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Pharmacology in Rehabilitation 4th Edition Ciccone Test Bank

Chapter 2: Pharmacokinetics I. Drug Administration, Absorption, and Distribution

1. All of the following are parenteral routes of drug administration EXCEPT the ____ route.
A) oral
B) inhalation
C) injection
D) topical
E) transdermal

2. The ______ effect occurs when drugs are initially transported to the liver where a significant
amount of the drug may be metabolized and destroyed before the drug reaches its primary
site of action.
A) malabsorptive
B) first-pass
C) Bohr
D) bioequivalence
E) pharmacodynamic

3. Iontophoresis, phonophoresis, and medicated patches all use the _____ route to administer
drugs.
A) oral
B) inhalation
C) injection
D) transdermal
E) rectal

4. This first-pass effect is of particular concern when drugs are administered:

A) topically.
B) intravenously.
C) subcutaneously.
D) by inhalation.
E) orally.

5. The extent to which a drug reaches the systemic circulation is referred to as:
A) bioequivalence.
B) biotransformation.
C) bioavailability.
D) biodistribution.
E) last-pass metabolism.

6. When crossing cell membranes, drugs will diffuse more readily through the lipid layer if they
are:
A) nonlipid soluble.
B) in a neutral, nonionized form.
C) in a charged, ionized form.
D) large proteins.
E) none of the above

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 Chapter 2: Pharmacokinetics I. Drug Administration, Absorption, and Distribution

7. Osmosis refers to the special case of diffusion where the diffusing substance is:
A) a lipid-soluble drug.
B) a nonlipid-soluble drug.
C) a protein.
D) a carbohydrate.
E) water.

8. Carrier specificity, expenditure of energy, and ability to transport substances against a

concentration gradient are all characteristics of:
A) simple, passive diffusion.
B) facilitated diffusion.
C) active transport.
D) endocytosis.
E) exocytosis.

9. A drug that has a volume of distribution of approximately 42 L will typically be:

A) bound extensively to plasma proteins.
B) retained in the bloodstream.
C) concentrated in the tissues.
D) stored in the liver and kidneys.
E) uniformly distributed throughout all of the body fluids.

10. The primary site for drug storage in the body is:
A) muscle.
B) bone.
C) skin.
D) adipose tissue.
E) the brain.

Page 2
Pharmacology in Rehabilitation 4th Edition Ciccone Test Bank

Chapter 2: Pharmacokinetics I. Drug Administration, Absorption, and Distribution

Answer Key
1. A
2. B
3. D
4. E
5. C
6. B
7. E
8. C
9. E
10. D

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Another random document with
no related content on Scribd:
The Project Gutenberg eBook of The doctor looks at
biography
This ebook is for the use of anyone anywhere in the United States
and most other parts of the world at no cost and with almost no
restrictions whatsoever. You may copy it, give it away or re-use it
under the terms of the Project Gutenberg License included with this
ebook or online at www.gutenberg.org. If you are not located in the
United States, you will have to check the laws of the country where
you are located before using this eBook.

Title: The doctor looks at biography

Psychological studies of life and letters

Author: Joseph Collins

Release date: July 14, 2023 [eBook #71193]

Language: English

Original publication: United States: G.H. Doran, 1925

Credits: Andrés V. Galia and the Online Distributed Proofreading

Team at https://www.pgdp.net (This file was produced
from images generously made available by The Internet
Archive)

*** START OF THE PROJECT GUTENBERG EBOOK THE

DOCTOR LOOKS AT BIOGRAPHY ***
 TRANSCRIBER’S NOTES:
In the plain text version text in italics is enclosed by
underscores (_italics_) and S C are
represented in upper case as in SMALL CAPS.
A number of words in this book have both
hyphenated and non-hyphenated variants. For the
words with both variants present the one more used
has been kept.
Obvious punctuation and other printing errors have
been corrected.
The book cover was modified by the Transcriber and
has been added to the public domain.

THE DOCTOR LOOKS AT BIOGRAPHY

 THE DOCTOR LOOKS
AT BIOGRAPHY

PSYCHOLOGICAL STUDIES
OF LIFE AND LETTERS

BY

JOSEPH COLLINS

AUTHOR OF “THE DOCTOR LOOKS AT LITERATURE,”

“TAKING THE LITERARY PULSE,” “IDLING IN
ITALY,” “MY ITALIAN YEAR,” ETC.

NEW YORK
GEORGE H. DORAN COMPANY
 COPYRIGHT, 1925,
BY GEORGE H. DORAN COMPANY

THE DOCTOR LOOKS AT BIOGRAPHY

—B—
PRINTED IN THE UNITED STATES OF AMERICA
 To
LIGHTNER WITMER
Psychologist and Educator
TO RECALL STUDENT
DAYS IN GERMANY
 ACKNOWLEDGMENT

The author expresses his thanks to the editors of The

Bookman, McNaught’s Monthly, The International Book
Review, and The New York Sun for permission to elaborate
material used by them into certain chapters of this volume.
 CONTENTS
P I: BIOGRAPHY
AND
AUTOBIOGRAPHY
P
I B 15
II A 43

P II:
INTERPRETATIONS
L :
III 63
A W
Sherwood
Anderson
William D.
Howells
Lafcadio Hearn
Mark Twain
Henry Thoreau
Henry James
L :
IV 98
F W
Anatole France
Sainte-Beuve
Leonid Andreyev
Joseph Conrad
John Donne
Thomas Burke
Robert Louis
Stevenson
 V P 147
Alfred
Kreymborg
William Blake
John Keats
Edgar Allan Poe
Arthur Rimbaud
VI W 179
Lord Wolseley
Robert E. Lee
VII E 188
Edward P.
Mitchell
Edward W. Bok
Joseph Pulitzer
J. St. Loe
Strachey
VIII C 202
Dr. Frank Crane
W. J. Dawson
A
IX 212
M
Walter Damrosch
Irving Berlin
Maria Jeritza
Emil Fuchs
A
X 225
A
Eleonora Duse
Charles Hawtrey
Sir Johnston
Forbes-
Robertson
Otis Skinner
George Cohan
 The Unsuccessful
Actor
Weber and Fields
XI S 242
Woodrow Wilson
Brigham Young
Abraham Lincoln
Theodore
Roosevelt
XII E 277
Sir William Osler
G. Stanley Hall
XIII P F 291
John L. Sullivan
James J. Corbett
F
XIV 300
B
Ariel
The Divine Lady
The Nightingale
XV M 308
A. Henry Savage
Landor
Eric Horne
XVI T L 314
Madame
Récamier
Rebekah Kohut
Kathleen Norris
Rheta Childe
Dorr
Yang Kuei-Fei
B
331
C
I 337
 PORTRAITS
FACING
PAGE

M T 74
A F 98
Courtesy of
Edward
Wassermann
T B 136
J K 158
L I
By
permission of
“The Century
Magazine”
J P 196
Courtesy of
“The New York
World”
W 212
D
Photograph
by Gutekunst
E D 226
B Y 252
Courtesy of
Harcourt, Brace &
Co.
S W 278
O
 Reprinted
from “The Annals
of Medical
History”
J. J. C 296
By
permission of G.
P. Putnam’s Sons
L H 302
C
Courtesy of
Dodd, Mead &
Co.
M .R 314
P I: BIOGRAPHY AND AUTOBIOGRAPHY
But all the world’s coarse thumb
And finger failed to plumb,
So passed in making up the main account:
All instincts immature,
All purposes unsure,
That weighed not as his work, yet swelled the man’s amount:

Thoughts hardly to be packed

Into a narrow act,
Fancies that broke through language and escaped:
All I could never be,
All men ignored in me,
This I was worth to God, whose wheel the pitcher shaped.
R B E .
 THE DOCTOR LOOKS AT BIOGRAPHY

Part I: Biography and Autobiography

I
BIOGRAPHY

Biography is the story of a life, told by the man who lived it or by the
student of it. Biography does not consist solely of a record of the events
and adventures that constitute the actual and visual side of existence. It is
not merely a chronological narrative of happenings, from which the
reader may divine the inner and hidden qualities of the subject: it is
primarily a statement of the subject’s thoughts and strifes, ambitions and
realisations—and, as thoughts and ambitions condition action, behaviour
and achievement, that which we call the “life” of a man flows from
them. Biography presents a picture of a mind, a soul, a heart; of an
environment; of successes and failures that make, or seek to make, the
subject immortal. Biography strives to make the subject as real as a
character in fiction; actually, it makes him as real as life. This, of course,
applies to good biography, to that sort of writing which may be classed
as a branch of literature, are not to the formless productions that are often
labelled “biography” and “autobiography.”
The art of living has always been man’s preoccupation, and has afforded
him constant and unlimited interest. This interest is increased by the
opportunities he has of looking into the past, and of learning how others
“turned the trick” called living. From biography man gets moral,
physical, mental and emotional assistance; he sees where others have
failed and why; he recognises avoidable obstacles and handicaps; he
learns the value of health and its relation to happiness; and he is made to
see that material prosperity does not always spell spiritual welfare. He
appreciates the meaning of culture and its influence on the individual and
his time; he runs the gamut of emotions that are aroused by all good
biographies; he suffers vicariously, or enjoys objectively with the
subject. His own life therefore becomes happier and more complete
because of his intimate sojourn with a successful predecessor.
To some readers, biography affords the opportunity of gleaning historical
facts without hard work; as a matter of fact much might be said about the
similarity of the two arts. It is safe to presume that Voltaire would say
about biography what he said about history: “a lie agreed to.” Less stress,
however, can be laid on the “agreed to” in regard to biography, because
whereas history is officially admitted to be true, biography, not dealing
exclusively with facts, is the stepping stone between fiction and history.
Indeed, the fictionist is a biographer; when he creates a type of
individual, he becomes his biographer, all the more so since the type
exists only in his imagination. To blow the breath of life into the nostrils
of a statue as Aphrodite did in answer to Pygmalion’s prayer is a
remarkable achievement, but to lay bare the human soul so that he who
walks leisurely may read, compares favourably with it. When a
biographer studies a character in real life, or when a man writes his own
life, he has opportunity, by masterful handling of the theme, to push into
the darkness characters that have been built by the fancy of the novelist,
and to make them appear by contrast lifeless and stilted; for he deals
with the very essence of life; it is a real heart which palpitates under his
hand, real nerves that tingle and thrill. The novelist must be content to
deal with the children of his mind, the biographer with the children of
God.
As an art, biography is older than the invention of writing. Doubtless it
has existed since the creation of man. In ancient times, it took the form
of tradition, transmitted by word of mouth, which later became the
foundation of legends and mythology. It has now reached a high degree
of development; this is the best proof that man is unable to build his life
on the present alone, or on hope of the future. He must still refer to the
past for encouragement and stimulation. To begin at the beginning, the
masters of the remote ages had left to the world great treasures of