Professional Documents
Culture Documents
In ‘Parallel Romantic Fantasies: Barrie’s Peter Pan and Spielberg’s E.T.: The
Extraterrestrial’ by Patricia Read Russell, readers are informed on the many similarities within
the two beloved childhood performances, as well as their differences. This article describes the
scene in E.T. which displays Mary reading Peter Pan to her three children, which is no
coincidence as in Peter Pan the magic of believing is what keeps his power as well as himself
alive, E.T. Is also nurtured back to life when Elliot declares that he will believe in E.T all his
life.
Russell displays to readers how the two performances both display the romanticism that
most all children are drawn to, as well as the lack of belief that is said to come with adulthood.
The performances also display several different stereotypes within adulthood including the
negative perception of growing old, which is especially highlighted to come within male
adulthood.
The author also introduces the ignorance from society regarding the intuitive wisdom
displayed from the youth, which is said to often be helpless beneath adult authority and systems,
which our discourse shows the changes that child and youth workers are trying to accomplish
that include giving children more agency and taking their thoughts and ideas into consideration
when it comes to transforming society’s view on children being ‘below’ adults, as we are now
coming to realize children have so much to offer within the world and removing societies
ignorance on the wisdom of youth will move us one step closer to giving children the voice they
should have.
Moving forward, this piece written by Russell acknowledges the issue of adulthood being
represented as something scary within the childhood entertainment industry as they are often
shown as strict, unhappy and often have doubt in their child’s imagination. Even more specific,
these traits are often alongside a male adult figure who is typically the father within the story.
This can cause the issue of fearing growing up and even children fearing their parent(s) in
general. These characters often create a toxic strain between the child and parent as their voices
are dismissed and creating again the issue of children being able to think for themselves or use
their own voices. Although these films are non-fiction, this is a large issue within the world to
this day, mentioned here “Society ignores almost entirely the intuitive wisdom of youth, which
is, for the most part, helpless under adult authority and adult systems.” (Russell, pg. 28) In other
words, children are often dismissed due to the view that they lack knowledge and adults are
superior. Russell does a very good job at connecting this issue within the two films and the real
world.
Although Russell’s article does a good job at displaying the consistent barrier’s between
childhood and adulthood, the author is missing a few other assumptions that the discourses
display. For example the puritan discourse which states that all children are born evil. The article
looks past this discourse, and focuses mainly on the romantic discourse of childhood which
states that all children are innocent and are only ruined by the outside world. Looking at the two
performances from Russell’s point of view, readers can see how the romantic discourse is
extremely prominent within E.T and Peter Pan, as the two movies focus on the children’s
imagination and ability to “create, as it were, an aura of a world in which the strange is rather to
be expected than not,” (Russell, Pg. 28) fitting perfectly with the idea of innocence that the
romantic discourse offers, but if readers look at it from a different perspective that children are
born evil, they may see this level of imagination as something that fulfills a greater sense of
darkness, like scary aliens and hallucinations of fairy’s. Although the romantic discourse is a
decent fit for this article, it is always a good idea to expand the outlook to multiple perspectives
Overall, Russell gives great connections between the two movies and how they can
impact a child’s perspective on the world, allowing for greater discussion on the romantic
discourse within child and youth studies. Readers can learn the great ties between E.T and Peter
Pan as well as the multiple roles depicted within beloved childhood performances which can and
do shape the way we view children and childhood in itself. Reading an article like this one
allows for the formation of broadened perspectives and deeper conversations regarding
childhood discourses.
Bibliography
Russell, R. P., (n.d.) Parallel Romantic Fantasies: Barrie’s Peter Pan and Spielberg’s E.T.: The
https://owl.uwo.ca/access/content/attachment/a000bbd5-d3fb-463f-a054-8b1ea778516c/
Assignments/d8f84189-9fff-42f8-a141-ed20da2b7d58/Russell_on_RomChild.pdf