ALLES FUR DIR

      


             
         
deciso


       
Vioară solo

  
       
                 
             
       
  
                          
Pian 

           
                 


    
 Beguine
   
4

          


Vir. solo

      


                    

                  
 
 
     
        
Pian

               
 

             


7
a 2a volta 8va
Vir. solo

        
                        
                
  
         
Pian

          

arr. Ioan BADEA

2

  
        


10


Vir. solo

         
           
    
        
       
       

Pian

        

       


13

Vir. solo

       
                 
      

    

    
Pian

     


               


16

   
Vir. solo

     
                  
3 3

            

        

Pian

    
   

   
         



19

     
Vir. solo

   
                        
3 3

            
 
           

Pian

       

arr. Ioan BADEA

 3

    
    


22

        
Vir. solo

                      
           

          
  
Pian

    

       



25
1.

     
Vir. solo

       
               
           
       
 
Pian

       

       2.
  
       


      
28

    
Vir. solo

               
    


    
       
        
        
               



Pian

        

   

 
To Coda



32

   dim.
Vir. solo

      
               
  




        

          

Pian

  
dim.

   

arr. Ioan BADEA

 
4


       


     
35 3 3

       
Vir. solo

                     



          
           

Pian

   


   

     
  


38

    
Vir. solo

  
                   
             
        
 
Pian

      

  
      


  
41

    
Vir. solo

   cresc.
      
         



    cresc.    
     
            
Pian

       

 
        


44 3 3

          
Vir. solo

  
               
           
           
Pian

   
    

arr. Ioan BADEA

  
5

     
    




47

   
Vir. solo

     
                 
 


3 3

            
           
   
Pian

  
   

  
      


50

  
Vir. solo

     
          


       

    
   
           
Pian 

       

    
              


53

             

Vir. solo

        

       

       
  
                   
          
Pian

    

   
           


 
56

      
Vir. solo

         

                     
cresc.

       
   
                      
Pian cresc.

                 
     

arr. Ioan BADEA

 

6

            
60

            
Vir. solo

                      

                  
           
                    
Pian 

                   

 
         


   
63

            
Vir. solo

 
        
    

       
 
 




                 
Pian

              


     


  
66

Vir. solo

          
              
     
         
     
              
Pian

           
           
 


69

       
Vir. solo

                    
3 3

            
         
 
Pian

      

arr. Ioan BADEA

     
 
7


72

           
Vir. solo

               
  
   
 
         
         
 
Pian

      
   
     
   

75


Vir. solo




   


                    
dim.

                                  

3 3 3 3 3

  
         
        
        
Pian  dim.

 



 
3 3 3 3


3

      
80

    
 
       
Vir. solo

                
          
3 3

       
Pian  

    

3 3

   
  



               

83

 
          
Vir. solo


  

3

  


    
Pian

  

arr. Ioan BADEA

 
            
8

  
   


 
86

 
Vir. solo

   
              
            


         
 

                  
 

                
Pian

    
   



                  
D.S. al Coda


89



Vir. solo

         
dim.

                  
   
              
           
        
Pian

      
dim.

             
 

   
92


Vir. solo

        
                         
           
         

Pian

        


arr. Ioan BADEA

  
  
     arco

     
9

  
  
               

95
pizz.


Vir. solo



 cresc. 


          

                      
  
         
 
         



cresc.

       
Pian

  
     
 



arr. Ioan BADEA