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  • Sonata I in G Minor: Movt. 1: Allegro

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    The document is a musical score for the first movement of Sonata I in G minor by Anna Bon di Venezia. It consists of 34 measures written for harpsichord in 4/4 time, in the key of G minor. The movement is marked Allegro and has themes that are developed throughout the piece in a lively and energetic manner.

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    APznzaYxGG9oc_TX-Pf23lNW-fJDqj3Vx-sfgcGwSdmBuQjqhXVSBsgQEZHEUfIWKd--FTwjk41_GEyojXoKo2vSE4fi2q6hkyjeUr3yqREbaddr7zsXWN-5XkygSC_ndtSqzXuvDqV5wXLsKwApfDrtzEUJ98vIRcNifdRMfl8Ymat2tqPUSDHY-yi6v3i-TPTzsv9lNCyjtH4mQ_QjPH

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    The document is a musical score for the first movement of Sonata I in G minor by Anna Bon di Venezia. It consists of 34 measures written for harpsichord in 4/4 time, in the key of G minor. The movement is marked Allegro and has themes that are developed throughout the piece in a lively and energetic manner.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    2 views2 pages

    Sonata I in G Minor: Movt. 1: Allegro

    Uploaded by

    2074523
    The document is a musical score for the first movement of Sonata I in G minor by Anna Bon di Venezia. It consists of 34 measures written for harpsichord in 4/4 time, in the key of G minor. The movement is marked Allegro and has themes that are developed throughout the piece in a lively and energetic manner.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    of 2

    Sonata I in G minor


    Anna Bon di Venezia
    Movt. 1: Allegro
                 
    6 Harpsichord Sonatas, op. 2 no. 1

          
         
    Allegro



                  
       


                 
                      
         
    3


       

                     


          
          
                
                 
      
    6 3

     
                     
         


            
       
       
               
    9

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                                           
              
    12

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         
      


      
           
                       
     


    15

             
       
              
     

    pianocoda.com

        

                        
          
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    19

      
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          3         
               
       
      
     
    22

     
     
                  
      


          3         

                    
       
    25


              
             


         
                           
            

    28

      
                  
     


              
         
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    31

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              
                                 
               
    34

                       
           

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