Choices and Connections An

Introduction to Communication 2nd

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Choices and Connections An Introduction to Communication 2nd Edition McCornack Solutions Man

Chapter 2

Self and Perception

CHAPTER OUTCOMES

• Identify the components of self and understand how self impacts communication

• Learn how to present the self to others, both online and offline

• Explore how the perception process works and the common errors made within this process

• Explain the ways people form impressions of others

• Describe the importance of perception-checking and empathy for improving communication

skills

CHAPTER OUTLINE

THE NATURE OF SELF

Your “self” isn’t just one thing, it’s many things: who you think you are as a person; your

values, attitudes, and beliefs; and how you feel about your self-worth. Because all of these

factors influence how you communicate, the first step to improving your communication is to

understand your self.

• Your self shapes how you communicate, whether online or offline, with friends or in

groups, and even before an audience.

○ Self is an evolving blend of three components:

1. Self-awareness

2. Self-concept

31

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 3. Self-esteem

SELF-AWARENESS

• Self-awareness is the ability to view yourself as a unique person distinct from your

surrounding environment and to reflect on your thoughts, feelings, and behaviors. In short, it

means asking yourself, “Who am I?”

○ Self-awareness isn’t only about inward analysis. You also look outward, to others, and

compare yourself to them.

○ Through social comparison, you assign meaning to others’ behaviors and then compare

their behavior against your own.

○ When communicating, you are always self-aware, constantly considering your thoughts,

feelings, and behaviors.

• Critical self-reflection is a special kind of self-awareness that focuses on evaluating and

improving your communication. By routinely practicing critical self-reflection, you will

achieve a deeper understanding of the factors that influence your communication choices,

allowing you to make better decisions and achieve improved outcomes as a result.

○ To engage in critical self-reflection, consider these five questions:

1. What am I thinking and feeling?

2. Why am I thinking and feeling this way?

3. How am I communicating?

4. How are my inner thoughts and feelings affecting my communication?

5. How can I improve my thoughts, feelings, and communication?

SELF-CONCEPT

32
• Self-concept is the overall assessment of who you are; it answers this question: “I’m a

_____ person.” It is based on the beliefs, attitudes, and values you have about yourself.

○ Beliefs are convictions that certain things are true (“I’m a caring person.”).

○ Attitudes are evaluations (“I’m satisfied with my fitness level.”).

○ Values are enduring principles that guide your behaviors (“I think it’s morally wrong to

lie.”).

• Self-verification theory suggests that you often choose your relational partners based on

how well they support your self-concept. This includes choosing others who support a

positive or a negative self-concept.

• Self-fulfilling prophecies are predictions that you make about future interactions that cause

you to communicate in ways that make your predictions come true.

SELF-ESTEEM

• Self-esteem is the overall value you assign to yourself. It answers this question: “Given who

I am, what’s my evaluation of my worth?”

○ Self-esteem strongly shapes your communication, relationships, and general outlook on

life.

○ People with high self-esteem report greater life satisfaction, communicate more

positively with others, and experience more happiness in their relationships than do

people with low self-esteem.

○ People with high self-esteem also show greater leadership ability, athleticism, and

academic performance.

• Self-discrepancy theory holds that your self-esteem results from comparing the following

two mental standards:

33
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The Project Gutenberg eBook of Sherwood Anderson
This ebook is for the use of anyone anywhere in the United States and
most other parts of the world at no cost and with almost no restrictions
whatsoever. You may copy it, give it away or re-use it under the terms of
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this eBook.

Title: Sherwood Anderson

a bibliography

Author: Kenneth A. Lohf

Eugene P. Sheehy

Release date: June 4, 2023 [eBook #70906]

Language: English

Original publication: United States: Talisman Press, 1960

Credits: Tim Lindell and the Online Distributed Proofreading Team at

https://www.pgdp.net (This book was produced from images
made available by the HathiTrust Digital Library.)

*** START OF THE PROJECT GUTENBERG EBOOK SHERWOOD

ANDERSON ***
SHERWOOD ANDERSON:
A BIBLIOGRAPHY

Sherwood Anderson

Photograph by Edward Steichen, August, 1926

 Sherwood Anderson
A Bibliography

COMPILED BY
EUGENE P. SHEEHY & KENNETH A. LOHF

THE TALISMAN PRESS

Los Gatos, California 1960

© 1960 by

Library of Congress Catalog Card Number 60-53225

 Contents
P xiv
I. W S A
Individual Works 18
Essays and Stories 43
Introductions and Forewords 44
Letters 45
Dramatizations 46
Contributions to Periodicals 47
Serial Publications Edited by Anderson 66
Smyth County News Contributions 67
II. W A S A
Books, Parts of Books and Periodical Articles 74
Poems, Parodies, and Miscellaneous Items 104
Reviews 105
I 118
 “Gertrude Stein contended that Sherwood Anderson had a genius for
using the sentence to convey a direct emotion, this was in the great
american tradition, and that really except Sherwood there was no one in
America who could write a clear and passionate sentence.”
—The Autobiography of Alice B. Toklas.

Manuscript page from Winesburg, Ohio.

From the Anderson Collection in the Newberry Library, Chicago.

Binding of Windy McPherson’s Son, Anderson’s first book. [Item 1]
 Illustrations
P S A Facing title-page
M P Winesburg, Ohio Page 11
B Windy McPherson’s Son Facing Opposite
Winesburg, Ohio T - ,F E Page 21
 Preface

Although an examination of Sherwood Anderson’s biography would

reveal various careers—that of laborer, manager of a paint factory,
advertising writer, short story writer, novelist, poet, essayist, and
newspaper editor—it is as a writer of short stories that he has made his
most significant contribution to American letters. His concentration on
form rather than plot was a key factor in liberating the American short
story from the confining techniques of writers in the genteel tradition
who were in vogue when Anderson was writing his first novel, Windy
McPherson’s son (1916).
Anderson’s first important work, and possibly his finest, was
Winesburg, Ohio (1919), a collection of stories about the inhabitants of a
small town who did not fit into the accepted pattern of community life.
In these sketches his concern was with the failures rather than with the
successful. Anderson told their tales with compassion and sympathy,
and, through his characters’ maimed or suppressed emotions, he lent
significance to neglected aspects of life in an era of respectability, easy
success, and commercialism. His succeeding stories and novels evolved
from this theme, which, with his experiment in form, enabled the
American short story writers of the following decades to reach heights of
subtlety and psychological penetration.
The principal repository of Anderson’s manuscripts is the Newberry
Library in Chicago. Placed in the Library by the writer’s widow, Mrs.
Eleanor Copenhaver Anderson, this collection, numbering some 16,690
items, contains his extensive correspondence with publishers, editors,
artists, and notable writers of the twentieth century, among them
Gertrude Stein, Ernest Hemingway, H. L. Mencken, Theodore Dreiser,
and Thomas Wolfe (see item 753). In addition to Anderson’s numerous
short stories and articles, the collection contains the manuscripts of many
of his most important writings: Winesburg, Ohio, Kit Brandon, Dark
laughter, Many marriages, and A new testament. His diaries for the
period, 1936-1941, as well as scrapbooks of reviews and clippings, are
also included. It is this collection of papers which Anderson’s future
biographers and critics must consult and examine to fully assess his note-
worthy influence on and contribution to American fiction.
Arrangement of the bibliography falls quite naturally into two main
divisions: writings by Anderson, and writings about the man and his
works. In the first section a chronological, descriptive listing of
Anderson’s separately published works (together with citations for
significant reprints and translations) is followed by an enumeration of
books to which Anderson contributed and dramatizations of his writings.
Then follows an alphabetical title listing of Anderson’s contributions to
periodicals (Raymond Gozzi’s bibliography, item 593, was of value in
compiling this section), a list of periodicals and newspapers which he
edited, and a select list of his contributions to the Smyth County News.
Writings about Anderson are listed alphabetically by author or other
main entry in the second section, followed by a representative selection
of reviews of Anderson’s works. We have endeavored to make our
listings complete through 1959.
We are particularly grateful to Mrs. Eleanor Anderson for her interest
and advice, and for allowing us to reproduce a page of the manuscript of
Winesburg, Ohio from the Newberry Library Collection. For permission
to use his photograph portrait of Anderson as a frontispiece, we are
indebted to Mr. Edward Steichen of the Museum of Modern Art. Mr. Ben
C. Bowman of the Newberry Library was especially helpful in answering
our numerous inquiries and in describing the contents of the Anderson
Collection; without his generous assistance many bibliographical
questions would have necessarily remained unanswered. Finally, we
acknowledge the invaluable co-operation of librarians throughout the
country in verifying citations and other points of information.
EUGENE P. SHEEHY
KENNETH A. LOHF
COLUMBIA UNIVERSITY LIBRARIES
NEW YORK CITY, SEPTEMBER 1960
 PART I
WORKS BY SHERWOOD ANDERSON

Individual Works

WINDY McPHERSON’S SON. 1916

1. WINDY | McPHERSON’S | SON | [panel line] | BY | SHERWOOD

ANDERSON | [double panel line] | NEW YORK: JOHN LANE
COMPANY | LONDON: JOHN LANE, THE BODLEY HEAD |
MCMXVI [title surrounded by a triple line border]
[1]-347p. 20½ × 13½ cm. Orange cloth stamped in gold on spine and
gold and green on cover. One page of advertisements appears on the
verso of p.347.
On verso of title-page (p.[4]): Press of J. J. Little & Ives Company,
New York.
Dedication (p.[5]): To the living men and women of my own Middle
Western home town this book is dedicated.
2. First English edition:
London, John Lane, 1916. 347p.
3. Reprints:
New York, B. W. Huebsch, 1922. 349p. Revised edition with a new
concluding chapter.
London, Jonathan Cape, 1923. 349p.

MARCHING MEN. 1917

4. MARCHING | MEN | [panel line] | BY | SHERWOOD ANDERSON |

AUTHOR OF “WINDY McPHERSON’S SON” | [double panel
line] | NEW YORK: JOHN LANE COMPANY | LONDON: JOHN
LANE, THE BODLEY HEAD | TORONTO: S. B. Gundy ⁂ ⁂
MCMXVII [title surrounded by a triple line border]
 314p. 19½ × 13 cm. Red cloth stamped in gold on cover and spine.
On verso of title-page (p[4]): Press of J. J. Little & Ives Company,
New York.
Dedication (p.[5]): To American workingmen.
5. Reprint:
New York, B. W. Huebsch, 1921. 264p.
6. Translation:
V nogu! Leningrad, Mysl, 1927. 232p. Tr., Mark Volosov. Foreword,
V. Lavretski.

MID-AMERICAN CHANTS. 1918

7. MID-AMERICAN | CHANTS | BY SHERWOOD ANDERSON |

AUTHOR OF “MARCHING MEN,” “WINDY McPHERSON’S
SON,” ETC. | NEW YORK: JOHN LANE COMPANY |
LONDON: JOHN LANE, THE BODLEY HEAD | MCMXVIII
82p. 21½ × 14 cm. Yellow cloth stamped in gold on cover and spine;
green panel on cover.
On verso of title-page (p.[4]): Press of J. J. Little & Ives Company,
New York.
Dedication (p.[5]): To Marion Margaret Anderson.
A Foreword by Anderson, dated February 1918, appears on p.7-8.
Contents: The cornfields; Chicago; Song of industrial America; Song
of Cedric the Silent; Song of the break of day; Song of the beginning of
courage; Revolt; A lullaby; Song of Theodore; Manhattan; Spring song;
Industrialism; Salvo; The planting; Song of the middle world; The
stranger; Song of the love of women; Song of Stephen the Westerner;
Song to the lost ones; Forgotten song; American spring song; The beam;
Song to new song; Song for dark nights; The lover; Night whispers;
Song to the sap; Rhythms; Unborn; Night; A visit; Chant to dawn in a
factory town; Song of the mating time; Song for lonely roads; Song long
after; Song of the soul of Chicago; Song of the drunken business man;
Song to the laugh; Hosanna; War; Mid-American prayer; We enter in;
Dirge of war; Little song to a Western statesman; Song of the bug;
Assurance; Reminiscent song; Evening song; Song of the singer.
8. Reprint:
New York, B. W. Huebsch, 1921. 82p.

WINESBURG, OHIO. 1919

9. WINESBURG, OHIO | A GROUP OF TALES OF | OHIO SMALL

TOWN LIFE | [panel line] | BY | SHERWOOD ANDERSON |
[publishers’ device with panel line above and below] | NEW YORK
| B. W. Huebsch | MCMXIX [title surrounded by single line border]
[x] 303p. 19 × 13 cm. Orange cloth with white paper label on spine
and publishers’ device blind-stamped on cover. Top edge stained orange
yellow. Map of Winesburg, Ohio, by Harald Toksvig appears on paste-
down endpaper. In the first printing, p.86, line 5, reads: “an intense
silence seemed to lay over everything.” Later printings changed “lay” to
“lie.” On p.251, line 3, the type in the word “the” is broken. For further
identification of the first and later printings, see item 713.
Dedication (p.[v]): To the memory of my mother Emma Smith
Anderson.
Contents: The book of the grotesque; Hands; Paper pills; Mother; The
philosopher; Nobody knows; Godliness (Parts I and II); Surrender (Part
III); Terror (Part IV); A man of ideas; Adventure; Respectability; The
thinker; Tandy; The strength of God; The teacher; Loneliness; An
awakening; “Queer”; The untold lie; Drink; Death; Sophistication;
Departure.
10. First English edition:
London, Jonathan Cape, 1922. 303p.
 Title page from the first issue of Winesburg, Ohio.

Item 9

11. Reprints:
New York, Modern Library [1919] xv, 303p. Introduction, Ernest
Boyd.
Girard, Kansas, Haldeman-Julius company [1925] 63p. (Little Blue
Book, no. 865) A selection entitled Hands, and other stories. Contents:
Hands; Paper pills; Mother; The philosopher; Nobody knows; A man of
ideas; Adventure.
Harmondsworth, England, Penguin Books, 1948. 224p.
New York, New American Library [1956] 159p. (Signet Books 1304)
New York, Viking Press [1958] 303p. (Compass Books Edition. C39)
12. Translations:
An Tê Shên Hsüan Chi. Taepei, Hsinlu Book Company, 1958. 147p.
Mestečko v Ohiu. Prague, SNKLHU, 1958. 212p. Tr. Eva Kondrysová.
Winesburg, Ohio. En amerikansk Provinsbys Menneskeskaebner.
Copenhagen, Funkis Förlag, 1934. 264p. Tr., Elias Bredsdorff.
En by i Ohio. Copenhagen. Reitzel, 1959. 144p. Tr., Henrik Larsen.
Pikkukaupunki. Helsinki, Werner Söderström, 1955. 204p. Tr., Leena-
Maija Reunanen.
Winesburg-en-Ohio. Paris, Gallimard, 1927. 253p. Tr., Marguerite
Gay.
Winesburg, Ohio. Berlin and Frankfurt, Suhrkamp, 1958. 193p. Tr.,
Hans Erich Nossack.
Solitudine: Winesburg, Ohio. Turin, Slavia, 1931. 304p. Tr., Ada
Prospero.
Piccola città nell’ Ohio. Rome, Polin [194-] 221p. Tr., Orsola Nemi.
Racconti dell’ Ohio. Turin, Einaudi, 1950. 263p. Tr., Giuseppe
Trevisani.
Miasteczko Winesburg. Obrazki z zycia w stanie Ohio. Warsaw,
Czytelnik, 1958. 280p. Tr., Jerzy Krzyszton.
A secreta mentira. Pôrto Alegre, Globo, 1950. xvi, 258p. Tr., James
Amado and Moacir Werneck de Castro.
A cidade dos estranhos. Lisbon, Livros do Brasil, 1951. 232p. Tr.,
James Amado and Moacir Werneck de Castro.
O livro dos grotescos. Rio de Janeiro, Revista Branca, 1952. 248p. Tr.,
Constantino Paleólogo.
Uinsberg Okhaio. Moscow, Gosudarstvennoye Izdatelstvo, 1924.
224p. Tr., S. D. Matveyev.
 Uainsburg, Ogaio. Moscow and Leningrad, L. D. Frenkel, 1924. 248p.
Tr., P. Okhrimenko. Foreword, M. Levidov.
Uainsburg, Ogaio. Moscow and Leningrad, Zemlya i Fabrika, 1925.
360p. Tr., P. Okhrimenko.
Winesburgo, Ohio. Madrid, Zeus, 1932. 263p. Tr., Armando Ros.
Preface, Ernest Boyd.
Las novelas de lo grotesco. Buenos Aires, S. Rueda [1942] iv, 303p.
Tr., Armando Ros. Preface, Max Dickman.
Winesburgo, Ohio. La novela de lo grotesco. Madrid, Aguilar, 1949.
Tr., Armando Ros. Preface Germán Gómez de la Mata.
Den lilla staden. Stockholm, C. E. Fritze, 1951. 297p. Tr., Olov
Jonason.
Varošica Vajnsberg u državi Ohajo, Belgrade Novo Pokolenje, 1954.
307p. Tr., Slobodan A. Jovanović.

POOR WHITE. 1920

13. POOR WHITE | A NOVEL BY | SHERWOOD | ANDERSON |

AUTHOR OF | WINESBURG, OHIO | [publishers’ device] | NEW
YORK B. W. HUEBSCH, Inc. MCMXX [title surrounded by a
single line border]
[vi] 371p. 19½ × 13 cm. Blue cloth stamped in yellow on spine and
publishers’ device blind-stamped on cover. Some copies top edge stained
blue.
Dedication (p.[v]): To Tennessee Mitchell Anderson.
14. First English edition:
London, Jonathan Cape, 1921. 315p.
15. Reprint:
New York, Modern Library [1926] viii, 371p. With an introduction by
Anderson.
16. Translations:
Arme blanke. The Hague, H. P. Leopold, 1928. 284p. Tr., H. J.
Smeding.
 Der arme Weise. Leipzig, Insel-Verlag, 1925. 299p. Tr., Karl Lerbs.
I istoria tou Hugh MacVay. Athens, Atlantis, 1958. 240p. Tr., B.
Kalantzi.
A nagy ember. Budapest, Révai, 1934. 279p. Tr., Lili Doberhoff.
Un povero bianco. Verona, Mondadori, 1959. 305p. Tr., Luisella
Quilico.
Pobre blanco. Barcelona, Gráfica Moderna, 1929. 258p. Tr., Julio
Calvo Alfaro. Preface, Angel Flores.
Mannen från västern. Stockholm, Tiden, 1928. 340p. Tr., Stina
Dahlberg.

THE TRIUMPH OF THE EGG. 1921

17. THE TRIUMPH OF THE EGG | A BOOK OF IMPRESSIONS |

FROM AMERICAN LIFE | IN TALES AND POEMS | BY |
SHERWOOD ANDERSON | IN CLAY BY | TENNESSEE
MITCHELL | [publishers’ device] | (quotation, six lines, from
“Mid-American Chants”) | PHOTOGRAPHS BY EUGENE
HUTCHINSON | NEW YORK B. W. HUEBSCH, INC. MCMXXI
[xii] 269p. 20½ × 14 cm. Dark green cloth lettered in yellow on spine
and cover; design blind-stamped on cover. First issue has top edge
stained yellow.
“Impressions in clay by Tennessee Mitchell” appears on eight
unnumbered leaves following p.[viii]
A poem, beginning “Tales are people who sit on the doorstep,”
appears on p.[i], the page preceding the half-title.
Dedication (p.[vii]): To Robert and John Anderson.
Contents: The dumb man; I want to know why; Seeds; The other
woman; The egg; Unlighted lamps; Senility; The man in the brown coat;
Brothers; The door of the trap; The New Englander; War; Motherhood;
Out of nowhere into nothing; The man with the trumpet.
18. First English edition:
London, Jonathan Cape, 1922. xi, 269p.
19. Reprint:
 Tokyo, Kairyudo [1958?] 2 volumes: 147, 167p. Edited and annotated
by Kichinosuke Ohashi. (Kairyudo’s Mentor Library, no. 10)
20. Translations:
Un païen de l’Ohio. Nouvelles tirées de The triumph of the egg et de
Horses and men. Paris, Rieder, 1927. 218p. Tr., Marguerite Gay. Preface,
Eugène Jolas.
Das Ei triumphiert; Novellen. Leipzig, Insel-Verlag, 1926. 263p. Tr.,
Karl Lerbs.
Aus dem Nirgends ins Nichts. Leipzig, Insel-Verlag [1927] 77p. Tr.,
Karl Lerbs. A translation of the story “Out of nowhere into nothing.”
I racconti son uomini. Rome, Editrice Cultura Moderna [1945] 160p.
Tr., Guglielmo Santangelo. A selected edition of five stories.
Onna ni natta otoka; Tamago. Tokyo, Eihô-sha, 1956. 194p. Tr.,
Rikuo Taniguchi and Yoshizô Miyazaki. A translation of the story “The
egg.”
Torzhestvo yaitsa. Moscow, Sovremennyie Problemy, 1925. 257p. Tr.,
P. Okhrimenko.
Yaitso. Moscow, Biblioteka Zhurnala “Ogonyok”, 1926. 63p. Tr., P.
Okhrimenko. A translation of the story “The egg.”

HORSES AND MEN. 1923

21. HORSES AND MEN | Tales, long and short, from | our American
life | BY | SHERWOOD ANDERSON | [publishers’ device] | NEW
YORK | B. W. HUEBSCH, INC. | MCMXXIII
[xiv] 347p. 19½ × 13 cm. Orange cloth with white paper label on
spine and publishers’ device blind-stamped on cover. Top edge stained
orange.
Dedication (p.[v]): To Theodore Dreiser.
Contents: Foreword; Dreiser; I’m a fool; The triumph of a modern;
“Unused”; A Chicago Hamlet; The man who became a woman; Milk
bottles; The sad horn blowers; The man’s story; An Ohio pagan.
22. First English edition:
London, Jonathan Cape, 1924. xiii, 347p.