Scribd Logo
Upload

Welcome to Scribd!

  • Ingnuo Choro

    Uploaded by

    Bruno Carvalho Ferreira
    1 views2 pages
    This document is a summary of 3 paragraphs from the text in 3 sentences: The first paragraph introduces the topic of Pixinguinha and Benedito Lacerda and their musical talents. The second paragraph discusses Paulo César Pinheiro and his admiration for Pixinguinha. The third paragraph touches on the musical styles of Pixinguinha and how he influenced samba music.

    Original Description:

    Original Title

    Ingnuo choro

    Copyright

    © © All Rights Reserved

    Available Formats

    PDF, TXT or read online from Scribd

    Did you find this document useful?

    Is this content inappropriate?

    Report this Document
    This document is a summary of 3 paragraphs from the text in 3 sentences: The first paragraph introduces the topic of Pixinguinha and Benedito Lacerda and their musical talents. The second paragraph discusses Paulo César Pinheiro and his admiration for Pixinguinha. The third paragraph touches on the musical styles of Pixinguinha and how he influenced samba music.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    1 views2 pages

    Ingnuo Choro

    Uploaded by

    Bruno Carvalho Ferreira
    This document is a summary of 3 paragraphs from the text in 3 sentences: The first paragraph introduces the topic of Pixinguinha and Benedito Lacerda and their musical talents. The second paragraph discusses Paulo César Pinheiro and his admiration for Pixinguinha. The third paragraph touches on the musical styles of Pixinguinha and how he influenced samba music.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    of 2

    Ingênuo

        
    Pixinguinha e Benedito Lacerda

                        
    Paulo César Pinheiro


          
          
     

                                     
           
    9

                  
               
            

    17

                        
      
    
         
    26

               
                      
     
        
    35

                         
         
      
    43

                      
                     
    51

         
                                   
      
    61

                       
                  
         
    70

                                 
              
    77
        
    
                            
     
    86

     
           
    95

    You might also like