Piano

Editor Rybakova for cello

Con te partiro
Time to say Goodbye

  = 55
Alekc Ares

           
     
        
        
        
3

  

     
                                 
4 3 3

3  
           


3


cresc.

     
           
       
8

                   
      
      

   
     
     
          
13

           
 

   
   

       
         
 
16

 
          
  

    

Dietmar
      
  
           
      
18

        
   
  
3 3


   
3

      

        

20

  
 
            

3 3

    
dim.

        

22

 
 
     
  
       
3

    
           
  

24

         
    
3 3 3 3

       
             
        
27

                
        
cresc.

  
   
     
     
        
31


                           
     
cresc.

2 Dietmar
        
        

34

       
            

  
3

     
             
  

36

   
              
 
3 3

 
3 3

           
     
38

   
             

   

     
         
        
40

        
          
3 3

   
3

   
           
     
   
42

     
    
        
3 3

  
dim.

   

     

 
     
    
45

       

        
  
3

Dietmar 3
    
     
   
     
  
   
47 3 3

    3     
                
   
3


dim.




     
     
  
         
49

    
                    
    
3

 
      
          
   
     

51

    

        
           
3


3

 
3

 




54

 


4 Dietmar