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Joaquín-Gabriel Hernández Murillo

Rex Caelestis
Missa Brevis

para coro mixto a 4 voces, 2 solistas, organo y/u orquesta

Kyrie
Gloria
Sanctus et Benedictus
Agnus Dei

Barcelona, octubre de 2022


2 Rex Caelestis
missa brevis


Joaquín-Gabriel Hernández Murillo

   
     
 = 70 Kyrie


Sereno, suplicante

     
Flauta

    
     
Oboe

       
        
Fagot

   
           
Timbales

       
Do/Sol

 
      
Trompeta en Si♭

             
  

Corno francés en Fa

   
  
Trompa

           
      
Soprano


    
Ky ri e e le i son Ky ri e e le i son Ky ri

                
Alto

    
                     
Ky ri e e le i son Ky ri e e le i son Ky ri

Tenor

          
        
Ky ri e e le i son Ky ri e e le i son Ky ri


Bajo

  
          
Ky ri e e le i son Ky ri e e le i son Ky

               
        
             

Órgano

   
   
  
          
   

 
Violín I

  
         
  
 
Violín II

   
            
   
   
Viola

        
         
Violoncello

Contrabajo
        
6   
  
3

   

  
  
Fl.

   


Ob.

    
  
 
  
Fag.

               
 
Timb.

     

    
Tpt. Si♭

   
           

Cor. Fa/Tr

 
  
   

   
     

S.

   
e le i son Ky ri e e le i son Ky ri e e

   
           
A.

  
            
   
e le i son Ky ri e e le i son Ky ri e e

T.
 
   
             
e e le i son Ky ri e e le i son Ky ri e e

   


B.

    
ri e e le i son Ky ri e e le i son Ky ri e e


                      

           
   
   
    
Org.

  
  
   
Vln. I
          
 
   
             
 
Vln. II

 
              
  
Vla.

         
  
  
Vc.

         
Cb.
   
12         
  
4


       
        
  
Fl.


       

Ob.

    
  

Fag.

          

 
Timb.

    

 
Tpt. Si♭

 
    
 
Cor. Fa/Tr


S.          
     
  



le i son Ky ri e e le i son

         
A.


           

le i son Ky ri e le i son

T.
   
          
le i son Ky ri e e le i son

  


B.

    
      
le i son Ky ri e e le i son

       
         
     
 
             
  
Org.



  
         
     
  


Vln. I

 
            

Vln. II

   
            
   
Vla.

   

   
Vc.

   
Cb.
 
17 
5

        

 
Fl.

Ob.              

     
Fag.

    
Timb. 
      


Tpt. Si♭

   
Cor. Fa/Tr
  
  
           

Solista


S.

     
Chri is te e le i son Chri is te e

A.

    
T. 
    
 


 
B.

           
          
   
 
        
Org.


                 
 
Vln. I

      
Vln. II

  
Vla.
    
Vc.
         

         
Cb.

21      
6

 

     
Fl.

Ob.       
     
Fag.

     
Timb. 
      
Tpt. Si♭ 
    
Cor. Fa/Tr

          
S.      
    

le i son Chri is te e e le i son

A.

    
T. 
     
 



B.

     
                     
 
     
   
Org.

  


               
Vln. I

Vln. II        

      
    
Vla.


  

 
 
    
Vc.

 
Cb.
        
26
7

    
Fl. 
    
Ob. 
     
Fag.

     
Timb. 
      

  
Tpt. Si♭

 
Cor. Fa/Tr
  
        
   
     
S. 
    



A.

          
     
 
Solista


T.

     
 
Chri is te e le i son Chri is te e le i son Chri


  
B.

    
              
     
  
               
 
Org.


             
Vln. I
  
Vln. II         


        
     
Vla.

            

   
Vc.

             
Cb.
 
31 
  
8

     
         

 
Fl.

      
Ob.          
      
Fag.

      
Timb. 
       


Tpt. Si♭

 
                    
        

Cor. Fa/Tr

              
    
Solista
S.

      
Chri te e

 
A.

                     
       
 
Solista


T.

      
 


is te le i son Chri te e


B.

        
              
      
                     
      

Org.


                   

Vln. I     

Vln. II          

Vla.                      
      
Vc.    
         
Cb.

37    
9

      
    
    
Fl.

 
         

Ob.

   
   
 
  
Fag.

               
 
 
Timb.

     

    
Tpt. Si♭


        
    
 
Cor. Fa/Tr

 
  
     

           
Coro
S.

      
le i son Ky ri e e le i son Ky ri e e

   
   
   
A.

 
      
Ky ri e e le i son Ky ri e e

     
  
   

Coro
T.

     
      
    
le i son Ky ri e e le i son Ky ri e e

  


B.

  
                 
Ky ri e e le i son Ky ri e e


      
    


             
       
 
Org.

  
   
       
   
     
 
Vln. I

     
        
  
 
Vln. II

   
           
  
Vla.

           
 
  
Vc.

           
Cb.
  
42      
  
10


      
     
  
Fl.


      

Ob.

     
 

Fag.

          
 
Timb.

    

 
Tpt. Si♭

   
  
 
Cor. Fa/Tr

     

S.            


le i son Ky ri e le i son

           
A.

          
le i son Ky ri e le i son

T.
   
        
le i son Ky ri e e le i son

   


B.

  
     
le i son Ky ri e e le i son


    
                
          
      
Org.


 
     

           

Vln. I


             
Vln. II

   
          
   
Vla.

   
 
   
Vc.

   
Cb.
  
47 
 
11

   
      

 
Fl.

   
      
 
Ob.

   
    


   
Fag.

            
       
 
Timb.

     

    
Tpt. Si♭

    
             
 
Cor. Fa/Tr

  
     

 
         
     
S.

   

Ky ri e e le i son Ky ri e e le i son Ky ri e

                 
A.

  
              
Ky ri e e le i son Ky ri e e le i son Ky ri e

T.
      

       
              
Ky ri e e le i son Ky ri e e le i son Ky ri e e


B.

     
      
Ky ri e e le i son Ky ri e e le i son Ky ri e e


 
     
 
       
       
            
   
           
Org.

   
    
     

   

            

Vln. I

   
       
        
 
Vln. II

 
                

      
Vla.

           
      
Vc.

   
Cb.
        
53         
12

 

 
Fl.

       
Ob.  
  
Fag.
 
     

 
Timb.

  


Tpt. Si♭


  

Cor. Fa/Tr

  
S.         

  
e le i son

 
A.

 
     
le i son

T.

 


 
le i son

B.
  
  
    
le i son

      
 

      

Org. rit.

 

 
    
Vln. I
       
  
    
Vln. II

   
Vla.      
   
 

Vc.

    
Cb.
  
Rex Caelestis
missa brevis

     
Joaquín-Gabriel Hernández Murillo

 
 = 100 Magno glorioso Gloria
Flauta

    
Oboe  
      
Fagot

Timbales               

                  
Do/Sol

 
 
Trompeta en Si♭

    
Corno francés en Fa

   
Trompa

Soprano              

          
Glo ri a in ex ce el sis Glo ri a in ex ce el sis Glo ri a in ex

Alto
     

                


Glo ri a in ex ce el sis Glo ri a in ex ce el sis Glo ri a in ex

Tenor

                


Glo ri a in ex ce el sis Glo ri a in ex ce el sis Glo ri a in ex


Bajo

       
   
Glo ri a in ex ce el sis Glo ri a in ex ce el sis Glo ri a in ex

        

             
        

Órgano

         
Violín I    

          
 
Violín II

Viola             
          
Violoncello  
          
Contrabajo
  
6   
      
2

Fl. 
      
Ob. 
       
Fag.

               
         
Timb.

            

Tpt. Si♭

      


Cor. Fa/Tr

               
S.    

        
ce el sis De o Glo ri a in ex ce el sis Glo ri a in ex ce el sis

A.
        

                  
ce el sis De o Glo ri a in ex ce el sis Glo ri a in ex ce el sis

T.

     
            
ce el sis De o Glo ri a in ex ce el sis Glo ri a in ex ce el sis


B.

             
ce el sis De o Glo ri a in ex ce el sis Glo ri a in ex ce el sis

                 
              
          
 
Org.

           
     
Vln. I

             
 
Vln. II

Vla.                
    
Vc.           
    
Cb.
           
13
3

        
Fl. 
        
Ob. 
         
Fag.

Timb.
         
    
            

Tpt. Si♭

         
Cor. Fa/Tr

    
S.           

        
   
Glo ri a in ex ce el sis De o

A.
  

               
Glo ri a in ex ce el si is De o

T.

              
 
Glo ri a in ex ce el si is De o


B.

    

         
Glo ri a in ex ce el ci is De o

     
    
              
     
Org.

 
Vln. I            

            
 
Vln. II

            
   
Vla.

     
     
   
Vc.

     
Cb.
      
21  =         
4

 
Fl.    

    
 
         
Ob.


Fag.
      

      
 
Timb.

    
 
         
Tpt. Si♭


     
       

   
Cor. Fa/Tr

               
S.
  
  
              
Et in te rra pax ho mi ni bus bo nae vo lun ta tis

A.
      
            
       
Et in te rra pax ho mi ni bus bo nae vo lun ta tis Lau da mus

 
T.

                
    
Et in te rra pax ho mi ni bus bo nae vo lun ta tis


B.
 

                 
Et in te rra pax ho mi ni bus bo nae vo lun ta tis Lau da mus

      
    
    
      
        
     
Org.

 

        
    

Vln. I

               

   
   

Vln. II

             

          
Vla.

     

          
Vc.

Cb.
      

26
5

     
Fl. 
     
Ob. 
      
Fag.

Timb.
      

       


Tpt. Si♭

     
Cor. Fa/Tr

 
S.                

               
Be ne di ci mus te Glo ri fi ca mus

A.
     

           
te Be ne di ci mus te A do ra mus te Glo ri fi ca mu us

T.  
       
A do ra mu us te


B.

  
             
te


         
     
Org.

 
Vln. I             

    
   

Vln. II

Vla.               

Vc.
       

       
Cb.

32      
         
6

    

Fl.

       
Ob.        
    
Fag.

Timb.
    

     


Tpt. Si♭

    
Cor. Fa/Tr

     
S. 

          
te

         
A.

 
         
te Gra ti as a gi mu ti bi prop ter mag na am glo ri am

T.     
    
Gra ti as a gi mu us ti bi Prop ter mag nam


B.

 
   
    
           
       
    
Org.

    
 

Vln. I

      
               

Vln. II

     
Vla.
     
Vc.
    

    
Cb.


36     
7

 
       

      
Fl.

   
       
rit...

   
Ob.

            
 

Fag.

     

  
Timb.

      
     
   
Tpt. Si♭

     
     
   
Cor. Fa/Tr

    
S.       

 

Do mi ne De us Rex cae le es tis

       
        
A.

  
tu am Do mi ne De us Rex cae le es tis

              
T.
 

   
glo ri am tu am Do mi ne De us Rex cae le es tis

            


B.

 
   
Do mi ne De us Rex cae le es tis

              

       
 
           
         
Org.


      
      
 
Vln. I

    
              
  
Vln. II

            
 
   
Vla.

        
   
Vc.

Cb.
         
41
     
8

       
Fl.   
        
Ob.  
     
Fag.

     

 
Timb.

    


Tpt. Si♭

    


Cor. Fa/Tr

     
S.           

     
De us Pa ter om ni po tens Do mi ne Fi li/u ni

A.
        

              
De us Pa ter om ni po tens Do mi ne Fi li/u ni

T.

          
De us Pa ter om ni po tens Do mi ne Fi li/u ni

      


B.

             
De us Pa ter om ni po tens Do mi ne Fi li/u ni

       
 
           
         
  
Org.

        
Vln. I         

           
  
Vln. II

            
       
Vla.

    
  
       
Vc.

    
Cb.
   
46     
9

      



Fl.

      
Ob.  
    
Fag.
 
     
 
Timb.

    


Tpt. Si♭

  
     

Cor. Fa/Tr

        
S. 


   
ge ni te Je su Chris te

A.
         

               
ge ni te Je su Chris te Do mi ne De us,

T.

  
   
ge ni te Je su Chris te

     


B.

  
     
ge ni te Je su Chris te

    
       
                 
     
Org.


 

          


Vln. I

   
Vln. II
    
Vla.                 
    
   

Vc.

    
    

Cb.
51
10

    
Fl. 
    
Ob. 
     
Fag.

Timb.
     

      


Tpt. Si♭

    
Cor. Fa/Tr

     

 
S.

    
A.
              

     
A gnus Dei, Fi lli us Pa tris. Qui to llis pe cca ta mu un di,

T.

     


B.


          
       
       
 
   
Org.


Vln. I           

      
Vln. II
    
Vla.         
   
  
 
Vc.

   
Cb.
 
56
11

     

Meno mosso


       
Fl.

    
Meno mosso

      
Ob.


Meno mosso
Fag.

      
Meno mosso

 
Timb.

      
Meno mosso

      
Tpt. Si♭


Meno mosso

 
   
Cor. Fa/Tr

       

Meno mosso

S.

Qui to llis pe cca ta mu un di.

  
          
     
Meno mosso
A.


mi se re re no bis. Qui to llis pe cca ta mu un di,

            

Meno mosso

T.

   
Qui to llis pe cca ta mu un di,

         
Meno mosso


B.

 Meno mosso         
Qui to llis pe cca ta mu un di,

              
      
         
        
Org.


  Meno mosso
Vln. I                

      
      
Meno mosso
Vln. II

      
  
Meno mosso


Vla.

       

Meno mosso


Vc.

 
      

Meno mosso
Cb.
62   
12


               
Fl.



Ob.

   
Fag.

   
 
Timb.

  


Tpt. Si♭

  

     
Cor. Fa/Tr

         
S.    

 
sus ci pe de pre ca tio nem nos tram, qui se des ad dex

               
A.


              
sus ci pe de pre ca tio nem nos tram, qui se des ad dex

T.   

   
        
sus ci pe de pre ca tio nem nos tram, qui se des ad dex

    


B.
 


        
sus ci pe de pre ca tio nem nos tram, qui se des ad dex

       
      

           
 
Org.

  
 
      
Vln. I  
  
Vln. II               
   
Vla.
   
     
  

Vc.

     
   

Cb.
65   
13

        
 = 100



Tempo primo

       
Fl.

       


Ob.

        
Fag.

        
 
Timb.

        

Tpt. Si♭

       


Cor. Fa/Tr

  
S.              

    
      
te ram Pa tris mi se re re no bis

A.
      

             
te ram Pa tris mi se re re no bis

T.
 
        
     
te ram Pa tris mi se re re no bis


B.


                    
te ram Pa tris mi se re re no bis

       

         
     
        
Org.

 

Vln. I                  

        
               
Vln. II

          
  
Vla.


Vc.             
        
Cb.
     
72
14

     
Fl. 
     
Ob. 
      
Fag.

                 
      
Timb.

           


Tpt. Si♭

     


Cor. Fa/Tr

          
S.       
 
     
Quo niam tu so lus sa anc tus. Tu so lus Do mi nus

A.
         

 
               
Quo niam tu so lus sa anc tus. Tu so lus Do mi nus

T.

                 
Quo niam tu so lus sa anc tus. Tu so lus Do mi nus


B.

          


Quo niam tu so lus sa anc tus. Tu so lus Do mi nus

               
     











   
  
    
Org.

            
Vln. I   

           
Vln. II
   
Vla.               
        
Vc.
     
        
Cb.
      
78      
15

   
Fl. 
     
Ob. 
      
Fag.

          
         
Timb.

   
    
  

Tpt. Si♭

     


Cor. Fa/Tr

      
       
  

S.



          
Tu so lus Al ti ssi mus, Je su Chris te Cum Sanc to Spi ri tu+

A.
       

                 
Tu so lus Al ti ssi mus, Je su Chri is te Cum Sanc to Spi ri tu+


T.

          
       
Tu so lus Al ti ssi mus, Je su Chris te Cum Sanc to Spi ri tu+

 


B.

         
Tu so lus Al ti ssi mus, Je su Chri is te Cum Sanc to Spi ri tu+

              
          
         
Org.

    
    
   
Vln. I

            
 
Vln. II

           
  
Vla.

         
  
Vc.

        
Cb.
 
84       
16

Fl. 
      
Ob. 
       
Fag.

            

      
Timb.

  
           

Tpt. Si♭

      

  
Cor. Fa/Tr

   
S.              

    
in glo ria De i Pa tris In glo ria De i Pa tris A men A men A

A.              

                  
in glo ria De i Pa tris In glo ria De i Pa tri is A men A men A

T.

                  
in glo ria De i Pa tris In glo ria De i Pa tri is A men A men A

 


B.

   
           
in glo ria De i Pa tris In glo ria De i Pa tri is A men A men A

      
    
          
       
Org.

    
Vln. I         

Vln. II          


 

           
  
Vla.

  
      
  
Vc.

  
Cb.
       
91
17

 
Fl. 
 
Ob. 
  
Fag.

 
Timb.      
   
 

Tpt. Si♭

 
Cor. Fa/Tr

 
S.   

 
 
men

A.

   
men

T.

   
men


B.

   
men

    
 
      
Org.

  
  
Vln. I  

    
  
Vln. II

    
  
Vla.

    
  

Vc.

      
Cb.

Rex Caelestis
missa brevis
Joaquín-Gabriel Hernández Murillo

    
Sanctus et Benedictus

 
 = 100 Maestoso, regio

   
Flauta

 
     
Oboe


  
Fagot

                 
  
          
Timbales


  
Do/Sol

 
    
     
Trompeta en Si♭

Corno francés en Fa

 
           
Trompa

    
     
Soprano

  
   
              
  
Sanc tus, Sanc tus, Sanc tus Sa anc tu us Do mi nus De us

Alto

                
  
Sanc tus, Sanc tus, Sanc tus Sa anc tu us Do mi nus De us

  
Tenor

            
         
Sanc tus, Sanc tus, Sanc tus Sa anc tu us Do mi nus De us


Bajo

        
Sanc tus, Sanc tus, Sanc tus Sa anc tu us Do mi nus De us

     
           
    
   
         
         
    
Órgano

           
    
       
  
Violín I

            
  
   
  
Violín II

         
      
          
Viola

     
      
        
Violoncello

Contrabajo
   
         
  
  
2

   
5


Fl.

     
Ob. 
    


Fag.

               
          
Timb.

      
   

Tpt. Si♭

   

    
Cor. Fa/Tr.

           
    
S.

 
         
     
Sanc tus, Sanc tus, Sanc tus Sa anc tu us De us Sa ba oth

A.
  

              
  
Sanc tus, Sanc tus, Sanc tus Sa anc tu us De us Sa ba oth

 
T.

        
          
Sanc tus, Sanc tus, Sanc tus Sa anc tu us De us Sa ba oth


B.

           
Sanc tus, Sanc tus, Sanc tus Sa anc tu us De us Sa ba oth

     
    
   
 
         
      
     
Org.

 
           

      

Vln. I



                

Vln. II

            
     

        
Vla.

         
     
       
Vc.

   
Cb.
  
9
   
3

   
 
         
Fl.

      
   

Ob.

         
Fag.
  
     
 
Timb.

    


Tpt. Si♭

    
           
       

Cor. Fa/Tr.

             
        
S.
   
    
                  
Ple ni sunt cae li et te rra glo ria tu a Ple ni sunt

A.


                     
Ple ni sunt cae li et te rra glo ria tu a Ple ni sunt

  
T.

  
                    
Ple ni sunt cae li et te rra glo ria tu a Ple ni sunt

 


B.

   
             
            
Ple ni sunt cae li et te rra glo ria tu a Ple ni sunt

          

    
          
          
Org.

 
       
               
   
    
Vln. I

Vln. II                   
               

    
Vla.

      
  
    
Vc.

      
Cb.
   
   
14        
4

      
  
 
          
Fl.

   

 
Ob.

Fag.
       
     
    
Timb.

    

   
Tpt. Si♭

  
                  
     
Cor. Fa/Tr.

    
      



 
S.

 in ex
cae li et te rra glo ria tu a Ho sa nna/in ex

  
                  

Ho sa nna

A.


                       
cae li et te rra glo ria tu a Ho sa nna/in ex


 
T.

  
              


cae li et te rra glo ria tu a Ho sa nna in ex

   


B.

     
         
             
cae li et te rra glo ria tu a Ho sa nna in ex

      


      
             
          
Org.

 
         
            
 
 
   
Vln. I

 
              

Vln. II

                     

      
Vla.

      
 
      
Vc.

       
Cb.
 
    
18  
5

    


Fl.

       
  

Ob.

    
Fag.

    
             
Timb.

 
   
 
Tpt. Si♭

     
     
          
Cor. Fa/Tr.

       
   

S.

 in
cel sis Ho sa nna in ex ce el cis Ho sa nna/in ex

      
               
Ho sa nna ex

A.

        
        
cel sis Ho sa nna in ex ce el cis Ho sa nna/in ex


T.

         

cel sis Ho sa nna in ex ce el cis Ho sa nna in ex

        


B.

 
                 
cel sis Ho sa nna in ex ce el cis Ho sa nna in ex

               
  

               
             

Org.

      
            
  
  
Vln. I

 
          
        
   
Vln. II

    
         
  
Vla.

               
  
Vc.

   
Cb.
            
22  
    
6



Fl.

          
     
      
    
 
Ob.

   
Fag.

      
               
Timb.

    
 
Tpt. Si♭

            
  
     
               
Cor. Fa/Tr.

S.      


cel sis in ex ce el sis in ex ce el sis in ex cel

                          

cel sis

   
A.


cel sis in ex ce (coro 2) el sis in ex ce (coro 2) el sis in ex cel

                 
in ex cel sis in ex cel sis

T.

 
cel sis in ex ce el sis in ex ce sis in ex cel

                 


B.

                  
cel sis in ex ce el sis in ex ce sis in ex cel

              
             
          
Org.

     

             


Vln. I

                
     

Vln. II

              
   
Vla.

           
     
Vc.

Cb.
          
             
28   
7

     
                    
Fl.

 

    
Ob.

  

     
Fag.


       
Timb.

 
      
Tpt. Si♭


  
               
Cor. Fa/Tr.

S.     


sis Be ne dic tus qui ve nit in no mi ne Do mi ni Be ne

A.             


                    
sis Be ne dic tus qui ve nit in

 

T.


                    
sis Be ne dic tus qui ve nit in no mi ne Do mi ni Be ne

B.
 


  
sis Be ne dic tus qui ve nit in no mi ne Do mi ni Be ne

                
        


 

   
      
   
    
Org.

   
              
    

 
Vln. I

  
     
  
       
Vln. II

         
 

Vla.

       

 
        
Vc.

Cb.
 

 
33               
8

   
    
Fl.

 
         
 

Ob.

    
Fag.

     

 
Timb.

Tpt. Si♭      

    

 
Cor. Fa/Tr.

  
S.                

     
dic tus qui ve nit in no mi ne Do mi ni in no mi ne

A.

      
         
no mi ne

 
T.

                 
dic tus qui ve nit in no mi ne Do mi ni in no mi ne


B.

  
               
dic tus qui ve nit in no mi ne Do mi ni in no mi ne

    
 
                 
    
Org.

   
Vln. I                 

     

Vln. II

                


Vla.

    


Vc.

    
Cb.

38          
      
9

     
              
Fl.

     

    
Ob.

   
Fag.

      
        
Timb.

  
 
   
   
Tpt. Si♭

       
                   
Cor. Fa/Tr.

     

 
S.

 in ex
Do mi ni Do mi ni Ho sa nna/in ex cel sis Ho

     
                    
Ho sa nna cel sis

A.

                  
 
Do mi ni Do mi ni Ho sa nna/in ex cel sis Ho


T.

     
        
  
   
Do mi ni Do mi ni Ho sa nna in ex cel sis Ho

  


B.

 
                  
Do mi ni Do mi ni Ho sa nna in ex cel sis Ho

                       
  
        
      
   

   
  
     
Org.


   
                    
     
  
Vln. I

          
       
   
  

     
Vln. II

               
   
Vla.

      
   
           
Vc.

 
Cb.
 
   
43   
10

    


Fl.

       
  

Ob.

    
Fag.

   
       
             
Timb.

  
  
 
Tpt. Si♭

     
      
             
Cor. Fa/Tr.

      
 
 
S.

 in
sa nna in ex ce el cis Ho sa nna/in ex cel sis in ex

   
          
   
  
Ho sa nna ex cel sis

A.

  
               
sa nna in ex ce el cis Ho sa nna/in ex cel sis in ex


T.

   
         
sa nna in ex ce el cis Ho sa nna/in ex cel sis in ex

      


B.

  
     
         
      
   
sa nna in ex ce el cis Ho sa nna/in ex cel sis in ex

            
 
                
              
Org.

     
           
    
  
 
Vln. I

         
           
   
Vln. II

 
            
  
Vla.


               
          

Vc.

   
Cb.
   
47
11

     
        
   
  
Fl.

            
  
          
Ob.

   
  

Fag.

     
               
            
Timb.

      
   
Tpt. Si♭

            

      
          
Cor. Fa/Tr.

S.       

  
 
ce el sis in ex ce el sis in ex cel sis

                    
  
A.

 
(coro 2) (coro 2)


ce el sis in ex ce el sis in ex cel sis

              
in ex cel sis in ex cel sis

T.

 
 
ce el sis in ex ce el sis in ex cel sis

                


B.


           
ce el sis in ex ce el sis in ex cel sis

      
           
   
           
            
Org.

  
               
  

 
Vln. I

                
 
  
 
Vln. II

              
   
  
Vla.

   
        
   
 
  
Vc.

Cb.
            
Rex Caelestis
missa brevis

 Dolente, redentor
Joaquín-Gabriel Hernández Murillo

    
Agnus Dei


 = 80

  
Flauta

Oboe                   

       
Fagot

      
Timbales

      
Do/Sol

Trompeta en Si♭  

 
     

Corno francés en Fa

  Solista
  
Trompa

Soprano                  

    
  
A gnu us De i A gnu us De i Qui to

Alto

    
  


Tenor

       
Bajo

                       
    

                 
           
   
Órgano

  
Violín I                   

       
    
Violín II

                    
         
Viola

  

      
Violoncello

     
Contrabajo
 

6            
2

Fl. 
   
Ob.           

      
Fag.

      

 
Timb.

     
Tpt. Si♭ 
     


Cor. Fa/Tr.


S.                     

      
lli is pe cca ta mu un di mi se re re mi se

A.

     
T. 


      
B.
 

     
 



              


   

 
                 
 
Org.



     
    
    

Vln. I

Vln. II            
               
   
Vla.

       


Vc.

           
Cb.
  
12          
     
3

Fl. 
     
Ob. 
       
Fag.
 
      
 
Timb.

     
Tpt. Si♭ 
      


Cor. Fa/Tr.

           
     
Coro
S.

    

re re mi se re re mi se re re no bis A gnu us


A.

    
    
A

T.

      


 
A gnu us

B.

    
       
           
A


                   
      
Org.


 
         
Vln. I      
            
Vln. II

              
       
Vla.

      

        
Vc.

Cb.
       
18                     
4


      
   
Fl.

 
       
Ob.

Fag.

     
 
Timb.

    

   
Tpt. Si♭


  
   
Cor. Fa/Tr.

S.                     

       
  
De i A gnu us De i Qui to lli is pe cca ta mu un

A.
 

     
         
gnus De i A gnus De i Qui to llis pe

T.

            
   
De i A gnu us De i Qui to llis


B.

     
             
gnus De i A gnus De i Qui to llis pe cca

     
 
            
          
      
Org.


      
Vln. I           

       
    
Vln. II

             
            
 
Vla.


            
 
Vc.

Cb.
 
23  
     
       
5


        
         
Fl.

  
      
Ob.

Fag.

      
 
Timb.

     

     
Tpt. Si♭



Cor. Fa/Tr.

S.   
     
        

 
          
        
di Mi se re re Mi se re re

A.


                    
cca ta mun di Mi se re re Mi se re re

T.

                 
 


pe cca ta mun di Mi se re re Mi se re re


B.


     
                 
ta mun di Mi se re re Mi se re re

   


                        
   
Org.


 
  
     
     

Vln. I

        
    
Vln. II

                  
          
Vla.

 

         
Vc.

 
Cb.
  
29      
    
6

 
        
Fl.

  
Ob.  

     
Fag.
  
       
 
Timb.

      
Tpt. Si♭ 

      
   

Cor. Fa/Tr.

      
      
   
Implorante


Solista
S.

  
    
Mi se re re Mi se re re no bis Mi se re re Mi se re

A.
 
  
     
Mi se re re no bis

T.

     
         
Mi se re re no bis


B.

        
Mi se re re Mi se re re no bis

             
 
    
            
Org.

 

Vln. I                 
        

Vln. II

         
    
Vla.

     
  
     
Vc.

Cb.
     
 

36     
7

       
Fl.     

                

Ob.

         
Fag.

         
Timb. 
          


Tpt. Si♭

Cor. Fa/Tr.
                
     
                 
S.
 bis mi se re 
        

re mi se re re no re mi se re re mi se

A.

        
T. 
         




B.

                     
    
     
  
  
          
    
Org.


                  
Vln. I

              


Vln. II

Vla.                 
       
Vc.    
       
Cb.
    
45  
 
8

          
  

Fl.

      
Ob.       

           
Fag.
  

          
Timb. 
           


Tpt. Si♭

     
Cor. Fa/Tr.
     
  
               
    
S.

         

re re no bis mi se re re mi se re re mi se re re

A.

         
T. 
          
 


B.


                       
       
          
        
Org.

  
                
 

Vln. I

  
       
    

Vln. II

           
Vla.
 
             
Vc.   
           
Cb.
 
55 
    
9

   
   
 
 
   
Fl.

           
     

Ob.

       


Fag.
        

       
Timb. 
        
Tpt. Si♭ 
      
Cor. Fa/Tr.

     
      
   
   
     

S.

      

no bis mi se re re mi se re

A.

      
T. 
       



B.

            
                
            
3

 
         
    
         
Org.

            
   
 
   
   

Vln. I

                   
3

Vln. II

         
Vla.
     
               
Vc.
 
    
Cb.
            
62     
10


              
    

Fl.

    
         
          
Ob.

         
Fag.

Timb.
       

        
Tpt. Si♭ 

       
Cor. Fa/Tr.

      
              
    

S.

       
re no bis mi se re re mi se

A.

      
T. 
       


 

B.

   
              
         
     
     
3



           
         
 
     
 
Org.

     
             
    

Vln. I

                       
3


Vln. II

              
      
Vla.

           
 
      
Vc.

            
Cb.

69 
11

            

   
Fl.

       
  
Ob.

             
Fag.

      
 
Timb.

     
Tpt. Si♭ 
 
          
 
Cor. Fa/Tr.

          
      
Coro
S.

   

 
re re no bis A gnu us De i

 
A.

       
    
A gnus De i

T.

        


 
A gnu us De i A

B.


            
A gnus De i

              
     
            
               
Org.

 
 
             
   
(pedal)
Vln. I

          
       
Vln. II

        
 
 
Vla.

                


Vc.

                
Cb.
  
75     
12


              
Fl.

       
     
Ob.

Fag.

     
 
Timb.

    
Tpt. Si♭ 
    


Cor. Fa/Tr.

S.                       

 
         
A gnu us De i Qui to lli is pe cca ta mu un di,

A.   
           
  
A gnu us De i Qui to llis pe cca ta mun

T.

          
   
gnu us De i Qui to llis pe cca ta



B.

                   
A gnus De i Qui to llis pe cca ta mun

     

                 
         
 
Org.



                
 
Vln. I

Vln. II             
            
          
 
Vla.

  

          
 
Vc.

 
Cb.
  
       
80          
13



    
Fl.

 
      
Ob.

Fag.

      
 
Timb.

     

     
Tpt. Si♭



Cor. Fa/Tr.

             
S.      

        
         
Do na Do na Do na Do na Do na

A.

            
     
di Do na Do na Do na Do na

T.

                   
 


mun di Do na Do na Do na Do na Do

B.

      
                    
di Do na Do na Do na Do na Do na

 


                 
          

 
Org.

 
           
Vln. I      
Vln. II            
                  
            
Vla.

 
             
Vc.

Cb.

86  
    
14

     
 
Suplicante

    
Fl.

      
       
Ob.

Fag.
 
        
  
Timb.

      

       
Tpt. Si♭



Cor. Fa/Tr.

    
S.             

    
       
Do na Do na no bis pa cem Do na no bis Do na no bis

A.
     

           
Do na no bis pa cem pa cem Do na no bis

T. 

             
na no bis pa cem pa cem Do na no

  


B.

    
  
Do na no bis pa cem pa cem Do na Do na

       
           

 
       
 

     
 
Org.

 
 
Vln. I                  

    
     
  

Vln. II

           
      
Vla.

        
      
Vc.

Cb.
          
93    
15

    

   
Fl.

    

rall.

Ob.

    
Fag.

     

 
Timb.

    
 
Tpt. Si♭

       
 

Cor. Fa/Tr.

        
S. 

      
Do na no bis pa cem

A.
 

      

Do na no bis pa cem

T.

     
 
bis pa cem


B.

    
no bis pa cem

 
         

    
    

Org.

 
        
Vln. I  

      
Vln. II
  
        
 
Vla.

    


 
Vc.

     
Cb.
 
Rex caelestis
Flauta missa brevis
Joaquín-Gabriel Hernández Murillo

Kyrie

      
 = 70

                 
Sereno, suplicante


                         
  
15

 

    
  
                        
35

          


           

44
Rex caelestis
Oboe missa brevis
Joaquín-Gabriel Hernández Murillo

Kyrie

      
 = 70

                 
Sereno, suplicante


                        
  
15

    
       
                  
25

      


                
39

   
   

  
53
Rex caelestis
Fagot missa brevis
Joaquín-Gabriel Hernández Murillo
Kyrie

     
  
 = 70

    
      
 
Sereno, suplicante

    
                 
16

 
    
 
50
Rex caelestis
Timbales Do/Sol missa brevis
Joaquín-Gabriel Hernández Murillo
Kyrie


          
 = 70


                
Sereno, suplicante

      
 
                      
10


                
               

41


       

51
Rex caelestis
Trompeta en Si♭ missa brevis
Joaquín-Gabriel Hernández Murillo
Kyrie

     
 = 70

  
Sereno, suplicante
Rex caelestis
Corno francés en Fa/Trompa missa brevis
Joaquín-Gabriel Hernández Murillo
Kyrie

         
 = 70


          
    
 
Sereno, suplicante

      
      
               
10

    
                                    
27

 
                        
      
  
35

     
                   
43
Rex caelestis
Soprano missa brevis
Joaquín-Gabriel Hernández Murillo
Kyrie

  
           
 = 70

             
Sereno, suplicante


Ky ri e e le i son Ky ri e e le i son Ky ri e

   
               
      
7

le i son Ky ri e e le i son Ky ri e e le i son Ky ri

           
            
14


Solista


e e le i son Chri is te e le i son Chri is te e



                      

21
Solista

le i son Chri is te e e le i son Chri

       
   
      
    

  
     
36
Coro

te e le i son Ky ri e e le i son Ky ri e e le i son

 
                
 
      
43

    
Ky ri e le i son Ky ri e e le i son Ky ri e e

  
                  

     
50

le i son Ky ri e e le i son
Rex caelestis
Alto missa brevis
Joaquín-Gabriel Hernández Murillo
Kyrie


   
 = 70


       
Sereno, suplicante

          
Ky ri e e le i son Ky ri e e le i son Ky ri e le i son

     

       
9

          
Ky ri e e le i son Ky ri e e le i son Ky ri e le i son


  
  
       
18

        
Ky ri e e le i son Ky ri e e le i son Ky ri e

   
         
46

           
le i son Ky ri e e le i son Ky ri e e le i son Ky ri e le i

  
54

son
Rex caelestis
Tenor missa brevis
Joaquín-Gabriel Hernández Murillo
Kyrie

   
      
 = 70

                 
Sereno, suplicante


Ky ri e e le i son Ky ri e e le i son Ky ri e e le i son

    
                          
9

Ky ri e e le i son Ky ri e e le i son Ky ri e e le i son

 
                     

18


Solista


Chri is te e le i son Chri is te e le i son Chri is

   

                            
32 Solista

 
te le i son Chri te e le i son

   
                       
39
Coro

Ky ri e e le i son Ky ri e e le i son Ky ri e e le i son

      
              
     
 
47


Ky ri e e le i son Ky ri e e le i son Ky ri e e le i son
Rex caelestis
Bajo missa brevis
Joaquín-Gabriel Hernández Murillo
Kyrie

          
 = 70

              
Sereno, suplicante

Ky ri e e le i son Ky ri e e le i son Ky ri e e le i son

         
   
            
9

Ky ri e e le i son Ky ri e e le i son Ky ri e e le i son

     

                   
18

Ky ri e e le i son Ky ri e e le i son Ky ri e e le i

     
                   
46

son Ky ri e e le i son Ky ri e e le i son Ky ri e e le i son

 
55
Rex caelestis
Órgano missa brevis


Joaquín-Gabriel Hernández Murillo
Kyrie

  
    
 = 70

               
       
Sereno, suplicante

   
         
               
    


   
                           
7

  
               
 
   
     
   


                                
14



           
 


    
         
                
19


            
   
 


 
             
         
 
24

 
          

 



 
    
                  
        
29


                 

  
             



 
2

   
                      
     
 
36

    

      

          
     
 


 
                  

      
  
41


             
       
 


   
          

 
       
     
  
47

      
          
    
         
  


     
      
53

  
 

  
    
rit.

 

Rex caelestis
Violín I missa brevis
Joaquín-Gabriel Hernández Murillo
Kyrie

  
      
 = 70

        
            
Sereno, suplicante

   
                              

9

                      
           

17

 


                               

24

 


               
                   
34

  
               

 
   
     
  
40

  
                         

 
       
48
Rex caelestis
Violín II missa brevis
Joaquín-Gabriel Hernández Murillo
Kyrie


   
 = 70

 
        
Sereno, suplicante

          

          
                  
10

  

                  
20

            
         
35

     

   

         
44

       

   

53

  
Rex caelestis
Viola missa brevis
Joaquín-Gabriel Hernández Murillo
Kyrie

   
 
 = 70

   
                 
    
Sereno, suplicante

                     
        
10

            
  
21

  

  
                  
        
34

  
  
                     
43

    
   
54
Rex caelestis
Violoncello missa brevis
Joaquín-Gabriel Hernández Murillo
Kyrie

           
 = 70


              
Sereno, suplicante

                    
 
11

 
                      

22

 

            
               
32

          
              
42

   

54


Rex caelestis
Contrabajo missa brevis
Joaquín-Gabriel Hernández Murillo
Kyrie

           
 = 70


              
Sereno, suplicante

                    

11


 
              

22

            
               
32

          
              
42

    

54
Flauta Rex Caelestis
missa brevis Joaquín-Gabriel Hernández Murillo

Gloria
      
          
 = 100

  

Magno glorioso
=

                    
              
32

 rit...


                        
40

         
         
Meno mosso Tempo primo
51


Oboe Rex Caelestis
missa brevis
Joaquín-Gabriel Hernández Murillo

 
Gloria

 = 100 =

                   
Magno glorioso

    

        
     
    
     
38 Meno mosso

                                  

59

 

   
 
67 Tempo primo
Fagot Rex Caelestis
missa brevis Joaquín-Gabriel Hernández Murillo

Gloria

   
 = 100 =

                
        
Magno glorioso

   
   
Tempo primo


Meno mosso
40
Timbales Do/Sol Rex Caelestis
missa brevis
Joaquín-Gabriel Hernández Murillo


            
 = 100 Gloria

              
Magno glorioso

      
 
          
Meno mosso Tempo primo
13 =

  
                      

77
Trompeta en Si♭ Rex Caelestis
missa brevis Joaquín-Gabriel Hernández Murillo

                           
Gloria
 = 100


Magno glorioso



           
             
9

          
   
    
Meno mosso Tempo primo
21 =

                      
 
         
75

             
      
85
Corno francés en Fa/Trompa Rex Caelestis
missa brevis Joaquín-Gabriel Hernández Murillo

     
 = 100 = Gloria

                 
  
Magno glorioso

      
     
Meno mosso Tempo primo

    
38
Soprano Rex Caelestis
missa brevis Joaquín-Gabriel Hernández Murillo

 
Gloria

           
 = 100

   
Magno glorioso

        
Glo ri a in ex ce el sis Glo ri a in ex ce el sis Glo ri a in ex ce el sis

       
  
7


De o Glo ri a in ex ce el sis Glo ri a in ex ce el sis Glo ri a in ex

                    
14 =

 
 
        
ce el sis De o Et in te rra pax ho mi ni bus bo nae vo lun

 
      
  
24

          


ta tis Be ne di ci mus te Glo ri fi ca mus te

        
37

     
       
Do mi ne De us Rex cae le es tis De us Pa ter om ni po tens

        
45 Meno mosso

                 
Do mi ne Fi li/u ni ge ni te Je su Chris te Qui to llis pe cca ta mu

   
60


un di. sus ci pe de pre ca tio nem nos tram, qui se des ad dex

               
Tempo primo
65

            
       
te ram Pa tris mi se re re no bis Quo niam tu so lus
75

     
sa anc tus. Tu so lus Do mi nus Tu so lus Al ti ssi mus, Je su Chris te

            
 
82

Cum Sanc to Spi ri tu+ in glo ria De i Pa tris In glo ria De i Pa tris A
   
2

   
89

men A men A men


Alto Rex Caelestis
missa brevis Joaquín-Gabriel Hernández Murillo

 = 100 Gloria

              
  
Magno glorioso

Glo ri a in ex ce el sis Glo ri a in ex ce el sis Glo ri a in ex ce el sis

                  


7

 
De o Glo ri a in ex ce el sis Glo ri a in ex ce el sis Glo ri a in ex

               
      
14 =

   
ce el si is De o Et in te rra pax ho mi ni bus bo nae vo lun

            
    
24

 

                    
ta tis Lau da mus te Be ne di ci mus te A do ra mus te Glo ri fi

      
31

 
 
  
ca mu us te Gra ti as a gi mu ti bi prop ter mag na am glo ri am

               
36

    


tu am Do mi ne De us Rex cae le es tis De us Pa ter om ni po

             
   
44

  

tens Do mi ne Fi li/u ni ge ni te Je su Chris te Do mi ne De us,

                
51

    

 
A gnus Dei, Fi lli us Pa tris. Qui to llis pe cca ta mu un di,

    
          
56

      
Meno mosso

 
mi se re re no bis. Qui to llis pe cca ta mu un di, sus ci pe de pre

                       
63

ca tio nem nos tram, qui se des ad dex te ram Pa tris mi se re re no



2

     
Tempo primo

            
68

bis Quo niam tu so lus sa anc tus. Tu so lus Do mi nus


                 
78


Tu so lus Al ti ssi mus, Je su Chri is te Cum Sanc to Spi ri tu+

                   
84

in glo ria De i Pa tris In glo ria De i Pa tri is A men A men A men

 
92
Tenor Rex Caelestis
missa brevis Joaquín-Gabriel Hernández Murillo

Gloria
    
 = 100

            
Magno glorioso

Glo ri a in ex ce el sis Glo ri a in ex ce el sis Glo ri a in ex ce el sis

                   


7

 
De o Glo ri a in ex ce el sis Glo ri a in ex ce el sis Glo ri a in ex

                     
14 =


  
ce el si is De o Et in te rra pax ho mi ni bus bo nae vo lun

                        
24


  
ta tis A do ra mu us te Gra ti as a gi mu us ti bi

                   
35

Prop ter mag nam glo ri am tu am Do mi ne De us Rex cae le es tis

                    
41

 
De us Pa ter om ni po tens Do mi ne Fi li/u ni ge ni te Je su

                       
47 Meno mosso


Chris te Qui to llis pe cca ta mu un di, sus ci pe de pre

                  
 
63


ca tio nem nos tram, qui se des ad dex te ram Pa tris mi se re re no

                  
Tempo primo
69

           
bis Quo niam tu so lus sa anc tus. Tu so lus Do mi nus

      
78

Tu so lus Al ti ssi mus, Je su Chris te Cum Sanc to Spi ri tu+


      
2

           
84

in glo ria De i Pa tris In glo ria De i Pa tri is A men A men A men

 
92
Bajo Rex Caelestis
missa brevis
Joaquín-Gabriel Hernández Murillo

Gloria

       
 = 100

         
Magno glorioso

    
Glo ri a in ex ce el sis Glo ri a in ex ce el sis Glo ri a in ex ce el sis

              



7

 
De o Glo ri a in ex ce el sis Glo ri a in ex ce el sis Glo ri a in ex

                    

=


14

  
     
ce el ci is De o Et in te rra pax ho mi ni bus bo nae vo lun

           
24

     
ta tis Lau da mus te Do mi ne De us Rex cae le es tis


               
41

 
       
De us Pa ter om ni po tens Do mi ne Fi li/u ni ge ni te Je su Chris

        
48


Meno mosso

   
te Qui to llis pe cca ta mu un di, sus ci pe de pre

                 
63


ca tio nem nos tram, qui se des ad dex te ram Pa tris mi se re re no

                  
Tempo primo
69

          
bis Quo niam tu so lus sa anc tus. Tu so lus Do mi nus

       
78

          
Tu so lus Al ti ssi mus, Je su Chri is te Cum Sanc to Spi ri tu+

         
 
84

in glo ria De i Pa tris In glo ria De i Pa tri is A men A men A


  
2


91

men
Órgano Rex Caelestis
missa brevis


Joaquín-Gabriel Hernández Murillo


Gloria

        
 = 100

              


           
Magno glorioso

            

      
        


    
            

 

 




11


    
      
 
   



    
  
 



           
            

=

      
21



              
               
 


 
                           
       
29

 
          
    

  



       
                     
36

   
  
            
               
    


   
             
 
 
     

44


           
           

       
    

  Meno mosso      
2


                     
           
53

 
                   
         



                             
62

     
 
          
    
   
     


               
                 
        

Tempo primo

 
67

   




                
      
     


              
             
       
   
77

         
      

        

  


  
   
    
 
  
88

 

    
  
 

   
     
Violín I Rex Caelestis
missa brevis Joaquín-Gabriel Hernández Murillo

      
Gloria
       
       
 = 100

 
Magno glorioso

 
                   
12 =


   
     
      
    
25

  

 
             
         
39

 Meno mosso
                              
51

                              
63 Tempo primo

                   
      
74

   
       
87
Violín II Rex Caelestis
missa brevis
Joaquín-Gabriel Hernández Murillo

 = 100 Gloria

         
                   
Magno glorioso

 
       
      
     
12 =

 
      
 
           
  
23

      

 
       
                  
35

     

 
                         
44


                             
57

 
Meno mosso

             
            
65 Tempo primo



                           
75

  

            
  
87

 
Viola Rex Caelestis
missa brevis Joaquín-Gabriel Hernández Murillo

 = 100 Gloria

                           
Magno glorioso

 
               
     
13 =

 
               
        
27

 
                         
 
37

                         
47
Meno mosso

                    
  
60 Tempo primo

                           
72

               
85

  
Violoncello Rex Caelestis
missa brevis
Joaquín-Gabriel Hernández Murillo

Gloria

      
         
 = 100

       
Magno glorioso

   
               
      
=


12

  
                     
     
23

       
             
44

         
             
58


Meno mosso

    
                     
70 Tempo primo

    
          
         
82
Contrabajo Rex Caelestis
missa brevis Joaquín-Gabriel Hernández Murillo

  
Gloria
   
         
 = 100

       
Magno glorioso

   
               
      
=


12

  
                     
   
23

     
                
44

         
             
58


Meno mosso

             
           
70 Tempo primo

       
  
           
83
Flauta Rex Caelestis
missa brevis Joaquín-Gabriel Hernández Murillo

         
Sanctus et Benedictus
    
 = 100

         
Maestoso, regio

 

            
            
         
  
14

                       
      
23

        
    
               
      
35

         
              
 
42
Oboe Rex Caelestis
missa brevis Joaquín-Gabriel Hernández Murillo

 
Sanctus et Benedictus

 = 100

                       
Maestoso, regio

   

   
                             

16

 


                                  
25


                                 
 
34

  

 
                         
 
42


Fagot Rex Caelestis
missa brevis Joaquín-Gabriel Hernández Murillo

   
 = 100 Sanctus et Benedictus

                 
Maestoso, regio

 
                
24

        

         
38
Timbales Do/Sol Rex Caelestis
missa brevis Joaquín-Gabriel Hernández Murillo

                
Sanctus et Benedictus

 = 100

                   
Maestoso, regio

   
           
         
8

 
 
                  
48
Trompeta en Si♭ Rex Caelestis
missa brevis Joaquín-Gabriel Hernández Murillo


Sanctus et Benedictus
                  
 = 100

           
Maestoso, regio

                        
  
   
7

                             

22

                               
     
42

   

52
Corno francés en Fa/Trompa Rex Caelestis
missa brevis
Joaquín-Gabriel Hernández Murillo


Sanctus et Benedictus

 = 100

    

Maestoso, regio


                  

        
   
                      
14

        
 
                    
21

      
              
            
41

 

51
Soprano Rex Caelestis
missa brevis Joaquín-Gabriel Hernández Murillo


Sanctus et Benedictus

           
 = 100

   
    
Maestoso, regio

   
Sanc tus, Sanc tus, Sanc tus Sa anc tu us Do mi nus De us

               
      
5

Sanc tus, Sanc tus, Sanc tus Sa anc tu us De us Sa ba oth Ple ni sunt

                 
          
   
10

 
cae li et te rra glo ria tu a Ple ni sunt cae li et te rra glo ria


    
                 

  
16

   

                    
tu a Ho sa nna/in ex cel sis Ho sa nna in ex ce el cis Ho sa nna/in ex

        
22

 
cel sis in ex ce el sis in ex ce el sis in ex cel sis Be ne dic tus qui

                    
 
30


ve nit in no mi ne Do mi ni Be ne dic tus qui ve nit in no mi ne


                          
 
36


Do mi ni in no mi ne Do mi ni Do mi ni Ho sa nna/in ex

                        
    
42

 

       
cel sis Ho sa nna in ex ce el cis Ho sa nna/in ex cel sis in ex ce

      
  
48

el sis in ex ce el sis in ex cel sis


Alto Rex Caelestis
missa brevis Joaquín-Gabriel Hernández Murillo

 
Sanctus et Benedictus


 = 100

             
 
  
Maestoso, regio

   

Sanc tus, Sanc tus, Sanc tus Sa anc tu us Do mi nus De us

               
    
5

     
Sanc tus, Sanc tus, Sanc tus Sa anc tu us De us Sa ba oth Ple ni sunt


                        
10

 in ex
       
cae li et te rra glo ria tu a Ple ni sunt cae li et te rra glo ria

      
          
sa nna


16

tu a Ho sa nna/in ex cel sis Ho sa nna in ex ce el cis Ho

 in ex
Ho Ho

                           


sa nna cel sis

   
21 (coro 2)

 

 
sa nna/in ex cel sis in ex ce in ex el sis in ex ce in ex el sis in ex

                  
27 cel sis cel sis

 
(coro 2)

 in ex
cel sis Be ne dic tus qui ve nit in no mi ne

     
             
          
38
nna cel sis

Do mi ni Do mi ni Ho sa nna/in ex cel sis Ho sa nna in ex

 in ex
Ho sa

 

                
          
sa nna cel sis

   
44 (coro 2) (coro 2)

  
ce el cis Ho sa nna/in ex cel sis in ex ce in ex el sis in ex ce in ex

      
Ho cel sis


50

el sis in ex cel sis


cel sis
Tenor Rex Caelestis
missa brevis Joaquín-Gabriel Hernández Murillo

Sanctus et Benedictus

            
 = 100

   
  
Maestoso, regio

 

      
Sanc tus, Sanc tus, Sanc tus Sa anc tu us Do mi nus De us

             
   
5


Sanc tus, Sanc tus, Sanc tus Sa anc tu us De us Sa ba oth Ple ni sunt

            
                    
10

 

  
cae li et te rra glo ria tu a Ple ni sunt cae li et te rra glo ria

                      
16

 ex
tu a Ho sa nna in cel sis Ho sa nna in ex ce el cis Ho

                            
 
21

 

                
sa nna in ex cel sis in ex ce el sis in ex ce sis in ex cel sis Be ne

      
29

 
dic tus qui ve nit in no mi ne Do mi ni Be ne dic tus qui ve nit in

                
        
35

   
no mi ne Do mi ni in no mi ne Do mi ni Do mi ni Ho

         
             
41

 

 
sa nna in ex cel sis Ho sa nna in ex ce el cis Ho sa nna/in ex cel sis in ex

                
47

ce el sis in ex ce el sis in ex cel sis


Bajo Rex Caelestis
missa brevis Joaquín-Gabriel Hernández Murillo


            
Sanctus et Benedictus

 
 = 100

     
Maestoso, regio

Sanc tus, Sanc tus, Sanc tus Sa anc tu us Do mi nus De us

 
                      
5

 
Sanc tus, Sanc tus, Sanc tus Sa anc tu us De us Sa ba oth Ple ni sunt

 
  
                    
10

 

      
cae li et te rra glo ria tu a Ple ni sunt cae li et te rra glo ria

         
            
16

tu a Ho sa nna in ex cel sis Ho sa nna in ex ce el cis Ho sa nna in ex

 
                      
    
22

                      
cel sis in ex ce el sis in ex ce sis in ex cel sis Be ne dic tus qui

 
30

ve nit in no mi ne Do mi ni Be ne dic tus qui ve nit in no mi ne

                     
      
36

Do mi ni in no mi ne Do mi ni Do mi ni Ho sa nna in ex

       
                
42

cel sis Ho sa nna in ex ce el cis Ho sa nna/in ex cel sis in ex ce

 
            
 
48

el sis in ex ce el sis in ex cel sis


Órgano Rex Caelestis
missa brevis Joaquín-Gabriel Hernández Murillo


     
Sanctus et Benedictus

      
 = 100

           
     
Maestoso, regio

           
            

    
  



 
                  
                     
     
6

 
             
             
            



    
      
                         
      
12


                       
      


     
         
            
                  
17

      
                  
 
              


 
     
                       
          
23

 
       
    
   
     

  


  

                          
31

  
                
 
        


 
                        
2


           
            
37

  
                       
    
     
 




                         
        
                  
43

 
                     
                  


 
       
       
 
50

 
    
         
    
Violín I Rex Caelestis
missa brevis Joaquín-Gabriel Hernández Murillo


                
 = 100 Sanctus et Benedictus


          
Maestoso, regio

                                     
    
7

 

                                      
      
15

                   

               
24


                  
              
      
  
33

                                      
  
 
41

 
   

51
Violín II Rex Caelestis
missa brevis Joaquín-Gabriel Hernández Murillo

  
Sanctus et Benedictus

     
 = 100

      
     
       
Maestoso, regio

     
                                  
7

      
          
                            
15

 
             
                           
22

  
    
                         
33

  
              
                           
             
43


    

52

 
Viola Rex Caelestis
missa brevis Joaquín-Gabriel Hernández Murillo

  
Sanctus et Benedictus


 = 100

                     
       
Maestoso, regio

                                
7

 

 
                                     
16

  
                                 
24


 
                                  
35

  
                                
43



  
53


Violoncello Rex Caelestis
missa brevis
Joaquín-Gabriel Hernández Murillo

                                       
 = 100 Sanctus et Benedictus

 
Maestoso, regio

  
                       
      
8

 

         

                    
19

                 
       
29

         
          
        
43



  
53


Contrabajo Rex Caelestis
missa brevis Joaquín-Gabriel Hernández Murillo

               
          
Sanctus et Benedictus

    
 = 100

 
Maestoso, regio

   
         

      
 
7

 

      
        
                  
17

 
                  
 
27

                                
     
41

 
      
51
Flauta Rex Caelestis
missa brevis Joaquín-Gabriel Hernández Murillo

      
                    
 = 80 Agnus Dei


  
Dolente, redentor

                          

16

      
                   

 
24

  
                           

33

 
                    
 
 
54

               
               
66

                 
   

     
Suplicante
83

        

93

rall.
Oboe Rex Caelestis
missa brevis
Joaquín-Gabriel Hernández Murillo


Agnus Dei

      
                        
 = 80


Dolente, redentor

                            
 
17

                              
 
28

  
                     
41

  
              
             
59

 

                         

76 Suplicante

        

93

rall.
Fagot Rex Caelestis
missa brevis Joaquín-Gabriel Hernández Murillo

  
Agnus Dei
 = 80

           
  
Dolente, redentor

        
                        
53


 
                         

64

 
  
88 Suplicante

rall.
Timbales Do/Sol Rex Caelestis
missa brevis Joaquín-Gabriel Hernández Murillo
Agnus Dei

  
 = 80

       
Dolente, redentor


Suplicante

rall.
Trompeta en Si♭ Rex Caelestis
missa brevis
Joaquín-Gabriel Hernández Murillo

  
Agnus Dei

 
 = 80


 
Dolente, redentor
Suplicante

rall.
Corno francés en Fa/Trompa Rex Caelestis
missa brevis Joaquín-Gabriel Hernández Murillo

 
 = 80 Agnus Dei

    
        
Dolente, redentor

  

  
                   
     
39

  
        
 
Suplicante


71

rall.
Soprano Rex Caelestis
missa brevis
Joaquín-Gabriel Hernández Murillo

 = 80 Agnus Dei

              
                  
Dolente, redentor
Solista

          
                
A gnu us De i A gnu us De i Qui to lli is pe cca ta mu un

 
7

             
            
di mi se re re mi se re re mi se re re mi se re re no bis
17
Coro


                          
A gnu us De i A gnu us De i Qui to lli is pe cca ta mu un di

  
Implorante


25
Solista

                      

Mi se re re Mi se re re Mi se re re Mi se re re no bis Mi se

  
33

 bis mi se re
    
re re Mi se re re mi se re re no re mi se re

                        
 
44

            
            
re mi se re re no bis mi se re re mi se re re mi se re re

       
55


         
          
no bis mi se re re mi se re re no

          
64


Coro


                        
bis mi se re re mi se re re no bis A gnu us

   
74


De i A gnu us De i Qui to lli is pe cca ta mu un di, Do na

                                
82 Suplicante

Do na Do na Do na Do na Do na Do na no bis pa cem Do na no
    
    
2

     
90

bis Do na no bis Do na no bis pa cem


rall.
Alto Rex Caelestis
missa brevis Joaquín-Gabriel Hernández Murillo

 
Agnus Dei


 = 80

             
Dolente, redentor

     
A gnus De i A gnus De i Qui to llis pe cca ta mun di


                        
25

 
Mi se re re Mi se re re Mi se re re no bis A

 
                   
74


gnus De i A gnu us De i Qui to llis pe cca ta mun di Do na

                    

82 Suplicante

 
Do na Do na Do na Do na no bis pa cem pa cem

                
91

Do na no bis Do na no bis pa cem


rall.
Tenor Rex Caelestis
missa brevis
Joaquín-Gabriel Hernández Murillo


 = 80


Agnus Dei

                           
Dolente, redentor

A gnu us De i A gnu us De i Qui to llis pe cca ta


                        
24

mun di Mi se re re Mi se re re Mi se re re no bis


                            
73

A gnu us De i A gnu us De i Qui to llis pe cca ta mun di

                          
81 Suplicante

Do na Do na Do na Do na Do na no bis pa cem pa cem


          
91

Do na no rall. bis pa cem


Bajo Rex Caelestis
missa brevis
Joaquín-Gabriel Hernández Murillo
Agnus Dei


     
 = 80

        
    
Dolente, redentor


A gnus De i A gnus De i Qui to llis pe cca ta mun di

    
                    

25

Mi se re re Mi se re re Mi se re re Mi se re re no bis A

                        

74


gnus De i A gnus De i Qui to llis pe cca ta mun di Do na Do na

                         
   
83 Suplicante

Do na Do na Do na Do na no bis pa cem pa cem Do na Do na

       
93

no bis pa cem
rall.

Órgano Rex Caelestis
missa brevis Joaquín-Gabriel Hernández Murillo
Agnus Dei

                              
    
 = 80


Dolente, redentor

  

            
                           


                                  
  
8

                                 
    


   
                           
     

16


  
                                   



                                     
 
25

                                 
 



                   
     
 
33


     
             
      

 
     
2

            
        
44

    

      
           
 


 
                                 
    
3


55

  
 
              

 

   


 
                         
               
3


63

 
                          

 

  


   
                            
71

                                 
     


 

           
(pedal)

         
              
78


                    
                     



   
                              
86 Suplicante

  


   
                 
 
rall.

   

3

  



95


  


Violín I Rex Caelestis
missa brevis Joaquín-Gabriel Hernández Murillo

Agnus Dei

 
                            
 = 80

     
Dolente, redentor

                                  

11

  
                                 
21

           
             
32


                              

46

    
                                
58

3 3

       

                     
     
67

                
            
78 Suplicante

          
     
89

rall.
Violín II Rex Caelestis
missa brevis
Joaquín-Gabriel Hernández Murillo
Agnus Dei


  
 = 80

      
     
     
Dolente, redentor

 


                          
12

                      
25


                          
39


  
                              
54



                        
66

 

             
       
78 Suplicante

 

              
91

rall.
Viola Rex Caelestis
missa brevis
Joaquín-Gabriel Hernández Murillo
Agnus Dei

                        
 = 80

            
Dolente, redentor

                                 
11

                            
22

 
                       
35

              
    
50


                                      
63

                                  
75


                  
86 Suplicante

rall.
Violoncello Rex Caelestis
missa brevis Joaquín-Gabriel Hernández Murillo

            
Agnus Dei

            
 = 80

 
Dolente, redentor

                              

13

                   
     
26

                 


  
41

                  
         
56

                                
 
67

                       
   
78 Suplicante

           
92

rall.

Contrabajo Rex Caelestis
missa brevis
Joaquín-Gabriel Hernández Murillo

            
Agnus Dei

            
 = 80

 
Dolente, redentor

                              

13

                   
     
26

                 


  
41

                 
         
56

                                
 
67

                       
   
78 Suplicante

            
92

rall.

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