1. Why do you think the story is heard second hand?

How does that tie in with the message of

the poem?
The traveler's encounter with the remnants of Ozymandias's statue suggests that the grandeur
and power of the past have become distant and forgotten. The story being heard second hand
reinforces the idea that the once-mighty ruler and his empire have become mere relics of
history, their significance fading over time.Moreover, the poem explores the nature of human
ambition, hubris, and the fleeting nature of power. By hearing the story from a traveler who
stumbled upon the ruins, readers are reminded that all great empires and rulers eventually
crumble, and their achievements are reduced to fragments and whispers in the sands of time.
The second-hand account adds an element of detachment, emphasizing that even the most
formidable legacies will eventually be obscured and forgotten by the passage of time.In
essence, the second-hand narrative highlights the ephemeral nature of human
accomplishments and serves as a cautionary tale against excessive pride, reminding readers of
the ultimate transience of power and the inevitability of decline.

2. Find out some information about the context of the poem, what kind of poet Shelley was
and who Ozymandias was and write it in here:
Percy Bysshe Shelley, the writer who expressed "Ozymandias," was a noticeable English
Heartfelt writer who lived from 1792 to 1822. He was known for his expressive and
visionary verse, investigating topics of nature, love, political and civil rights, and the force
of the creative mind. Shelley's works frequently mirrored his extreme perspectives and his
confidence in the groundbreaking force of verse to motivate change."Ozymandias" was
written in 1817 and distributed in 1818. The sonnet was propelled by a rivalry among
Shelley and his companion Horace Smith to compose the best work regarding the matter of
a sculpture of Ramses II (otherwise called Ozymandias) that was being shipped to the
English Gallery. Both Shelley and Smith composed separate poems, and Shelley's form at
last turned out to be all the more generally perceived and celebrated.Ozymandias, or
Ramses II, was an Egyptian pharaoh who reigned from 1279 to 1213 BCE in the nineteenth
administration of old Egypt. He was one of the most impressive and prestigious pharaohs
of his time, known for his tactical successes and his aggressive structure projects.
Ozymandias, a Greek delivering of his high position name Usermaatre Setepenre, signifies
"Lord of Rulers." The sculpture depicted in the sonnet addresses the remainders of his
once-powerful domain, presently fallen into rot and obscurity.Actually, quite significant
Shelley's sonnet mistreats authentic precision, as Ramses II was not a presumptuous ruler
like the person portrayed in the sonnet. Shelley's aim was to involve the figure of
Ozymandias as an image of the transient idea of force and the unavoidable decay of even
the most remarkable developments.In general, Shelley's "Ozymandias" exhibits his
wonderful expertise and his philosophical reflection on the fleetingness of human
accomplishments, filling in as an immortal sign of the temporary idea of force and the
excessive pride of the people who accept their heritages will persevere until the end of
time.

3. What is a “visage”? Visage Why is it “shattered”?

A "look" alludes to an individual's face or look. It includes the general appearance,
highlights, and demeanor of a singular's face.With regards to the sonnet, the look
referenced is that of the broke sculpture lying in the sand. The utilization of "broke"
recommends that the essence of the sculpture has been broken into pieces or seriously
harmed. It infers that the once-pleased and forcing figure of Ozymandias has experienced a
total breakdown or obliteration.The breaking of the look addresses the actual rot and ruin
of the sculpture after some time. It represents the defeat and decimation of Ozymandias'
power and magnificence. In spite of the stone worker's ability in catching the ruler's telling
presence, the broke appearance currently mirrors the uselessness and fleetingness of
human accomplishments, standing out pointedly from the exorbitant vanity communicated
in the engraving on the platform. The broke look fills in as an unmistakable sign of the
temporariness of domains and the possible eradication of even the most impressive rulers
from history.

4. What do we learn about Ozymandias from these descriptions?

Ozymandias was a strong and definitive figure: The "crumpled lip" and "scoff of cold order" on his
look recommend that he had a harsh and legitimate disposition. His stone carver had the option to
catch these qualities precisely, demonstrating that Ozymandias stood firm on a footing of huge
power and impact.Ozymandias was prideful and presumptuous: The engraving on the platform,
which peruses, "I go by Ozymandias, lord of rulers: Look on my works, ye Strong, and despair!"
mirrors a feeling of pretentiousness and predominance. It recommends that Ozymandias accepted
his works and accomplishments were unrivaled, and he anticipated that people in the future should
be overpowered by his power and feel a feeling of gloom in examination.Ozymandias' domain has
disintegrated: Regardless of Ozymandias' cases of being an extraordinary lord, the sculpture lies in
ruins, with just the trunkless legs and a broke look remaining. The rot and obliteration of the
sculpture show that Ozymandias' realm has imploded, abandoning simple parts and a memory of
his once-strong rule.Ozymandias' inheritance is unimportant: The immense and void desert
encompassing the destroyed sculpture builds up the possibility that Ozymandias' domain and
achievements have been decreased to nothing. The "solitary and level sands stretch far away,"
implying the unimportance of his works in the excellent plan of time and nature.

5. What technique is used here?

Incongruity is an explanatory gadget that includes a difference among assumption and reality. In
"Ozymandias," incongruity is utilized to feature the subject of the brevity of force and the frailty of
human accomplishments. The incongruity lies in the conspicuous difference between the
pretentious engraving on the platform and the real condition of the sculpture and its environmental
factors.The engraving on the platform pronounces, "I go by Ozymandias, ruler of lords: Look on my
works, ye Strong, and despair!" This engraving suggests that Ozymandias' power and achievements
were perfect to the point that they would move wonder and dread in others forever. In any case, the
truth introduced in the sonnet is that the sculpture lies broke and half-soaked in the desert, without
any works of Ozymandias apparent around it. The incongruity is that Ozymandias' planned
message of never-ending strength and brilliance is totally subverted by the remains and the
immense void of the desert scene.By utilizing incongruity, Shelley highlights the passing idea of
force and a definitive unimportance of human accomplishments. The difference between the
pompous words and the rotting sculpture fills in as a useful example against presumption and the
deception of enduring significance.

6. What does this word suggest about how much the sculptor respected Ozymandias?

"Derided" in the line "The hand that ridiculed them" recommends that the stone carver didn't hold
an elevated degree of regard or worship for Ozymandias. In this unique situation, "taunted"
signifies to mirror or depict in a mocking or hateful way.By utilizing "derided," the sonnet suggests
that the stone carver made the sculpture of Ozymandias with a specific degree of scorn or joke. It
recommends that the stone worker saw through Ozymandias' cases of significance and tried to
catch the defects and pride of the ruler in the sculpture's look. The stone worker's depiction of the
"badly creased lip" and "jeer of cold order" on the sculpture's face conveys a feeling of ridicule
towards the ruler's haughty and tyrannical nature.Generally, "ridiculed" recommends that the stone
carver didn't respect Ozymandias and utilized the valuable chance to reprimand or caricaturize the
ruler through the depiction of the sculpture quietly. It adds one more layer of incongruity to the
sonnet, as Ozymandias planned the sculpture to be a portrayal of his significance, yet the stone
carver's portrayal unobtrusively subverts that expectation by taunting and uncovering the ruler's
blemishes.

7. What technique is used here?

Representation is a scholarly gadget where human characteristics or activities are credited to non-
human elements or lifeless things. For this situation, the hand of the stone worker is exemplified,
enabling it to "mock" the interests and feelings portrayed in the sculpture.By crediting the activity
of taunting to the hand, the writer makes a distinctive picture of the stone carver's expertise and
expectation. It recommends that the stone worker had a profound comprehension of Ozymandias'
personality and had the option to catch and convey those feelings in the sculpture's face and
demeanor. The representation adds profundity and energy to the depiction, underscoring the stone
carver's capacity to rejuvenate the sculpture and pass the quintessence of Ozymandias on through
his imaginative translation.The utilization of representation additionally adds to the subject of the
sonnet by adapting the creative interaction and featuring the force of craftsmanship to convey
meaning and bring out feelings.
CHALLENGE 2: “Passions” are emotions – How does the traveller know that the sculptor must have
understood Ozymandias quite well?

The lines "And creased lip, and jeer of cold order,/Tell that its stone worker well those interests
read" show that the explorer perceives the feelings of Ozymandias depicted in the sculpture. The
"creased lip" and "scoff of cold order" caught by the stone carver's hand propose a profound
comprehension of the ruler's pride, haughtiness, and legitimate disposition.By intently noticing the
etched look, the explorer sees the stone carver's expertise in catching the complexities of
Ozymandias' feelings. The explorer's understanding is emotional however recommends that the
stone carver had a significant knowledge into the ruler's personality. The exactness with which the
interests are depicted persuades the voyager that the stone worker probably comprehended
Ozymandias very well.In this specific circumstance, the voyager's perception and understanding act
as a reflection on the craftsman's capacity to pass the embodiment of a subject on through their
work. It accentuates the imaginativeness and craftsmanship associated with chiseling and how the
stone's comprehension carver might interpret Ozymandias' interests permitted them to
reinvigorate the sculpture.

Paragraph 1- start by commenting on themes it covers/form and structure of poem and how it links
to power and conflict all paragraphs must include quotes/AO1- Ao2 analyse the
qutores/language/form/structure and a few lines about the context.

The sonnet "Ozymandias" by Percy Bysshe Shelley investigates topics of force, the brevity of human
accomplishments, and the contention among pride and the unavoidable rot of domains. Organized
as a work with a Petrarchan rhyme conspire (ABABACDC EDEFEF), the sonnet comprises of two
particular parts. The initial eight lines present a voyager's portrayal of the broke sculpture in the
desert, while the last six lines give a reflection on the engraving and the destiny of Ozymandias'
domain. The structure and design of the sonnet add to its effect, underscoring the difference
between the bombastic desires of Ozymandias and the unmistakable truth of his fallen realm.

The initial lines acquaint the peruser with the picture of the wrecked sculpture, which makes way
for the investigation of force and its definitive purposelessness. The voyager portrays the "huge and
trunkless legs of stone" and the "broke appearance" lying half-soaked in the sand. This distinctive
symbolism exhibits the actual rot and ruin of Ozymandias' once-incredible realm.

As far as language and structure, Shelley utilizes different graceful strategies to pass on his
message. One such method is the utilization of striking and suggestive symbolism, as found in lines,
for example, "badly creased lip" and "scoff of cold order," which portray the feelings and character
of Ozymandias. These depictions uncover the ruler's dictator nature and his confidence in his own
power.Moreover, the sonnet contains incongruity, especially in the engraving on the platform: "I go
by Ozymandias, lord of rulers: Look on my works, ye Strong, and despair!" The incongruity lies in
the way that Ozymandias' egotistic words are gone against by the destroyed sculpture and the
forsaken scene encompassing it. This incongruity highlights the momentary idea of force and fills in
as a preventative sign of the unsteadiness of human accomplishments.Logically, "Ozymandias" was
composed during the Heartfelt time frame, a period set apart by an emphasis on independence,
nature, and the investigation of human feelings. Shelley's sonnet epitomizes these Heartfelt
standards through its thoughtful assessment of force, the examination of mortality, and the
juxtaposition of glory and rot.All in all, "Ozymandias" by Percy Bysshe Shelley is a poem that
investigates topics of force, the momentary idea of human accomplishments, and the contention
among pride and the unavoidable downfall of realms. Through its structure, language, and
symbolism, the sonnet successfully conveys the differentiation between the fabulous desires of
Ozymandias and the truth of his fallen realm. The utilization of incongruity adds profundity to the
depiction of force and fills in as a sign of the fleetingness of human undertakings.