Multi-Effects Processor

Patch Memory List

Preset Ver. 1.00

These preset patch memories will provide optimal tone when connected to a PA system.
Try them with the B6 connected to a PA system, powered monitor speakers or headphones.

To use this preset patch memory when connected to a bass amp, turn off both the CABINET

( or icon) and IR . Then adjust the EQ of the bass amp as desired.

If the bass input has a lot of noise, use noise reduction .

©2021 ZOOM CORPORATION

Copying or reprinting this manual in part or in whole without permission is prohibited.
Product names, registered trademarks and company names in this document are the property of their
respective companies.All trademarks and registered trademarks in this document are for identification
purposes only and are not intended to infringe on the copyrights of their respective owners.

This document cannot be displayed properly on black-and-white displays.

Contents

BANK A : BassAmps 1 • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • 3
BANK B : BassAmps 2 • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • 4
BANK C : BassAmps 3 • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • 5
BANK D : LEGENDS • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • 6
BANK E : JAZZ&FUNK • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • 7
BANK F : POP MUSIC • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • 8
BANK G : ROCK • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • 9
BANK H : UK ROCK • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • 10
BANK I : HR&METAL • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • 11
BANK J : SYNTH 1 • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • 12
BANK K : SYNTH 2 • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • 13
BANK L : CLEAN&DRV • • • • • • • • • • • • • • • • • • • • • • • • • • • • • 14
BANK M : DRIVE • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • 15
BANK N : FUZZ&OCT • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • 16
BANK O : OCTAVER • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • 17
BANK P : FILTER&WAH • • • • • • • • • • • • • • • • • • • • • • • • • • • • • 18
BANK Q : FUNKY EFX • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • 19
BANK R : MODULATION • • • • • • • • • • • • • • • • • • • • • • • • • • • • 20
BANK S : TREMOLO • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • 21
BANK T : PITCH&SYN • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • 22
BANK U : DELAY 1 • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • 23
BANK V : DELAY 2 • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • 24
BANK W : SFX • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • 25
BANK X : Aco.Basic • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • 26
BANK Y : Aco.Bow&FX • • • • • • • • • • • • • • • • • • • • • • • • • • • • • 27

2
BANK A : BassAmps 1
001 : SVT Drive

This all-around rock sound combines the impulse responses of an AMPG SVT with an 8x10'' cabinet.

Gain:40 Bass:6.5 LO:50

Bass-F:220 MID-F:250 HI:50
Bass:0 MID:0.0 BAL:100
MID-F:1.6K Treble:0.0 VOL:-18.0
MID:0 Gain:36
TRBL-F:16K
Ultra:HI
Treble:34
Vol:67 VOL:76

002 : Fat B-MAN

This heavy and warm tube amp sound combines BMAN100 with FD-B4x12.

Gain:36 Bass:52 DYN20:65

Bass:0 MID-F:220 DYN57:50
Treble:-4 MID:55 Bottom:55
VOL:40 Treble:67 BAL:100
Gain:58
Deep:OFF
VOL:49

003 : SVT Clean

This clean sound combines AMPG SVT and a half-stack cabinet with a tweeter.

Comp:30 Bass:0.5 LO:52

Lo:50 MID-F:200 HI:42
Hi:50 MID:2.0 BAL:80
VOL:68 Treble:5.0 VOL:-18.0
Gain:24
Ultra:HI
VOL:80

004 : Natural AG

This natural and powerful clean sound combines AG750 and AG4x10TW.

Gain:40 Bass:53 DYN20:56

HMNCS:47 MID:48 DYN57:48
LoType:SHELF Treble:50
LoFREQ:120 Bottom:50
Gain:35 BAL:100
Lo:-15
HiFREQ:3.5K BRGHT:ON
Hi:-6 Deep:OFF
Vol:85 VOL:76

3
BANK B : BassAmps 2
005 : SMR Slap

Combining SMR400 and a half-stack cabinet with a tweeter, this clean sound is good for slapping.

THRSH:-15 Bass:7.5 DYN20:50

Ratio:4.0 MID-F:800 DYN57:72
Knee:HARD MID:4.0 Bottom:65
VOL:62 Treble:0.0 BAL:90
Gain:65
ENHNC:0
VOL:43

006 : Warm AC370

This warm sound combines AC370 with a uniquely-constructed cabinet that has just a single 18'' speaker.

FREQ:200 Bass:55 LO:65

Lo:26 MID-F:350 HI:75
Hi:46 MID:45 BAL:65
VOL:70 Treble:74 VOL:-5.5
Gain:14
BRGHT:OFF
VOL:45

007 : Sunny DRV

Combining SUN CB and SN2x15, this powerful drive sound is good for 70s and 80s rock styles.

Input:40 Gain:32 Input:NORMAL DYN20:65

Ratio:4:1 Tone:50 Bass:50 DYN57:70
REL:20 BAL:79 MID:50 Bottom:50
Output:30 VOL:35 Treble:60 BAL:100
Dist:70
Color:OFF
Hi Bst:OFF
VOL:40

008 : EBH Slap

Combining EBH360 and a half-stack cabinet with a tweeter, this bright sound is good for slapping.

Comp:60 Bass:3.0 DYN20:52

LoTHR:67 MID-F:2.0K DYN57:42
HiTHR:25 MID:1.5 Bottom:55
VOL:33 Treble:0.0 BAL:50
BRGHT:22
Drive:15
VOL:65
CHARA:OFF

4
BANK C : BassAmps 3
009 : Mark Tone

This combo amp sound with a distinctive mid range combines Mini MarkB and MkB2x8TW.

Gain:50 Gain:62 DYN20:51

Bass-F:55 VNTG:49 DYN57:83
Bass:0 Shape:55 Bottom:50
MID-F:1.6K VOL:61 BAL:100
MID:21
TRBL-F:10K
Treble:0
Vol:60

010 : Classic TE

Combining TE400SX and TE4x10, this clean sound is good for playing rock and fusion.

Comp:70 Style:FINGER DYN20:50

LoTHR:50 Bass:0.5 DYN57:50
HiTHR:50 MID:1.5 Bottom:50
VOL:25 Treble:5.5 BAL:49
Gain:57
Shape:2
VOL:50

011 : Flip Tone

This vintage tube sound, which is good for soul and Motown styles, combines FlipTop and AM1x15.

Gain:40 BRGHT:OFF DYN20:40 Input:28

Nature:45 Treble:4.0 DYN57:70 Ratio:4:1
Blend:61 MID:5.5 Bottom:55 REL:31
VOL:36 Bass:8.5 BAL:71 Output:39
Gain:35
Ultra:OFF
VOL:70

012 : Poly Combo

This combo amp sound, which is good for jazz, combines the impulse response of a room mic with Monotone.

OCT1:30 Bass:40 LO:50

OCT2:0 MID:68 HI:50
MOD:0 Treble:35 BAL:100
Dry:86 PRSNC:0 VOL:-17.6
MODE:NORMAL
VOL:50

5
BANK D : LEGENDS
013 : Portrait

This sound is inspired by a fusion bassist famous for playing fretless bass and using harmonics.

Gain:39 Depth:85 Bass:53 DYN20:45

FLTR:31 Speed:40 MID:73 DYN57:48
VOL:67 Tone:40 Treble:50 Bottom:50
DryMx:60 Mix:76 PRSNC:21 BAL:34
MODE:NORMAL
VOL:49

014 : Liverpool

This sound is inspired by a legendary rock band formed in Liverpool in the 60s.

Gain:50 Gain:62 LO:50

Bass-F:55 VNTG:50 HI:50
Bass:-10 Shape:40 BAL:80
MID-F:700 VOL:37 VOL:-6.9
MID:3
TRBL-F:10K
Treble:-1
Vol:60

015 : GZR Wah

This dark and powerful wah sound is inspired by the bassist of an English band that was a driving force at the dawn
of heavy metal.

Input:NORMAL DYN20:50 Gain:18 Sense:4

Bass:65 DYN57:50 FLTR:62 RESO:2
MID:44 Bottom:60 VOL:59 Dry:50
Treble:53 BAL:100 DryMx:85 VOL:80
Dist:10
Color:OFF
Hi Bst:OFF
VOL:40

016 : LarryJet

This jet phase sound is inspired by the funk bassist who is said to have created slap playing.

Mode:4 Bass:50 LO:44

Rate:31 MID:42 HI:60
RESO:2 Treble:78 BAL:80
VOL:100 Gain:49 VOL:-12.7
BRGHT:ON
Deep:OFF
VOL:67

6
BANK E : JAZZ&FUNK
017 : MM Clean

This clean slap sound is inspired by a New York fusion bassist.

Input:28 Shift:-12 Bass:15 Depth:24 50:0.0

Ratio:4:1 Tone:90 Treble:0 Rate:14 120:2.0
REL:15 Wet:55 VOL:78 LoCut:280 400:-2.5
Output:42 Dry:80 ON/OFF:LATCH Mix:23 500:-1.0
800:3.5
4.5k:3.0
10k:4.0
VOL:80

018 : ModernJazz

This modern jazz fusion sound features a heavy midrange.

Sense:5 Gain:50 OCT1:65 Depth:75 PreD:70

ATTCK:SLOW Bass-F:220 OCT2:8 Rate:27 Decay:11
Tone:59 Bass:16 MOD:25 LoCut:180 Tone:4
VOL:60 MID-F:700 Dry:86 Mix:76 Mix:18
MID:23
TRBL-F:10K
Treble:-21
Vol:49

019 : BootFunk

This auto-wah sound is inspired by a funk bassist known for his star-shaped sunglasses and bass guitar.

Boost:26 Sense:1 Bass:2.0 DYN20:60

Tone:55 RESO:6 MID-F:630 DYN57:55
Fuzz:15 Dry:70 MID:1.0 Bottom:65
Dry:85 VOL:65 Treble:9.0 BAL:100
Gain:24
Ultra:OFF
VOL:55

020 : Wonderful
The left-hand keyboard playing of an American singer-songwriter famous worldwide is the inspiration for this funky
synthesizer sound.

FREQ:5 Oct:50 Gain:50 Drive:7

Range:8 Lo:0 Bass-F:55 Lo:50
Decay:72 Hi:0 Bass:12 Hi:60
RESO:6 Dry:80 MID-F:1.6K VOL:50
Wave:SAW MID:0
Tone:7 TRBL-F:10K
BAL:80 Treble:0
VOL:80 Vol:50

7
BANK F : POP MUSIC
021 : Pop Clean

This clean sound is perfect for smooth pop bass lines.

Bass:1.5 Comp:70 PreD:35

MID-F:400 LoTHR:50 Decay:7
MID:-1.0 HiTHR:50 Mix:15
Treble:2.5 VOL:43 Tail:OFF
BRGHT:36
Drive:20
VOL:50
CHARA:OFF

022 : Pop Drive

This all around drive sound is good for pop music.

Gain:33 Bass:48 Bass:56 DYN20:53

Bass:50 Treble:46 MID:48 DYN57:62
Treble:49 PRSNC:29 Treble:50 Bottom:60
VOL:41 Blend:48 PRSNC:13 BAL:100
Gain:56 MODE:NORMAL
VOL:48
VOL:50
MID-F:1.0K
MID:61

023 : 80' Studio

This 80s-style studio sound for playing with a pick uses slapback delay.

Gain:50 THRSH:-22 50:0.0 Time:63

Bass-F:55 Ratio:4.0 120:0.0 F.B:0
Bass:3 Knee:HARD 400:0.0 Mix:32
MID-F:1.6K VOL:89 500:0.0 Tail:OFF
MID:0 800:4.0
TRBL-F:10K 4.5k:2.5
Treble:0 10k:0.0
Vol:65 VOL:80

024 : Slap 42
This bright slap sound with a notable chorus effect is inspired by a bassist and vocalist who plays with a distinctive
high-speed slapping ''machine-gun style''.

Gain:50 Input:40 Style:SLAP Depth:2

Bass-F:55 Ratio:8:1 Bass:0.5 Rate:23
Bass:22 REL:20 MID:1.5 Tone:100
MID-F:700 Output:47 Treble:8.0 Mix:100
MID:-14 Gain:20
TRBL-F:10K
Shape:2
Treble:24
Vol:53 VOL:60

8
BANK G : ROCK
025 : M's Milk

This slap sound is inspired by the fourth album of a rock band that came together in Los Angeles in 1983.

Sense:3 FREQ:1.0K Bass:72 Style:SLAP

RESO:7 LoCMP:8 Treble:94 Bass:4.5
Dry:22 HiCMP:24 VOL:56 MID:8.5
VOL:83 VOL:72 ON/OFF:LATCH Treble:7.0
Gain:20
Shape:OFF
VOL:54

026 : Blue Stone

This clean sound perfect for finger-playing is inspired by an American three-piece blues-rock band from Texas.

Gain:60 Bass:50 DYN20:50

Tone:3 MID-F:250 DYN57:54
HiCut:ON MID:55 Bottom:50
VOL:80 Treble:63 BAL:100
Gain:55
Deep:OFF
VOL:81

027 : RockSlap

This drive sound is perfect for slapping in rock styles. This can punch through even in aggressive songs.

Sense:4 Bass:60 LO:50

ATTCK:FAST MID:51 HI:50
Tone:64 Treble:51 BAL:-12
VOL:58 Color:ON VOL:4.4
CHAN:DIST
Blend:40
Gain:52
VOL:46

028 : ProgBass

This sound is inspired by a Canadian bassist and vocalist known for his distinctive progressive playing.

Gain:59 Bass:57 DYN20:46

ATTCK:FLAT MID:63 DYN57:78
Blend:50 Treble:15 Bottom:85
VOL:76 PRSNC:29 BAL:100
MODE:BRIGHT
VOL:29

9
BANK H : UK ROCK
029 : The Ox Rox

This drive sound is inspired by the bassist known as The Ox.

Bass:48 Input:NORMAL DYN20:50

L-MID:71 Bass:50 DYN57:50
H-MID:67 MID:50 Bottom:60
Treble:50 Treble:50 BAL:100
Hi Bst:OFF Dist:64
LoCut:40 Color:OFF
Gain:14 Hi Bst:OFF
VOL:40 VOL:40

030 : Synchroniz

This sound with a floating feel is inspired by a track from the 1983 fifth album from an English trio known for adding
elements of reggae to rock.

PreD:6 Bass:-1.5 LO:45 PreD:10

Depth:40 MID-F:200 HI:36 Decay:8
Rate:20 MID:1.0 BAL:80 Mix:58
ON/OFF:LATCH Treble:-1.5 VOL:-18.0 Tail:OFF
RESO:60 Gain:30
Mix:80 Ultra:OFF
RST-F:50 VOL:71

031 : Heartbreak

This sound is inspired by a famous song from the second album of a hard rock band that debuted in 1968 in England.

SUSTN:20 Gain:0 Depth:2 Bass:48 DYN20:60

Tone:55 Tone:20 Rate:38 MID-F:220 DYN57:57
BAL:69 BAL:50 Tone:100 MID:58 Bottom:44
VOL:39 VOL:60 Mix:100 Treble:58 BAL:100
Gain:40
BRGHT:OFF
VOL:45

032 : RoundAB

This sound is inspired by the first track by an English prog rock band on their fourth album, released in 1971.

Gain:35 Input:NORMAL LO:50

Tone:58 Bass:64 HI:48
Blend:85 MID:82 BAL:80
VOL:85 Treble:31 VOL:-18.0
Dist:50
Color:OFF
Hi Bst:OFF
VOL:46

10
BANK I : HR&METAL
033 : 3 Finger
This drive sound suited for lead playing is inspired by a famous rock bassist known for tapping and three-finger
playing.

Sense:7 Bass:63 Gain:97 Bass:4.5

ATTCK:FAST MID:32 Tone:32 MID-F:400
Tone:55 Treble:8 BAL:49 MID:-1.0
VOL:50 Color:ON VOL:82 Treble:0.0
CHAN:DIST Gain:23
Blend:50
Ultra:OFF
Gain:0
VOL:63 VOL:99

034 : Wrathchild

This sound is inspired by a heavy metal bassist known for distinctive percussive finger-playing.

FREQ:900 Gain:26 Bass:50 DYN20:50

LoCMP:15 Bass:54 MID-F:630 DYN57:68
HiCMP:30 Treble:54 MID:76 Bottom:50
VOL:74 VOL:38 Treble:84 BAL:78
Gain:55
Deep:OFF
VOL:50

035 : EdgyBalls

This edgy slash metal sound is perfect for playing with a pick.

Bass:40 DYN20:50 Bass:30

MID-F:800 DYN57:50 L-MID:35
MID:60 Bottom:50 H-MID:45
Treble:70 BAL:100 Treble:40
Gain:65 Blend:80
Gain:81
Deep:OFF
VOL:65
VOL:55 Boost:OFF

036 : Djent Bass

This Djent sound is metallic and crisp.

DETCT:EFXIN Gain:60 Bass:72 DYN20:50

Depth:100 ATTCK:BOOST MID:40 DYN57:42
THRSH:75 Blend:60 Treble:50 Bottom:75
Decay:15 VOL:75 PRSNC:10 BAL:100
MODE:BRIGHT
VOL:39

11
BANK J : SYNTH 1
037 : FunkyVoice

This creates a sound like a funky bass synth.

FREQ:3 Bass:52 DYN20:60

Range:8 MID:70 DYN57:70
Decay:72 Treble:63 Bottom:55
RESO:18 PRSNC:28 BAL:100
Wave:SAW MODE:NORMAL
Tone:8
VOL:44
BAL:100
VOL:18

038 : Synth Bass

This thick bass synthesizer sound uses an octaver effect.

FREQ:6 OCT1:26 Bass:60 DYN20:50

Range:7 OCT2:0 MID:50 DYN57:60
Decay:66 MOD:10 Treble:55 Bottom:65
RESO:13 Dry:80 PRSNC:60 BAL:100
Wave:SAW MODE:NORMAL
Tone:7
VOL:26
BAL:86
VOL:80

039 : Low Devil

This bass synth sounds like crawling through dirt.

Sense:6 Mode:DOWN PreD:14

ATTCK:SLOW Sense:50 Decay:9
Tone:50 ATTCK:50 Mix:20
VOL:50 Range:56 Tail:OFF
RESO:58
Oct:80
BAL:100
VOL:80

040 : FM Bass

This creates a sound like an 80s digital bass synth. This is perfect for tight repetitive upbeat bass lines.

THRSH:-22 FREQ:4 Gain:66 PreD:5

Ratio:7.9 Range:14 Tone:OFF Decay:6
Knee:HARD Decay:33 HiCut:ON Tone:7
VOL:80 RESO:2 VOL:40 Mix:61
Wave:SAW
Tone:10
BAL:70
VOL:53

12
BANK K : SYNTH 2
041 : Chameleon

This synth sound suitable for jazz-funk uses a combination of Z-Syn and A-Filter.

Input:29 FREQ:7 Mode:UP Depth:19

Ratio:4:1 Range:6 Sense:8 Rate:36
REL:20 Decay:72 Peak:3 LoCut:120
Output:38 RESO:18 Dry:68 Mix:18
Wave:SAW
Tone:7
BAL:64
VOL:80

042 : JustBeatIt

This synth sound is inspired by the intro of a famous 80s American pop song.

Comp:27 Type:UE Range:1 Depth:80 Time:417

Lo:64 Sense:40 RESO:7 Rate:42 F.B:40
Hi:67 ATTCK:95 Sense:10 LoCut:180 Mix:17
VOL:85 RESO:74 BAL:5 Mix:85 Tail:OFF
Tone:2
Oct:100
BAL:52
VOL:88

043 : Raw Synth

This synth sound that uses Z-Syn has strong resonance.

Input:40 Gain:20 FREQ:4

Ratio:4:1 FLTR:44 Range:8
REL:20 VOL:64 Decay:40
Output:38 DryMx:46 RESO:18
Wave:SAW
Tone:9
BAL:63
VOL:80

044 : MOOGYFONIC

This analog synth sound combines Z-Syn, Ba Octave and CloneCho effects.

Input:32 FREQ:5 Oct:23 Depth:2

Ratio:4:1 Range:8 Lo:5 Rate:23
REL:20 Decay:72 Hi:9 Tone:73
Output:46 RESO:18 Dry:80 Mix:39
Wave:SAW
Tone:7
BAL:80
VOL:80

13
BANK L : CLEAN&DRV
045 : NYC Slap

This slap sound is good for jazz fusion.

Sense:6 Bass:10.0 FREQ:100 Time:560

ATTCK:FAST MID-F:120 Q:6.0 F.B:64
Tone:57 MID:-1.0 Gain:3.5 Mix:8
VOL:50 Treble:8.5 VOL:80 Tail:OFF
Gain:30
Ultra:OFF
VOL:71

046 : Sweet SVT

This simple clean sound combines LMT-76 and AMPG SVT.

Input:31 Bass:4.5
Ratio:4:1 MID-F:220
REL:20 MID:5.0
Output:54 Treble:0.0
Gain:26
Ultra:OFF
VOL:71

047 : DirtyOGB15

This dirty drive sound combines FlipTop and CloneCho.

Comp:29 BRGHT:OFF Depth:1

Lo:50 Treble:0.5 Rate:29
Hi:50 MID:3.5 Tone:86
VOL:76 Bass:4.5 Mix:40
Gain:30
Ultra:HI
VOL:70

048 : DISTORT ME

Combining DYN Comp and D.I Plus, this distortion sound has a nice attack.

Sense:6 Bass:66 Time:560

ATTCK:SLOW MID:50 F.B:64
Tone:50 Treble:67 Mix:12
VOL:50 Color:ON Tail:OFF
CHAN:DIST
Blend:52
Gain:46
VOL:85

14
BANK M : DRIVE
049 : US Punk

This sound is inspired by West Coast American skate punk from the 2000s.

Bass:0 Bass:-8.0 DYN20:29

Treble:53 MID-F:1.0K DYN57:57
VOL:65 MID:6.5 Bottom:29
ON/OFF:LATCH Treble:5.5 BAL:100
Gain:44
Ultra:OFF
VOL:95

050 : RockDrive

This drive sound is perfect for rock.

Gain:27 Gain:30 Bass:68 DYN20:55

FLTR:43 Tone:14 MID-F:160 DYN57:71
VOL:50 BAL:63 MID:62 Bottom:65
DryMx:63 VOL:60 Treble:79 BAL:100
Gain:63
Deep:OFF
VOL:56

051 : DirtyDist

This classic distortion sound is thick and rough.

Bass:50 Gain:41
MID-F:250 Tone:46
MID:55 Blend:100
Treble:63 VOL:80
Gain:55
Deep:OFF
VOL:55

052 : Race Car

This low-fi fuzz sound cuts the low-end.

Bass:0 DYN20:50 Gain:39

MID:63 DYN57:70 Tone:71
Treble:80 Bottom:27 Blend:92
PRSNC:59 BAL:100 VOL:80
MODE:NORMAL
VOL:80

15
BANK N : FUZZ&OCT
053 : FuzzyLead

This fuzz sound, which includes BaFzSmile and BaMnPitch, is good for lead play.

Input:40 Shift:12 FREQ:125 Gain:28 Time:560

Ratio:4:1 Fine:0 Lo:58 Tone:38 F.B:30
REL:20 Tone:10 Hi:46 BAL:100 Mix:14
Output:51 BAL:10 VOL:83 VOL:80 Tail:OFF

054 : Fuzzynator

This flanger sound combines BassOctFZ with BaVinFLNG.

Sense:6 Boost:70 Depth:47

ATTCK:FAST Tone:23 Rate:7
Tone:50 Fuzz:61 RESO:8
VOL:13 Dry:64 LoCut:120

055 : Octavious

This octave sound uses Ba AnaOct and has a light filtering effect with Bass Cry.

Input:40 OCT1:26 Range:4

Ratio:4:1 OCT2:8 RESO:9
REL:20 MOD:29 Sense:8
Output:38 Dry:83 BAL:15

056 : Octaflange

This crossover sound combines Ba AnaOct and BaVinFLNG effects.

Input:26 OCT1:11 Depth:23

Ratio:4:1 OCT2:0 Rate:7
REL:20 MOD:17 RESO:8
Output:65 Dry:86 LoCut:400

16
BANK O : OCTAVER
057 : Octaver

This is a typical octaver sound of the 80s and 90s.

Gain:40 OCT1:28 Bass:23

HMNCS:50 OCT2:0 Treble:49
LoType:SHELF MOD:0 VOL:69
LoFREQ:80 Dry:75 ON/OFF:LATCH
Lo:0
HiFREQ:1.5K
Hi:6
Vol:87

058 : OctChorus

This cool bass sound combines octaver and chorus effects.

OCT1:65 Depth:75
OCT2:8 Rate:19
MOD:25 LoCut:200
Dry:86 Mix:76

059 : OctVerb

This wide sounds combines octaver and reverb effects.

FREQ:1.5K Oct:36 Bass:88 PreD:1

LoCMP:24 Lo:2 L-MID:61 Decay:20
HiCMP:24 Hi:8 H-MID:50 Mix:50
VOL:75 Dry:98 Treble:45 Tail:OFF
Blend:41
Gain:39
VOL:78
Boost:LO

060 : ReggaeSub

This sound that emphasizes super low frequencies is good for reggae and dub styles.

Gain:50 Gain:2 Bass:0.0 DYN20:50

ENHNC:45 Tone:54 MID-F:220 DYN57:50
SUB:0 Blend:38 MID:0.0 Bottom:50
Lo:54 VOL:72 Treble:0.0 BAL:100
Mid:65 Gain:30
Hi:27
Ultra:OFF
BAL:100
VOL:52 VOL:71

17
BANK P : FILTER&WAH
061 : Fretless

This sound simulates a fretless bass, combining Defret and BassStCho.

Input:33 Gain:44 Sense:0 Depth:28 Time:560

Ratio:4:1 Tone:6 Color:8 Rate:27 F.B:30
REL:20 HiCut:ON Tone:37 LoCut:180 Mix:16
Output:62 VOL:80 VOL:80 Mix:26 Tail:OFF

062 : FilterThis

This funky filter sound, which uses EnvFilter, can be used for both rhythm and lead parts.

Sense:2 Gain:35 THRSH:5 Time:560

ATTCK:FAST HMNCS:79 ATTCK:80 F.B:30
Tone:39 LoType:SHELF Mode:UP Mix:9
VOL:95 LoFREQ:97 VOL:84 Tail:OFF
Lo:9
HiFREQ:5.9K
Hi:2
Vol:100

063 : WahsMyFuzz

This filtered phase sound combines VooDoo-B and Bass Cry.

THRSH:-22 Gain:41 Range:4

Ratio:4.0 Tone:46 RESO:9
Knee:SOFT Blend:45 Sense:8
VOL:80 VOL:80 BAL:25

064 : FunnyFunk

This auto-wah sound is good for funky bass lines.

Gain:42 Sense:2 THRSH:-23

HMNCS:70 RESO:3 Ratio:2.5
LoType:PEQ Dry:0 Knee:HARD
LoFREQ:80 VOL:73 VOL:95
Lo:5
HiFREQ:1.5K
Hi:5
Vol:87

18
BANK Q : FUNKY EFX
065 : WawaFriend

This analog filter sound combines Pre1073 and EnvFilter effects.

Input:23 Gain:45 THRSH:15 Time:560

Ratio:4:1 Bass-F:55 ATTCK:0 F.B:23
REL:20 Bass:15 Mode:UP Mix:10
Output:62 MID-F:700 VOL:94 Tail:OFF
MID:20
TRBL-F:10K
Treble:1
Vol:60

066 : Wah Solo

This auto-wah sound is perfect for emotional solos.

Sense:1 Sense:7 Gain:100 Bass:0.0 PreD:49

RESO:6 ATTCK:SLOW Tone:58 MID-F:150 Decay:10
Dry:50 Tone:68 BAL:56 MID:4.5 Mix:46
VOL:80 VOL:50 VOL:90 Treble:2.5 Tail:OFF
Gain:30
Ultra:OFF
VOL:28

067 : FunkySolo

Hard compression is applied to this phase sound. Turn Bomber ON for the end of a solo.

Comp:80 Color:INV 8 FREQ:125 PreD:40 Decay:48

LoTHR:60 Depth:84 Lo:38 Decay:10 Tone:10
HiTHR:40 Rate:15 Hi:44 Mix:8 Mix:89
VOL:61 RESO:7 VOL:80 Tail:OFF ON/OFF:TRGGR

068 : Jet Bomber

This intense explosive sound is like a jet.

Decay:80 Depth:60 PreD:44

Tone:8 Rate:19 Decay:52
Mix:26 RESO:8 Mix:44
ON/OFF:LATCH LoCut:180 Tail:OFF

19
BANK R : MODULATION
069 : CureLike

This is the clean sound of AMPG SVT combined with chorus and flanger effects.

Bass:-4.0 DYN20:50 Depth:75 Depth:65

MID-F:160 DYN57:50 Rate:27 Rate:3
MID:-4.0 Bottom:50 LoCut:180 RESO:2
Treble:-4.0 BAL:100 Mix:76 LoCut:OFF
Gain:75
Ultra:BOTH
VOL:50

070 : SlapDtune

Adding tone that has been slightly shifted in pitch and time give thickness to this slap sound.

Cent:18 Cent:-18 TimeA:81 Type:SHELF

PreD:0 PreD:0 F.B A:1 FREQ:10k
Tone:9 Tone:8 TimeB:170 Gain:4.0
F.B B:1 VOL:90
Mix:35 Mix:35
DlyMx:0
BAL:6
Depth:MN-0
Speed:25

071 : HotMonkey

This is a fuzzy flanger sound. This can be made even more aggressive by playing with a pick.

THRSH:8 Boost:73 Depth:47 PreD:49

ATTCK:66 Tone:50 Rate:7 Decay:10
Mode:UP Fuzz:34 RESO:8 Tone:5
VOL:45 Dry:48 LoCut:60 Mix:46

072 : StarshipTr

This is a tremolo sound that stands out.

BRGHT:OFF DYN20:50 Wave:TRI

Treble:4.0 DYN57:50 Depth:90
MID:0.0 Bottom:50 Rate:50
Bass:12.0 BAL:100 VOL:62
Gain:30
Ultra:OFF
VOL:70

20
BANK S : TREMOLO
073 : WesternMOV

Combining Tremolo and AnalogDly, this sound is inspired by Western films.

Input:40 Gain:40 Wave:TUBE Gain:39 Time:360

Ratio:8:1 Bass-F:55 Depth:73 Tone:59 F.B:28
REL:20 Bass:7 Rate:67 Blend:6 Mix:24
Output:53 MID-F:700 VOL:87 VOL:83 Tail:OFF
MID:20
TRBL-F:10K
Treble:7
Vol:80

074 : SawFuzzing

This fuzz sound combines Tremolo and BaFzSmile.

Sense:6 Wave:TUBE Gain:43 Bass:59

ATTCK:FAST Depth:50 Tone:84 Treble:50
Tone:46 Rate:56 BAL:60 VOL:49
VOL:57 VOL:69 VOL:80 ON/OFF:LATCH

075 : MagnumGuy

This thick tremolo sound combines Squeak, BaAnaOct and Tremolo effects.

Sense:6 OCT1:65 Gain:47 Wave:SQR

ATTCK:FAST OCT2:8 FLTR:66 Depth:92
Tone:50 MOD:25 VOL:79 Rate:73
VOL:48 Dry:86 DryMx:71 VOL:62

076 : BlackHawk

This fuzz sound, which includes BaFzSmile and Tremolo, is good for playing long notes.

Input:40 Gain:79 Wave:SQR Color:1

Ratio:12:1 Tone:85 Depth:91 Depth:100
REL:20 BAL:48 Rate:75 Rate:55
Output:18 VOL:87 VOL:89 RESO:56

21
BANK T : PITCH&SYN
077 : MoStrings

This sound takes a fifth harmony and shifts it another octave.

Input:27 Shift:7 Shift:12 Time:560

Ratio:4:1 Fine:0 Tone:68 F.B:30
REL:20 Tone:3 Wet:60 Mix:13
Output:60 BAL:27 Dry:80 Tail:OFF

078 : Metheneish

Ba PDLMnP and VooDoo-B are combined with CloneCho in this synth brass style sound.

Input:26 Bend:100 Gain:16 Depth:2 Time:560

Ratio:4:1 Color:+1 OCT Tone:66 Rate:23 F.B:24
REL:49 Tone:5 Blend:84 Tone:100 Mix:21
Output:46 Mode:UP VOL:80 Mix:100 Tail:OFF

079 : Minotaurio

This synth sound with harmony a third up combines BaStdSyn and HPS (Key C).

Input:40 Mode:UP Scale:3 FREQ:100 Time:560

Ratio:4:1 Sense:64 Key:C Lo:46 F.B:30
REL:20 ATTCK:50 Tone:7 Hi:64 Mix:19
Output:47 Range:64 Mix:80 VOL:80 Tail:OFF
RESO:57
Oct:87
BAL:40
VOL:80

080 : BubblSynth

This synth sound with strong resonance combines Z-Synth, Z Tron and Bass Cry.

Input:40 FREQ:9 Sense:2 Range:4

Ratio:4:1 Range:18 RESO:6 RESO:8
REL:20 Decay:39 Dry:76 Sense:8
Output:37 RESO:15 VOL:83 BAL:19
Tone:10
BAL:42
VOL:71

22
BANK U : DELAY 1
081 : HarmChords

This delay sound is perfect for playing chords.

Gain:66 Drive:7 Depth:57 Time:502 PreD:26

Tone:OFF Lo:50 Rate:41 F.B:35 Decay:23
HiCut:OFF Hi:50 Tone:50 Mix:43 Mix:13
VOL:80 VOL:60 Mix:40 Tail:OFF Tail:OFF

082 : Tapping

This all-mighty tapping sound creates a feeling of chords.

FREQ:1.5K Gain:50 Shift:12 Time:314 PreD:49

LoCMP:15 Bass-F:220 Fine:0 F.B:42 Decay:10
HiCMP:24 Bass:8 Tone:5 Mix:50 Mix:56
VOL:75 MID-F:1.6K BAL:8 Tail:OFF Tail:OFF
MID:4
TRBL-F:10K
Treble:18
Vol:52

083 : Solo Bass

Combining delay and reverb, this clean sound is good for playing solos.

Time:560 PreD:9 Comp:50

F.B:64 Decay:52 Lo:50
Mix:56 Mix:44 Hi:50
Tail:OFF Tail:OFF VOL:76

084 : SpaceDelay

This spacey sounds combines auto-wah and delay.

Time:21 Sense:2 Time:560

Curve:10 RESO:8 F.B:30
Tone:100 Dry:50 Mix:70
VOL:80 VOL:80 Tail:OFF

23
BANK V : DELAY 2
085 : Dramabass

This ambient sound combines TheVibe with Dual DLY.

Input:40 Speed:18 Depth:100 TimeA:500

Ratio:4:1 Depth:60 Speed:28 F.B A:50
REL:20 Mode:CHORS Tone:100 TimeB:375
Output:52 VOL:80 Mix:66 F.B B:50
DlyMx:24
BAL:17
Depth:MN-0
Speed:25

086 : Lowismo

This delay sound that emphasizes notes an octave below is good for lead playing.

Sense:6 Shift:-12 FREQ:125 Depth:75 Time:560

ATTCK:SLOW Fine:0 Lo:32 Rate:27 F.B:64
Tone:50 Tone:7 Hi:38 LoCut:180 Mix:56
VOL:50 BAL:50 VOL:80 Mix:76 Tail:OFF

087 : Copy Glass

A combination of BaPlShift and Dual DLY creates this glass-like sound.

Input:40 Shift:12 TimeA:500 PreD:4

Ratio:4:1 Tone:90 F.B A:50 Depth:61
REL:20 Wet:60 TimeB:375 Rate:41
Output:47 Dry:95 F.B B:50 ON/OFF:LATCH
DlyMx:17 RESO:73
BAL:23
Mix:10
Depth:MN-0
Speed:25 RST-F:50

088 : OUTAWORLD

The combination of PitchSHFT and ReverseDL create this mystical sound.

Input:40 Shift:7 Time:1000 Depth:100

Ratio:4:1 Fine:0 F.B:20 Speed:13
REL:20 Tone:10 BAL:50 Tone:100
Output:53 BAL:60 Tail:OFF Mix:45

24
BANK W : SFX
089 : SwellUpper

This ambient tone that is good for playing long notes uses SlowATTCK and adds octaves above and below.

Time:21 OCT1:65 Bend:100 Gain:50 Time:560

Curve:10 OCT2:6 Color:DWN/OCT Bass-F:55 F.B:64
Tone:100 MOD:18 Tone:7 Bass:0 Mix:18
VOL:100 Dry:65 Mode:UP MID-F:1.6K Tail:OFF
MID:0
TRBL-F:10K
Treble:0
Vol:91

090 : Lunarchoir

The combination of BaMnPitch, PitchSHFT and ReverseDL provides an effective organ sound.

Input:40 Shift:24 Shift:7 Depth:100 Time:1000

Ratio:8:1 Fine:0 Fine:0 Speed:22 F.B:20
REL:20 Tone:7 Tone:7 Tone:100 BAL:50
Output:49 BAL:62 BAL:57 Mix:72 Tail:OFF

091 : PlayThe4

This mysterious delay sound uses a four-semitone pitch shift.

Sense:6 Style:FINGER Shift:4 Range:3 Time:520

ATTCK:FAST Bass:0.5 Fine:4 RESO:6 F.B:20
Tone:64 MID:1.5 Tone:4 Sense:7 Mix:20
VOL:60 Treble:3.5 BAL:29 BAL:20 Tail:OFF
Gain:21
Shape:OFF
VOL:71

092 : Got Swells

This sequencer sound is suitable for long notes.

Sense:6 Time:21 Shift:12 Step:8 PreD:9

ATTCK:FAST Curve:10 Tone:90 PTTRN:7 Decay:52
Tone:80 Tone:100 Wet:30 Speed:26 Mix:15
VOL:93 VOL:80 Dry:88 RESO:10 Tail:OFF

25
BANK X : Aco.Basic
093 : PiezoUpRig

This is a basic clean sound for upright bass.

Input:40 Gain:25 PreD:67

Ratio:8:1 Bass-F:55 Decay:50
REL:20 Bass:17 Mix:33
Output:59 MID-F:700 Tail:OFF
MID:22
TRBL-F:10K
Treble:12
Vol:92

094 : Soloist

This clean sound combines LMT-76 and Pre1073.

Input:27 Gain:40 Time:560

Ratio:4:1 Bass-F:220 F.B:44
REL:55 Bass:8 Mix:11
Output:47 MID-F:700 Tail:OFF
MID:0
TRBL-F:10K
Treble:0
Vol:60

095 : SalsaBassQ

This is a clean sound for playing salsa on upright bass.

Input:40 Bass:64 DYN20:50 PreD:49

Ratio:8:1 MID:29 DYN57:50 Decay:10
REL:20 Treble:56 Bottom:50 Mix:46
Output:53 Gain:39 BAL:100 Tail:ON
BRGHT:OFF
Deep:ON
VOL:81

096 : Uborchestr

This lead tone for upright bass adds fifths.

Input:40 Shift:7 Gain:30 Depth:80 PreD:43

Ratio:8:1 Fine:0 Bass-F:55 Rate:62 Decay:16
REL:20 Tone:8 Bass:13 Tone:51 Mix:30
Output:68 BAL:17 MID-F:700 Mix:42 Tail:OFF
MID:19
TRBL-F:10K
Treble:24
Vol:65

26
BANK Y : Aco.Bow&FX
097 : BowOrch

This lead tone for upright bass is good for playing with a bow.

Input:40 Shift:-12 Gain:30 FREQ:100 PreD:37

Ratio:8:1 Fine:0 Bass-F:220 Lo:52 Decay:10
REL:20 Tone:10 Bass:10 Hi:62 Mix:17
Output:65 BAL:26 MID-F:700 VOL:80 Tail:OFF
MID:11
TRBL-F:16K
Treble:15
Vol:60

098 : BowUpright

This basic clean sound for upright bass is good for playing with a bow.

Input:40 Gain:25 Depth:54 FREQ:160 PreD:15

Ratio:8:1 Bass-F:55 Rate:43 Lo:54 Decay:10
REL:20 Bass:11 LoCut:60 Hi:58 Tone:5
Output:66 MID-F:700 Mix:30 VOL:80 Mix:46
MID:13
TRBL-F:16K
Treble:6
Vol:82

099 : Marscoding

This modulation sound for upright bass uses PitchSHFT and Bass Cry effects.

Input:40 Shift:4 Range:4 Gain:30 Speed:17

Ratio:8:1 Fine:0 RESO:9 Bass-F:220 Depth:60
REL:20 Tone:7 Sense:4 Bass:14 Mode:VIBRT
Output:70 BAL:20 BAL:48 MID-F:1.6K VOL:75
MID:16
TRBL-F:10K
Treble:13
Vol:91

100 : MYOWNCOMPS

This sequencer sound for upright bass uses PitchSHFT and SeqFLTR.

Comp:50 Shift:7 Step:8 Bass:57 Depth:76

Lo:50 Fine:0 PTTRN:7 MID:56 Rate:27
Hi:49 Tone:9 Speed:26 Treble:56 LoCut:60
VOL:90 BAL:15 RESO:10 Gain:68 Mix:18
BRGHT:ON
Deep:OFF
VOL:84

27
 ZOOM CORPORATION
4-4-3 Kanda-surugadai, Chiyoda-ku, Tokyo 101-0062 Japan
zoomcorp.com

Z2I-4478-01