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  • Claudio Santoro - SONATINA para Oboe e Piano-Saxofone - Soprano

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    José de Carvalho
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    This document appears to be a musical score for a sonatina for soprano saxophone and piano. It is in 3 movements: 1. Andante - A slow and songlike first movement in 4/4 time signature. 2. Allegro - A faster second movement with a tempo of 152 beats per minute. 3. Meno - A third movement marked slower and more songlike, with instructions for a return to the original tempo.

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    Claudio Santoro - SONATINA para oboe e piano-Saxofone_soprano

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    This document appears to be a musical score for a sonatina for soprano saxophone and piano. It is in 3 movements: 1. Andante - A slow and songlike first movement in 4/4 time signature. 2. Allegro - A faster second movement with a tempo of 152 beats per minute. 3. Meno - A third movement marked slower and more songlike, with instructions for a return to the original tempo.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    10 views2 pages

    Claudio Santoro - SONATINA para Oboe e Piano-Saxofone - Soprano

    Uploaded by

    José de Carvalho
    This document appears to be a musical score for a sonatina for soprano saxophone and piano. It is in 3 movements: 1. Andante - A slow and songlike first movement in 4/4 time signature. 2. Allegro - A faster second movement with a tempo of 152 beats per minute. 3. Meno - A third movement marked slower and more songlike, with instructions for a return to the original tempo.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    of 2

    Saxofone

    soprano SONATINA
    para oboé e piano (1943)

       
    (transcrita para saxofone soprano) Claudio Santoro

    
    I

      
    Andante  = 42

                   
    3

    
     
     cantabile

                         
               
    9



                  
    3

      
    3


               
    14


    
      
    3 3

              xx   
    cresc.

         
      
    19 xxx poco rit.

      
      cantabile 

    II

                       
          
    Allegro  = 152

      
      

                 
    []

        
        
    7

    
        
       

    cresc. 

         
         
    13

         
    cresc. 

          
       
    19

       
              

           
    25 3

    3
        Meno   
       
    

      
     = 132
     
    30

    cresc. [ ] cantabile

         
      
     
            
    37

        
        
    rit.

                     
    Tempo I


    poco rit.


    43

    []  

                
               
    [a tempo]


      
    63

       
      


      
      
        
       
             
    69
    3

    3

    
           
              
    75

     
         
         
            
    a tempo


    poco rit. rit.

         3
    81
    3

       
        
    87 Muito lento

     

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