morgz

duet top line


  
               

            
Adagio e sostenuto

B♭ Clarinet

 
                         
 



cresc.

B♭ Clarinet

4    


       




       
  
  
       
B♭ Cl.

B♭ Cl.
                  


6                 
       

B♭ Cl.

      
     


B♭ Cl.
  

8          
       



      

  
B♭ Cl.

                   
 




   
B♭ Cl.

10  
             


        


B♭ Cl.  

            
            


B♭ Cl.


12                         


B♭ Cl.   

  
        

B♭ Cl.
 14         
       
2

     

         
B♭ Cl.

       
  
  cresc.

B♭ Cl.


16                
 cresc.

                 

B♭ Cl.

           
          
 




B♭ Cl.
            
  

19                                 
    

                       
B♭ Cl.

   
  
 

B♭ Cl.
 

24          
    
                
 
           

B♭ Cl.

               


B♭ Cl.
             

30           


                 
      
     
       
B♭ Cl.

           
   
  

B♭ Cl.



 


34 
       
                          
 
        
B♭ Cl.

         
      
B♭ Cl.

   
38                   
3

         


B♭ Cl.

 
                          
 
1

B♭ Cl.
         

        
 

44         
           
           

B♭ Cl.

     
           

B♭ Cl.

48 
   
                                   
 
  
B♭ Cl.

 
            
            
  



 
 


B♭ Cl.

 





53               


        
 

B♭ Cl.


                     


B♭ Cl.



57
                                
B♭ Cl.   

                
  


 

B♭ Cl.

    


   


61                  
           
         
B♭ Cl.

      
                     
 

B♭ Cl.


 66                
4

         
      
B♭ Cl.
 

             
 

       
B♭ Cl.
   
 

70  
 
          
B♭ Cl.           

   





    
     
B♭ Cl.
                   
 

75       
B♭ Cl.     
  
   




  


           
     

B♭ Cl.

 

80    
    
B♭ Cl. 

 
      
B♭ Cl.
