Professional Documents
Culture Documents
:Submitted by
Murtadha Rahman
Supervised by
Lect.Alia Khalaf
((َك َّذ َبْت َقْبَلُهْم َقْو ُم ُنوٍح َفَك َّذ ُبوا َع ْبَد َنا َو َقاُلوا َم ْج ُنوٌن
َو اْز ُد ِج َر )) "
: To
Researcher
Acknowledgements
This research would not have been possible without the support
of many people. Many thanks to my supervisor, Lect. Alia
Kkalaf who read my numerous revisions and helped me with her
.suggestions and advice
4 : Contents IV
5 Abstract V
8 Introduction 1
12 conclusion 15 – 9
13 Notes 16
17 – 16
18
Abstract
:Chapter One
William Blake: a biographical notes 1.1
At age ten Blake expressed a wish to become a painter, so his parents sent
him to drawing school. Two years later, Blake began writing poetry. When he
turned fourteen, he apprenticed with an engraver because art school proved too
costly. One of Blake‘s assignments as apprentice was to sketch the tombs at
Westminster Abbey, exposing him to a variety of Gothic styles from which he
would draw inspiration throughout his career. After his seven-year. In 1782, he
.married an illiterate woman named Catherine Boucher
Blake was a nonconformist who associated with some of the leading radical
thinkers of his day, such as Thomas Paine and Mary Wollstonecraft. In defiance
of 18th-century neoclassical conventions, he privileged imagination over reason
in the creation of both his poetry and images, asserting that ideal forms should
be constructed notfrom observations of nature but from inner visions. He
declared in one poem, ―I must create a system or be enslaved by another
man‘s.‖ Works such as ―The French Revolution‖ (1791), ―America, a
Prophecy‖ (1793.),―Visions of the Daughters of Albion‖ (1793), and Europe, a
Prophecy‖ (1794) express his opposition to the English monarchy, and to 18th-
century political and social tyranny in general. Theological tyranny is the
subject of The Book of Urizen (1794). In the prose work The Marriage of
).Heaven and Hell (1790-93)
Blake believed that his poetry could be read and understood by common
people, but he was determined not to sacrifice his vision in order to become
popular. In 1808 he exhibited some of his watercolors at the Royal Academy,
and in May of 1809 he exhibited his works at his brother James‘s house. Some
of those who saw theexhibit praised Blake‘s artistry, but others thought the
paintings hideous‖ and more than a few called him insane. Blake‘s poetry was
.not well known by the general public, but he was mentioned in A Biographical
Blake is a pre-Romantic poet. He has a very individual view of the world His
poetic style, ideas, sensibility, and ideas contrast with the order and control of
.the Augustans
Symbolism is the idea that things represent other things. What we mean by
that is that we can look at something let’s say, the color red and conclude that
it represents not the color red itself but something beyond it: for example,
passion, or love, or devotion. Or maybe the opposite: infidelity. The color red
can also represent blood. It can also mean stop when you approach a traffic
light. It can symbolize communism. In other words, it can mean anything you
want it to mean. In other words, it means everything. Or: it means nothing,
because if you can assign any kind of symbolic interpretation to it, it has no
internal value, no fixed or unchanging or universal meaning. It has no special
quality that designates it as a symbol of one particular thing.
So the questions is: are there universal symbols that communicate agreed-upon
concepts? We could talk, for example, about white a symbol of purity or
innocence or life. But again, that would be a very superficial reading of
literature, because white could also signify paleness, bloodlessness, lifelessness
and death. So once again, if white can signify one thing and its opposite life and
death what kind of symbol is it?