Professional Documents
Culture Documents
Pattern
Compendium
© Kirsty Sapsford - Not for resale or redistribution.
What
You
Will
Need
page
2
The
Historic
Collection:
page
16
Taking
Your
Measurements
page
3
Pattern
8
–
1600s
corset
page
17
Resizing
the
Patterns
in
this
book
page
4
Pattern
9
-‐
1730
corset
page
18
Pattern
Guide
page
7
Pattern
10
-‐
1776
corset
page
19
Pattern
11
-‐
1780
corset
page
20
Pattern
12
-‐
1790
corset
page
21
The
Modern
Collection:
page
8
Pattern
13
-‐
1793
corset
page
22
Pattern
1
–
Long-‐line
underbust
page
9
Pattern
14
-‐
1844
corset
page
23
Pattern
2
–
Waspie
underbust
page
10
Pattern
15
-‐
1862
corset
page
24
Pattern
3
–
Waist
corselet
or
‘corset
belt’
page
11
Pattern
16
-‐
1887
corset
page
25
Pattern
4
–
Straight
topped
push-‐up
overbust
page
12
Pattern
17
-‐
1895
corset
page
26
Pattern
5
–
Sweetheart
overbust
page
13
Pattern
18
-‐
1904
corset
page
27
Pattern
6
–
Plunge
overbust
page
14
Pattern
19
-‐
1904
ribbon
corset
page
28
Pattern
7
–
Corset
dress
page
15
Pattern
20
-‐
1911
corset
page
29
1
What
You
Will
Need
You
won’t
need
a
lot
to
turn
the
corset
patterns
in
this
book
into
full-‐scale,
personally
resized
pattern
pieces
for
your
individual
figure:
Pattern
paper
is
an
obvious
essential
but
squared
or
dot
and
cross
pattern
paper
will
make
the
job
of
scaling
up
a
whole
lot
easier
as
all
the
patterns
in
this
book
have
been
placed
over
a
grid.
Each
square
on
the
grid
equals
a
centimetre
so
choose
paper
in
cm
rather
than
inch
increments.
If
your
local
shop
doesn’t
have
squared
or
dotted
paper,
eBay
and
various
other
online
sewing
shops
do.
TIP
–
if
you
can’t
find
gridded
pattern
paper
buy
a
roll
of
grease
proof
baking
tray
paper
or
tracing
paper
from
your
local
dollar/pound
store
and
place
it
over
a
sheet
of
graph
paper
(if
you
can’t
find
large
graph
paper
stick
some
A4
sheets
together).
The
graph
paper
will
show
through
the
tracing
paper
so
you’ll
only
ever
need
the
one
sheet,
this
is
a
much
cheaper
option
than
buying
lots
of
pattern
paper.
A tape measure to take your own (or the intended corset wearers) measurements is also needed.
A
sharp
pencil
&
a
ruler
for
marking
the
paper,
and
that’s
it!
2
Taking
Your
Measurements
Before
drawing
out
your
pattern
we
first
need
to
take
some
measurements
to
correctly
alter
the
pattern
size.
You
should
be
wearing
a
comfortable
bra
for
this.
It
also
helps
to
have
a
second
person
if
you
are
taking
your
own
measurements,
to
make
sure
the
tape
measure
doesn’t
slip
down
at
the
back
etc,
a
mirror
is
a
good
substitute
and
useful
for
finding
your
waist
line.
Not
all
the
measurements
below
will
be
necessary
for
every
corset
so
check
the
pattern
first.
To
make
the
pattern
smaller,
simply
cut
the
pattern
pieces
and
edge
the
two
halves
together,
overlapping
till
the
required
size
is
achieved,
then
join
up
the
edges
again.
Like so.
4
This
can
be
done
to
alter
width
as
shown
on
the
previous
page,
or
to
alter
height,
as
below:
To
get
a
perfect
fit
you
need
to
check
and
alter
the
width
at
the
bust,
underbust,
waist,
top
hips
and
full
hips
lines
so
the
corset
goes
in
and
out
the
right
amount
in
the
right
places.
You
also
need
to
check
the
vertical
distance
or
height
between
these
lines.
This
may
mean
cutting
each
pattern
piece
into
several
sections
and
moving
them
around,
then
sticking
them
back
together
or
sticking
other
pieces
of
paper
to
the
back
to
bridge
any
gaps.
It
may
seem
fiddly
but
in
actual
fact
this
method
makes
precision
pattern
sizing
really
easy.
5
In
case
that
sounds
a
little
confusing,
here
are
two
examples:
The
pattern
piece
on
the
left
has
been
altered
first
for
someone
tall
and
curvy:
it
has
been
made
longer
and
wider,
with
extra
width
at
the
bust
and
hips.
The
pattern
piece
was
cut
into
8
sections.
And
secondly
for
someone
petite
and
less
curvy:
the
height
and
width
have
been
reduced
with
further
reduction
in
width
at
the
bust
and
hips.
This
piece
was
cut
into
10.
TIP
–
When
sizing
a
corset
it
is
important
to
take
off
2inch/5cm
width
at
the
waist
and
bust
to
give
a
proper
fit
and
a
further
2inch/5cm
width
all
over
to
allow
for
the
gap
at
the
laces,
this
also
allows
for
progressive
tightlacing.
Deduct
these
amounts
from
your
measurements
on
page
3
before
altering
your
pattern
pieces.
6
Pattern
Guide
All
of
the
following
patterns
are
colour
coded
for
ease
of
use,
the
meaning
of
each
colour
can
be
found
in
the
key
below:
-‐-‐
KEY
The
bust,
underbust,
waist,
top
and
full
hips
lines
all
have
their
own
colour.
Boning
channels
are
clearly
marked
in
pink.
Large
fully
boned
areas
are
blocked
out
in
pink
with
stitch
direction
arrows
to
indicate
the
directions
of
the
bone
channels.
Piping
is
marked
out
in
green
and
again
large
areas
of
piping
are
blocked
out
in
green
with
stitch
direction
arrows
to
indicate
piping
direction.
The
busk
is
always
clearly
marked
out
in
yellow
with
a
black
border
and
lacing
bones
in
blue,
although
these
only
appear
in
the
modern
patterns
as
historic
lacing
consists
of
a
row
of
eyelets
with
a
boning
channel
either
side.
Stitch
direction
arrows,
as
mentioned
above,
illustrate
the
exact
direction
in
which
boning
or
piping
should
run
in
block
areas
of
boning
or
piping.
Connection
point
markers
mark
the
exact
point
two
pattern
pieces
should
be
joined
at
and
each
is
colour
coded
with
its
adjoining
partner.
7
8
Pattern
1
–
Long-‐line
underbust
9
10
Pattern
3
–
Waist
corselet
or
‘corset
belt’
11
Pattern
4
–
Straight
topped
push-‐up
overbust
12
Pattern
5
–
Sweetheart
overbust
13
Pattern
6
–
Plunge
overbust
14
Pattern
7
–
Corset
dress
15
16
Pattern
8
–
1600s
corset
17
Pattern
9
-‐
1730
corset
18
Pattern
10
-‐
1776
corset
19
Pattern
11
-‐
1780
corset
20
Pattern
12
-‐
1790
corset
21
Pattern
13
-‐
1793
corset
22
Pattern
14
-‐
1844
corset
23
Pattern
15
-‐
1862
corset
24
Pattern
16
-‐
1887
corset
25
Pattern
17
-‐
1895
corset
26
Pattern
18
-‐
1904
corset
27
Pattern
19
-‐
1904
ribbon
corset
28
Pattern
20
-‐
1911
corset
29