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Sing We and Chant It SELF EVALUATION
Sing We and Chant It SELF EVALUATION
Date conducted: _______________ Have you shared video with Dr. Last? YES NO
Begin by viewing your video. As you watch (a minimum of three times), use the list below to indicate positive
elements (use +) or those that need improvement (use -).
Posture
_____ proper foot position _____ arm forward (elbow in front of torso)
_____ knees relaxed (and not bouncing) _____ elbow slightly lifted
_____ shoulders rolled back and relaxed _____ fingers curved but engaged
_____ head lifted at the “crown” _____ fingers creating focus point
Preparation
_____ natural curve of fingers _____ ictus at baton tip (not hand)
● For this round, you should teach a concept in between the two run-throughs
● Preparatory gesture: forte dynamic, buoyant articulation, quarter note = 150
● m. 8 - show an internal release on the final third of the bar (release must indicate the new dynamic level
of the repeat).
● m. 8 (second time) - show an internal release on final third of the bar (release must indicate the new
dynamic level on the next page)
● m. 9 - dynamic level is forte
● m. 12 - show a subdivided “tap” off the horizontal plane that indicates the new dynamic level (subito
piano)
● m. 16 - show a subdivided “tap” off the horizontal plane that indicates the new dynamic level (subito
forte)
● m. 17 - forte cue
● m. 18 - forte cue (for soprano I)
● mm. 18-21 - use left hand to show a diminuendo
● m. 22 - indicate a ritardando by subdividing the bar (use a standard 3 pattern)
● m. 23 - show an appropriate final release (that allows the note to be sung for an appropriate duration, is
prepped, and is released in the style of the piece)
Please write a paragraph indicating the strengths and areas for improvement for this round: