STILL WARM

Medium Even 8ths q = 132 JOHN SCOFIELD


INTRO G13sus (GUITAR FILLS SPARELY)

      
SYNTH., TOP NOTE OF VOICING Ab^#11/G
  
             
   
BASS
   
 
   
      
DRUMS HITOM RIDE 
H.H.
                              ETC.
              
                  
B.D. CROSS-STICK ( G13b9 )
 
Absus/G E/G
     
         
 

    
HEAD
A  GUITAR 2ND TIME & ON D.S.: PLAY THE DOWN-STEMMED NOTES OF ALL TWO-PART WRITING
     
1ST TIME: PLAY THE UP-STEMMED NOTES OF ALL TWO-PART WRITING

         
  



 SYNTH.
E/G
   
Ab% A- Fsus D/F# G13sus
     

    
SAMPLE BASS LINE
      

  
              

                 


     
 
   

    
E/G Ab% A- Fsus D/F# G13sus C/Ab Fsus/A G'9/B
       

       
         
            

 
        


      
G'9/B E/C D/C F-6/C
    

   

           
   
 
Transcribed by Ville V. (2006)
       
STILL WARM

 
       
2
  
  

     
G/Bb E13sus Bb'9/D Db9#11 Bb7#11 A-7
     
  
                        
     

    
To Coda 
        
 
 

 
C/Ab E/G Ab% A- Gsus/B C
      


     
       
B
                        
GUITAR AD LIB.


C /D /E F G F/A G/B C /D /E F D/F# G13sus
    
     
       
     


1.
C G13sus
                                  
(GUITAR AD LIB.) Ab^#11/G Absus/G E/G

(BASS AS IN INTRO)

  
2. After solo,
D GUITAR SOLO

                                  
G13sus Ab^#11/G Absus/G E/G D.S. al Coda

(G MIXOLYDIAN) (Ab LYDIAN) (Ab MAJOR) (G HALF-WHOLE DIMINISHED)



DRUM SOLO - GRAD. BUILD

                     
GUITAR AD LIB.

   
C /D /E F G F/A G/B C /D /E F



 
          
 

              
 (GUITAR FILL)

TILL CUE ON CUE


rit.


  F
   
F G F/A G/B C D/F# G13sus

    
As played on John Scofield's 1986 Gramavision release "Still Warm".
Fsus chord at bars 2 & 6 of letter A represents a major 7th quality.
Synthesizer chords are sustained for head, more active for solos.
Drums play a cross-stick click on each beat throughout.
Guitar and bass sound one octave lower than written.