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  • La Mer Beyond The Sea

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    HALILUYA John
    37 views3 pages
    This musical composition is titled "La Mer (Beyond the Sea)" and contains musical notation for saxophone and piano. It consists of multiple verses with the saxophone and piano playing melodies together. The piece builds in volume and complexity over time through the use of crescendos.

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    Original Title

    La_Mer_Beyond_the_sea

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    This musical composition is titled "La Mer (Beyond the Sea)" and contains musical notation for saxophone and piano. It consists of multiple verses with the saxophone and piano playing melodies together. The piece builds in volume and complexity over time through the use of crescendos.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    37 views3 pages

    La Mer Beyond The Sea

    Uploaded by

    HALILUYA John
    This musical composition is titled "La Mer (Beyond the Sea)" and contains musical notation for saxophone and piano. It consists of multiple verses with the saxophone and piano playing melodies together. The piece builds in volume and complexity over time through the use of crescendos.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    of 3

    La Mer

    (Beyond the sea)


            
     
     = 112  = 90  = 112
    Saxophone Alto

         
          
       
     
    
    
      
    


            
      
    Piano 

     

    
            
    

    

              

    7

    Sax. A.

                                 


    3 3 3

              
            
          
    Pia.

                 

         
    14

    Sax. A.

                                 


    3 3

               
    3 


    3

              
           
    Pia. 

       
               
    3

     
    21

    Sax. A.


                                
    3 3

     
    3

            
       
    Pia.

    3
        
              
     
    26

    
    Sax. A.

            
          
         
    3

       
    3

     
      
          
     
    Pia.

    

    
                
     
    30

    Sax. A.

               


    3

          
    3

      

           
    3


                
       
    Pia. 

          


    3

        
    34

    Sax. A.

     
                  
    3

       
    cresc.

     
      
          
               
    Pia. cresc. 3
    3

        
       
      
    cresc.


    38


    Sax. A.

            
      
    3

     
         
    

         
      
    

              
    Pia.
    

    

    2
      

           
    42

    Sax. A.

      
              
          
    3

       
    3

    
       
           
      

    3

       
    Pia.

        
    3

           
      
     
    46

       
    Sax. A.

                
        
    3

        
    
     
       

    
        
           
    Pia.

      

                

    50

          
    Sax. A.

              

    3 3

     
    

              
      
       
    3
    Pia.

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