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THE STORY
MENTOR TEXT OF AN HOUR
Short Story by Kate Chopin
© javarman/
our lives?
Company
© Houghton Mifflin Harcourt Publishing
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506
4/6/2018 6:13:12 AM
TEXT COMPLEXITY
Quantitative
The Story of an Hour Lexile: 970L
Measures
Ideas Presented Multiple levels of meaning; use of irony and greater demand for inference.
Qualitative Structures Used Chronological order, mostly one point of view; some inference demanded.
Measures
Language Used Mostly explicit but some figurative language and implied meanings.
506A Unit 5
PLAN
Online
RESOURCES SUMMARIES
• Unit 5 Response Log English Spanish
• Selection Audio “The Story of an Hour” is a “La historia de una hora” es el
• Reading Studio: short story about a woman who cuento de una mujer que recibe
Notice & Note receives tragic news and how she una noticia trágica y de cómo
ultimately responds to this news. responde a ésta a la larga. El autor
• LEVEL Level Up Tutorial: The author uses situational irony usa la ironía situacional para
Irony; Point of View to send a message to readers enviar un mensaje a los lectores
• Writing Studio: about the pitfalls of relationships, acerca de las dificultades de las
Writing Narratives particularly for women in the relaciones, específicamente para
early 1900s. American women did las mujeres al principio del siglo
• Speaking and Listening Studio: not have the right to vote during XX. Las mujeres americanas no
Participating in Collaborative Chopin’s lifetime. For survival, a tenían derecho al voto durante la
Discussions woman in her day had to rely on vida de Chopin. Para sobrevivir,
• Vocabulary Studio: her father, her husband, or even una mujer debía depender de su
Words with Multiple Meanings the superior rights of a male child. padre, esposo, o incluso de los
derechos superiores de un hijo
• ✔ “The Story of an Hour” Selection Test
varón.
SMALL-GROUP OPTIONS
Have students work in small groups and pairs to read and discuss the selection.
LISTENING
Understand Irony Read paragraphs 21–23 aloud to students. Use the following supports with students at varying
proficiency levels:
Assist students’ understanding
• Remind students that irony is the expression of something unexpected. Discuss the meaning of
of irony. Explain that
the word unexpected. Reread each sentence aloud to students and explain what happens in each.
situational irony is when
Ask them to raise their hands if they think the event is unexpected. SUBSTANTIAL
something happens that is
the opposite of what one • After reading the paragraphs aloud, ask students what happens to Mrs. Mallard at the end of
would expect. Dramatic irony the story. (She dies of heart disease.) Then ask: What causes Mrs. Mallard’s death? What do other
occurs when the reader knows characters think causes her death? If needed, read the paragraphs again. Guide students to
something a character does recognize the difference between what actually causes the death (shock at seeing her husband
not. again) and what the other characters think caused it (joy). MODERATE
• Have students work together in pairs to summarize the events that occur in paragraphs 21–23.
Then, have the partners discuss examples of irony in the paragraphs. Ask them to determine
whether the examples are situational irony or dramatic irony. LIGHT
506C Unit 5
PLAN
SPEAKING
Describe Characters Use the following supports with students at varying proficiency levels:
Using Critical • Say aloud the following sentences about the characters, and have students repeat them. Explain the
Vocabulary meaning of each as needed. Mrs. Mallard wept with abandonment. Then, she showed a vacant stare.
Finally, she had a sense of illumination. SUBSTANTIAL
List the following
vocabulary words: • Have students say the vocabulary words. Provide sentence frames for students to use in a discussion:
abandonment, vacant, Mrs. Mallard had a vacant stare when . Mr. Mallard seemed composed when . Mrs. Mallard with
illumination, composed. abandonment when . Mrs. Mallard had a sense of illumination when . MODERATE
Guide students to use • Review the meaning and pronunciation of each vocabulary word. Have student pairs compose and say
these words in sentences sentences using each vocabulary word to describe a character from the story. LIGHT
describing the characters.
READING
Make Predictions Use the following supports with students at varying proficiency levels:
• Read paragraphs 1–2 aloud and summarize details about Mrs. Mallard. Provide a sentence frame: I
Assist students as
predict Mrs. Mallard will feel . Help students choose a word to predict how Mrs. Mallard will feel
they make and review
when she hears about her husband. Later, discuss their predications. SUBSTANTIAL
predictions.
• Have student pairs read paragraphs 1–2 and note details. Provide a sentence frame so students can
predict how Mrs. Mallard will react when she hears about her husband’s death: I predict Mrs. Mallard
will . Later, have partners discuss if their prediction was correct. MODERATE
• Have students read paragraphs 1–2 independently and take notes. Have them write a prediction
about how Mrs. Mallard will react to the news about the accident. After students read the story, have
them compare and discuss their predictions with a partner. LIGHT
WRITING
Write Prepositional List near, in, before, of, and with. Use the following supports with students at varying proficiency levels:
Phrases • Display text: “Her husband’s friend Richards was there, too, near her. It was he who had been in the
newspaper office. . .” Have students write the sentences and underline the prepositional phrases. Point
Remind students that a
out that both phrases help show where someone is. SUBSTANTIAL
preposition is a word used
to show the relationship • Display the first sentence of paragraph 5. Help partners identify a prepositional phrase in the sentence.
between a noun or Then, have them work together to write another sentence with the same preposition. MODERATE
pronoun and another • Display the first sentence of paragraph 5. Have partners identify the prepositions and prepositional
word in the sentence. phrases. Have them write sentences using the same prepositions. LIGHT
Connect to the
ESSENTIAL QUESTION THE STORY
No one has complete control of anything, of course.
Circumstances make that impossible; but some choices,
such as the choice of love and independence, make control a
OF AN HOUR
Short Story by Kate Chopin
little more possible. But within that reality, some have more
control than others, and some want more control than they
have.
MENTOR TEXT
At the end of the unit, students will be asked to write a
realistic short story. “The Story of an Hour” provides a model
of a well-planned and well-written short story. ? ESSENTIAL
QUESTION:
To what degree
do we control
© Houghton Mifflin Harcourt Publishing Company • Image Credits: © Flickr Select/foxline/Getty Images; © javarman/
our lives?
Shutterstock; © Muamu/Shutterstock
506 Unit 5
506 Unit 5
GET READY
TEACH
QUICK START
Have you ever gotten news that led you to expect one thing and then
something entirely different happened? Make a few notes on your experience.
Then, discuss your example with a partner.
QUICK START
ANALYZE POINT OF VIEW If students are struggling to think of an incident where
Point of view refers to the perspective from which a story is told. “The Story GENRE ELEMENTS: inaccurate information affected them, suggest they think of
of an Hour” is told from a third-person point of view, where the narrator is SHORT STORY a time when what happened was completely different from
not a character in the story, but observes the action from the outside looking • follows a sequence of events what they had hoped for or even prepared for. Explain that
in. Point of view may also be characterized by what the narrator knows or • usually centers around a main the point is not to analyze the news but rather to analyze
shares. If the narrator tells readers what only one character thinks and feels, conflict and resolution
their feelings surrounding a time when something happened
the point of view is limited. An omniscient narrator describes the thoughts • is written from a specific point
and feelings of all the characters. Authors choose point of view carefully of view
that was unexpected. You may want to have a brief class
because it impacts how the readers perceive the plot and conflict. Point of discussion of why the unexpected can be unsettling.
view also helps convey the theme, or deeper message about life, that the
author wants to communicate through a story.
ANALYZE POINT OF VIEW
MAKE AND CONFIRM PREDICTIONS
Explain that one way to decide if the third-person point of
When reading a story, you can make predictions, or anticipate events in the
view is omniscient or limited is to pay attention to whose
story, regarding what will happen. Good predictions are based on details in
the text, including what you learn about the conflict, the characters, and the
thoughts, actions, and motives the author reveals. If readers
narrator. As you read, you can confirm your predictions as events develop. have no idea what most characters are thinking, feeling, or
Notice the author’s use of literary elements and how they hint at what might doing, then the point of view is limited. If the text contains
happen. Use the chart to record and confirm your predictions. insights into what multiple characters are thinking or has
Students’ responses will vary. statements about what multiple characters are doing, the
CLUES FROM THE
point of view is omniscient.
PREDICTION CONFIRM PREDICTION
TEXT
To see how many Critical Vocabulary words you already know, use them to
complete the sentences.
CRITICAL VOCABULARY 1. The excited child danced to the music with .
Encourage students to think about how these words are
2. After working on the problem for years, a solution came to the
used in other contexts or to think about how parts of the mathematician in a moment of .
words might impact the meaning of the words. For example,
3. The defendant was as the verdict was read.
a vacant lot is an empty lot. Also, suggest that students think
about the part of speech for each word; two are adjectives 4. She sat looking at the TV screen with a stare.
and two are nouns.
Answers: LANGUAGE CONVENTIONS
1. abandonment Effective Sentences The patterns of words and phrases in sentences is called
syntax. Writers will use several sentence patterns in order to add variety to
2. illumination their work. By varying syntax, authors can create rhythm, convey mood, and
express ideas clearly. Notice how Chopin uses different sentence patterns and
3. composed unusual syntax in the example to express the way that Mrs. Mallard feels.
4. vacant There stood, facing the open window, a comfortable, roomy
armchair. Into this she sank, pressed down by a physical
■■English Learner Support exhaustion that haunted her body and seemed to reach into
her soul.
Use Cognates Tell the students that all four of the Critical
Vocabulary words have Spanish cognates: abandonment/ As you read, notice the way Chopin uses a variety of sentence structures to
abandono, illumination/illuminación, composed/compuesto, convey ideas effectively.
LANGUAGE CONVENTIONS
Effective Sentences Relate to students that, in addition to
improving fluency, varied sentence structure makes writing ANNOTATION MODEL NOTICE & NOTE
more interesting and easier to read. Sentence length should As you read, note details that reveal the point of view. Notice clues in the text
also be included in this concept. Having a variety of sentence that you might use to make predictions about what will happen in the story. This
Knowing that Mrs. Mallard was afflicted with a heart Mrs. Mallard’s heart
ANNOTATION MODEL trouble, great care was taken to break to her as gently as condition makes her
possible the news of her husband’s death. sensitive to bad news. This
Remind students that annotating the text as they read—
may be important.
identifying important details or possible clues—and making It was her sister Josephine who told her, in broken sentences;
veiled hints that revealed in half concealing.
notes in the margins can help them connect better with third-person point of view
what they are reading. Point out that in this sample the
underlined words provide details that might be clues to what
will happen. The words that are circled tell us about another
character and underscore what is stated in the underlined 508 Unit 5
sentence. This type of information might help students make
predictions about the characters and about the plot. Explain
11_LVAESE474605_U5AAS4GR.indd 508 4/6/2018 6:13:15
that these are just suggestions, and students can use them
as a guideline or create their own systems. They may want to
color-code their annotations using highlighters. Their notes
in the margin may include predictions, questions about
ideas that are unclear, words to look up, or topics they want
to learn more about.
508 Unit 5
NOTICE & NOTE
BACKGROUND TEACH
Kate Chopin (1851–1904) wrote more than one hundred short stories and
two novels. Her work features intelligent and sensitive female characters and is
often set in Louisiana where she spent her married life. Her first novel, At Fault
(1890), received little attention when it was published. Her second,
The Awakening (1899), told the story of a woman who leaves BACKGROUND
her family and eventually commits suicide. It was widely Chopin was 32 years old and a widow with six children
condemned by critics as shocking and morbid. However, since
when she began to write fiction. Her short stories appeared
its rediscovery in the 1950s, it has been hailed as an insightful
work that foreshadowed the feminist movement in literature. in respected magazines, and many were also published in
collections: Bayou Folk (1894) and A Night in Acadie (1897).
Her work was praised for its depiction of Creoles, African
Americans, and other inhabitants of Louisiana, which was
THE the focus of her work. Her work was largely forgotten after
STORY her death, but the short stories and her second novel, The
Awakening, are now widely read, having gained praise for
OF AN their depictions of sensitive women in situations they did
HOUR
not like. While best known for her fiction, Chopin also wrote
nonfiction essays and book reviews.
Short Story by Kate Chopin
SETTING A PURPOSE
Direct students to use the Setting a Purpose prompt to focus
SETTING A PURPOSE their reading.
© Houghton Mifflin Harcourt Publishing Company • Image Credits: © Paul Fearn/Alamy; © Flickr Select/foxline/Getty
As you read, make notes about how much control Mrs. Mallard has over Notice & Note
her life and how this changes during the course of the story. Use the side margins to notice
and note signposts in the text. ANALYZE POINT OF
1
K nowing that Mrs. Mallard was afflicted with a heart trouble,
great care was taken to break to her as gently as possible the
news of her husband’s death.
VIEW
Remind students that the two types of third-person narrator
2 It was her sister Josephine who told her, in broken sentences; ANALYZE POINT OF VIEW are omniscient and limited. (Answer: omniscient; it allows
veiled hints that revealed in half concealing. Her husband’s friend Annotate: Mark the clues in
the reader to know more than any single character in the story
Richards was there, too, near her. It was he who had been in the paragraphs 1–3 that indicate
Images; © javarman/Shutterstock; © Muamu/Shutterstock
CRITICAL VOCABULARY
abandonment: Mrs. Mallard cried, abandoning all
inhibition.
ASK STUDENTS why Mrs. Mallard’s weeping with wild
abandonment is significant at this point in the story. (The
response suggests she is terribly saddened by her husband’s
death.)
Prepositions and Prepositional Phrases Explain that Chopin often uses prepositional
phrases to clarify details. A preposition is a word used to show the relationship between a
noun or pronoun and another word in the sentence. Examples include above, down, near, in,
with, and among. A prepositional phrase includes a preposition and its object and modifiers.
Help students identify a few prepositional phrases and discuss what they clarify. You may want
to supply a list of common prepositions. MODERATE
510 Unit 5
NOTICE & NOTE
TEACH
7 She sat with her head thrown back upon the cushion of the chair, MAKE AND CONFIRM
quite motionless, except when a sob came up into her throat and PREDICTIONS
Annotate: Mark clues in
shook her, as a child who has cried itself to sleep continues to sob in
paragraph 7 that describe the
its dreams. impact her husband’s death has MAKE AND CONFIRM
8 She was young, with a fair, calm face, whose lines bespoke had on Mrs. Mallard.
repression and even a certain strength. But now there was a dull Predict: How do you think
PREDICTIONS
stare in her eyes, whose gaze was fixed away off yonder on one of Mrs. Mallard will cope after Remind students that connecting with previous experience
those patches of blue sky. It was not a glance of reflection, but rather learning about the death of her
indicated a suspension of intelligent thought. husband?
or prior knowledge helps with making predictions. For
9 There was something coming to her and she was waiting for it, example, what does sitting alone motionless except for an
fearfully. What was it? She did not know; it was too subtle and elusive occasional sob usually mean? (Answer: Mrs. Mallard may
to name. But she felt it, creeping out of the sky, reaching toward her spend a lot of time in her room, crying. She will grieve for her lost
through the sounds, the scents, the color that filled the air. husband.)
10 Now her bosom rose and fell tumultuously. She was beginning to
recognize this thing that was approaching to possess her, and she was
striving to beat it back with her will—as powerless as her two white
slender hands would have been. MAKE AND CONFIRM
11 When she abandoned herself a little whispered word escaped her PREDICTIONS
slightly parted lips. She said it over and over under her breath: “free,
free, free!” The vacant stare and the look of terror that had followed it vacant Explain that a good writer will often play with what the
went from her eyes. They stayed keen and bright. Her pulses beat fast, (v∑´k∂nt) adj. blank,
expressionless.
reader is likely to know, to make predicting more difficult.
and the coursing blood warmed and relaxed every inch of her body. This is how writers create surprises in texts. The writer makes
12 She did not stop to ask if it were or were not a monstrous joy that
it seem like the plot is developing in one way, but the events
held her. A clear and exalted perception enabled her to dismiss the
suggestion as trivial. will take a turn in a less predictable direction. (Answer: The
13 She knew that she would weep again when she saw the kind, MAKE AND CONFIRM previous text seemed to suggest that Mrs. Mallard was deeply
tender hands folded in death; the face that had never looked save PREDICTIONS grieved by the loss of her husband. Now, suddenly, she seems
Annotate: Mark details in
with love upon her, fixed and gray and dead. But she saw beyond that to be okay with it. She welcomes the years ahead on her own.
paragraph 13 that tell you what
bitter moment a long procession of years to come that would belong Mrs. Mallard is thinking about. She wanted to be free, and now she has her freedom. A possible
to her absolutely. And she opened and spread her arms out to them in
welcome.
Cite Evidence: Do these details alternative prediction might wonder what effect her weak heart
confirm or disprove predictions
14 There would be no one to live for her during those coming years; you made about the story?
will have on the years ahead.)
she would live for herself. There would be no powerful will bending Explain.
hers in that blind persistence with which men and women believe
they have a right to impose a private will upon a fellow creature. A
© Houghton Mifflin Harcourt Publishing Company
kind intention or a cruel intention made the act seem no less a crime
as she looked upon it in that brief moment of illumination. illumination
15 And yet she had loved him—sometimes. Often she had not. (∆-l◊-m∂-n∑´sh∂n) n. awareness
or enlightenment.
What did it matter! What could love, the unsolved mystery, count
for in face of this possession of self-assertion which she suddenly
recognized as the strongest impulse of her being!
16 “Free! Body and soul free!” she kept whispering.
CRITICAL VOCABULARY
WHEN STUDENTS STRUGGLE . . .
VAESE474605_U5AAS4.indd 511 10/23/2018 11:36:52 PM
vacant: Mrs. Mallard’s stare was without emotion or
Recognize Irony Students may struggle with the idea of making and confirming predictions expression; like a vacant building, it was empty.
when they read paragraphs 9–11. Mrs. Mallard was just weeping at news of her husband’s ASK STUDENTS how they would describe a vacant stare.
death, but suddenly, she seems to be happy. Explain that irony is a tool writers use to surprise (looking off in the distance, not noticing anything around)
readers. To decide if something is irony, students can make a list of what they expect (the
prediction) and then what actually happens. illumination: Mrs. Mallard’s mind was illuminated in a
moment of clarity; one might say “the light went on.”
For additional support, go to the Reading Studio and assign the ASK STUDENTS what Mrs. Mallard realizes in her
following Level Up Tutorial: Irony.
LEVEL “moment of illumination.” (the fact that one cannot be in a
relationship and still live for oneself)
LANGUAGE
CONVENTIONS
Remind students that varied sentence structure adds
interest, but also note that it can help add emphasis that can
make meaning clearer. (Answer: This sentence uses repetition
to create a rhythm that conveys Mrs. Mallard’s lighthearted
feelings and joy. The repetition also emphasizes all of the days
ahead that Mrs. Mallard would enjoy all by herself.)
ENGLISH LEARNER
SUPPORT
Preteach Vocabulary Many words in this story may
be unfamiliar to English learners. On page 512, words
such as imploring, importunities, unwittingly, goddess,
and descended might need to be explained to help
students understand the events in the story. Allow
students time to scan the text to identify unfamiliar
words before reading the story. Discuss and help
students understand the words before reading the text.
1
elixir of life: a medicine that restores vigor or the essence of life.
512 Unit 5
❑❑ ambiguous ✔❑ clarify
❑ ❑❑ implicit ✔❑ revise
❑ ❑❑ somewhat
Write and Discuss Have students turn to a partner to discuss the following questions.
Guide students to include the academic vocabulary words clarify and revise in their responses.
Ask volunteers to share their responses with the class.
• How does the narrator clarify the character’s feelings as the story progresses?
• How did you need to revise your expectations about the story as you read?
512 Unit 5
NOTICE & NOTE
TEACH
21 Someone was opening the front door with a latchkey. It was
Brently Mallard who entered, a little travel-stained, composedly composed
carrying his grip-sack2 and umbrella. He had been far from the scene (k∂m-p∫zd´) adj. self-possessed;
calm.
of accident, and did not even know there had been one. He stood
ANALYZE POINT OF VIEW
ANALYZE POINT OF
amazed at Josephine’s piercing cry; at Richards’ quick motion to
screen him from the view of his wife. Annotate: Mark words and VIEW
phrases in paragraph 21 that
22 But Richards was too late. show how each character feels Remind students that this story uses the third-person
23 When the doctors came they said she had died of heart disease— or what they know.
of joy that kills.
omniscient point of view. (Answer: The author uses the third-
Evaluate: How does the
person omniscient point of view to show readers what multiple
author’s use of third-person
2
grip-sack: a small traveling bag or satchel.
point of view affect your characters know or do. The text shows that Brently Mallard is
understanding of the plot and actually alive, which causes Josephine to scream and Richards
conflict?
to try to keep Mrs. Mallard from seeing him. Throughout the
story, knowing the thoughts and actions of multiple characters
creates suspense.)
For listening and speaking support for students at
varying proficiency levels, see the Text X-Ray on
pages 506C–506D.
F A servant
If they answer any questions incorrectly, have them reread
the text to confirm their understanding. Then they may
© Houghton Mifflin Harcourt Publishing Company
G Richards
proceed to ANALYZE THE TEXT on page 514.
H The doctors
J Josephine
B Pneumonia
C Heart disease
D A broken heart
VAESE474605_U5AAS4.indd 513
ENGLISH LEARNER SUPPORT 4/6/2018 6:13:19 AM
Oral Assessment Use the following questions to assess students’ comprehension and
speaking skills. CRITICAL VOCABULARY
1. Think about the amount of time needed for the events in this story. How do you think the composed: Mr. Mallard arrived home, calm and
title of the story is related to that amount of time? (The story takes place in about an hour.) composed.
2. How does Mrs. Mallard find out about her husband’s death? (Josephine tells her.) ASK STUDENTS what is ironic about Mr. Mallard being
3. What do the doctors say caused Mrs. Mallard’s death? (She had heart disease.) composed when he returns home. (Everyone believed he
SUBSTANTIAL died in the train wreck, so it is ironic that he comes home
looking calm and composed.)
2. DOK 3: She initially had been portrayed as frail, and would 5. Connect In 1894, when “The Story of an Hour” was published in Vogue
magazine, women were expected to stay at home and care for their
likely be unable to sustain a shock due to her heart trouble.
husbands and children. What evidence can you find in Chopin’s story that
In paragraph 11, her heart sounds fine, with her pulse supports this perspective?
beating fast, pumping blood, and warming and relaxing
her. RESEARCH
3. DOK 2: Rather than being heartbroken at the loss of a RESEARCH TIP When Chopin’s second novel, The Awakening, was published, it was
husband whom she acknowledges was kind and loving, Articles and literary websites denounced by the critics, who called her work “morbid, poisonous, and
are useful sources for vulgar.” Research other classic American novels that received negative
she is revitalized by the thought of being completely free. information about written
criticism. What did the critics claim? How are these novels perceived today?
The idea that even a kind intention was unacceptable if works. A search for novels that
were criticized when published NOVEL TITLE CRITIC’S OPINION OPINION TODAY
it required her to live for someone else underscores the
may lead to lists of such books,
theme of freedom. but be sure to double-check Possible answer: The “no more than a seen as one of the
the content for credibility and Great Gatsby glorified anecdote” great 20th century
4. DOK 2: Chopin shows Mrs. Mallard as a “goddess of accuracy. novels; Jay Gatsby
Victory,” strong and independent. She has been revitalized. seen as a mythological
I predicted she would flourish now that she has the creation
freedom she desired. My prediction was not correct
because she dies when she finds out her husband is still
514 Unit 5
RESPOND
APPLY
CREATE AND DISCUSS
Write a Short Story Write a brief story that takes place in an hour. You can Go to Writing Narratives
in the Writing Studio for
review your Quick Start notes for ideas. help.
❏ Decide what point of view you will use to tell your story. Think about CREATE AND DISCUSS
what impact the point of view might have on how you reveal events.
Write a Short Story Review the differences among the
❏ Include a main conflict and a resolution. various points of view, giving examples of each. Make sure
❏ Create realistic characters and an interesting setting. students understand the difference between third-person
❏ Think about the theme, or message, you want to share. Consider how limited and third-person omniscient. Because the Quick
the resolution of the conflict can suggest the theme. Start activity focused on something that happened to the
Discuss with a Small Group Take turns reading your stories aloud. Then, students, reassure them that an interesting setting is simply
give one another feedback. Go to Participating in
Collaborative Discussions a setting that is well crafted, with details that make it vivid.
❏ Offer one thing that the author did really well. in the Speaking and
Listening Studio for
The setting does not need to be exotic to be interesting.
❏ Describe something the author might do differently or clarify for help with having a group
discussion.
readers. Discuss with a Small Group Encourage students to listen
❏ Revise your story based on the feedback you receive. attentively, so their comments are based on characteristics
of the writing. Suggest they listen primarily for what the
story is and whether it holds their attention. Once the story is
understood, fine points of style can be discussed.
RESPOND TO THE
RESPOND TO THE ESSENTIAL QUESTION
ESSENTIAL QUESTION
To what degree do we control UNIT 5
RESPONSE LOG
Use this Response Log to record information
from the texts that relates to or comments on
ACADEMIC VOCABULARY Allow time for students to add details from “The Story of an
our lives? As you write and discuss
the Essential Questions in Unit 5.
❑ somewhat
VOCABULARY STRATEGY: When you come across a multiple-meaning word, first, think about how it is
used in the sentence. For example, is it an adjective or verb? Then, use context
Multiple-Meaning Words clues—examples, synonyms, or antonyms—to help you determine what it
Possible answers: means in the sentence. It is useful to refer to an online or print dictionary to
find all of the word’s meanings and see which one best fits the sentence.
1. time: to record the speed or duration of; a duration or
Practice and Apply Find two meanings for each of the words below. Use a
period
dictionary to check your work. Then write sentences for both meanings.
The coach will time the runners to see who is fastest.
What time are we going to the movies? 1. time
516 Unit 5
Vocabulary Strategy Give students practice determining meanings of words using prefixes
and suffixes. Point out that both abandoned and abandonment appear in the story. Knowing
that the root word is abandon, that the suffix -ed shows the past tense, and that the suffix -ment
means “the action or process of” can help students understand the meaning of abandonment.
Display the words inability, countless, reflection, suspension, suggestion, persistence, and
unsolved. Have student pairs use a print or digital dictionary to identify and define prefixes and
suffixes. Then, have them create definitions for each word.
ALL LEVELS
516 Unit 5