that share some structural similarities with the ruptures we are analyzing here but that are radically
different in mood and tone. Describing the kind of sociology he associates with the lyrical, Abbott
(ibid: 73) notes that ‘‘its ultimate framing structure should not be the telling of a story…but rather
the use of a single image to communicate a mood, an emotional sense of social reality.’’
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process. Rather than assuming a verstehen of means and ends, a more expansive
vocabulary is necessary, one that accommodates different experiential frames as
these pulsate through eventful times.
Conclusions
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As we have argued here, and as becomes clearer in the weeks and months
since the election, those who asked for rupture shall indeed receive it.
Disoriented, some liberals have resorted to posting the ongoing ruptures on
their Facebook page, just so they can keep track. These include ruptures in
decorum, ruptures in civility, ruptures in institutional conventions of the politics
of democratic transition, among others. The event seems to be hurtling forward,
melding an expected rise of conservative power with continued rupture of
American political forms and narratives.
Without the anchoring of legal-rational authority, Charisma as a perpetual
motion deconstruction machine recalls Hannah Arendt’s (1951, p. 306)
characterization of such motion as the hidden secret of totalitarian movements,
‘‘which can remain in power only so long as they keep moving and set
everything around them in motion…extraordinary adaptability and absence of
continuity are no doubt its outstanding characteristics.’’
Having invoked Arendt and raised the specter of totalitarianism here makes it all
the more important to provide a framework to both analyze and evaluate the
contours and flows of this current American political moment, this prolonged
rupture-event, and its deinstitutionalizing ethos. It is also imperative to ask how it is
possible to think politically and sociologically about good government in this context.
We have an image in mind. Counter-posed to the ‘‘Trump!’’ post-it thrust
onto the door with which we began this article, we introduce here, at the end,
the fourteenth century Sienese fresco series painted by Ambrogio Lorenzetti
titled The Allegory of Good and Bad Government, drawing attention to one
fresco in particular, ‘‘The Effect of Good Government.’’ This fresco, along with
the others, adorns the walls of Siena’s Town Hall, and has been on view to the
public since they were painted some seven centuries ago (Figure 2).
Figure 2: Ambrogio Lorenzetti, Effects of Good government in the city and the country, Siena c. 1337–40,
Palazzo pubblico, Siena.
Source Wikipedia.
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All sorts of civic virtues are on display in this fresco – artisans at work,
merchants and customers involved in transactions of goods, traders leading their
goods-laden horses, builders repairing houses, a school master lecturing his
students. A peaceable world reflecting, as the title names it, the effects of good
government. Somewhat surprisingly, a group of ten women dance in the
foreground, in what seems to be the focal point of the painting. What are they
doing there, and why would they be frolicking at the very center of this
beautifully organized and coordinated municipal scene of quotidian life?
The women are sometimes interpreted as representing rituals of renewal in
springtime, and other times the images of Venus and the nine muses, daughters
of Zeus who inspire the arts, literature, and science. Here then, in the midst of
the well-run life of the city embedded within the institutions of the market and
education and kinship, is a moment and opening for inspiration; for poetry, for
history, for astronomy, for dance and, even, for comedy. This scene, the effect
of good government, is thus paradoxically beautiful and boring at the same
time. Predictability and accountability go hand in hand with inspiration.
This confluence of worlds in ‘‘good governance,’’ however, is all too rare.
Even in the original fresco, there is something off about it – the perspective of
city is not quite right. It only aligns when seen from a specific perspective, a
point on the other wall where the figure of justice is drawn on a sister fresco,
which allows us to see the city as it should be. True, we cannot imagine rational-
legal authority without a kernel of charisma, and it is equally true that even the
most rupturing of governments that Trump may come to enact will still be a
largely bureaucratic structure. But at certain junctures, and perhaps especially
where the scales of justice do not offer perspective, the tension between rupture
and bureaucratic temporality comes to the fore.
How are we to understand this element of rupture? Do we even need to
understand it, or should we relegate it to the sidelines and get to the serious
business of verstehen? We believe that for both strategic and existential reasons
it is crucial to understand the politics of rupture and its allure as ‘‘irrational.’’ In
order to do so, we must rework the assumptions implicit in our method of
empathy, thinking critically about the relationship between means and ends,
and the implicit temporality we are driven to impute. Whether in order to
construct better dialogue, or in order to better fight it, we must not shrug off
such politics of vacation, nor treat it simply as ends for the disaffected.
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ASA Culture Section best book award), Discourse and Destruction: The City of
Philadelphia vs MOVE, and The Moro Morality Play: Terrorism as Social
Drama, and most recently, What is an Event?. A collaboration analyzing na-
tional security language has generated several publications, including ‘‘Graphing
the Grammar of Motives in U.S. National Security Strategies: Cultural Inter-
pretation, Automated Text Analysis and the Drama of Global Politics,’’ with
John W. Mohr, Ronald L. Breiger, and Petko Bogdanov.
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