Fandango

r
del Sig . Scarlate

attr.
Domenico Scarlatti

edition after Ms. 276

(Archivo Zárate Cólogan)
by M. Cloney
(2023)
 {
2

3             

  4      
             
Fandango
Del Sigr. scarlate.
  43      
   

{
    ™              ™  
  
5

        

                
      

{
                         
 
9

                 

                
       

{

 
                                            
13


                    
   

{
                       

17

               
              
         

{
                         
21

                  

              
         
{
    ™   
3

          
    
25

     
   
             
     

{
  
    
   
        
29

  
    

           
  

{
                 
                                                   
32

        
       

 
    

{
                ™                     
36


        
   

{
                           
40

    
                
 

{
44
                     
      
      
            
         

{
                          
 ™

™
48

                      
 
     ™™
DaCaPo.
       
{

                 
4

  ™™
                          
52

  ™™          
  
 

{
55                            
       

        
  
  

{
58
               
                       

        
   

{
62
     3        
   8       

  8   
3 
Presto
          
 

{
                     

67

        

       
       
  
 

{
                   
              43
72

        

          

  

   3
4
 

{
3                                                  
77


 4
  43              
          
{
    
5

     
                        
81


      
             

{
 
         
              
      
85

   
 
            
   

{

89
                    
         
     
           


{
   
                     
93

        
      

          

{
                          
96


         

                
 

{
99
    ™                  
      
           

                 
     

{
                      ™
  ™
103
 
            
    
        ™™
DACaPo.
 
   
 Critical Notes

The manuscript containing this Fandango attributed to Scarlatti is found in the Archivo
Histórico Provincial de Santa Cruz de Tenerife, Archivo Zárate Cólogan, Ms. 276. Seemingly, much care
has not gone into the copying of this piece (wrong notes, missing ending etc.). Bookworms have rendered
some texts difficult to read. The following notes document particular differences between the present
edition and the Ms.

Measure 16: r.h. no accidental on G

M. 20: r.h. no accidental on B

M. 24: l.h. D has flat

M. 27: original:

M. 28: l.h. first F has natural

M. 30: original:

M. 31: l.h. no accidentals on 2nd and 3rd C, A is B in Ms.

M. 40: r.h. no accidental on G

M. 42 - 43: r.h. no accidental on B and C

M. 44 - 47: l.h. 2nd & 3rd beats: sic

M. 47: r.h. all beats E is F in Ms. no accidental on C, l.h. no accidental on C

M. 48: r.h. 1st F is G in Ms.

M. 49: r.h. 3rd E is D in Ms.

M. 51: r.h. half note E is in lighter ink, possibly added later

M. 61: r.h. E is F in Ms.

M. 63: “Presto” eaten by bookworms, thus “Pr[..]t[.]”

M. 65: r.h. B has natural

M. 77 - 80: r.h. D and C# added (except for first beat of M. 77) in same ink, stems of neither voice extend
to these, possibly added later

M. 78: l.h. sic

M. 97: r.h. no accidental on C

M. 105: sic, no ending