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  • New York Brass-Alto - Saxophone

    Uploaded by

    Lucas Bueno Dias
    6 views2 pages
    An alto saxophonist and composer/arranger based in New York City. The document appears to be musical notation, likely a saxophone part, that includes rhythmic notation, tempo and dynamic markings, and indications for breath marks and phrasing. It spans multiple pages and includes changes in key, tempo, and time signature throughout.

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    Original Title

    New York Brass-Alto_Saxophone

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    An alto saxophonist and composer/arranger based in New York City. The document appears to be musical notation, likely a saxophone part, that includes rhythmic notation, tempo and dynamic markings, and indications for breath marks and phrasing. It spans multiple pages and includes changes in key, tempo, and time signature throughout.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    6 views2 pages

    New York Brass-Alto - Saxophone

    Uploaded by

    Lucas Bueno Dias
    An alto saxophonist and composer/arranger based in New York City. The document appears to be musical notation, likely a saxophone part, that includes rhythmic notation, tempo and dynamic markings, and indications for breath marks and phrasing. It spans multiple pages and includes changes in key, tempo, and time signature throughout.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    of 2

    Alto

    Saxophone New York, New York


    Brass Hotel
    Compositor / arranjador

     
     = 115
          
      
    Swing

         

                    
         

    9

        
                      

    15
    3

          
    3

                     

    21

                             
          
    26

                   
             
    31

                                  
    3

             
    36

                
       
    3

              
    
    41

                            

                     
    49

          
                 
            
    54
    2
     = 80
     = 105  = 70
     = 90
            = 80
                  
        
    rit.

       
    61

                    
            gliss.    
    68

    rit.  = 118

        
            
     
      
    = 119 = 116

                
    74  = 120  = 117

                  
      
     = 115
     
    80

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