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  • 37) Acréscimos para Campos Menor Harmônico e Melódico

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    Felipe Nébias
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    The document describes harmonic and melodic minor scales. It shows the scales with Roman numeral analysis and chord extensions. For the harmonic minor, it lists the chords for each scale degree with extensions added. It similarly lists chords for the melodic minor scale. It also shows some altered chords that can be used over the VII chord.

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    37) Acréscimos para campos Menor Harmônico e Melódico

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    The document describes harmonic and melodic minor scales. It shows the scales with Roman numeral analysis and chord extensions. For the harmonic minor, it lists the chords for each scale degree with extensions added. It similarly lists chords for the melodic minor scale. It also shows some altered chords that can be used over the VII chord.

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    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
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    9 views2 pages

    37) Acréscimos para Campos Menor Harmônico e Melódico

    Uploaded by

    Felipe Nébias
    The document describes harmonic and melodic minor scales. It shows the scales with Roman numeral analysis and chord extensions. For the harmonic minor, it lists the chords for each scale degree with extensions added. It similarly lists chords for the melodic minor scale. It also shows some altered chords that can be used over the VII chord.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
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    37) Acréscimos para campos menor

    Harmônico e Melódico
    Thiago Nunnes
    1. Campo menor Harmônico

    Iº IIº IIIº IVº Vº VIº VIIº Iº


    Am7M Bm7(b5) C7M(#5) Dm7 E7 F7M G#º Am7M Escala Menor Harmônica
      
         
        
         
       

    Iº Iº Iº Iº IIº IIº IIº IIº


    Am7M Am7M(9) Am7M(11) Am7M(9(b6) Bm7(b5) Bm7(b5)(b9) Bm7(b5)(11) Bm7(b5)(13)
    3

       
           
         

    IIIº IIIº IIIº IIIº IVº IVº IVº IVº

    5 C7M(#5) C7M(#5)(9) C7M(#5)(11) C7M(#5)(6) Dm7 Dm7(9) Dm7(#11) Dm7(6)

            


          

    Vº Vº Vº Vº VIº VIº VIº VIº


    E7 E7(b9) E7(11) E7(b13) F7M F7M(#9) F7M(#11) F7M(6)
    7
           
           

    VIIº VIIº VIIº VIIº


    G#º G#º(b9) G#º(b4) G#º(b13)
       
    9

         

    11

      
    2

    2. Campo menor Melódico

    Iº IIº IIIº IVº Vº VIº VIIº Iº


    Am7M Bm7 C7M(#5) D7 E7 F#m7(b5) G#m7(b5) Am7M Escala Menor Melódica
    13
       
            
          
     

    Iº Iº Iº Iº IIº IIº IIº


    Am7M Am7M(9) Am7M(11) Am7M(9)(6) Bm7 Bm7(b9) Bm7(11) Bm7(6)
    15

           
     
          

    IIIº IIIº IIIº IIIº IVº IVº IVº IVº


    C7M(#5) C7M(#5)(9) C7M(#5)(#11) C7M(#5)(6) D7 D7(9) D7(#11) D7(13)
    17

            

    Vº Vº Vº Vº VIº VIº VIº VIº


    E7 E7(9) E7(11) E7(b13) F#m7(b5) F#m7(b5)(9) F#m7(b5)(11) F#m7(b5)(b13)
    19
       
      
          

    VIIº VIIº VIIº VIIº


    G#m7(b5) G#m7(b5)(b9) G#m7(b5)(10)* G#m7(b5)(b13)
       
    21

         

    Acorde Alterado*

    VIIº
    G#m7(b5)(11)* G#7(b5)(#9) G#7(b5)(#9)(b9) G#7(b5)(#9)(b9)(b13)
       
    23

        

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