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  • Propuesta de Ensayo - Raúl Silva

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    Raul Silva Gomez
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    This document discusses the relationship between cinematography, artistry, practical constraints, and political/democratic goals. It examines how cinematography requires certain technical elements but not necessarily beauty. Filmmaking with limited budgets or new technologies can still be cinematography or serve artistic/political ends. Examples discussed include the Dogme 95, Third Cinema and folk filmmaking movements. The sources cited provide further information on these topics, the history of cinematography, and techniques for low-budget filmmaking.

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    Propuesta de ensayo - Raúl Silva

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    This document discusses the relationship between cinematography, artistry, practical constraints, and political/democratic goals. It examines how cinematography requires certain technical elements but not necessarily beauty. Filmmaking with limited budgets or new technologies can still be cinematography or serve artistic/political ends. Examples discussed include the Dogme 95, Third Cinema and folk filmmaking movements. The sources cited provide further information on these topics, the history of cinematography, and techniques for low-budget filmmaking.

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    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
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    8 views2 pages

    Propuesta de Ensayo - Raúl Silva

    Uploaded by

    Raul Silva Gomez
    This document discusses the relationship between cinematography, artistry, practical constraints, and political/democratic goals. It examines how cinematography requires certain technical elements but not necessarily beauty. Filmmaking with limited budgets or new technologies can still be cinematography or serve artistic/political ends. Examples discussed include the Dogme 95, Third Cinema and folk filmmaking movements. The sources cited provide further information on these topics, the history of cinematography, and techniques for low-budget filmmaking.

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    © All Rights Reserved
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    of 2

    TEMA:

    Lo cinematográfico en función del mensaje: el entrecruzamiento entre lo artístico, lo material


    y la praxis.
    - ¿que es lo cinematográfico?
    - ¿que elementos se requieren para realizar una imágen cinematográfica?
    - ¿la imagen cinematográfica requiere ser bella?
    - ¿como afectan las condiciones materiales de filmación a lo cinematográfico?
    - ¿se puede crear una imágen cinematográfica “sin presupuesto”?
    - En la Praxis: Dogma 95, Tercer cine y Folk Filmaking.
    - ¿Cuando es una limitación artística, una disidencia política o un inntento de
    democratización digital?

    Fuentes:

    - Rombes, Nicholas. Cinema in the digital age.


    https://books.google.com.mx/books?id=TMw_DwAAQBAJ&hl=es&source=gbs_book
    _other_versions
    - L. Botella, Caridad - The mobile aesthetics of cell phone made films: from
    the pixel to the everyday. http://kepes.ucaldas.edu.co/downloads/Revista8_5.pdf
    - Shoning, Jordan. The Other Side of Digital Cinema: Tangerine and Digital Realism -
    https://www.youtube.com/watch?v=Dp3fonHZzhs&ab_channel=Film%26MediaStudie
    swithJordanSchonig
    - H. Willems, Patrick - What Does CINEMATIC Really Mean? -
    https://www.youtube.com/watch?v=ZbByKUDJlbI&ab_channel=Patrick%28H%29Will
    ems
    - The Cinema Cartography. Why Beauty is Killing Cinema -
    https://www.youtube.com/watch?v=B-Zbvnu8vgc&ab_channel=TheCinemaCartograp
    hy
    - Saladino, Andrew. Lessons for the No- Budget Feature.
    https://www.youtube.com/watch?v=SIQxm7bNOWc&ab_channel=TheRoyalOceanFil
    mSociety
    - Rodriguez, Robert. The making of “El Mariachi” - The Robert Rodriguez Ten Minute
    Film School.
    https://www.youtube.com/watch?v=VQE9eEmu1b4&ab_channel=FrankieGochicoa
    - Bazin, Andre. The evolution of the language of cinema.
    http://web.mit.edu/uricchio/Public/Documents/media-in-transition/Bazin%20-%20Wha
    t%20is%20Cinema.pdf
    - Cine Dogma.
    http://www.inter-doc.org/projecte/2_ESTRUCTURA_CONTINGUTS_INTERDOC/5_R
    ECURSOS/1_GENERE_DOCUMENTAL/NOVES_TENDENCIES/CINE_DOGMA/Cin
    e_dogma.pdf
    - 922 Films/ 5 dollar film school. 5 tips for Micro Budget Filmmaking.
    https://www.youtube.com/watch?v=DKFdQ7pYgUI&ab_channel=922Films%2F5Dolla
    rFilmSchool
    - THE DON’T TELL SHOW. What is Folk Film Making? | An Introduction to Folk
    Filmmaking.
    - A screen in time. COULD ‘FOLK FILMMAKING’ BE THE NEW AMERICAN INDIE
    MOVEMENT?.
    https://ascreenintime.wordpress.com/2021/02/19/could-folk-filmmaking-be-the-new-a
    merican-indie-movement/
    - Hellerman, Jason. When Was the First Movie Camera Invented?.
    https://nofilmschool.com/when-was-the-first-movie-camera-invented
    - Miller, Alyssa. What's the Secret to Making a Great Film on Your iPhone?.
    https://nofilmschool.com/secret-making-great-film-your-iphone
    - Trava, Efraín. 17 años de Dogma. https://revistareplicante.com/a-17-anos-de-dogma/
    - Gilbery, Ryan. Dogme is dead. Long live Dogme.
    https://www.theguardian.com/film/2002/apr/19/artsfeatures
    - Villain, Dominique. El encuadre cinematográfico.
    - Hijar, Alberto. Hacia un tercer cine.
    - Pecori, Franco. Cine, forma y método.

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