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  • Thank You For The Music

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    Christine Lefebvre
    4 views3 pages
    This document contains musical notation for three vibraphones. It directs the vibraphones to play melodic and rhythmic patterns together over the course of several measures. The notation uses standard symbols like notes, rests, dynamics, and tempo markings to indicate how the vibraphones should sound simultaneously or separately at different points in the piece.

    Original Description:

    arrangement 3 voix claviers

    Original Title

    thank you for the music

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    © © All Rights Reserved

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    This document contains musical notation for three vibraphones. It directs the vibraphones to play melodic and rhythmic patterns together over the course of several measures. The notation uses standard symbols like notes, rests, dynamics, and tempo markings to indicate how the vibraphones should sound simultaneously or separately at different points in the piece.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    4 views3 pages

    Thank You For The Music

    Uploaded by

    Christine Lefebvre
    This document contains musical notation for three vibraphones. It directs the vibraphones to play melodic and rhythmic patterns together over the course of several measures. The notation uses standard symbols like notes, rests, dynamics, and tempo markings to indicate how the vibraphones should sound simultaneously or separately at different points in the piece.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    of 3

    Thank you for the music

    
             
    3

    Vibraphone 1
     
    
    Vibraphone 2         
    
           

    Vibraphone 3

            
    15

    Vib. 1        
          
    Vib. 2        
     

        
            
    Vib. 3

                      
    20

    Vib. 1  

       
      
     
    Vib. 2

              
     
    Vib. 3

                     
    25

    Vib. 1
     

               
    Vib. 2
     

           
        
    Vib. 3
    2
                 
    29 coda 1

           
    coda 2
    Vib. 1  

                
    Vib. 2
        
           
     
    Vib. 3

     
              
    34

    Vib. 1
      

               
       
    Vib. 2

          
     
    Vib. 3

                
    39 3 3
    3 3

           
    Vib. 1

    Vib. 2       

    Vib. 3           

               
    44 3


           
     
    Vib. 1

          
    Vib. 2          
       
    Vib. 3
             
    coda 1 3
     
       
    49

    Vib. 1
      

    Vib. 2           

             
    Vib. 3

    coda 2
       
                
    55

       

    Vib. 1

              
           
    Vib. 2

      
              

    Vib. 3

        
    61



    Vib. 1

       
    Vib. 2   

    Vib. 3      

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