Ss = BOKAJM3bI VTAJIbAHCKUX KOMIO3HT0POB Wi YOMTEEM TERA XVII-XVIII pexos Alna cpedneeo eonoca u @opmenuano VOCALISES OF THE ITALIAN COMPOSERS AND VOCAL TEACHERS OF THE XVII-XVII CENTURIES For mean voice and piano Boneen 8 8 se _ RUMOODONNANNES : :Hsaarenscrso "Kounoanrop + Cankr-Merep6ypr" npesaraer saiiemy okMantio BOKANH- ab1 HTAABAICKHX KOMMOIHTOPOD H yairreneH Mewit® KoMtta XVIT M Hasan XVIIT pexa. IH 3a- Mevarenbiire O6pasuM CTAHORNCHHA HTATAAHCKOM SOKAMLHOM WOMB ObImH HaliTeH KOMNO- 3uTopom H npenonasatencw nena BuTTOpHo Pui, snocmeACTSMH COMMHHDUTHM K TIM dopremannyto naprito, B 1912 roay soxanusit Gein onyGauKovanes 8 Jlosoxe JKosehom Bunbamcom. PyoKas MYSBIKAMDIIAK HACBIUICHHOCTO MaTEpHAsIA MOSBONKET OTHECTH 9TH BOKAMHSKL K CTHIIO antichi wranssnexo# mkousi XVII — XVIII o apotaBononoxuocTs cTHHO modemni ¢ npucyuieH emy TOBEPKHOCTHOM BUPTYOSHOCTHIO H TeXHHEHOCTBIO. Mpocrasnenbie » soKanHsax sHaKH OGo3HaNaIOT: V — nonusiii nox; + — nonopunttoe mtixanne (mezzo respiro). Mbt HaneeMoa, 470 Ht Tereps, B SEK HOBBIX PHTMOB H MHTOHALINH, BOKAMHE CTapHHHHIK HTanbsHicKHX MacrepoR MoMOryT 8aM OBPECTH ynepeHNocTs 4 BAOXHOBeHHE TexMHKH bel canto, cron Heo6xonHMBIe B NCKYCCTBE Tesi. ‘The Compozitor Publishing House + St Petersburg calls your attention to the vocalises by the Italian composers and vocal teachers of the XVII — the beginning of the XVIII centuries, ‘These distinguished patterns of the Italian vocal school growing were found by the composer and singing-master Vittorio Ricci, who subsequently wrote the piano part to them. In 1912 the vocalises were published in London by Joseph Williams. The music of the material is so very deeply saturated and ample, as to refer these vocalises to the style “antichi" of the Italian school of the XVII — XVIII centuries, unlike the "moderni* style with the -superficial virtuosity and technique, inherent to it. The indications put down in the vocalises mean: V — full inhale; »— half respiration (mezzo respiro). Hopefully the old Italian masters’ vocalises will help you to acquire self-confidence and inspiration, really necessary attributes of the bel canto manner and the whole art of singing even in the age of the new rhythms and intonations. Translation by Asya ArdovaIL FAMOSO FOGLIO DI PORPORA 3uamenueratt stcToK H. Topnopst (1686—1768), no koropomy on o6yua:t canimte nsTH eT yanecTHOrO Testa DpartecKo Kappapenn Famous sheet of N. Porpora (1686—1768), used by him for teaching the famous singer Francesco Caflarelli for more then five years and soon until . >? ae ‘and 30 on ‘and so on&_ Tlowropare 2, 3 mtn 4 pasa 4. Repeat 2,3 or 4 times Tontopste 2,3 nam 4 pasa 5 Repeat 2,3 or 4 times Tlosropsre ad libitum 6 Repeat ad libitum nontopsts repeat ©3099Tonropserp kamapiii TaKT Repeat each bar a ‘and so on until 2 ‘and soon until ©3099Sostenuto. Legato en ©3099Andante ©3099Sostenuto re er ©30996 4 Andantino lanquendo legato © 3099SS mpoco crese un poco eves y it. assai — coleano ©3099Andante mosso ©3099assai rit. v ©3099Grazioso ‘ ma ___ ©3099Allegro moderato ©3099Un poco lento P sempre legato erese. poco a poco = erese|poco a poco © 3099= naben feta = col canto © 3099Andantino mT 3089poco rit, v 308916 10 Affettuoso (Passa legato =—>— eres poco a poco —== r ¢ —=—== cresc| poco @ poco ©3099 xtat “ a z ———— = = st fo t PD pgrazioso ores — oy £3099srazioso ©3099Andantino affettuoso : . Ve Po ea —|— | | =— |» legato => —= Ps ©3099Allegro spiritoso v Te P scherz050 309%©3099 «14 23 Allegro grazioso 3099.FEN ey ve = _ ff = : =a £ nf conspirto giv 2309915 2% J]. SHMAPO3A D. CIMAROSA Moderato y (1749-1801) 03089%6 16 Kk. KOTYMANUH . ¢.COTUMACCI Allegretto con spirito (1698-1775) P ©3089rit, assai = piu lento ¥ con forza © 3089 «28 17 f MOHTYONIM, G, MONTUOLI Allegretto grazioso (1670-1739) ey P —= > —= FETE poco a poco 5 = ferese. |poco a post©308930 . 1. JHEO L. LEO Lento (1694-1746) legatissino 9 pe Se ? Pe Sue ad ee Te a tempo SSS SS LF |» —= |e —— [oy bp SS OS £30893 Joe. MAPTHHH G. MARTINI Largo mesto (i7gs-1788)©3089.BOKAIU3BI MTAbAHCKHX KOMMO3HTOPOB MY4HTEIEM TERMS XVII—XVIMI pexos an epeduezo zonoca u popmenuano ‘Teximeseennit peaaxtop 7-H. Kuk Koppestops: H.M. Taecmacosa, CI. Ipurbepe. Homnuth waGop A.A. Muxasesa. LP Ne 030560 or 29. 06. 98. Dopwear 60x90/8. Bys. of. Tapa. Tate. Me. n. 4. Yuu. n. 5.5. Tapex $00 aK sgaremtcreo "Komosierop + Cauxr-Tlerep6ypr". 190000, Cauxr-Ilerep6ypr, Bominan Moperan ya, #5. eneonat: (7) (812) 314-S0-S4, 312-0497. anc: (7) (812) 311-58-11 E-mail: office@eomporitorspb.ra Internet: bipiwwn.compozitor spb.