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2 Manuscript

#E-ESL02-R44 from Eresbil (Basque Music Archives); edited 2020 by Rebecca Rufin
Miserere Breve
1. Miserere Mei

    
Psalm 51 (Vulgate/Orthodox Psalm 50) Hilarión Eslava

  
         
 
Obra 134, 1861
Andante

        
Oboe

     


   
Bassoon

       

Violoncello 
            

  
  
Contrabass


                 

Soprano


         
Mi se re re me i, De us, se

          
 
Alto

    
              
Mi se re re me i, De us se

 
 
Tenor

  
                   
Mi se re re me i, De us se

  
 

      
Bass

         
 
Mi se re re me i, De us se

  
               


Keyboard
Reduction

Manuscript #E-ESL02-R44 from Eresbil (Basque Music Archives); edited 2020 by Rebecca Rufin 3
 
       
         
     
8

 
 
  
     
Ob.

        

   
   
Bsn.

           
 
 

 

    
Vc.

 
  

  

  
Cb.

                 

 

S.


          
cun- dum mag nam mi se ri cor di am tu- am,

      

A.

                 
cun- dum mag nam mi se ri cor di am tu am,



T.

 
               
cun- dum mag nam mi se ri cor di am tu am,

    

B.

                 
   
cun dum mag nam mi se ri cor di am tu am, mi se ri

        
 

            
  
 

    
KB



4 Manuscript #E-ESL02-R44 from Eresbil (Basque Music Archives); edited 2020 by Rebecca Rufin
     

           
14

           
Ob.

     


Bsn.

        
  

Vc.
    
              
 

    
Cb.

              

     



S.

 
              
mi se ri cor di am, mi se ri cor di am tu- am.

     


A.

    
                  
mi se ri cor di am, mi se ri cor di am tu- am.


T.

    
 
       
mi se ri cor di am, mi se ri cor di am tu- am.

    
 

B.

    

           
cor di am tu am, mi se ri cor di am tu- am.

 

           
 

   
KB

  

Manuscript #E-ESL02-R44 from Eresbil (Basque Music Archives); edited 2020 by Rebecca Rufin 5
   
2. Amplius Lava Me

 
  
 

 
  

   
      

Moderato

 
   
        
     
Oboe

    
     
      
 

 
   
Bassoon

                    
 

Violoncello

                    
 



Contrabass

    


Soprano

Alto      

     

                   
Tenor

    
     


Bass

                       


Am pli us la va me, am pli us


la va me ab i ni qui

       
                 

Keyboard  

           
Reduction

6 Manuscript #E-ESL02-R44 from Eresbil (Basque Music Archives); edited 2020 by Rebecca Rufin
6     
       
       
   
cres

            
Ob.

      
cres


    
Bsn.

    
   
cres.

 
Vc.

         

cres.


Cb.

     
S. 

A.       

     

               
T.

    
      

cres
B.

          
         
ta te, ab i ni qui ta te me a, et a pec ca to, et a pec

       

  
              
   
KB cres

Manuscript #E-ESL02-R44 from Eresbil (Basque Music Archives); edited 2020 by Rebecca Rufin 7
                

12


       
Ob.

      

    

Bsn.

       


  

    
   
    
Vc.

       
 



Cb.

            

 



S.

  
          
et a pec ca to me o



A.

    
         
et a pec ca to me o

              
T.

           
et a pec ca to me o

 

B.

   


 

    
      
    
ca- to me o mun da me, et a pec ca to


        
           
 

 
KB

8 Manuscript #E-ESL02-R44 from Eresbil (Basque Music Archives); edited 2020 by Rebecca Rufin
              
           
     
17


Ob.

      
          
          

Bsn.

               



Vc.

                


   
Cb.

    
              

   

S.

     
              
mun- da me, et a pec ca to, et a pec ca to me o

       

A.

               
mun- da me, et a pec ca to, et a pec ca to me o

         

T.

                 
   
       
mun da me, et a pec ca to, et a pec ca to me o

  
  

B.

        
 

 


 
    
 
 

  
      
me o, et a pec ca to me o mun da me, et a pec ca to

    
                

KB 

Manuscript #E-ESL02-R44 from Eresbil (Basque Music Archives); edited 2020 by Rebecca Rufin 9
     
     
    
  
 

  
             
              
21

          
            
Ob.

         
     

        
     
    
Bsn.

            
              
                 
Vc.

         
 
 
Cb.

           

  


S.

            
mun da me, la va me mun da me.

   

A.

         
       
mun da me, la va me mun da me.

  
T.

      

              
mun da me, la va me mun da me.

 

B.

       


      
         
       
me o mun da me, la va me, la va me, mun da me, mun da me.

        
      
           
       
          

  

         
KB

10 Manuscript #E-ESL02-R44 from Eresbil (Basque Music Archives); edited 2020 by Rebecca Rufin
3. Tibi Soli

  
           
Andante

  
Oboe

       
 

Bassoon

      
  

 
Violoncello

         

 
 
Contrabass

                    

 
  
Soprano

       
Ti bi so- li pec ca vi, pec ca vi, et

                  
 
Alto

   
                    
Ti bi so li pec ca vi, pec ca vi, pec ca vi, et ma
  


Tenor

                 
Ti bi so li pec ca vi, pec ca vi, pec ca vi, et ma

     
 
 
Bass



          
  
Ti bi so li pec ca vi, pec ca vi, pec ca vi, et ma

      
     
Keyboard 

   
Reduction

Manuscript #E-ESL02-R44 from Eresbil (Basque Music Archives); edited 2020 by Rebecca Rufin 11
6          

        

         
Ob.

      
   




Bsn.

         
    



  
    
Vc.

        
   

 


    
Cb.

                   
 

    
 
S.

   
        
ma- lum co ram te fe ci, et jus ti fi ce- ris in ser

 


A.



  
       
lum, et ma lum co ram te fe ci,

  


T.

         
lum, et ma lum co ram te fe ci,

  
    

B.

        
                  
lum, et ma lum co ram te fe ci,

     
         
      

      

KB

12 Manuscript #E-ESL02-R44 from Eresbil (Basque Music Archives); edited 2020 by Rebecca Rufin
  
                  
       
 
  
11

  
             
Ob.

       
  


   
  
     
  
Bsn.

        
    


 
  
        
Vc.

         
 

   



                  
Cb.

        
 

  

 
S.

 
 
             
mo ni bus tu- is, et vin cas, et vin cas cum ju di ca- ris.

   

 
A.

 
                  
et vin cas, et vin cas cum ju di ca- ris.

  

 
T.

      
              
et vin cas, et vin cas cum ju di ca ris.

 
 
B.

   
              
          
et vin cas, et vin cas cum ju di ca ris.

     
 
    
         

           


   
   
KB

Manuscript #E-ESL02-R44 from Eresbil (Basque Music Archives); edited 2020 by Rebecca Rufin 13
4. Ecce Enim

            
             
Moderato

   
        
Oboe

           

Bassoon 

                      

Violoncello 

                     

    
   
Contrabass

    
Soprano 

Alto          

Tenor
  
                    

        
 
Ec ce e nim ve- ri ta tem, ve ri ta tem di le

Bass

          
          
        
  


         
                
Keyboard 

      
Reduction

14 Manuscript #E-ESL02-R44 from Eresbil (Basque Music Archives); edited 2020 by Rebecca Rufin
7             
    

 
Ob.

                           
           


Bsn.

                         
Vc.            
                            
      

    
 
Cb.

         



S.

  
Ec ce e nim ve ri

       

A.

                


Ec  ce e nim ve ri
T.

    
xis- ti, Ec ce e nim ve ri

       
 


B.

        
          
Ec ce e nim ve ri

  
                             
                   
KB

Manuscript #E-ESL02-R44 from Eresbil (Basque Music Archives); edited 2020 by Rebecca Rufin 15

                      
           
12


Ob.

  
  

              
       

Bsn.

           


      

 

Vc.

                

     

  
  
Cb.

                
      


S.

   
             
ta tem, ve- ri ta tem di le xis ti,

A.

                
         
ta tem, ve ri ta tem di le xis ti,


T.

               
 
 
ta tem, ve- ri ta tem di le xis ti, in cer ta et oc

B.  

                   
            
ta tem, ve- ri ta tem di le xis ti,

        

               
     

  
KB

16 Manuscript #E-ESL02-R44 from Eresbil (Basque Music Archives); edited 2020 by Rebecca Rufin
   
     
               
            
  
18



Ob.

    
                 

  
 
   
   
 
              
Bsn.

 
     

  
               
Vc.

    
      
 
Cb.

       
S.      

       


  
ma ni fes

A.

                
           

  
ma ni fes

  
T.

             

 
cul ta sa pi en ti ae tu ae ma ni fes tas ti mi- hi, ma ni fes

B.

                  
            

          
ma ni fes

       


              
        
                
KB 

 

Manuscript #E-ESL02-R44 from Eresbil (Basque Music Archives); edited 2020 by Rebecca Rufin 17
   
             
       
  
    
26

             
Ob.

  
     
        
Bsn.

      
   
        
Vc.

         
 
           
Cb.

       
S. 


            
tas ti, ma ni fes tas ti mi- hi.

A.
 

              
 
tas ti, ma ni fes tas ti mi- hi.

T.

             
   
tas ti, ma ni fes tas ti mi- hi.

B.


 
                  
ma ni fes tas ti mi hi.

 
tas ti,

             



                 
             
KB

 

18 Manuscript #E-ESL02-R44 from Eresbil (Basque Music Archives); edited 2020 by Rebecca Rufin
5. Auditui Meo

        
             
    
Andante Mosso

                 

Oboe

 

Bassoon

      

Violoncello     
      
  

     

Contrabass

    
 
  

Soprano

 
                 
   
 
Alto

      
Au di tu i me o da- bis gau di um, da- bis

Tenor

      

              
Bass

         
        
      
      
     
 

 
Keyboard 


Reduction

Manuscript #E-ESL02-R44 from Eresbil (Basque Music Archives); edited 2020 by Rebecca Rufin 19
     
                
    
6

      
       
Ob.

            

Bsn.
      
       
Vc. 

        

 
Cb.

 
         

S.

       
  
               
et ex sul ta bunt,

A.

 et ex

          
gau di um et lae ti- ti am, sul

T.

       
 
et ex sul ta bunt,



B.

     
             
 
et ex sul ta bunt,

          

    
      
 
KB

20 Manuscript #E-ESL02-R44 from Eresbil (Basque Music Archives); edited 2020 by Rebecca Rufin
                  
           
10


            
    
Ob.

        


Bsn.

         



Vc.

      
   
 
  
Cb.

S.                  

              
   
et ex sul ta bunt, et ex sul ta bunt os


A.

 
                     
ta bunt, et ex sul ta bunt, et ex sul ta- bunt

T.

      
       
et ex sul ta bunt, et ex sul ta bunt, os-

B.

      
      
             
et ex sul ta bunt, et ex sul ta bunt os

           

    
 
      
   
KB

Manuscript #E-ESL02-R44 from Eresbil (Basque Music Archives); edited 2020 by Rebecca Rufin 21
     
 
     
     
15 rit.

     
     
        
Ob.

        
           
 
Bsn.

         

 
Vc.

         

   
Cb.

           


S.


           
     
sa hu mi li a ta, hu mi li a ta.

A.

 
       
   
os sa hu mi li a ta, hu mi li a ta.

T.      

         

      
sa hu mi li a ta, hu mi li a ta.

B.

   
       
 
         
sa hu mi li a ta, hu mi li a ta.

 
     
  
        
 
KB

   

22 Manuscript #E-ESL02-R44 from Eresbil (Basque Music Archives); edited 2020 by Rebecca Rufin
6. Cor Mundum

  Andante      
Oboe 

        


Bassoon

              
    

Violoncello

        
 

 
      
Contrabass

                 
 

Soprano

   
    
Cor mun dum cre a in me, in me, De us, in me, De us et

                
 
Alto

     
           
   
Cor mun dum cre a in me, in me, De us, in me, De us et

Tenor    

     
     
Cor mun dum cre a in me, in me, De us, in me, De us et

   
      
  
 
Bass

      

Cor mun dum cre a in me, in me, De us, in me, De us et

        
       
Keyboard

  
Reduction

 

Manuscript #E-ESL02-R44 from Eresbil (Basque Music Archives); edited 2020 by Rebecca Rufin 23
7       
Ob. 

       
Bsn. 

 
Vc.                 

       

 

                   
Cb.

     
 

 

   
 
S.

      
    
spi ri tum, et spi ri tum, et spi ri tum rec- tum in no va, in no

                      
 
A.

          
                    
spi ri tum, et spi ri tum, et spi ri tum rec tum in no va, in no

  

T.

                          
spi ri tum, et spi ri tum, et spi ri tum rec tum in no va, in no

       
 

B.

      

spi ri tum, et spi ri tum, et spi ri tum rec tum in no va, in no

 
                
KB

 

24 Manuscript #E-ESL02-R44 from Eresbil (Basque Music Archives); edited 2020 by Rebecca Rufin
         

13
Ob.

         
Bsn. 

            
Vc.     
     
         
 
      
Cb.

  
                   

S.

    
               
va, in no va in vis ce- ri bus, in vis ce- ri bus me is.

         

A.

         
                
va, in no va in vis ce- ri bus, in vis ce- ri bus me is.

T.

   
                   
va, in no va in vis ce ri bus, in vis ce- ri bus me is.

B.
 
        

va, in no va in vis ce ri bus, in vis ce- ri bus me is.

            
    
   
KB

 

Manuscript #E-ESL02-R44 from Eresbil (Basque Music Archives); edited 2020 by Rebecca Rufin 25
7. Redde Mihi

 Moderato 
        
       
  

             
Oboe

         

    
Bassoon

     

Violoncello

         



Contrabass

     
 

Soprano

Alto        

       
                  
    
Tenor

  
    

Bass

        
            
Red de, red de mi hi lae ti ti am sa lu ta ris tu- i,

    
      
        


    

Keyboard 
Reduction

26 Manuscript #E-ESL02-R44 from Eresbil (Basque Music Archives); edited 2020 by Rebecca Rufin
7   
 
 
            
   
       
Ob.

      
          


Bsn.

            


Vc.

            


Cb.

              


   

S.

   
Red de, red de mi hi lae ti ti am

            

A.

  
Red de, red de mi hi lae

      
ti ti am

     

T.

 
           
Red de, red de mi hi lae ti ti am

            


B.

    
                    
sa lu ta ris tu- i, Red de, red de mi hi lae ti ti am

          
  


          
KB 

    

Manuscript #E-ESL02-R44 from Eresbil (Basque Music Archives); edited 2020 by Rebecca Rufin 27
         
           
13

       
Ob.

  
Bsn.
  

           
Vc.    
        
      

  
Cb.

                     
  
S.

             

      
sa lu ta ris tu- i, et spi ri tu prin ci

A.

                   
sa lu ta ris tu i, et spi ri tu prin ci

T.
   

  
                
 
sa lu ta ris tu i, et spi ri tu prin ci

B.
     

          
              
sa lu ta ris tu i, et spi ri tu prin ci pa- li con


           
           
KB

   

28 Manuscript #E-ESL02-R44 from Eresbil (Basque Music Archives); edited 2020 by Rebecca Rufin

                     
      

17

         
  
Ob.

       



Bsn.

              


Vc.

              


        
Cb.

               
 




S.

 
       
pa li, con fir ma me, con fir ma me, con fir ma me,

           
  

A.

  
                
pa li, con fir ma me, con fir ma me, con fir ma me,

  

T.

                
     
pa li, con fir ma me, con fir ma me, con fir ma me,

B.
   

                     
    
fir ma me con fir ma me, con fir ma me, con fir ma me,

    

               

        
KB

  

Manuscript #E-ESL02-R44 from Eresbil (Basque Music Archives); edited 2020 by Rebecca Rufin 29
    
        

21

    
Ob.

   
 

Bsn.   
  
 

Vc.    
  
 

    

Cb.

     
 


 
S.

 
con fir ma me.

      
 
A.

     
con- fir ma me.

   
 

T.

    
con- fir ma me.

 
 


B.

        
  
con fir ma me.

 

      
 
 

 
KB


 

30 Manuscript #E-ESL02-R44 from Eresbil (Basque Music Archives); edited 2020 by Rebecca Rufin
8. Libera Me

  Andante   
                

        
Oboe

      

Bassoon 

        
      



    
Violoncello

         

  
     
Contrabass

               

Soprano

     
       
Li be ra me de san gui ni bus, De us, sa lu tis

Alto         

                  
 
Li be ra me de san gui ni bus, De us, sa lu tis

Tenor

  
                
Li be ra me de san gui ni bus, De us, sa lu tis

 

Bass



   
             
Li be ra me de san gui ni bus, De us, sa lu tis

  
              
  
Keyboard 

     
Reduction

Manuscript #E-ESL02-R44 from Eresbil (Basque Music Archives); edited 2020 by Rebecca Rufin 31
8             
         
     
Ob.

          

Bsn. 

       
              

Vc.

                     
 

  
Cb.

     
   



S.

    
me- ae, et ex sul ta bit

   
  

A.


          
me ae, et ex sul ta bit


 
T.

 
       
 
me ae, et ex sul ta bit


 
B.

             
         
me ae, et ex sul ta bit lin gua

                     


   
KB

             

32 Manuscript #E-ESL02-R44 from Eresbil (Basque Music Archives); edited 2020 by Rebecca Rufin
             dim.   
       
   
14

          dim.       

Ob.

             

Bsn. 

                       dim. 
  

Vc. 

                       dim. 
    
  
Cb.

                
   
dim. 
S.


           
lin gua me a, jus ti ti am tu- am, jus ti ti am

       
dim. 
A.

          dim. 
        
lin gua me a, jus ti ti am tu- am, jus ti ti am

T.

   
        
lin gua me a, jus ti ti am tu- am, jus ti ti am

      
dim. 
B.

       
           
              
   
me- a jus ti ti am tu- am, jus ti ti am

 
                        
    

 
dim.


KB

                 

Manuscript #E-ESL02-R44 from Eresbil (Basque Music Archives); edited 2020 by Rebecca Rufin 33
      
      
22

  
Ob.

      
Bsn. 

     
Vc. 

     
 
 
Cb.

S.       


       
tu- am.

A.

       
tu- am.
T.

      
 
tu am, tu am.

B.

           
  
tu- am.

      

KB

  

34 Manuscript #E-ESL02-R44 from Eresbil (Basque Music Archives); edited 2020 by Rebecca Rufin
  
9. Quoniam Si Voluisses

       
         
Moderato

    

  
               
Oboe

       
              


    
 
        
       
Bassoon

                            


    
   
Violoncello

 
                        


 

Contrabass

   
 


Soprano

     

 
Alto

                

Tenor

     

Quo ni am si vo lu is ses, quo ni am

 
     
Bass

     
    
 
     

       
  
               
                    
Keyboard 

 
Reduction

Manuscript #E-ESL02-R44 from Eresbil (Basque Music Archives); edited 2020 by Rebecca Rufin 35
 
       
           
 
5

   
      
Ob.

             
  

  
    
  
 
Bsn.

          

     

 

  
Vc.

         
    
 

  

Cb.

       
 



S.

       
ho lo




A.

 
                          
  
ho lo



T.

        
 
si vo lu is ses sac ri fi ci um de dis sem u- ti que,


B.

      
 
              
ho lo

   
     
            

     

 
   

KB

36 Manuscript #E-ESL02-R44 from Eresbil (Basque Music Archives); edited 2020 by Rebecca Rufin
     
          
  
     
     
11

         
Ob.

       
     
     
Bsn.

        
Vc.        

           
     
       
Cb.

        
  

S.

               
caus tis non de lec ta be ris, non de lec


A.

                   
 
caus tis non de lec ta be ris, non de lec

       
 
T.

              
    
ho lo caus tis non de lec ta be ris, ho lo caus tis non de lec

B.
 

     
          
caus tis non de lec ta be ris, non de lec

         



            
           
KB

Manuscript #E-ESL02-R44 from Eresbil (Basque Music Archives); edited 2020 by Rebecca Rufin 37
      
              
  
15

          
Ob.

       
      
  

 
  
Bsn.

    
      
  

  
  
Vc.

      
      
 

 

Cb.

    
 

         
   

       
 

S.

   
             
ta be ris, ho lo ca us tis non, non de lec ta be ris,non, non

          
  
A.

     
              
ta be ris, ho lo ca us tis non, non de lec ta be ris,non, non

   
  
T.

              
        
ta be ris, ho lo caus tis non, non de lec ta be ris,non, non

  
   

B.

   
                  
ta be ris, ho lo ca us tis non, non de lec ta be ris,non, non

               
       
       
    
 

       
KB 

 

38 Manuscript #E-ESL02-R44 from Eresbil (Basque Music Archives); edited 2020 by Rebecca Rufin
        
       
     
      
20

 
        
Ob.

  
Bsn.         

    
Vc.
      
    
       

Cb.

  
S.      

    
 
de lec ta be ris.

  
A.

  
    
de lec ta be ris.


T.

        

de lec ta be ris.

B.

           
de lec ta be ris.

        


       
     
     
KB



Manuscript #E-ESL02-R44 from Eresbil (Basque Music Archives); edited 2020 by Rebecca Rufin 39
10. Benigne Fac

   
 
   
        
Moderato

     
  
Oboe

       
   

Bassoon 

               

Violoncello 
 
             

 
 
Contrabass

     
  



Soprano

    
       
 
Be

Alto

          
      
Be nig ne fac,


 
Tenor

                     
Be nig ne fac, Do mi ne, in

     



Bass

 

 
   
         
Be nig ne fac, Do mi ne, in bo na vo lun ta- te, in

     
   
               


Keyboard

  
Reduction

40 Manuscript #E-ESL02-R44 from Eresbil (Basque Music Archives); edited 2020 by Rebecca Rufin
 
           
        
 
6

  
     
Ob.

      
 
 

   
 

Bsn.

          
    
 


Vc.

              
 

 
           
Cb.

               
 

S.
   

    
           
nig ne fac, Do mi ne, in bo na, in bo na vo lun ta te tu a Si

A.             

         
          
bo na, in bo na in bo na vo lun ta te tu a Si

      
Do mi ne, in

T.
 

              
         
bo na vo lun ta te, in bo na in bo na vo lun ta te tu a Si

    

B.

  
               
     
bo na vo lun ta te, in bo na in bo na vo lun ta te tu a Si

       
 
        
   
      
 

   
KB

Manuscript #E-ESL02-R44 from Eresbil (Basque Music Archives); edited 2020 by Rebecca Rufin 41
  
      
  
       
      
  
12

  
       
Ob.

      
   


    
  
  
Bsn.

 
                

  
Vc.

                 

  
    
Cb.

                 

 

S.

    
           
on, ut ae di fi cen tur mu ri, mu ri Je

        

A.

  
              
on, ut ae di fi cen tur mu- ri, mu ri Je

      
 

T.

 
      
          
on, ut ae di fi cen tur mu- ri, mu ri Je

B.
       

  
   
       
on, ut ae di fi cen tur, ut ae di fi cen tur, mu ri Je

              
    
                   
    
 
KB 

   

42 Manuscript #E-ESL02-R44 from Eresbil (Basque Music Archives); edited 2020 by Rebecca Rufin
  
    
   
   
 
17

  
 
Ob.

     
   
  
 
Bsn.

      

 
Vc.

      
 
   
Cb.

S.           

  
 
ru sa lem, mu ri Je ru sa lem.

A.         

   
    
     
ru sa lem, mu ri Je ru sa lem.

T.

   

   
 
 
ru sa lem, mu ri Je ru sa lem.

B.

   
       
ru sa lem, mu ri Je ru sa lem.

   

        
 
 
KB



Manuscript #E-ESL02-R44 from Eresbil (Basque Music Archives); edited 2020 by Rebecca Rufin 43
11. Tunc Imponent


 Allegretto        
   
      
    
Oboe

   

Bassoon

           
  

Violoncello    
           
  

    

Contrabass

                  
  
  
Soprano

            
Tunc im po nent su per al ta re, tunc im po nent

     
  
Alto

                
 
Tunc im po nent su per al ta re, tunc im po nent


  
Tenor

  
Tunc im po nent su per al ta re, tunc im po nent

          
     

 
Bass

       


          
Tunc im po nent su per al ta re, tunc im po nent


      
    
             

 
Keyboard

 
Reduction 

44 Manuscript #E-ESL02-R44 from Eresbil (Basque Music Archives); edited 2020 by Rebecca Rufin
7     cres.     
   
      cres.    
Ob.

      

    
Bsn.

         

 
cres.

    
Vc.

         

  
cres.


Cb.

                

 cres.
S.

         
su per al ta re, su per al ta re, su per al ta re

      
 cres.
A.

     
       
su per al ta re, su per al ta re
 cres.
T.

                  
su per al ta re, su per al

      
 cres.
B.

  
      
     
su per al ta re, su per al ta re, su per al ta- re

      
           
        
   
KB 

Manuscript #E-ESL02-R44 from Eresbil (Basque Music Archives); edited 2020 by Rebecca Rufin 45
         
       
   
12


Ob.

           

         

  
Bsn.

           

  
Vc.

           



Cb.

         



S.

  
tu um vi- tu los.

       

A.

        
tu um vi- tu los.

     

T.

       
  
ta re tu um vi- tu los.

 

B.

    
 
  
        

tu um vi- tu los.

      
      
         

   
KB

    

46 Manuscript #E-ESL02-R44 from Eresbil (Basque Music Archives); edited 2020 by Rebecca Rufin

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