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r design for print - 99designs 3.10.21. 12:37 Prepress Checklist: How to prepare your design for print - 99designs
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Topics The danger of having someone without a design background make
modifications to your file is that it can result in unwanted design
modifications that undermine the overall effect of the intended layout. If you
want to ensure nothing gets lost in translation between your desktop and
Prepress Checklist: How to the print shop, conducting your own step-by-step prepress examination of
—
According to large-volume print production expert Allen Glazer, 25-75% of a
by Guest Blogger
design project’s budget should be set aside for printing costs. If you don’t
5 years ago
|
10 min read
catch a mistake in prepress, it will be much more costly to fix down the line.
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Preparing graphic design files for printing can be quick and easy once you
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know what elements to look for. To give you the upper hand when it comes
time to print, we’ve put together a prepress checklist that covers everything
T
he best way to create the perfect brochure, poster or business card is you need to look for when finalizing your proof. It incorporates everything
for a designer and their client to work together. Both parties should be from simple editing to advanced technical procedures. And of course, both
involved in each step of the project, from idea generation to printing. designer and client should be involved. Here’s our prepress checklist to help
get you started:
Often times, unfortunately, one or both of them assume that prepress and
printing should be handled exclusively by the technicians at a print shop.
1. Proofreed Proofread everything
This is a mistake!
—
Small oversights, such as typos and grammatical errors, can be the
difference between closing a sale and a customer choosing the competition.
A poll from Standing Dog Interactive found that only 3 percent of people
didn’t mind errors, whereas most consider typos and grammar mistakes a
deciding factor in whether to continue reading… or not.
“Negative web user experiences hurt sales,” they write, “and the findings in
this sampling indicate that typos and grammatical errors will likely cause a
major segment of a company’s potential customers to have a negative
experience on its website.”
via careyweb.com
Catching errors is even more important when you’re printing. Once your
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Once you’ve finished proofreading, it’s time to set the text spacing. Most
fonts and design programs come out-of-the-box with some degree of
optimization, but not adjusting your fonts using your own visual judgment
will often leave them looking a little off.
Classic typography procedures like adjusting the leading, tracking and
kerning of your text is central to creating the the unique look you want
to
make your design stand out. Think of your entire image as a composition:
each punctuation mark, letter, block of negative space and paragraph
must work cohesively with the others to create a seamless experience for
via LD Products the viewer of your design.
There are two types of proofreading you’ll need to address before you send
3. Confirm image size and resolution
When it comes to printing your design files, what you see on screen is
oftentimes not what you get from the printer. One way to ensure that what
Want to learn how to create the you see on your screen will match what comes out of the printer is to check
perfect brochure for your brand? the existing color mode of your design.
Get the ebook! Most (if not all) design software programs use the RGB color mode by
default. Printers, however, use the CMYK process to overlay different
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intensities of each tone and create the full range of colors. This additive
and Privacy Policy. This site is protected by reCAPTCHA
and the Google Privacy Policy and Google Terms of Service process—as opposed to the subtractive RGB system—involves adding color
apply.
to create deeper colors on the way to black, not adding light to move away
from black.
In general, it’s best to never enlarge photos more than 20 percent of their If you want to learn more about the difference between the two, check out
original size. Resizing images in your document changes the output this blog post. But the basic takeaway: if your computer and printer aren’t
resolution of your image in the document as well. This is especially true for speaking the same color language, your results aren’t going to come out
large-sized flyers and brochures, and advertorials with photo-quality right. So set your program to CMYK.
images. If you are printing on canvas however, 100 DPI can suffice up to a
certain size.
5. Calibrate your screens
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4. Ensure color accuracy (CMYK vs RGB)
— Another way to ensure color accuracy is to calibrate your screen before you
print. When you are printing mock-up drafts, the true tone of your colors can
easily be thrown off by a screen that is inaccurate.
Wh i i i
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Taking your design from the digital realm to the physical involves making
sure your file’s bleed, crop and cuts are lined up properly. These marks
indicate the edges of your design and where cuts should be made once
things are printed. These will give your design that professional, designed-
all-the-way-to-the-edge-of-the-page feel.
Crop marks indicate where your design will be cut, and the bleed is where
parts of text or objects extend past the page boundary to compensate for
An image can look very different on differently calibrated monitors. Via fstopers.com.
trimming. The slug is an area that is well outside the bleed that features
printer instructions, additional info on the print, and other need-to-know
It’s important to realize that customers and designers may have their
stuff about the job. Ignoring the bleed will run you the risk of having a white
monitors calibrated differently, which could lead to issues in border along one side, where the physical paper extended beyond your
communication. It’s often helpful to view a design on several different digital design. Not pretty.
devices to see if that’s a potential issue. Or, even better, to print the design
off! While the colors won’t perfectly match those that you’ll get from a If your text or images buttress the crop edge or a fold, it’s also immensely
professional printer, this small step can help you notice small differences important that you consider the cutting tolerance of your chosen paper.
you’re not seeing on your monitor. Subtle differences in your layout can make a big difference when it comes to
symmetry once your flyer is cut or bound.
6. Define bleed and crop marks
For more info on lining up and signaling your crop, bleed, slug and more,
— check out this helpful guide from Adobe.
—
No, it’s not just that annoying dude at a party who keeps following you
around and trying to inject himself into all of your conversations… In
printing, imposition is the process of arranging all of the pages of your
design onto the paper in order to print faster and reduce extra paper waste.
via Trillion
Taking your design from the digital realm to the physical involves making
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via pdfsnake.com
The right paper makes all the difference. The last step before you send your
Taking bound materials to the press used to require a lot more organization. design along to the print shop: choosing your paper.
From lining up pages to ensuring they are evenly set back to back when
printed, printing booklets and multi-page pamphlets was a task. Thanks to Different types of paper create a different feel and visual appeal than others.
Adobe Publisher, and similar layout-oriented programs, setting up a multi- For example, you can often get the same type of professional results you
want with a less expensive semi-gloss paper rather than a heavier matte.
page design to be published in a brochure or booklet is much easier.
Spend a little time considering which type of effect you are looking to create
Tip: remember to add a little extra space to your design in the center to before you start printing.
compensate for the binding.
Going through prepress and looking for red flags helps you preserve the
—
9. Select the perfect paper