Professional Documents
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Signs-and-Symbols-in-Urban-Design 2
• People who talk different languages can understand the same common
signs.
• a) MANDATORY SIGNS
• b) PROHIBITION SIGNS
• c) WARNING SIGNS
• d) SAFETY SIGNS
• e) DANGER SIGNS
MANDATORY SIGNS
PROHIBITION SIGNS
• THESE SIGNS ARE CIRCULAR WITH A LINE ACROSS THE CIRCLE, THEY ARE RED
IN COLOR.
SAFETY SIGNS
• THESE SIGNS TELL PEOPLE OF SAFE PLACES TO GO OR SAFE CONDITIONS.
DANGER SIGNS
• THESE SIGNS WARN PEOPLE OF DANGEROUS SITUATIONS.
WARNING SIGNS
• THESE SIGNS ARE YELLOW. THEY ARE NORMALLY TRIANGULAR BUT CAN BE
OTHER SHAPES.
SEMIOTICS
- THE STUDY OF SIGNS AND SYMBOLS AND THEIR USE OR INTERPRETATION.
- A highly influential branch of study, Semiotics or the study of signs, can be
considered the foundation for literary theory. Many of the revolutionary
theories of the twentieth century, such as Structuralism and Poststructuralism,
Structural Anthropology (Levi-Strauss), Psychoanalysis (Lacan), Cultural
Studies (Barthes) and the theories of Foucault have drawn their ideas from
Semiotics.
• THREE ARCHITECTS:
1. ROBERT VENTURI,
2. DENISE SCOTT BROWN,
3. AND STEVEN IZENOUR
“THE MASSIVE SIGNS WERE THE ONLY THING DEFINING THE SPACE, PARTICULARLY AT NIGHT,
IN A LANDSCAPE OF PARKING LOTS AND LOW BUILDINGS.”
-(VENTURI, SCOTT BROWN, AND IZENOUR)
WATCHPOINTS:
• SYMBOLS SHOULD BE GRAPHICALLY DISTINCT FROM EACH OTHER
• SYMBOLS SHOULD BE OF A SIZE THAT DOES NOT DOMINATE OR CONFUSE THE FIGURE
• SYMBOLS NEED ‘BREATHING SPACE’;THEY SHOULD NOT CLASH OR OVERLAP RATHER
THAN CROWD A SINGLE FIGURE WITH SYMBOLS,
• CONSIDER MAKING POINTS ON SEVERAL SMALLER FIGURES WITH A COMMON BASE
SO THAT THE COMPOSITE MESSAGE CAN BE MORE EASILY READ KEEPING THE SIZE,
COLOUR AND LINE WEIGHTS OF SYMBOLS CONSISTENT AIDS LEGIBILITY
• USE SYMBOLS WHERE SHADING OR LINES CANNOT CONVEY THE MESSAGE
EFFECTIVELY SYMBOLS CAN INDICATE OBJECTS ON A PLAN WHICH ARE TOO SMALL
TO SHOW IN DETAIL SYMBOLS CAN SIGNIFY COMMONLY OCCURRING LOCATIONS
OR ACTIVITIES (SUCH AS LANDMARKS)
PROBLEM IDENTIFICATION
• Orientation difficulties resulting from illegible directional signs, street names
and numbering and/or the lack of them.
• Pedestrian accidents due to badly positioned signs.
• Hazards due to lack of warning and traffic signals.
• Non-identification of access routes and accessible facilities Pedestrian
accidents due to badly positioned signs.
PLANNING PRINCIPLE
• To facilitate orientation mainly for the disabled
DESIGN CONSIDERATIONS
GENERAL
Signage include direction signs, signs of locality, street names and
numbering, information signs, etc.
All types of signs should be visible, clear, simple, easy to read and
understand, and properly lit at night.
DESIGN CONSIDERATIONS
DIRECTION SIGNS
DESIGN CONSIDERATIONS
STREET NAMES
Fixed signs indicating
street names should be
placed at a maximum
height of 2.50 m
HOUSE NUMBERS
DESIGN CONSIDERATIONS
MAPS AND INFORMATION PANELS
DESIGN CONSIDERATIONS
INSTALLATION
Signs can be wall-mounted, suspended or pole-mounted.
(c)Pole-Mounted signs
DESIGN CONSIDERATIONS
SHAPE OF SIGNBOARDS
Information signboards should be rectangular.
DESIGN CONSIDERATIONS
COLOR
The commonly used colors are: white, black, yellow, red, blue
and green.
DESIGN CONSIDERATIONS
SURFACE
DESIGN CONSIDERATIONS
LETTERING
The size of letters should be in
proportion to the reading distance
DESIGN CONSIDERATIONS
LETTERING
DESIGN CONSIDERATIONS
EXISTING CONSTRUCTIONS