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Masterclass

Con John Rutter

Parma, 20 Marzo 2022


Masterclass con John Rutter
Parma, 20 Marzo 2022

INDICE DEI BRANI

A Flower Remembered pagina 3


For the Beauty of the Earth pagina 10
God Be in my Head pagina 19
Look at the World pagina 22
Pie Jesu pagina 33
Be Thou my Vision pagina 39
Shall I compare Thee to a Summer’s Day? pagina 45
The Lord Bless You and Keep You pagina 51
For the Beauty of the Earth (SATB) pagina 57
3
in memory of the victims of the Tohoku area earthquake and tsunami, March 2011

A flower remembered
Words and music by


JOHN RUTTER

Slow and reflective q = 60


   

      
 
 
    
unhurried, poco rubato

   
 
 
p pp mp cantabile

PIANO

    
    
     

ly
on
Ped. Ped.

 
SOPRANOS (with Altos ad lib.)

e
4


p thoughtful and unhurried

       
     
us 1. A flow’r re - mem - bered can nev- er


op

  
              
h

   
legato sim.

         
ks

       
or

Ped. sim.
rw

  
 

8

       

   

 
Fo

wi - ther: For ev - er bloom- ing as bright as day, Its fra-grance

   
 




       

             
       
Also published in its original version for mixed voices (978-0-19-340482-3)

© Collegium Music Publications 2014 and 2019. Exclusively licensed worldwide to Oxford University Press.
Photocopying this copyright material is ILLEGAL.
4 A flower remembered

  mp
            
  
11


 
 
       
lin -g’ring like mu- sic soft - ly play- ing, A gen - tle voice that’s say - ing, ‘I’ll nev- er fade a -

   
       
      

   
                   
mp


    

 
SOPRANO 1

ly
14

   
A

p
   
           

on
- way.’ I hear the e - choes of ma -ny voi - ces; Some-times they’re

 
SOPRANO 2
p

 

 
      
 
     

e
-way.’ I hear the e - choes of ma -ny voi - ces; Some-times they’re
 ALTO us

p

 
 
            
op
I hear the e - choes of ma -ny voi - ces; Some-times they’re

     
A
   
      
h

          

     
ks

  
 
  mp
or

 
17 mf

              
 
rw

di - stant, some -times so clear; Through all the sounds of life they seem to

 
mp mf
                
Fo

di - stant, some -times so clear; Through all the sounds of life they seem to


mp mf

 
 
               
di - stant, some -times so clear; Through all the sounds of life they seem to

      
 
 
 
       
   
mp mf
               
     
A flower remembered 5

  
p poco rit. a tempo

           
20

  
pp
    
whis - per, ‘Will you re -mem-ber, will you re -mem - ber?’


        
p

  
pp

 
     

whis - per, ‘Will you re -mem-ber, will you re -mem - ber?’


pp
         
p

     

 

ly
whis - per, ‘Will you re -mem-ber, will you re -mem - ber?’

 
poco rit. a tempo

    

on
    
 


 
p pp

       
p
 

e

      

us
op
SOLO VOICE

  
24 or SEMI-CHORUS
mf dolce
     
  
h

2. The birds fly

 
ks

    
 
or

  
    
rw

  
     
Fo

  
  
   
                 
mf mp

             

   
   
  
 
6 A flower remembered

  
       

27 B

       
 

 
home-ward a -cross my val - ley To -ward the moun - tains all white with

  
p

S.1              
*Mm mm mm
   p
   
S.2         
*Mm mm mm

ly
   p

         
  

on
A.

*Mm mm mm

  
B

    
     

e
  

                        
 
us 
 
op

  
30 mp

           
h

  
ks

snow; The birds are gone now, the moun - tain snows have

  
pp
     
   
or

mm mm
rw

      
pp

    
mm mm
Fo

   pp

        
mm mm

   
        

    

p

            
       

*or other vocalized sound, like ‘Ah’ or ‘Oo’


A flower remembered 7

    
32

               

melt - ed, But still I see their beau - ty, these scenes of long a -

         
    
mm mm
 
      

    
mm mm
 

ly
       
 
  

on
mm mm

          
    

e
       

  
     
 


us 
    
   
op

  
34 (col tutti)

       
h
ks

- go.

  
 
p

mp

       
cresc.
       
or

The birds still fly in o- ther val - leys; The snows have

 
rw

     

p mp cresc.
   
        
The birds still fly in o- ther val - leys; The snows have
Fo

 
     
p

mp


cresc.
      
     
The birds still fly in o- ther val - leys; The snows have

 
           

       
    
mp cresc.

    
 
        


 
 
  
8 A flower remembered

   
Largamente
37 f

          
turned to flow - ing streams; All things must

 
f

            

turned to flow - ing streams; All things must

 
f

          
 

ly
turned to flow - ing streams; All things must

on
Largamente
   
            
    

e
f

 
  
 
  us


 
 
 

op

     
p

h

C

39

          
 
ks

pass, but me - mo - ries are last - ing:


or

p
  
   
   
      
rw

pass, but me - mo - ries are last - ing:

    
p mp
  
 
        
Fo

 
pass, but me - mo - ries are last - ing: We will re -

 
       
C

       

   


p

       
      
    
  

A flower remembered 9

  
 
mp p

41

       
        
We will re - mem-ber, we will re - mem - ber,

  
 
mp p
     
          
We will re - mem-ber, we will re - mem - ber,

  
    

p
        
     

ly
-mem-ber, we will re - mem - ber, we will re -

on
      
      
   

e
mp p

         

       
  us 
op

   
molto rit. al fine

h

44 pp
   
     
ks

we will re - mem - ber.


or

   
pp


       
rw

we will re - mem - ber.

  
pp

        
Fo

  
- mem - ber, we will re - mem - ber.


molto rit. al fine
 
         
    


pp

    
   

 

 
 
 


  
Ped.
10
Commissioned by the Texas Choral Directors’ Association

For the beauty of the earth


Words by F. S. Pierpoint (1835–1917) JOHN RUTTER

  
Happily h = 66

     


   
PIANO mp delicato

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ly


on
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          
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 
SOPRANOS
op
9

  
mp legato

      

1. For the beau - ty of the earth,
h

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     
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or


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 
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13

          
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For the beau - ty of the skies, For the

 
          
 


       

     

© Oxford University Press 1980 and 2019. Photocopying this copyright material is ILLEGAL.
For the beauty of the earth 11

 
17

        
 
love which from our birth O - ver and a-

          


       

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ly
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21

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on
  
- round us lies, o - ver and a - round us lies: Lord of

             
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  

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us 

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op

  mf     
25



h
ks

all, to thee we raise


     
                    
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mf
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Fo

  mp    
29



   
This our joy - ful hymn of praise.
 
     
          
mp

       
    
12 For the beauty of the earth

 
A
33 mf

 
SOPRANO

       

ALTO

    


2. For the beau - ty of each
 
 
( )  
mf
  
   

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   
    
37

 
       

ly

on
hour Of the day and of the

        

     

   
  

e
    
   

 
us

41

S.           

op
night, Hill and vale, and tree and

  
 
  
  

h

A.
ks

night, Hill and vale,


                      
     
or

     
   
rw

 
45
     
       
Fo

flower, Sun and moon and stars of light:



          
    
and tree and flower, Sun and moon and

        
            

        
      
   
For the beauty of the earth 13

    
49

f
    
Lord of all, to thee we

    
f 3

            
stars of light: Lord of all, to thee we

       
3
     
                
f

ly
cresc.
     
         

on
     mf

53


   

e
 
raise us
This our joy - ful hymn of

   

mf
      
op

 
raise This our hymn of

  
         
       
h

       
ks

      
mf

   
      
  
or

   
rw


57

    
Fo

praise.

 
       
praise.

             
        

mp espress.
   
           
      
Ped.  Ped. 
14 For the beauty of the earth

  
61 B

p
     

3. For the joy of

  mp espress.

 
       
3. For the joy of hu - man love,


B

       
  
   
 
     

ly
p dolce

   
   
 

on
 
65
   

e
       
love,

 
us Bro - ther, sis - ter, pa - rent,

 
        
  
op

Bro - ther, sis - ter, pa - rent, child, Friends on


             
h

          
ks

      
   
or

 
rw

69

           


 
Fo

child, Friends on earth, and friends a - bove,


      
 
    
earth, and friends a - bove, For all gen - tle

      
            
       

    
   
For the beauty of the earth 15

  ( p)    
73

      
For all gen - tle thoughts and mild:


 
             
   
thoughts and mild, for all gen - tle thoughts and mild: Lord of


              
         

ly
       
    

on
       
77 mf
  

e
 

 mf 
Lord of all,


us 
to thee


we raise

   
op
all to thee we raise

        
      
h

         
ks

mf

 

 
  

 
or

 
rw



81 p

           
Fo

Our joy - ful hymn of praise.

 mp  
       
 
This our joy - ful hymn of praise.

    

  
    
        
mp


cresc.
         

     
  
16 For the beauty of the earth

  
85 C
f
        

4. For each per - fect gift of thine

 
 
f

      

4. For each per - fect gift of thine


C
   
         
 

ly
f

          

  

on
  

  


89
     

e
    

 
To our race so free - ly us giv - en,



mf

           
op
To our race so free - ly giv - en, Gra - ces


                                  
h

        
ks

 
mf
   
 
  
   

or

 

 
rw

       
93 mf

         
Fo

Gra - ces hu - man and di - vine,

     
 
   
  
hu - - man and di - vine, Flow’rs of earth and

  
                         


  
 


  
  

For the beauty of the earth 17

   
97 cresc.

       
Ah Ah

 
 

cresc.
           
buds of heav’n, flow’rs of earth and buds of heav’n:

     


   
 


 
 

 
    

ly
cresc.

   
     
 
 

on
     
100
 
f
 

e
 
Lord of all, us to thee we

 
f 3
  
        
op
Lord of all, to thee we


      
   
  
         
h



ks

  
 
       
     
or

   

   
rw

D(e=e)
103
  
mf
 
      
Fo

raise This our joy - ful


       

mf
 
raise This

 
 
      
D(e=e)
     
              


mf
  
  
 

   
     
18 For the beauty of the earth

   
107

   

   
 
hymn of praise,

    
 
          
our joy - ful hymn of praise,

    
               
   


ly
    
        

on
 
rall. (rallentando al fine)

111 p


     

e
  


This us
our joy - ful hymn of

  
p


     
op

  
rall. (rallentando al fine) our hymn of

   
      
    
   
h

   
ks

          
dim. p

  
 
   
or

  
rw

molto rall.
114

    
praise.
Fo

 
   
  
praise.
       

     
molto rall.

    
   ( ) 


(p)
 


    
      
19

God be in my head
Words from the Sarum Primer (1514) JOHN RUTTER

Tranquillo ma con moto q = c.108

  
p legato sempre
SOPRANO 1            
God be in my head and in my un - der -


p legato sempre

           

ly
SOPRANO 2

and in my un - der -

on
 p legato sempre

 
     
ALTO
    

e
and in my un - der -
Tranquillo ma con moto q = c.108
   
    us        
for

rehearsal p legato sempre

 
op
only
    
    
h

   
mp
 
cresc.
ks

      
or

- stand - ing. God be in mine eyes and in my


mp
 
cresc.

         

rw

- stand - ing. God be in mine eyes and in my

 mp


cresc.

           
Fo

    
- stand - ing. God be in mine eyes and in my

        
     
cresc. mp


          
     

© Oxford University Press 1970 and 2019. Assigned by Oxford University Press Inc. 2010.
Photocopying this copyright material is ILLEGAL.
20 God be in my head

  
p
   
9

       
look - - - ing. God be in my mouth

 
p

         
 
look - - - ing. God be in my mouth



p

            
  

ly
look - - - ing. God be in my mouth

on
  
 
        
  

e
p


  
      us         
op

  
mf
h

p

13

         
ks

and in my speak - - - ing. God be


or


mf p

            
rw

and in my speak - - - - ing. God be


mf p

          
     
Fo

and in my speak - - - - ing. God be

         
         
mf p


 
        
     
God be in my head 21

  
Poco meno mosso
 pp
17

            
in mine heart and in my think - ing. God be

   pp

             
in mine heart and in my think - ing. God be

   pp

        (  )   
   

ly
in mine heart and in my think - ing. God be

on
 

Poco meno mosso

              

e
pp

 

       us
   (  )
   
op

rit.

     
pp ppp
h

21

          
ks

at my end and in my de - part - - ing.

 
or


pp ppp

            
rw

at my end and in my de - part - - ing.

  pp ppp

               
Fo

 
at my end and in my de - part - - ing.

    
rit.
   
           

pp ppp

  
      
         

22

Look at the world


in celebration of the 70th anniversary of the Council for the Protection of Rural England

for children’s choir (unison) and/or mixed choir (SATB)


Words and music by
JOHN RUTTER
Brightly ( , = 66 )
W " !
W ! W W !
! W W ! W W W
2 8
! ! W W W W
: 2
*PIANO
or mp leggiero mf
ORGAN
2 6 W 6 W 6 W 6
<
: 2 W ! W ! W

ly
W W W ! W !
" " W W
" "
(Man.)

on
5 W W W W
W ! ! W
8 W W W
! W W W W W W W
: ! 7 ! W
!

mp

e
W W
6 W ! 6 W ! 6 W
W W W !
< " W

CHILDREN (or SOPRANOS)


"

us "
: "
"
! !

9 mf
op
=
8 8
: W W " W
> W W W W W
W W
1. Look at the world, ev ’ry thing all a round us:
h

W W W !
W
! !
ks

! W W
! ! ! W W
:
or

W <
6 6 W 6 W 6
: W ! W ! W
W W W ! W !
" " W W
"
rw

"

13
=
W W !
8 W W W
: "
Fo

> W W W
W
Look at the world, and mar vel ev ’ry day.
" " W
! 0 "
! W ! W !
! ! 0 !
: W

W W 6 W
6 W ! 6 W ! 6 W W W !
W W W ! ! 0
< " " W W
"

*The accompaniment is more suitable for piano, but it can be played on the organ.

Instrumentation: 2fl, ob, 2cl, bsn, 2hn, hp, str

© Oxford University Press 1996 and 2003. Photocopying this copyright material is ILLEGAL.
23
17
=
8 -W -W -" 8 -W -W
: W W W W W
> -W
Look at the world: so ma ny joys and won ders,

-! ! -!
! W
-! -W W W ! -! -!
-! - !
: ! !

-W W -W
6 -W ! 6 -W ! 6 -W ! 6 W
W -W !
< -" W -W -W
" -" "

ly
on
21
=
8 -W 7
: W W W W ! ! 0
> -W -W

e
!
So ma ny mi ra cles a long our way.

:
-!
-!
- -! W W
!
W -W
us W
"
-W W W
!
! /W
W
W
W
W
W
op

-W -W
6 -W ! 6 W ! 6 W 6 W !
< -W -W W ! W
-" W W
h

-" " ! 0 W
ks

A
or

SOPRANOS (and CHILDREN)


25 mf
= W
W W !
W
rw

: W ! ! !
! 00 W W W !
! !
W W

ALTOS
Praise to thee, O Lord, for all cre a tion,
Fo

TENORS
W ! ! ! !
! 0 W W W W W !
< W !
! 0 !
W W
> !
mf
BASSES

! 0 W
! 0 ! 0 W
: W W ! 0 ! ! ! !
W W W W W
W W W 6 W 6 W 6 W W W W
W W W W W
W W
mf
W
6 W W 6 W W ! !
< W !
! 0 !
W ! 0 W ! ! !
!
(Ped.)
24
29
= W
W W !
W ! ! "
: W
! 00 W W W ! ! 0 W
W W

Give us thank ful hearts, that we may see:


! 0 W
W W W W W ! ! ! .!
< W .! ! "
! 0 W
> W

) W W W
! 0 W ! W W W
: W W ! 0 ! ! .W W
W 00 W W W W W W W W W
W W W 6 W 6 W 6
W W W

ly
W
6 W W 6 W W ! .!
< W .! ! ! !
! 0 W ! 0

on
W .! !

33 dim.
=
! 0 W

e
!
: W W !
! 0 W W ! ! ! !
W W W W !

All the gifts


W
we share, and
W W W
us
ev
!
’ry bless ing,

! 00 W -W W W W !
!
! ! !
< ! !
op
>
dim.
h

" ! 0 W !
: " !
W ! 0 W W !
W W W W W W W ! W
W W W
ks

dim.
6 W W 6 -W W 6 W W 6
< W W W W
W
or

" -" " "


rw

37 mp
=
9
: ! W
! ! ! " "
W W
Fo

All things come of thee.

! ! !
< ! ! ! W W W W "
" 9
>
mp
W W
W W ! W
W ! !
! ! !
: ! ! ! !
! ! ! !
W ! ! W
mp cresc.
W W
! W ! W !
6 W 6 W 6 W 6 W
< W W
" "
" "
25
CHILDREN (or SOPRANOS and ALTOS)
41 B mf
=
9 9 8
: W W "
> W
2. Look at the earth
3
" 2 2 W
W ! 0 W W W
W W W W W W W W W W W W W
W W W W W
: W W W W
W + +

mf ) )
!
W ! ! !
6 W ! ! ! 7 6 W 7 6 W
< W !
" "
" !
"

ly
45
=
W

on
8 8 W W !
: W
> W W W
W W W W W
bring ing forth fruit and flow er; Look at the sky, the
W
W W

e
W W W
: W W W W W W W W
W W W W W
W W W W W
W W W W W

<
7
"
6
W
)
! 7

"
6
W
)
!
us 7

"
6
W
)
!
7

"
6
W
)
!
op

(TENORS and BASSES)


49 mf
=
h

W 8 -W -W -"
: W W " W
> W
ks

sun shine and the rain; Look at the hills,


-!
W W W
W ! -W W W W -W W
W !
or

W W -W W -W
: W W W W W W
W W W W W
W
W
)
rw

) ! ) )
< 7 6 ! 7 6 W 7 6 ! 7 6 !
-! !
W -W -W
! 0 W W
" -" "
Fo

53 (SOPRANOS and ALTOS)


=
8 -W -W 8
: W W W W W W
> -W -W
look at the trees and moun tains, Val ley and
W -W -W W -W W
-W W -W -W W W -W -W W W
: W W
-W -W -W

) ) )
7 -! ! -!
6 ! 7 6 -! 7 6 - !
< -W -W -W
-" " -"
-" "
26
56
=
-W 7
: W W ! ! 0
> -W !
flow ing ri ver, field and plain:
W ! !
-W W
-W W W ! W W ! W W W
: W W W W W W W
-W W W W
-W

) ) )
7 6 -! 7 6 ! 7 6
< ! W ! W ! !
-W
-" " "

ly
C

on
59 f
= W
W W !
W ! !
: W !
! 00 W W W !
! !
W W

e
Praise to thee, O Lord, for all cre a tion,

>
< ! 0
! 0

f
W
W
W
W
W
W
W
W
W us
!
!
!
!
!
!
!

!
op
! 0 W
! 0 ! 0 W
: W W ! 0 ! ! ! !
W W W W W
W W W 6 W 6 W W W W W
W W 6 W W W
W W
h

f
W
ks

6 W W 6 W W ! !
< W !
! 0 !
W ! 0 W ! ! !
!
or

63
rw

= W
W W !
W ! ! "
: W
! 00 W W W ! ! 0 W
W W
Fo

Give us thank ful hearts, that we may see:


! 0 W
W W W W W ! ! ! .!
< W .! ! "
! 0 W
> W

) W W W
! 0 W ! W W W
: W W ! 0 ! ! .W W
W 00 W W W W W W W W W
W W W 6 W 6 W 6
W W W

W
6 W W 6 W W ! .!
< W .! ! ! !
! 0 W ! 0 W .! !
27
67 mf dim.
=
! 0 W !
: W W !
! 0 W W ! ! ! !
W W W W !

All the gifts we share, and ev ’ry bless ing,


W W W W !
! 00 W -W W W W !
!
! ! !
< ! !
>
mf dim.
" ! 0 W !
: " !
W ! 0 W W !
W W W W W W W ! W
W W W
mf dim.

ly
6 W W 6 -W W 6 W W 6
< W W W W

on
W
" -" " "

e
71 mp
=
: !
!

All
!

things
!

come
W
W W

of
" "

thee.
us 9
op
! ! !
< ! ! ! W W W W "
" 9
>
mp
h
ks

! ! ! W
: ! ! W ! W W
! ! ! W W
! W ! ! W ! ! !

mp mf
or

6 6 W ! 6 6 W
< W W ! W !
W W W
W "
rw

" " W
"

75 D CHILDREN (or TENORS and BASSES)


Fo

= . . mp legato
. .
9 9 . 8
U W "
> W W

3. Think of the spring,

. .
! . . W W
. W W
: ." W W W W
! W W W W W
! W W .W W W W
.!
mp legato
)
6 W 8 ! 8 !
< .W . .
W ! ! 0 .
. "
! ! . "
."
28
79
= . .
. . W
. 8 8 W W !
U W
> W W W
W W W W W
think of the warmth of sum mer Bring ing the har vest be
. .
. .
. W W W W
: W W W W W W
W W W W W W W W
W W W W W W W W W W

. 8 ! 8 8 8
< . ! !
. . !
. " " " "

ly
83
= . .
. .

on
. 8 /W
U W " W /W
> W W W
fore the win ter’s cold. Ev ’ry thing
. .
. .
W

e
: . W W
W W W
W W /W W
W W W W W /W W W
W W

< .
.
.
.
.
8
!
!
us W
W W /"
8
/!

"
op

86
= . .
.
h

. 8 8
U . /" /W /W
> W W W W W W
/W /W
grows, ev ’ry thing has a sea son, Till it is
ks

. .
. .
. /W /W /W 7
or

: W /W
W W /W W /W W /W W
W W W W -W W
W /W W /W W W /W
rw

. 8 8 / ! W W 7 /!
< . !
. . ! /"
. " -"
!
Fo

90
= . .
. .
. 7
U /W W ! 0
> W /W !
!
ga thered to the Fa ther’s fold:
. .
. .
. /W W
: W W !
/W W W W
W W W W W W W W
/W W W W

. 8 8 !
< . ! ! ! !
. .
. /" " "
29
93 E
.
p legato
= .
. . W !
. W W W
: W ! ! ! W
! 0 W W ! ! 0
W W W ! ! W

Praise to thee, O Lord, for all cre a tion, Give us


W ! ! ! ! ! 0
< . . ! 0 W W W W W ! W
. W !
. ! 0 ! ! 0
> . W W W
!
p legato
.
.
.
.
* X !
. X X X
: X ! ! ! X
W ! X X ! ! 0
W ! X X X ! ! ! 0 X
!
p

ly
X ! ! !
< . . W ! X X X X X ! X
. X !
. W ! ! ! 0
. X X

on
X !

98
= . .

e
. . W !
. W W W " ! 0 W
: ! !
W W W ! 0 W W W
W W ! ! 0 W W W W W

thank ful hearts, that


W
we may see: us All the gifts we share, and
W W W W
< . . W W W W ! ! ! J! ! 0 W /W W W W
op
. W .! ! "
.
> . W

. .
h

. . X ! 0
. X X X " ! X
: ! !
X X X ! 0 X X X
X X ! ! 0 X X
ks

X X X X X
< . . X X X X ! ! ! J! ! 0 X / X X X X
. X .! ! "
.
. X
or

103
rw

= . .
. .
: . !
! ! W
! ! ! ! !
! ! ! W W " "
Fo

ev ’ry bless ing, All things come of thee.


! !
< . . ! ! ! ! ! ! !
. ! ! ! ! ! W W W W "
. "
> .

. .
. .
: . !
! ! X W W
! ! ! ! ! W
! ! ! X X ! !
!
p cresc.
! !
< . . ! ! ! )
.
! ! ! ! !
!
!
! ! X X X X
. W 0 !
.
W
"

* Small notes in the accompaniment should be played for unison performances (without A. T. B. singers).
30
F
108 ALL VOICES f
= . . .
. . .
. 9 9 9 8 W
: W W
>
4. Ev ’ry good
. /W /!
. W . W W
. . W /W /W ! ! . W W
. W ! W ! /! W W
: ! ! W W /! ! W W
! ! / !
!
(cresc.) f
) ) ! ) !
. 7 6 7 6 /! /! /! 7 6
< . . !
. . ! .
. W W /! W 0 W W
" " "
+

ly
112
= .

on
. 8
: " W
> W W W W
W W
gift, all that we need and che rish
. W W W
. W W W W W W W W W

e
W W W W W
: W W W
W W W W

< .
.
7
"
6
W
)
!
! 7
"
6
W
)
us
!
!
7
"
6
W
)
!
!

(" ) (" ) (" )


op

115
= . W
h

. W W !
8 W W "
: W W W
> W
Comes from the Lord in to ken of his love;
ks

W W W W W W W
. W W W W
. W W W W
or

W W W W ! !
: W W
W W W W W
6 W W W
W W
rw

) )
7 6 ! 7 6 ! )
< . ! ! !
W W W 0 ! !
. W
" "
" "
Fo

(TENORS and BASSES)


119 mf
= .
. 8 -W /W /" 8 /W -W
: W W W W W
> /W

We are his hands, stew ards of all his boun ty;


. ) /! /!
W W
. /W / ! /W -W
: ! ! W 0 W ! ! W W
/! ! /! ! / !
/ ! ! /W 0 /!
! ! W 0
mf
) ) ) )
< . /W 0 ! W 0 ! -W 0 !
. /W /W /W W 0 !
-W
/" " -" "
31
123 (SOPRANOS and ALTOS)
mf cresc.
= .
. 8 -W 7
: W W W W ! ! 0
> /W /W !
His is the earth, and his the heav’ns a bove:
. /! / ! W
. / ! /! ! ! W W W
-! - W W W ! W
: /! ! / ! W /W ! ! !
! ! !

cresc.
) ) ) )
-! ! 7 6 ! 7 6 !
< . / ! /! !
. -W 0 W /W 0 W W W
" "
-" /"

ly
G
127 f

on
= . W !
. W W W
W ! ! !
: ! 0 W W !
W W W ! !

Praise to thee, O Lord, for all cre a tion,

e
>
< .
.
! 0
! 0

f
W
W W
W
W
W
W
W
W
us !
!
!
!
!
!
!

!
op
. ! 00 W W W W
. ! W ! ! W W W W W W
W W W ! W W W W ! W W ! W
: W W W W W W ! !
6 W 6 W W W W ! ! !

f
h

W W ! !
ks

< . !
. ! 0 W
!
! W W "
!
! 0 !
W !
or

131 dim.
rw

= . W !
. W W W "
W ! !
: ! 0 W W W
W W W ! ! 0

Give us thank ful hearts, that we may see:


Fo

! 0 W
W W W W W ! ! ! .!
< . W .! ! "
. ! 0 W W
>
dim.

. ! 00 W W W W W W W
. ! W ! ! W W W
W W W ! W W W .W W
: W W W W W W
6 W W W W W " "
6
dim.
!
W ! W W .! .!
< . !
. ! 0 W
! !
! W W ." "
! 0
32
135 mf dim.
= .
. ! 0 W !
: W W !
! 0 W W ! ! ! !
W W W W !

All the gifts we share, and ev ’ry bless ing,


W W W W ! !
! 0 W -W W W W ! ! ! !
< . ! !
.
>
mf dim.
.
. " W W
W 6 6 6 W
: W W W W W W
6 W W W W W W W W
W W W W W W

ly
mf ) dim.
) )
)
7 6 ! 7 6 -! 7 6 ! 7 6
W !

on
< . W W
. W
" -" " "

139 mp
= .

e
. 9
: ! W
! ! ! " "
W W

All things come of us


thee,
! ! ! W W
< . ! ! "
op
! 9
. "
> W W
mp
.
! "
h

. 6 6 6
: W 0 ! W
W W W W W W
W 0 W ! ! W
W W W W
ks

mp dim.
!
6 W ! 6 -W
< . ! 0 W ! 0 W W W W W
or

. " -"
" "

143 p
rall. al fine
rw

4
= . 4
. W 9
: !
! W ! ! " "
W ! W W
Fo

all things come of thee.

! W W 4
< . ! ! "
. " 9
> ! ! ! W W

p Q

.
rall. al fine 4
W W W " 4
. W "
W W 6 W W "
:
W W W W 0
W W W
W 0
p
W þ "
þ
" 7 W þ "
< . " þ
. W þ "
" " W þ
Q " Q
33

Pie Jesu
Words from the Missa pro Defunctis JOHN RUTTER
tr. John Rutter
Andante e dolce ( + = 66 ) Ch. fl.W W W W
Sw. W W
! W
W W
W
W W
- 3 9 W W 4 3
: 4 W W 4 4
ORGAN p semplice espress.
Sw.

ly
- 3 4 ! W W W W W
<
3
: 4 W W ! 0
4 "
W W
! 0
W 4

on
W
W W

e
5 SOPRANO SOLO p dolce e semplice
:
- 3
4
9 9 W

Pi e Je su
W us
W
W W

Do mi ne,
W !

do na e
W
W W
W

is
Bless ed Je su, Lord, I pray, in thy mer cy
op
W
Sw.
- 3 W W W W
: 4 ! W W W ! W
W W W ! W W W ! W
W W W ! W
h

W ! W !
7 7

) )
ks

W ) )
W W 0 W 0 W W 0 W 0 W !
W W W W W W W W
< 3 W ! ! 0 ! 0 ! 0 ! W
- 4
or

Man.
rw

10
Fo

- W /W W W /W
: ! W W ! W
W W W W W W
!
re qui em, re qui em ae ter nam do na e is, Do mi ne,
grant them rest, grant them rest e ter nal, Lord our God, I pray thee,

- W /W W W /W
: ! W W W ! 0 ! W W
W W W ! W W ! 0 W !
W W W ! 0 ! W !
0

W W 0 W ! 0 ! /W /W W
W W 0 W W ! 0
< W ! 0
+ ! W
- ! 0
+

This movement is extracted from Requiem by John Rutter (published complete by Oxford University Press).
34
15
- 9 9 4
:
W W
W W W W
!
4
do na e is, Do mi ne.
Lord our God, I pray thee.
SOPRANOS
=
and ALTOS unis. pp
- 9 7 7 6 ) ) 6 7 7 4
:
W W W W W W W W W
4
Do na e is, Do mi ne,
CHOIR Lord our God, we pray thee,
TENORS
and BASSES unis. pp

ly
)
<
9 9 7 7 6 W W W W W W W W 4
>
- 4

on
Do na e is, Do mi ne,
Lord our God, we pray thee,

- ! 0 /! 0 4
: 4

e
W ! W ! 0 ! 0
! ! 0 ! 0
! W W ! 0
pp
<
-
! 0
! /W
W
W
!
W /W
6
! 0
W
us W
W
W
W W
! 0
W
W
W
W
W 4
4
op
Ped.

A
mp
h

19
4 3 W
ks

- 9 9 W W
: 4 4 W W W !
Pi e Je su Do mi ne,
Bless ed Je su, Lord, I pray,
or

=
- 4 ) 6 3 9 9
4 4
rw

: W
W W W W W
W W ! 0 W

do na e is re qui em.
grant them e ver last ing rest.
Fo

)
< 4 W W W W W W W W ! 0 W 6 3 9 9
>
- 4 4

A
- 4 " ! 00
3 ! W ! 0
: 4 " !
! W W
W
W 4 W ! W W
W
W
W
W
cresc. mp ) )
W
" W ! W W 00 /W
W W 0 /W
< 4 "
"
W W 3 W
| 1
W W
! 0
- 4 " W 4
" W
6 7 7 Man.
+
35
23 cresc. mf) mp )
-W )
W W
- W 6 W W W 6 7 6
: W .W W W W .W W .W
W W
do na e is re qui em; do na e is, Do mi ne, do
in thy mer cy grant them rest; Lord our God, I pray thee, Lord
Ch. fl. W W W
.W W W W .W
W - ! 0 !
- ! 6
: W W ! ! +
W .! - ! 0
! !

mf dim.
cresc. W
.W W W
W W W W
! W W ! 1
< ! .W W .W W W W | 1
! 0 ! W W
- ! 0 ! 0

ly
Ped.
poco rit.

on
27 p molto dolce
) ) W -W
-W
- W Wx W 6 7 6 4 W -W W W -W 3
: W W W .W W -W 4 4
na e is Do mi ne, re qui em ae ter
our God, I pray thee, grant them rest e ter

e
poco rit.
:
-
W
+
6 7 6
.W
+
W

dim.
W W W W
us W .W
4
4
W
+
6
Sw.
W -W -W 3
4
mp p
op
W
.W W W -"
W W W W W W W "
W W | 1
-"
<
W
.W 4 3
- ! 0 ! 0 4 -" 4
h

a tempo
ks

30 -! 0 ! 0 W
- 3 + 6 7 7 9 4
: 4 4
or

nam.
nal.
unis. p
rw

=
- 3 9 9 7 7 6
)
4
: 4 -W W -W W -W W W -W 4
Do na e is, Do mi ne,
Lord our God, we pray thee,
unis. p
Fo

-W
< 3 9 7 7 6 -W W -W W W W -W W 6 7 7 4
>
- 4 + +
4
a tempo Do na e is, Do mi ne,
Lord our God, we pray thee,
3 -! 0 4
- -W W -W W -! 0
: 4 -W -W ! W W
-W -W W ! 0
- ! 0
! 0
-! 0 4

-W
-W W -W W -W W W
-W W -W W
< 3 W
- ! -W ! 0
W
-W W
W W
-W W
W W 4
- 4 -W ! 0 4
-W -! 0
36
34
B
SOPRANO SOLO mp
-W W
- 4 9 9 3 -W W
: 4 4
Pi e Je su
Bless ed Je su,
= )
- 4 6 3 9
: 4 -W -W W -W W W W W -! 0 W 4
do na e is re qui em.
grant them e ver last ing rest.
-W
< 4 -W -W W W W W W -! 0 W 6 3 9
>
- 4 +
4

ly
B
-W
4 W 3

on
- " -! -W W -W ! -W
: 4 -" - !
!
-! W 4 !

mp )
W ! W -W 0
" 6 W -W | W
-"
< 4 -W W W ! 3

e
- 4 -" -" 4 ! 0

37
-
-W
-W !
p
W W
us
W
mp
W
: W W W ! W W
W
op
Do mi ne, do na e is re qui em, sem pi ter nam
Lord, I pray, in thy mer cy grant them rest; grant them rest e
h

-W
- ! W W
- ! -W
ks

: W W ! W W !
-! W W ! ! ! 0 W
! W W

)
p mp
)
or

W -W 0 6 W
| 1 W /W W 0 W ! W W W
< ! 0 W ! W ! 0
- ! W 6
rw

+ Man.

41 cresc. mf cresc.
W W W
Fo

- W W W W ! W W
: W ! W W

re qui em, sem pi ter nam re qui em, sem pi ter nam
ter nal, grant them rest e ter nal, grant them rest e

- W W ! ! 0
: ! ! 0
W ! /W
W W W !
W

cresc. mf cresc.
W W W W W W
! W W W W W W
< -W -W W W
W ! 0 W
- W
W W W ! 0
-!

Ped.
37
45 f dolce dim. mf dim.
W W
! W W W
- W W W ! W W
: W W

re qui em do na e is, Do mi ne, do na e is,


ter nal, Lord our God, I pray thee, Lord our God, I
- ! 0 W ! W
: ! W !
W W W W W W W
W W ! ! 0
f dolce dim. mf dim.
W W W W W W
W W W 6 W W W W W W W
< W W W W W W W
- ! 0 ! ! 0 ! 0
W

49 mp

ly
)
- W 6 7 7 9 4
: W ! W 4

on
Do mi ne:
pray thee:
= unis. p ) )
- 7 7 6 W W W 6 7 7 4
: W W W W W W 4

e
Do na e is Do mi ne,
Lord our God, we pray thee,

>
<
-
9 7
unis. p
7
us 6
W
+
W W W W W W W 4
4
Do na e is Do mi ne,
op
Lord our God, we pray thee,
! 0 ! 0
- 4
: W ! ! 0 ! 0 4
W
mp dim. p
h

! 0 ! 00
6 W W ! 0 !
W
ks

<
.! 0
W W
! 0 /! 0 4
- 4

52
C
pp
or

- 4 9 3 9 W W
: 4 4 W W

Pi e Je su
rw

Bless ed Je su,
dim. pp
=
- 4 W W W 3 9
: 4 W W W W W 4 ! 0
Fo

sem pi ter nam re qui em.


grant them e ver last ing rest.
W W W
W W W ! 0
< 4 W W 3 9
>
- 4 4
dim. pp
C
- 4 " 3 ! 0
W
W
: 4 " 4 !
W
!
W ! W

dim. pp )
" W W
" W W W W W W 0
W
< 4 " 3 W | 1
- 4 " 4 ! 0 ! 0
38
rit. a tempo
55 4
« p molto dolce
W W
- W W ! W
: ! W W !
W W

Do mi ne, do na e is re qui em, sem pi


Lord, I pray, in thy mer cy grant them rest, grant them
«
= 4
- 9 9 7 7 7 9
:

pp
4
« unis. W W W W W

ly
< W W
9 9 7 7 7
-
>
Do na e is, Do mi ne,

on
Lord our God, we pray thee,
rit. 4 « a tempo
W W !
- W W W W ! W
: ! W W W ! W
W W W ! W .W W
W !

e
W

) Q

<
-
W
| 1
! 0
W 0 W
W
W
!
W
W
W
W
W W
W
W
W
us !
!
!

Q
«
W
W
!
W
W /W
W

W
op

59 rit.
" 4
h

W ! 0 W
-
! 4
: 4
ks

ter nam re qui em.


e ver last ing rest.
pp
or

= unis. 4
- W W W 4 W W W
: W W W W 4 W W W W W "
rw

do na e is, Do mi ne, sem pi ter nam re qui em.


Lord our God, we pray thee, grant them e ver last ing rest.
Fo

W W W
W W W
< W
6 7 7 4 W W "
>
-
+ 4
Q

rit.
W ! 00 4
-
!
W 4 ! W
W "
"
: ! W 4 ! 0 W

"
W W W "
W W W ! 0 W
W
< W
W 4 W W
"
- ! 4 !
"
Q
39

for Dr Paul Thomas and the Oratorio Choir of St Michael and All Angels' Church, Dallas, Texas

Be thou my vision
Original text c.8th century
Tr. Mary Byrne (1880–1931)
Versified Eleanor Hull (1860–1935) JOHN RUTTER
Slow and calm, with a steady pulse q = c.56
 
             
3

     
         
p legato
        
                    
ORGAN

    

ly
 
Ped.

      
SOPRANOS

       
5
unis. p unhurried

 
and ALTOS 3

    
3

on

1. Be thou my vi - sion, O Lord of my heart, Be all else but

 
    
       

e
 

 

           

us        
 
 
op


        
 
8 mp
           
cresc.
  
h

3 3 3
naught to me, save that thou art; Be thou my best thought in the day and the
ks

  
           
  
or

mp
  
cresc.

        
       
rw

 

  
11


p
        
3

3
        
Fo

 
night, Both wak - ing and sleep - ing, thy pres - ence my light.

 
    
    
 



p

        


             
  

© Oxford University Press 1989. This edition © 2015. Not for sale in the USA. Printed in Great Britain
OXFORD UNIVERSITY PRESS MUSIC DEPARTMENT, GREAT CLARENDON STREET, OXFORD OX2 6DP
The Moral Rights of the Composer have been asserted. Photocopying this copyright material is ILLEGAL.
40

 
A

 
       
14
unis. mp 3

A. 
     
3
   
 
S.

2. Be thou my wis - dom, be thou my true word, Be thou ev - er


                   
unis.


T.
B.
mp 3 3


A
    
       

ly
mp
              
        
  

on


      
  cresc. 
17 mf
               

e
3 3 3

with me,

  
and I with thee, Lord,

      
us

Be thou my great Fa - ther,

          
and I thy true

 
op
3 3 3
mf


cresc.

               
       
h


ks

  cresc. mf
     

              
 
  

or

  
20 mp B
rw

       
3
        
3

son; Be thou in me dwell- ing, and I with thee one.


Fo

             
(unis.) mf

       


mp 3 3
3. Be thou my
 
  

B
 
   

  
     
mp

         
      
    
41

                     
23
T. 
B.  
3 3 3
breast - plate, my sword for the fight; Be thou my whole ar - mour, be thou my true


        
     

mf
      
            
        

ly

on

26
      
unis. mf
          
A.    
S.

3
Be thou my soul’s shel - ter, be thou my strong tow - er:

e
O

  
f
T.
B. 
   us     


mf

  
might;

 
op
 
  

    

           
mf
h


f dim.
      
        
 
ks

 
or

  
f

    
Pow - er

   
29

          
rw

   

      
raise thou me hea - ven - ward, great Pow - er of my pow - er.

     
Fo

     
   
f



                 
 
    f     
cresc.

                      
    
42


C Poco rubato e=e
 p
33
        
   
   

4. Rich - es I heed not, nor


          
       
p  
C Poco rubato e=e

    

       
     
     
  
mf dim. dim. p
        

ly
mp

      
    

  

 

on

       
mp

    
37

cresc.

           

e

man’s emp - ty

       
praise:


us Be


thou

     
mine in - he - ri - tance

  

        
op
mp
cresc.


    
     

h
ks

 
p

           
  
or

(Ped.)

       
mf f
           
40
    
rw

              

     
now and al - ways; Be thou and thou on - ly the first in my
Fo

 
        

               



mf f

   
    

  
 

       
mf
   
           
Man.
43


  
rall. a tempo


mp
      
dim. mf

    
45

   



   


heart: O Sov - ’reign of hea - ven, my

 
            
        
 
dim. mf  mp

 
rall. a tempo

      
  

ly
f mf

dim.

         
       

on
(Ped.)
 

   
dim. D
p


49
  
ten.
    

e

  
trea - sure

  
thou

 
art. us

    
op
dim. ten. p

   
 
D

    
h

 
ks

p dolce espress. cresc.

          
        
 
or

            
52 unis. mp

rw

    
3
   
3
  
5. High King of hea - ven, thou hea - ven’s bright Sun, O grant me its
Fo

                
     

3 3
unis. mp

         


 
     

           
mp
 
      

44

            

mf

    
3 f 3 3
    
55 3

       

3 3 3 3

       
joys af - ter vic- t’ry is won; Great Heart of my own heart, what- ev- er be-

     
3
     
3 3 3

 

  
3 3 3
3


mf f

                 
3


   


mf f
           

ly

         
  

on
     
mf

       
58 3

  
3

      
unis.
  

e
3


- fall,

    
Still be thou my vi - sion,
us O Rul - er of all,

 
  
mp

     
unis.
op
3
Still be thou my

 
         
h

  
ks

mf mp
     
                
     
   
or

  
rall.
unis. p
rw

61

         
Fo

O Rul - er of all.

                
 
3 p

vi - sion, O Rul - er of all,

 
rall.
    
          

  
p pp

             
dim.

         
dim.


   
45
for Jeff Hunt and the St. Charles Singers

Shall I compare thee to a summer’s day?


Sonnet XVIII
Words by William Shakespeare JOHN RUTTER

     
Andante espressivo q = 63

 
 
p legato e dolce
         
SOPRANO
     
Ah ah ah

  
    
p legato e dolce
  
  
ALTO     

ly
Ah ah ah

 
p
         
p legato e dolce mp
   

on

TENOR
 

 
Ah ah


p legato e dolce
  
     

e
BASS


Andante espressivo q = 63

      
  

Ah


us    
    

ah

Piano
 

op
p legato e dolce
    
(for rehearsal
     

only)
      

h

    
poco rit. a tempo

4
   
pp
   
ks

   
ah
or


  
    
      
  
rw


ah Mm

  
      

Fo

Mm
pp

               
p cantabile

 
   
Shall I com - pare thee to a

 
poco rit. a tempo

   
          
     

                
      


© Collegium Music Publications 2018. Exclusively licensed worldwide to Oxford University Press. Printed in Great Britain
OXFORD UNIVERSITY PRESS MUSIC DEPARTMENT, GREAT CLARENDON STREET, OXFORD OX2 6DP
The Moral Rights of the Composer have been asserted. Photocopying this copyright material is ILLEGAL.
Duration: 3 minutes
46

    
(e=e)

             
7 p

     


  
mm Ah


        
         
mm mm ah

   
     
 
 
  
 mm ah

ly
         
        
  
     

on
sum - mer’s day? Thou art more love - ly and more tem-per- ate:

 
(e=e)

            
  
     
         

e
  

   


   

   
us
  

 

    

 
 
op

    
11 mp p

         
h


ks

mm mm


p
   
mp

    
or


mm mm
rw

mp
 
     
p
    
 Mm
Fo

                    
mp

p

   
Rough winds do shake the dar -ling buds of May, And sum - mer’s lease hath all too short a


   
   

  
  
mp p
 
                       
 
47

   
A

14 pp ( pp )
               

too short a date; too hot the eye shines,


    
pp ( pp )

            

    
too short a date; too hot the eye shines,


mp

mf
            

 
Some -time too hot the eye of hea - ven shines, And

ly
     
pp
     
  

on
date, too short a date:


A
 
          
  
       

e
     

   

 



  
pp
 mp
  us  
mf
      
op

     
mp p (e=e)

17

           
    
h

( )
ks

Mm

  
    
mp
 
p

        
or

(  )
Mm mm fair

 
rw

       mp     
              

( )
of - ten is his gold com - plex - ion dimmed; fair
Fo

  
       
mp p mp
 
  
  ( )  
Mm And ev - ’ry fair from fair

 
(e=e)
 
       
 

      
p
mp
   
                  

 
    
( mp )
48

  
20

         
   

      
            
some - time By chance un -

   
           
   

 some - time de - clines, By chance un -

     

ly
               
    

on
some - time de - clines, By chance, or na - ture’s chang - ing course un -


    
   
 
  
 

    

e
      

     

 

  

us  
 

 
      

op

   
rall. B Largamente, glowing

   
24 mp f dolce

        

h

 
ks

But thy e - ter - nal sum - mer shall not

 
  
mp f dolce
        
     
or


- trimmed; But thy e - ter - nal sum - mer shall not

   
rw

          
mp f dolce

      
 - trimmed; But thy e - ter - nal sum - mer shall not


Fo


f dolce
           
  
      

 

- trimmed; But thy e - ter - nal sum - mer shall not

 
  

B Largamente, glowing

rall.
 
     
    
  
     

 
  
f dolce

                  
 
       

 

49

      
mp

27 mf
          
fade, Mm Nor

  

mp p mf

         
fade, Mm of that fair, Nor

 
    
 
mf

mp p
     
 fade, Mm of that fair, Nor



ly
             
mp mf
 

mf
    

on
fade, Nor lose pos - ses - sion of that fair thou ow - est, Nor

 
 
       
 

   

e

mp

    

mf

   



 us
   
mp


 


mf



op

  
 
 
poco stringendo

       

f mf
 
30 mp
        
cresc.
  
h


ks

shall Death brag thou wan - d’rest in his shade, When in e - ter - nal lines to

   f mf
  
mp

              


cresc.
     
or


shall Death brag thou wan - d’rest in his shade, When in e - ter - nal lines to
rw

        
f mf mp
   
cresc.
               
 shall Death brag thou wan - d’rest in his shade, When in e - ter - nal lines to
Fo

   
f
       
mf
         

mp cresc.

 
shall Death brag thou wan - d’rest in his shade, When in e - ter - nal lines to

  
 
   
poco stringendo
    
                  


        

               
f mf mp cresc.
  
     

    
  
 
50

  
calmando C Tempo I q = 63
mp
   
34 f
    
   
time thou grow - est; Mm

 
f

mp

          
time thou grow - est; Mm

   
f
 
mf cantabile
     
        
 time thou grow - est; So long as men can breathe, or eyes can

ly
  
f mp
   
 

     

on
time thou grow - est; Mm

  
Tempo I q = 63

calmando C
     
         

e


     

f




  
 
mf


us 

 

      
op

     
Largamente rall.

Lento
   mp pp


37 mf dim.
     
h

 
ks

mm So long lives this, and this gives life to thee.

      mp 
pp

   
mf dim.


 
      
or


mm So long lives this, and this gives life to thee.

rw

     
mf mp dim. pp

         
 see, So long lives this, and this gives life, life to thee.

      
Fo

 
   
pp
        
mf mp dim.

    
eyes can see, So long lives this, and this gives life, life to thee.


 
    
Largamente rall. Lento
 
    
      

         


 
mf mp dim.
  
     

pp
     
 
  
  
    
51
in memoriam Edward T. Chapman
The Lord bless you and keep you
Numbers 6, v.24 JOHN RUTTER

Andante espressivo ( + = 72 ) SOPRANOS


p ) dolce e legato
= -
VOICES - -
- - 4 9 8 7 6 W ! W W W
>
: - 4
The Lord bless you and

ly
Ch.
-
- -
- - 4 6 W 6 W 6 W 6 ) W 6 W 6 W
: - 4

on
W W W W W W W W W
W W W W W W W W

ORGAN p legato sempre


Sw. !
!
!
! ! ! ! ! "
"
! !
< - - - 4 ! ! !
!
4

e
- - - " !

Ped.

4
us
)
op
= - - - W 0 W
- - W W W W W
: - ! W W W W W W
>
+ +
keep you: The Lord make his face to shine up on you, to
h
ks

- - W W
- - 6 W 6 W 6 W 6 6 6 W
: - - W W W
W W W W W W W W W
W W W W W W
or

" ! W W !
" ! ! !
! W W ! ! W
< - !
- - ! !
- - ! !
- W
rw
Fo

7
= - W 0
- - W W W W W
- - W ! W W ! W W
: - W
> +

shine up on you and be gra cious, and be gra cious un to

- - W W
- - 6 6 6 W W W 6 W
: - - W W W W W W
W W W W W W W W W W
/W
W W W
)
! ! W 0 W ! ! !
! ! !
! W 0 W !
< - ! !
- - /! -! /! -!
- - -

Also available for SA (HMC-1169). Instrumentation: strings


© Oxford University Press 1981. Reproduced by permission.
52

10 S. p) dolce sempre
= - - -
- - ! 0 6 W ! W W W W
: - ! W W
k 7 +
you. A.
The Lord bless you and keep you: The
)
T.
W ! W W W W W
< ! W W
- - 8 7 6
- - +
> - -
B. p dolce sempre
- -
- - 6 W 6 W 6 W 6 W 6 W 6 W
: - -
/W W -W W W W
W W W W W W W W W W W W

ly
/" -! ! "
" ! ! "
< " ! !
- - " W
- - !
- - ! ! !

on
! W

13 )
mp )
) )
= - - - W 0 W
W 0 W W W W
- W W

e
: - - W W W W W 0 W W W 0 W W W W W
W W W W
+ +
+ +

< - -
Lord make his face
W
W
W
W
W
W W
W
to
W
W
shine
W 0
W 0
up) on you,
W
W
us
W
W
)
W
W
to
W
W
)
shine
W 0
W 0
up on you and be
W
W
)
W
W W
W
W
W
W
W
- - +
-
op
> - + + +
mp
- - W W W W
- - 6 W 6 6 6 W 6 6
: - - W W W W W
h

W W W W W W W W W
W W W W

mp
ks

! !
! W W !
! ! ! !
! W W ! ! ! !
< - ! W
- - !
- - ! !
- ! ! W
or

16 gra cious, mp cresc.


rw

)
= - - - W
- - ! W W ! W W ! 0 6 W
: - W 0 W W
W W W W ! W W /! 0 +
+
gra cious, The
and be gra cious un to you:
Fo

gra cious
W ! W W W !
< W W ! 0
- - /! -W W W W 7
- - /! -W W W ! 0
> - -

gra cious, and be gra cious un to you:


- -
- - 6 W W W 6 W 6 W 6 W
: - - W W W W
W W W W W W
/W /W W
W W W W W W W
)
W 0 W ! ! ! /"
W { ! ! " W W
< W !
- - /! -!
- - /! -! !
- -
53

19 mf
= )
- - ! 0 /W /W 0
- - W W /W W W /W
: - - W /! 0 W W / W 0 /W
. /W W /W
W W W
+
Lord lift up the light of his coun te nance up

< - - - 9 9 9
- -
> -

- - W W /W
- - 6 W 6 /W 6 6 6 6
: - - /W W / W /W
W W W W W W /W . W W
/W W /W W
W W

cresc. mf

ly
/" /! W
! ! " / ! /W W
! /! / ! / ! / !
/! W 0 /!
< - W
- -
- -

on
- +

22 )
= - - -
- - /W ! W 6 9 9

e
: -
/ W .! W

on you, +

<
The Lord
/W
)
/W
lift
W
us up
.W W
the
W
/W
light
/! 0
. ! 0
of his
-W
W
-W
W ( ) -W
- - 8 7 6
-
op
- - +
> -
mp cresc. mf
- - -
h

- - 6 /W 6 W 6 /W 6 /W 6 6
: - .W W
/W . W W / W W / W W
/W W W /W W .W W .W W W W
ks

mp cresc. mf
/ .W W .W
W !
! /! ! /"
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and give you
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for Rosemary Heffley and the Texas Choral Directors Association
For the beauty of the earth

F. S. Pierpoint (1835 1917) – JOHN RUTTER

Happily , = 66
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SOPRANOS
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1. For the beau ty of the earth,


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For the beau ty of the skies,


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© Oxford University Press 1980. This edition © 2015. Not for sale in the USA. Printed in Great Britain
OXFORD UNIVERSITY PRESS MUSIC DEPARTMENT, GREAT CLARENDON STREET, OXFORD OX2 6DP
The Moral Rights of the Composer have been asserted. Photocopying this copyright material is ILLEGAL.
4

16
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For the love which from our birth


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O ver and a round us lies, o ver and a

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round us lies: Lord of all, to thee we


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raise This our joy ful hymn of


3
1
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31
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praise.

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SOPRANO mf
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ALTO

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2. For the beau ty of each hour

>
<
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TENOR
8

BASS mf
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39 Hill and
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43 leggiero
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S. :
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vale and tree and flower, Sun and moon and


leggiero
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stars of light: Lord of


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stars of light: Lord of


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legato
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leggiero legato
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51 f
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all, to thee we raise


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all, to thee we raise


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all, to thee we raise
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all, to thee we raise
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55 mf
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This our joy ful hymn of praise.


ks

mf
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This our hymn of praise.


mf
rw

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This our joy ful hymn of praise.


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Fo

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This our hymn of praise.
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Ped. u
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B (S. and A.)


=
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joy

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of
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love,

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Bro ther, sis ter, pa rent,


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Bro ther, sis ter, pa rent, child, Friends on


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child, Friends on earth, and friends a bove,
Fo

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earth, and friends a bove, For all gen tle


.
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For all gen tle thoughts and mild:

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thoughts and mild, For all gen tle thoughts and mild: Lord of
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all,
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to
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all, to thee we raise
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81
unis. p .
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rw

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Our joy ful hymn of praise.


mp
Fo

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.
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This our joy ful hymn of praise.


. . .
. .
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W W
W W W
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mp cresc.

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10

85
C ALL VOICES
= . . unis. f
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4. For each per fect gift of thine

. .
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W W W W
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f

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ly
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on
89
= . . SOPRANOS
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: . W W 0 W W ! W

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To our race so free ly giv en,
ALTOS, TENORS,

>
U
.
.
.
.
BASSES
. 8

To our
W W

race so
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free
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giv
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en,
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7
mf

Gra ces
W
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93 mf
= . .
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rw

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Gra ces hu man and di vine,
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hu man and di vine, Flow’rs of earthand

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11

97 cresc. S. f
= . . " W
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W W
A.
Ah Ah
Lord of

. .
cresc. T. W W
W
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íî
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>
B. f
buds of heav’n, flow’rs of earth and buds of heav’n:

ly
. .
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. 6 W W W 6 W W W 6 W W W
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W W W ! W W
W W W W W W !

on
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cresc. f
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e
101
us
op
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8
all, to thee we raise
h

.
3
.
ks

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all, to thee we raise
or

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3
T. q . 9
8
rw

all, to thee we raise

3
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B. < .
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Fo

.
> . 8
all, to thee we raise

. . W W W
W W W W W
. .
.
W
W W
W
W /W
W
W
W
W W /W W W W W
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W
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W W
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8
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Fo
rw
or
ks
hop
us
e
on
ly
JRA6 For the beauty of the earth RUTTER
In memoria delle vittime del terremoto e maremoto di Tohoku, Marzo 2011
Un fior pensato
(A flower remembered)
Parole e musica di
Traduzione poetica di Andrea Angelini JOHN RUTTER

Un poco adagio q = 60
senza fretta, poco rubato

PIANO p pp mp cantabile

Ped. Ped.

SOPRANI (con gli Alti ad libitum)


4 p pensieroso e senza fretta

1. Un fior pen - sa - to non può sva -


1. A flow’r re - mem - bered can nev - er

legato sim. p

Ped. sim.

- ni - re: la su - a lu - ce è co - me il gior no, la sua fra -


wi - ther: For ev - er bloom - ing as bright as day, Its fra- grance

Pubblicato anche nella versione originale per voci miste (978-0-19-340482-3)

© Collegium Music Publications 2014 and 2019. Exclusively licensed worldwide to Oxford University Press.
Photocopying this copyright material is ILLEGAL.
2

11 mp

- gran - za è mu - si - ca dol - ce, gen - til vo - ce che di - ce, “Non ap - pas - si - rò


lin - g’ring like mu -sic soft - ly play- ing, A gen - tle voice that’s say - ing, ‘I’ll nev - er fade a -

mp

14 p A

S.1

mai”. Io sen - to l’e - co di mol - te vo - ci, lon - ta - ne a


- way.’ I hear the e - choes of ma - ny voi - ces; Some- times they’re
p
S.2

mai”. Io sen - to l’e - co di mol - te vo - ci, lon - ta - ne a


-way.’ I hear the e - choes of ma - ny voi - ces; Some- times they’re
p
A.

Io sen - to l’e - co di mol - te vo - ci, lon - ta - ne a


I hear the e - choes of ma - ny voi - ces; Some- times they’re
A

17 mp mf

vol - te, tal - vol - ta chia - re; con tan - ti suo - ni sem - bran sus - sur -
di - stant, some - times so clear; Through all the sounds of life they seem to
mp mf

vol - te, tal - vol - ta chia - re; con tan - ti suo - ni sem - bran sus - sur -
di - stant, some - times so clear; Through all the sounds of life they seem to
mp mf

vol - te, tal - vol-ta chia - re; con tan - ti suo - ni sem - bran sus - sur -
di - stant, some - times so clear; Through all the sounds of life they seem to

mp mf
3

20 p poco rit. a tempo


pp

- ra - re, “Ri - cor - de - ra - i, ri - cor - de - ra - i?”


whis - per, ‘Will you re - mem - ber, will you re - mem - ber?’
p pp

- ra - re, “Ri - cor - de - ra - i, ri - cor - de - ra - i?”


whis - per, ‘Will you re - mem - ber, will you re - mem - ber?’
p pp

- ra - re, “Ri - cor - de - ra - i, ri - cor - de - ra - i?”


whis - per, ‘Will you re - mem - ber, will you re - mem - ber?’
poco rit. a tempo

p pp
p

VOCE SOLISTA
24 O SEMICORO
mf dolce

2. Gli uc - cel - li
2. The birds fly

mf mp
4

27 B

vo - la - no sul - la mia val - le, sul - le mon - ta - gne bian - che di


home - ward a - cross my val - ley To - ward the moun - tains all white with
p

S.1

*Mm mm mm
p
S.2

*Mm mm mm
p
A.

*Mm mm mm
B

30 mp

ne - ve; vo - la - ti vi - a, la ne - ve è or
snow; The birds are gone now, the moun - tain snows have
pp

mm mm
pp

mm mm
pp

mm mm

*O altro suono vocalico, come ‘A’ oppure ‘O’.


5

32

sciol - ta, ma io ve - do an - co - ra, le sce - ne di u - na


melt - ed, But still I see their beau - ty, these scenes of long a -

mm mm

mm mm

mm mm

34 (col tutti)

vol - ta.
- go.
p mp
cresc.

Vo - la - no an - co - ra in al - tre val - li; so - no or le


The birds still fly in o - ther val - leys; The snows have
p mp cresc.

Vo - la - no an - co - ra in al - tre val - li; so - no or le


The birds still fly in o - ther val - leys; The snows have
p mp cresc.

Vo - la - no an - co - ra in al - tre val - li; so - no or le


The birds still fly in o - ther val - leys; The snows have

mp cresc.
6
Largamente
37 f

ne - vi tor - ren - ti al - le - gri; sí, tut - to


turned to flow - ing streams; All things must
f

ne - vi tor - ren - ti al - le - - gri; sí, tut - to


turned to flow - ing streams; All things must
f

ne - vi tor - ren - ti al - le - gri; sí, tut - to


turned to flow - ing streams; All things must
Largamente

p
39 C

pas - sa, ma re - stan le me - mo - rie:


pass, but me - mo - ries are last - ing:
p

pas - sa, ma re - stan le me - mo - rie:


pass, but me - mo - ries are last - ing:
p mp

pas - sa, ma re - stan le me - mo - rie: Ri - cor - de -


pass, but me - mo - ries are last - ing: We will re -

p
7

41 mp p

Ri - cor- de - re - mo, ri - cor- de - re - mo,


We will re - mem - ber, we will re - mem - ber,
mp p

Ri - cor- de - re - mo, ri - cor- de - re - mo,


We will re - mem - ber, we will re - mem - ber,
p

- re - mo, ri - cor- de - re - mo, ri - cor-de -


- mem - ber, we will re - mem - ber, we will re -

mp p

molto rit. sino al fine


44 pp

ri - cor - de - re - mo.
we will re - mem - ber.
pp

ri - cor - de - re - mo.
we will re - mem - ber.
pp

- re - mo, ri - cor - de - re - mo.


- mem - ber, we will re - mem - ber.
molto rit. sino al fine

pp

Ped.
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with John Rutter on 15th March 2020, in Parma, Italy only. Please reapply for extended permission.

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'The Lord Bless You and Keep You' by John Rutter © Oxford University Press 1981. All rights reserved.

'A Flower Remembered', words and music by John Rutter © Collegium Music Publications 2014.
Exclusively licensed worldwide to Oxford University Press. All rights reserved.

'God be in my head' by John Rutter © Oxford University Press Inc., 1970 and 1988. Assigned to
Oxford University Press 2010. All rights reserved.

'Look at the world' by John Rutter © Oxford University Press 1996. All rights reserved.

'Pie Jesu' from 'Requiem' by John Rutter © Oxford University Press 1986 & 1995. All rights reserved.

'Be thou my vision' by John Rutter © Oxford University Press 1989. All rights reserved.

'Shall I compare thee to a summer's day?' by John Rutter, words by William Shakespeare ©
Collegium Music Publications 2018. Exclusively licensed worldwide to Oxford University Press. All
rights reserved.

'The Lord Bless You and Keep You' by John Rutter © Oxford University Press 1981. All rights reserved.

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