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  • Boudoir in Empty Room

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    alex sintek
    37 views10 pages
    The document discusses 8 techniques for creating depth in boudoir photography. The techniques include: using distance between subject and background, adding a foreground element, creating patterned backgrounds, rim lighting, backlighting, combining backlighting with foreground elements, and creating contrast through highlights/shadows and color/pattern contrasts. The goal is to avoid flat images and create separation and dimensionality through various lighting and compositional techniques.

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    fotografia boudoir

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    The document discusses 8 techniques for creating depth in boudoir photography. The techniques include: using distance between subject and background, adding a foreground element, creating patterned backgrounds, rim lighting, backlighting, combining backlighting with foreground elements, and creating contrast through highlights/shadows and color/pattern contrasts. The goal is to avoid flat images and create separation and dimensionality through various lighting and compositional techniques.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    37 views10 pages

    Boudoir in Empty Room

    Uploaded by

    alex sintek
    The document discusses 8 techniques for creating depth in boudoir photography. The techniques include: using distance between subject and background, adding a foreground element, creating patterned backgrounds, rim lighting, backlighting, combining backlighting with foreground elements, and creating contrast through highlights/shadows and color/pattern contrasts. The goal is to avoid flat images and create separation and dimensionality through various lighting and compositional techniques.

    Copyright:

    © All Rights Reserved
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    of 10

    BELIEVE IN BOUDOIR

    8 TECHNIQUES TO CREATE DEPTH

    IN AN EMPTY ROOM
    Flat image
    • NO DEPTH OF
    FIELD

    www.believeinboudoir.com
    Technique #1 (Distance)
    • MOVING THE SUBJECT
    AWAY FROM THE
    BACKGROUND

    • SHOOTING WIDE OPEN


    APERTURE (f/1.4-2.8)

    www.believeinboudoir.com
    Technique #2 (Foreground)
    • MOVING THE SUBJECT
    AWAY FROM THE
    BACKGROUND

    • SHOOTING WIDE OPEN


    APERTURE (f/1.4-2.8)

    • USING A FOREGROUND
    ELEMENT, SUCH AS A
    PRISM OR A CRYSTAL

    www.believeinboudoir.com
    Technique #3 (Background)
    • MOVING THE SUBJECT
    AWAY FROM THE
    BACKGROUND

    • SHOOTING WIDE OPEN


    APERTURE (f/1.4-2.8)

    • CREATING A
    PATTERNED
    BACKGROUND

    TIP: A PRISM COULD ALSO BE USED TO CREATE


    A FOREGROUND
    www.believeinboudoir.com
    Technique #4 (Rim Light)
    • MOVING THE SUBJECT
    AWAY FROM THE
    BACKGROUND

    • SHOOTING WIDE OPEN


    APERTURE (f/1.4-2.8)

    • CREATING A RIM LIGHT


    TO CREATE A
    HIGHLIGHT ON THE
    SUBJECT’S HAIR AND
    SHOULDER

    www.believeinboudoir.com
    Technique #5 (Backlight)
    • MOVING THE SUBJECT
    AWAY FROM THE
    BACKGROUND

    • SHOOTING WIDE OPEN


    APERTURE (f/1.4-2.8)

    • CREATING A BACK LIGHT

    TIP: SILVER REFLECT IS REQUIRED TO BOUNCE


    THE LIGHT BACK ON THE SUBJECT’S FACE
    www.believeinboudoir.com
    Technique #6 (Backlight & Foreground)
    • MOVING THE SUBJECT
    AWAY FROM THE
    BACKGROUND

    • SHOOTING WIDE OPEN


    APERTURE (f/1.4-2.8)

    • CREATING A BACK
    LIGHT
    • USING A PRISM TO
    CREATE A
    FOREGROUND

    TIP: SILVER REFLECT IS REQUIRED TO BOUNCE


    THE LIGHT BACK ON SUBJECT’S FACE
    www.believeinboudoir.com
    Technique #7 (Contrast)
    • CREATING CONTRAST BY USING
    HIGHLIGHTS AND SHADOWS

    www.believeinboudoir.com
    Technique #8 (Contrast)
    • CREATING CONTRAST

    THROUGH COLORS

    • CREATING PATTERNED
    BACKGROUND

    • USING A PRISM TO
    CREATE A
    FOREGROUND

    www.believeinboudoir.com

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