WAR MAGAZINE

Warrior Arts Revolution volume 4

November 2023

MASTERING MARTIAL
SCIENCE

THE PATH OF
GRANDMASTER
EMBRACING THE
SKY BENSON WAY OF THE
GUN: A MODERN
SAMURAI'S
JOURNEY

Interview with
DISCOVERING MEIFU
SHINKAGE RYU Takase Sensei,
Somucho of
Renshinkan Daito
Ryu Aikijujutsu
ANSHU STEPHEN HAYES
THE DALAI LAMA’S
BODYGUARD
KISHINJUKA
WITH MAKOTO KOJIMA

MUSASHI TENGU INSERT

 Editor’s Note

Wrapping up our year, our last

wonderful magazine for 2023.
We hope all our readers enjoy
our 5th issue,

special thanks to
contributions by guest writers,
Andrew Dendariarena the
Kancho Dairi of Renshinkan
Daito Ryu and Anshu Stephen
Hayes, who needs no
introduction. so much
wonderful in this issue.

In this issue
Nikki Anshu Stephen Hayes, and
the fascinating story of how

Wulfe he came to be the Dalai

Lama’s bodyguard. Also,
down memory lane with
Takase Sensei, and a peek
Editor-in-Chief into Yosekan Bajutsu
 TABLE OF CONTENTS

Editor's Note 03

Mastering Martial Science 07

The Art of Respect 11

Meifu Shinkage ryu 13

Mushin (No Mind) 17

Journey to effective leadership 19

Tradition and Honor 22

The Dalai Lama’s bodygaurd 29

The Tonfa 37

Interview with Takase Sensei 45

Trolling - the New Trend 51

Andrew Stigliano Soke 55

 TABLE OF CONTENTS

Yoseikan Budo bajutsu 59

NKJF Symbolism 62

Musashi Tengu Insert 65

Forward From Daiyho 66

A martial arts journey 67

Kojima Makoto 71

Takagari 72

Academy of Japanese Culture 79

Where can I learn Horsback 80

Achery in Japan

Meet the Team 82

 Mastering Martial Science
the path of Grandmaster Sky Benson

Grandmaster Sky Benson is a martial artist with a storied and extensive background
in the realm of combat and self-defense. For over four decades he has honed his
skills and wisdom in various martial disciplines, providing valuable insights into the
art of self-protection and personal empowerment.

Sky Benson embarked on his martial arts journey at the age of 9 when he began
studying 5 Animal Shaolin Kung Fu and ventured into a few basic Karate classes.
Within just five years, by the age of 15, he had already established himself as a
respected point competition champion in the Los Angeles and San Fernando Valley
areas. Benson's dedication to martial arts led him to explore different schools and
styles in search of the perfect fit for his martial aspirations.

It was a chance encounter that forever

changed the course of Sky Benson's
martial arts journey. He walked into a
Ninjitsu School owned by Frank Dux in
North Hollywood, and the sight of
students his age, some even younger,
left a lasting impression. These young
martial artists, with far less time in the
martial arts than Benson, possessed an
unparalleled level of skill and readiness
to defend themselves. The experience
humbled him and ignited a desire to
attain a similar level of mastery.

Benson immediately enrolled in Frank

Dux's Ninjitsu School, where he
underwent rigorous and intense
training. The training was so
demanding that there were moments
when he found himself emotionally
overwhelmed, yet he embraced every
challenge with enthusiasm and an
insatiable appetite for growth.
Frank Dux instilled in his students a profound philosophy: fighting should never be
the primary solution for resolving conflicts. Instead, they should approach life from
a position of personal empowerment and strength. This philosophy played a pivotal
role in shaping Benson's character, both as an individual and as a martial artist. It
also motivated him to delve into the study of oriental methods of healing,
eventually leading to the acquisition of a Ph.D. in the field.

By the age of 50, Sky Benson had already achieved the rank of a 9th Dan and earned
the distinction of Grandmaster. His martial journey didn't stop there; he delved into
the Israeli martial arts of Krav Maga and Kapap, earning black belts in both
disciplines. His martial expertise and teaching abilities were further recognized
through his induction into prestigious martial arts organizations, including the
Black Dragon Fighting Society and the Traditional World Karate Association.

Throughout his career, Grandmaster Sky Benson has trained with and taught
numerous martial artists, including Navy SEALs, Green Berets, and other special
forces personnel. He has also applied his skills as a bouncer and security
professional in bars and clubs, using his knowledge to maintain order and protect
others.

Sky Benson emphasizes that true mastery in martial arts requires not only an
understanding of the various techniques but also the ability to adapt them to one's
own unique movements. He believes that each individual moves differently under
duress and that becoming a martial artist means mastering our body's capabilities
and limitations. Benson's insights have been instrumental in shaping his students
into well-rounded martial artists who understand the nuances of combat and
personal empowerment.

In addition to his remarkable

achievements in martial arts, Sky Benson
possesses expertise in weaponry,
including knives, guns, swords, sticks, bo,
kama, sai, nunchaku, ASP, and kubotan.
He is well-versed in close-quarters
combat (CQC), body bio-dynamics,
dynamic footwork, angles of attack, knife
and gun retention and disarm, urban and
military combat, and Iron Palm. His
training and experiences have
contributed to his comprehensive
understanding of different aspects of
fighting, including the distinctions
between combat, sport, and self-defense.
As a martial artist, Grandmaster Sky Benson's
commitment to awareness and preparation is
unwavering. He stresses the importance of
understanding one's surroundings,
recognizing potential threats, and applying
feints, broken rhythms, and dynamic
footwork to navigate any situation
effectively. For him, combat isn't about
beauty or showmanship; it's about survival
and personal empowerment. Sky Benson's
journey through martial arts has culminated
in a profound understanding of the human
body's mechanics, which enables him to
teach his students the art of adaptability and
self-mastery.

With decades of experience and wisdom,

Grandmaster Sky Benson remains a martial
arts authority, sharing his knowledge and
insights with the world through seminars and
training sessions. His story is a testament to
the enduring spirit of martial artists who
continually seek personal growth, mastery,
and the empowerment of others.

Grandmaster Sky Benson's journey through the world of martial arts has left an
indelible mark on both the art form and the individuals he has touched. His
dedication to self-mastery, adaptability, and the relentless pursuit of
empowerment has not only shaped his own remarkable story but has also inspired
countless others in their martial arts journey. Through decades of training,
teaching, and sharing his unique insights, Benson continues to be a guiding light
in the martial arts community, proving that the pursuit of knowledge and
personal growth knows no bounds. His story stands as a testament to the enduring
spirit of martial artists worldwide, who, like him, seek to master not only the
techniques of combat but also the art of self-discovery and empowerment.
 Meifu Shinkage ryu

Meifu Shinkage Ryu and the Continuity of Samurai Wisdom

In a world brimming with martial arts, there exists a unique and often
enigmatic path known as Meifu Shinkage Ryu ( 明府真影流 ). This article unveils
the wisdom and philosophy behind this ancient martial art through a Q&A with
Otsuka Soke, offering insights into its history, philosophy, and its relevance in
the modern age.

Q: Who is Meifu Shinkage Ryu?

A: Meifu Shinkage Ryu is a venerable sect of martial arts with deep roots in
Japan. It's characterized by its profound focus on small-sized arms, including
Shuriken ( 手裏剣 ) and Fundo Kusari ( 分銅鎖 ). The heart of this tradition lies in
Shuriken Jutsu, the art of shuriken throwing. Its origins can be traced back to
the 1950s when Chikatoshi Someya Sensei founded it.
Q: Has this path led you to remember the wonder of the past and bring it into the
present?

A: In the eyes of seasoned practitioners like myself, the mindset of a Samurai is not
something we seek to remember; it's an intrinsic part of who we are. Samurai
philosophy, characterized by a deep understanding of honor and duty, has been
ingrained in our beings since the beginning. The past, present, and future are one
continuous journey. I am who I am, and I remain steadfast.

Q: Do you do seminars/workshops? Where have you been to?

A: Yes, Meifu Shinkage Ryu is not confined to the dojo. In Japan, we have regular
workshops in Tokyo and hold training camps in Osaka. Since 2010, I've been on a
mission to promote MSR worldwide. I've traveled to many countries, including the
United States, Canada, the United Kingdom, Germany, Italy, Finland, Estonia, the
Netherlands, Spain, Austria, Romania, the Czech Republic, Mexico, Thailand, and
Chile. Workshops and branches have sprouted in over 20 countries.

Q: Do you have anything online that people can sign up and follow?

A: Personally, I don't provide online instruction. However, some high-ranking MSR

practitioners in Finland and Canada do offer online training.

Q: How does a new student become part of your Organization?

A: Becoming a part of our organization is straightforward. If you're in Japan, you

can visit our Tokyo headquarters or the Osaka branch and apply for membership.
Similarly, our branches worldwide are open to applications.
 Q: Do you have special
techniques and/or a specific
way? Do you have special types
of equipment?

A: Meifu Shinkage Ryu

specializes in concealed
weaponry, often referred to as
"Urawaza" in Japanese. Instead of
direct confrontations, we rely on
the art of invisible technology.
Our chosen weapons are often
diminutive but exceptionally
potent. These concealed
armaments remain a closely
guarded secret.
Q: How have you brought the
Samurai mindset into the future?

A: The Samurai mindset, for me,

is a continuous contemplation. It
encompasses both a way of
thinking and a life philosophy.
Living in the modern era, I'm
undeniably a contemporary
individual. I use the internet to
communicate, travel the globe by
plane, yet, deep within, my soul
resonates with the Samurai code.
The essence of this mindset
influences my every action and
decision. While the era has
evolved, my core remains true to
the ways of the Samurai.

In the timeless teachings of Meifu

Shinkage Ryu, the Samurai spirit lives
on, bridging the gap between the past
and our contemporary world.
Mushin (No Mind): 無心
" Mushin (No Mind)" is a crucial aspect of
The Zen State of Zen philosophy. It is a mental state where we
become free of distractions and thoughts.
Effortless Clarity Mushin can be achieved not only through
meditation but also through our everyday
and Artistic activities. It's the state of complete focus on
what we're presently doing, clearing our mind
Mastery of all clutter and delusions. Being in this state,
we can stay clear of our preconceptions and
By Michel Mitsuhiro biased judgments and see things as they are,
resulting in more intuitive and creative
solutions. This mental state is believed to be
the most elevated state of existence in the Zen
tradition. The classic Zen teaching, "Rinzai
Roku," includes references to the significance
of mushin. The idea of mushin is also stressed
in both martial and performing arts. For
instance, swordsmanship and tea ceremony
masters supposedly execute their best
techniques unintentionally, acting from a
natural posture in a state of no mind. Realizing
that the comprehensive dimension of
perception or unified logic is active within each
of us will liberate us from hesitation and
preconceived notions, leading to more
fulfilling lives. Moreover, this concept covers
the whole aspect of perception, indicating that
there is no scope for dividing it into mind and
body or any other dichotomy.

In this way, mushin represents a

spiritual value that is firmly
established in the Japanese
culture and has significantly
impacted the lives of Japanese
citizens and the broader culture,
including various art forms. "The
skill acquired through extreme
effort hits a target that no one
can hit. But the spirit of Mushin
shoots at a target that no one can
see in total darkness"
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 Tradition and Honor

Matsumoto Castle, situated in

Nagano Prefecture, Japan,
stands as an emblem of ancient
heritage and profound
historical significance. For the
past seven years, I have been
fortunate to be one of the
privileged modern samurai at
this historic fortress.

When I pass through the impressive black castle gates, I embark on a journey that
blends the traditions of the past with the expectations of the present.

In feudal Japan, the samurai were not only warriors but also diplomats and
administrators of various domains. They served as custodians of the country's
culture and traditions, and their legacy continues to resonate even today. Though the
era of the samurai has come to an end, their impact lives on in Japan, offering us a
glimpse into their way of life. Working as a member of the Matsumoto Castle Corps,
a samurai display team, has granted me a profound connection to the spirit of the
past and a deeper understanding of Japan's history.

The role demands a great deal from all its members. Responsibilities encompass
participating in ceremonial rituals, maintaining exhibits, and engaging with visitors.
The days can be long and demanding, requiring a commitment to precision and
authenticity.
 It is crucial to ensure that
visitors receive an accurate
portrayal of samurai culture
while fostering an
environment of respect and
education. Additionally,
joining the team demands
rigorous training and
unwavering dedication,
including licensing and
regulation at a national level.
Every member of the gunner
team holds a firearms license
and serves as a custodian of
feudal-era firearms.

After leaving the military

and subsequently the police
service, I made the decision
to relocate to Japan. Already
a practitioner of iaido and a
student of karate, I initially
joined Matsumoto Castle as
an interpreter for public
gunnery exercises. Through
these interactive
demonstrations, I became a
student of hōjutsu, the way
of the gun. I soon realized
that being a member of the
Castle community is not
solely about preserving
tradition but also embarking on a transformative personal journey. Embracing this
way of life instills discipline, patience, and a strong work ethic. It fosters personal
growth and cultivates resilience, which are qualities that all martial artists aspire
towards.

On a Sunday morning, as the sun rises, I arrive at the castle to join my fellow
teammates. Today marks our biggest demonstration of the year, and we are
expecting up to ten thousand visitors throughout the day. I recall my first event
where I spoke too fast and mispronounced words, but with experience comes
proficiency, and I feel cautiously optimistic about the upcoming exercise.

The Matsumoto Castle Gun Corps is divided into three distinct groups: the
ashigaru, consisting of new or less experienced gunners; the samurai, skilled in
hōjutsu; and the headquarters group, led by a commander, supported by his
assistant, a shell trumpeter, a flag bearer, and myself—the interpreter.
Prepared for the day's activities, I
have brought along my armor and
hinawaju, a matchlock gun. The
hinawaju I carry holds great
sentimental value, as it was gifted
to me by my father-in-law, who
himself is a samurai gunner. It is a
treasured heirloom, crafted in the
early 1800s, and carries the legacy
of his family's feudal history in the
Shinshu domain. Similarly, the
entire team's armor, including
mine, was custom-built by a
specialized company renowned for
their accurate reconstructions of
traditional Japanese armor.

Before the crowds start to arrive,

the team has time to practice twice.
The shooting details have been
devised by the captain and deputy
captain, who report to the local
police and fire department about
the gunpowder and ammunition
we will be using.

Meanwhile, I speak to Miss Nagano, our celebrity guest, and the sound engineers
about our schedule. The sound engineers, who are also members of the castle
community, are dedicated to their art and need to control the microphone input
to prevent excessive feedback or speaker blowouts caused by the sound of
gunfire. Miss Nagano, a beauty queen, will introduce the ceremony as part of her
ceremonial duties before moving on to another engagement elsewhere in the
prefecture.

With the crowd building, our special guest and I introduce the castle curator, the
chairman of the city's collection of feudal artifacts, and finally, the gunnery
captain. Marching onto the display area, in the shadow of the castle, I swiftly
equip myself with the assistance of a supporting member. The exercise begins
with a shot from a tanzutsu, a notably large-caliber pistol. The audience responds
with surprise, as most of them are taken aback by the power and noise such a
small gun can produce. Perhaps those seeing us for the first time are as
astonished as the samurai were on the island of Tanegashima when the "sound of
thunder" was witnessed to bring waterfowl down from the skies.
 The ashigaru follow, and I provide an
explanation of the steps for loading
and firing a hinawaju. The Morishige
ryu has its own particular style,
developed to be both practical and
visually appealing. Similar to a kata,
the movements and drills are well-
rehearsed and precise. For the final
round of this part of the
demonstration, I join the team—each
samurai gunner is attached to two
ashigaru, allowing us to demonstrate
rotating fire. Running into position
and retreating to reload, the team
triples the rate of fire.

Next, our samurai gunners enter the area, armed with large-caliber guns. Those
who have advanced further in hojutsu often utilize some of the more powerful
and unique firearms, such as long-barreled zamazutsu or the small cannon known
as ozutsu. These displays of rapid fire and heavy artillery are unique among our
team. Matsumoto Castle, completed in 1593, was designed with gunnery in mind.
It was a modern castle, protected by a well-trained garrison of samurai and their
attached militia. Though its role has shifted over time, the castle remains the
center of culture and tradition, still garrisoned by dedicated modern samurai.

Miss Nagano at
Matsumoto
Castle visiting
as a celebrity
guest
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 ANSHU Stephen Hayes
the Dalai Lama’s
bodygaurd
“Leave room for magic,” my ninjutsu
teacher would tease me. And sure
enough, magic happened. By the late
1980s, my trips to Tibet and India
had brought me into a totally
unexpected personal relationship
with the spiritual leader of Tibet,
Tenzin Gyatso, the Dalai Lama.
Within a few years of first meeting
him, I was traveling in the 1990s with
His Holiness the Dalai Lama as
personal security escort during the
Tibetan leader’s North American
public appearances. My duties
included coordinating local and state
law enforcement personnel assigned
to the Dalai Lama’s visit, and
interfacing between local law
enforcement and the group of
Tibetan security agents. It was also
my duty to walk at the Dalai Lama’s
left side and maintain a last line of
defense in case the outer rings of
police security were ever breached.

I first met His Holiness the Dalai Lama during a Himalayan trip in 1986. This was
just a few months before the civil uprisings in Lhasa, the capital of Tibet, which were
quelled by Chinese police with coldly absolute lethal force. Tibetan protestors were
beaten, imprisoned, and killed to restore control by the state. Perhaps having
knowledge that things were building to an intolerable state by late 1986, the Dalai
Lama had apparently wanted to speak with me about the conditions I had witnessed
during my trek through Tibet and over the Himalayas. I subsequently had several
personal meetings with the Dalai Lama over the next three years after that first
encounter.

By providing protection to the Dalai Lama, I had to exercise the most authentic
quality of warriorship, and put myself to the ultimate test. My skills, awareness,
ability to make fast and accurate decisions under enormous pressure, and insights
into an attacker’s mind set were no longer abstract practice. I found myself required
to set aside self-regard in the work of providing safety for a human being who was a
blessing presence beloved by millions.
 Now 88, the Dalai Lama of Tibet lives in exile as a guest of the government of India.
He promotes spiritual intelligence demonstrated as compassion, and gently speaks
about the political plight of the Tibetan people forced to live under Chinese
occupation since 1950. An exiled leader, he is vilified by the Communist Chinese
government that refers to him as a counter-revolutionary influence. Because of
pressure from the Chinese government, supported by much of the Western business
community seeking lucrative trade opportunities in China, Tibet is no longer
recognized as a separate state. The Dalai Lama is not recognized by the United States
government as a head of state, which would qualify him for Secret Service
protection during US visits.

For years, the Dalai Lama's government in exile had to rely on private sources of
protection for their leader during his trips outside of India. My background and
connections to the Dalai Lama’s family took me into the role of protector escort for
the Dalai Lama in the 1990s. By the end of the 1990s, the US government extended
Department of State Dignitary Security Services protection to the Dalai Lama when
he is in US territory, and I was able to retire to a position of assisting with liaison
duties, coordinating the Dalai Lama’s family and Tibetan administration and the
State Department agents assigned to provide higher-level protection.

Despite the Dalai Lama's own personal demeanor of humility, spirituality, and
compassionate concern for all, he is nonetheless the exiled ruler of Tibet. He
functions as the primary symbol of hope for the independence of the Tibetan
people. This makes him an extremely embarrassing annoyance to the Chinese
government that invaded and occupied Tibet in the early 1950s under the
justification of “liberating” Tibet. He is also a high profile spokesperson for the
rationality and validity of the Buddhist path of life. This makes him a possible target
for religious fundamentalist extremists who oppose what they see as a threat to their
cultural control. For these reasons, plus the fact that he is an international dignitary
who draws thousands of admirers to each of his appearances, strictly managed
security for his safety is mandatory.

The most appropriate physical security

specialist for a public figure such as the
Dalai Lama is one who appears to blend in to
the entourage most of the time and yet who
can stand out when it is necessary. The
highly benevolent nature of the Dalai Lama's
message of awareness and compassion
makes it totally inappropriate to have him
surrounded by tough cruel looking guards.
For that reason, an agent trained in the
martial art of Japan's ninja invisible warriors
seems perfect. Perhaps in the case of certain
entertainment world celebrities, there might
be some point to hiring a team of huge
beefy heavies in mirror sunglasses.
One must really wonder, however, whether such over-stated muscle is more an
attention-grabber for career advancing publicity than an honest attempt at
legitimate security.

The Japanese word samurai is derived from the Japanese word saburau, which
means “to serve”. When I examined this most important definition, I came to
understand that the noble warrior is not one who causes wars, but the one who
serves the highest of ideals when violence threatens. As server of the peace, my
focus became maintaining a foundation for that peace.

The job of a security agent is to provide the means for as smooth, convenient, and
productive a day for the principal as possible. First on the list of responsibilities is
the protection agent's ability to make everything as seamless and convenient as
possible for the one being served. This means being aware of everything from
arranging for elevator doors to open at just the right moment, to knowing what is
ahead on the schedule and when to make sudden changes, to anticipating the
principal’s personal needs before they are even requested. If I do my job well, I
prevent danger, rather than having to fight against it when it arises unexpectedly.

In many cases, it is helpful for the security agent to have a personal network of
acquaintances who can help get past restrictions that would hinder ordinary people
in daily activities. In this respect, the ancient legacy of Japan's historical ninja
networks provides a very appropriate model for us today. It was crucial to the ninja
family's survival to lay the groundwork to facilitate the defeat of an enemy long
before actual warfare broke out. This establishment of a reliable undercover
intelligence-gathering network was known as to-iri no jutsu, or the "art of entering
from a remote vantage point". In the Japanese language, to of to-iri can refer to
remoteness in both timing and distance, indicating wise preparation for future
danger. Ninjutsu to-iri no jutsu tactics were the guidelines for sending ninja agents
into a potential enemy's region before war broke out. Once in place, the ninja were
then able to set up their network and establish the means for eventually weakening
and overcoming the enemy from within.
Beyond all this preparation for the prevention of danger is the arena of actual
physical protection that most people would associate with the work of a person
called a "bodyguard". As a personal physical security agent in the service of the
Dalai Lama of Tibet, my role was to provide three fundamental types of
protection:

Protection from Physical Danger

First and perhaps most obviously, is physical bodily protection. I walked

alongside the Dalai Lama, always within an arm's reach. My job is to keep anyone
wishing to harm the Dalai Lama from gaining access to him. It is especially
important for martial artists to note that the job is not to fight and defeat an
enemy, but to prevent that person from harming the man I have made a
commitment to protect. If a dangerous person manages to get close enough to the
Dalai Lama, my team’s responsibility is to get the Dalai Lama out of harm’s way
and get the assailant restrained and out of the picture as quickly and
unobtrusively as possible. Often this means intercepting and unbalancing the
intruder in such a way as to cause him to have to fight against losing control of his
momentum and balance. I want to prevent him from being able to focus on
fighting me as an identifiable adversary. I do not have the time, space, or desire to
engage a possible killer in some sort of boxing or wrestling contest to see who is
the "tougher guy" or who has the "best technique". My tactics are to unbalance and
disarm the invader in such a way as to render him incapable of continuing an
attack. Since I am protecting a world figure known for his views on compassion as
a means of encouraging world peace, most often this means using techniques that
are neither flashy nor dramatic. We are definitely not talking about the kinds of
flamboyant things audiences cheer for in a martial arts movie. More often than
not, such a scenario would mean not finishing or "winning" the fight. I was
flanked by badge-carrying armed agents authorized to arrest and detain anyone I
threw their way. I would intercept anyone who managed to get by them, and then
restrain that attacker for the agents who would make the actual arrest where I do
not have arrest powers.

Protection from Personal Embarrassment

Second, and perhaps not so obvious, is my role as an agent preventing the Dalai
Lama from having to endure awkward or embarrassing situations. This could be
anything from a zealous fan who breaks onto stage during a presentation, to a
pushy interviewer who oversteps propriety, to unknown people who pretend to
special relationships with the Dalai Lama to slip past the security net. Awkwardly,
most of these situations were strictly split-second judgment calls on my part. It is
necessary to use my sensitivity to the potential for danger as my sole basis for
deciding to admit a person to the room or physically make them leave the area. It
is also often a part of my responsibility to check the Dalai Lama's rooms before
his return to his residence, just in case there is any person or object hidden away
that could cause an embarrassing scene.
It is crucial to be able to move someone against his or her will without causing
undue damage or attracting undue attention. Such action requires extremely subtle
techniques, again nothing at all like you would see in a martial arts movie about
bodyguards. Our ninja martial art contains methods of getting an attacker off-
balance and thereby robbing him of his ability to deliver a damaging attack. My
team is very sensitive to the fact that it would be most compromising to the Dalai
Lama's message of compassion to have his personal security agent hitting or
wrenching some person out of the scene. It would be even worse if it turns out that
the person does indeed have the right to be where he or she claims to be.

Emergency Medical Assistance

Third, my job was to be prepared for any emergency medical situations that might
come up, and have at hand trained medical technicians ready to jump into action.
This means being able to make quick decisions as to unexpected symptoms such as
fainting, falling, or choking, to such extremes as moving the principal in cases of
drastic injury such as auto or plane wrecks or gunfire.

Long days and short nights were the rule. Being able to clearly anticipate a potential
problem and avoid it is the key to a successful protective detail. The minute we
hesitate it is too late. Over and over I was required to find subtle means of
accomplishing my goals. The technique I used was often a smile, sometimes it was a
firm tone, and on rare occasions it was forceful physical action. Sometimes it was
nothing more than moving into just the right position. Creating a situation where
people go in the direction I need them to go with a smile on their face and no real
awareness that I was the one that sent them there, is the height of ninjutsu and end
goal in the security field as well.
The Tonfa [Tunkawa}
Kenneth Winthrop Hanshi Akai Yama Ryu Kempo JuJutsu

The tonfa (Okinawan: トンファー 柺

tonfa, Chinese: ; pinyin: guǎi lit. old man's
staff / "crutch"), also spelled as tongfa or tuifa, also known as T-baton is a
melee weapon with its origins in the armed component of Okinawan martial
arts. It consists of a stick with a perpendicular handle attached a third of the
way down the length of the stick, and is about 15–20 inches long. It was
traditionally made from red or white oak, and wielded in pairs. The tonfa is
believed to have originated in either China, Okinawa or Southeast Asia, where
it is used in the respective fighting styles.

A pair of tonfa

Traditional origin

The tonfa belongs to a group of ancient weapons called Kobudo weapons.

When the Ryukyu islands were independent from Japan, Ryukyuans used the
tonfa against the Japanese samurai. The Japanese confiscated the weapons of
the Ryukyuans, who developed clever ways to defend themselves using
everyday objects.

The millstone
handle evolved
into the tonfa.
The tonfa along with the other kobudo weapons were working tools that were
used in farming and fishing in ancient Okinawa. The tonfa was used as the
handle of a millstone tool to prepare grains.

Although the tonfa is most commonly associated with the Okinawan martial
arts, its origin is heavily debated. One of the most commonly cited origins is
China, although origins from Indonesia to Okinawa are also possible. Although
modern martial artists often cite that the tonfa derives from a millstone handle
used by peasants, martial arts in Okinawa were historically practiced by the
upper classes who imported martial arts from China and elsewhere, and it is
likely that the weapon was imported from outside Okinawa

The tonfa can be used for blocking and striking. The tonfa measures about
three centimeters past the elbow when gripped.

There are three grips, honte-mochi (natural), gyakute-mochi (reverse) and

tokushu-mochi (special).

The natural grip places the handle in the hand with the long arm resting
along the bottom of the forearm.

Honte-muchi

This grip provides protection

or brace along one's
forearms, and also provides
reinforcement for backfist,
elbow strikes, and punches.

In use, the tonfa can swing

out to the gyakute grip for a
strike or thrust.
 Gyakute-mochi

Martial artists may also

flip the tonfa and grab
it by the shaft, called
tokushu-mochi. This
allows use of the
handle as a hook in
combat,

Tokushu-mochi

Blocking techniques involve a sidestepping maneuver. This allows the block to

stop the attack while providing a way to gain entry. The block can be used to block
high attack and low attacks.

Age uke
Uchi Toko Uke Harai Uke
Tonfa striking techniques are varied and can be adapted for both one
hand and two hand strikes. There are both thrusting and whipping
strikes as shown in the following photographs.

Seiken zuki Morote zuki Washite Otoshi

Mai Furi

Yoko Furi
 Morote Kosa Furi

Morote mai furi

The above only illustrates a few basic Tonfa Blocks and strikes there are many
more that can be used, one only has to look at Karate to see how these
techniques can be applied. Keep in mind that the Tonfa is just an extension of
the hand techniques. All of the hand techniques used in Karate can be applied to
the Tonfa. Continued practice with the Tonfa will strengthen the striking and
blocking techniques of Karate.
Amazon books link
 Interview with Takase Sensei,
Somucho of Renshinkan Daito Ryu
Aikijujutsu
by Andrew Dendariarena
Renshinkan Daito Ryu 8th Dan Hanshi and Kancho Dairi

Takase Sensei, you are the successor of Maeda Sensei and the official Somucho
(general affairs director) of Renshinkan Daito Ryu Aikijujutsu. Could you tell us a
little bit more about how you were chosen to be the successor?

Renshinkan first became known publicly when it appeared in a published article for a
famous Japanese martial arts magazine 40 years ago (Hiden Magazine). It was a very
sensational event. There were only three students at the time. The old students were
divided into three factions and there was a lot of disputes amongst the groups. Maeda
Sensei hated that kind of thing so much that he decided to closed down the dojo. Some
of the factions decided to re-open it without permission. My training began from that
time. For the first year, I practiced one-on-one with Maeda Sensei, but since Maeda
Sensei was over 70 and having a difficult time, after that I started practicing with a few
other people at the dojo.
However, the truth is that I have been learning Daito-ryu since I was about 10 years old.
As a child whenever I went to visit my uncle( Maeda Sensei) with my mother, he would
always teach me a little technique.
When I was 26 years old, I had an argument with Maeda Sensei's wife, and I didn't go to
practice for about a year. When I returned to the dojo, Maeda Sensei said to me: "I'm
thinking of making you my successor, so please come and practice seriously."
And I devoted my time to training seriously as Maeda Sensei has requested and four
years later, at the age of 30, I founded my own dojo.
 Maeda Sensei is a very quiet man. Outside of
Japan he is barely known. Could you tell us a
little more about him and what kind of
person he was?

Maeda Sensei graduated from university

where he studied Pharmacology. He was the
first to graduate from the College of
Pharmacy. And then he graduated from the
University of Politics. It was then that he
discovered Daito-ryu.
Whenever I went to Maeda Sensei’s house, he
was always quietly reading a book.
However, Maeda Sensei never once told his
relatives that he was teaching Daito-ryu to
spies in General Matsui's secret agency
during the war.
Maeda Sensei didn't really talk much; he was
just a quiet teacher. And he was a teacher who
really hated fighting with people.
Even so, Maeda Sensei taught Daito-ryu to
the police and military after the war.
Sixty years after the war, Maeda Sensei was
featured in Hiden magazine.

For the first time, Maeda Sensei's relatives were surprised to learn that Maeda
Sensei worked for General Matsui's secret agency.
Mr. Maeda really liked watching sumo and professional wrestling on TV.
3 months before Maeda Sensei was hospitalized, Maeda Sensei’s wife asked Maeda
Sensei. "Were you happy doing Daito-ryu?" Maeda Sensei replied while eating a bun,
"Yes, I was very happy."

Among the Daito Ryu lineages, Renshinkan is unique. Maeda Sensei’s teacher
Matsuda Sensei, was the spring where arts such as Hakko Ryu Jujutsu and Hapkido
originated from. Could you tell us a little more about how Matsuda sensei played a
key roll in the development of these offshoot arts, as well as his own lineage of
Daito Ryu?

Matsuda Sensei hints towards searching for deeper principles. As stated in Matsuda's
Sensei’s Irohakun (secret oral transmission)48.
Based on Matsuda Sensei's 48 words, Ryuho Okuyama taught the physical aspect of
technique, while Maeda Sensei focused on the principles.
There are five famous disciples of Matsuda Sensei.

Okuyama (founder of Hakko Ryu Jujutsu)

Maeda (Matsuda Sensei’s official Successor)
Hayashima (founder of Doke Aikijutsu)
Takarada, (founder of Daitoryu Aikido.)
Jang In Mok(korea- founder of Hapkido)
Matsuda Sensei was originally a judoka. He also learned Koryu Jujutsu (aside from
Daito Ryu), but no one knows what ryu it was that he studied. We also don't know the
whereabouts of his son.
At that time, Daito-ryu was not famous, but Aikido was relatively popular. That's why
Takarada Sensei turned Aiki Jujutsu into Aikido.

Most of the world has an understanding of “Aiki” that is different from how
Renshinkan Daito Ryu perceives Aiki. Could you elaborate in your own words, what
makes Renshinkan’s Aiki different?

About Aiki. Generally speaking, I think that techniques that use Aiki-Age are called
Aiki; Or techniques like throwing just by touch. I consider these psychological tricks to
throw without touching. Instead, Renshinkan requires synchronization of joints such
as shoulders, elbows, knees, and such (synchronizing one’s own joints with that of the
opponents). We also utilize manipulation of our opponent’s Body’s axis to fell him.
The synchronization of each part of your body with that of your opponent through
your wrists, this is what matters and this is what we call “Aiki”. It is based on natural
physiological principles.
So this technique may be a little difficult to see from the outside, it needs to be
experienced. But I think you can understand if you practice together.
Tehodoki can also become Aiki-Age. Tehodoki is a technique used to release your
wrist from your opponent's grip. However, on the other hand, you can also learn to let
your opponent hold onto you.
Connect the wrists, elbows, shoulders, hips, knees and synchronize.

Maeda Sensei was also a key figure

in the development of Hakko Ryu
Jujutsu, along with Okuyama
Ryuho Sensei. Could you tell us a
little bit more about their
relationship, and what connection
Renshinkan Daito Ryu has to
Hakko Ryu?

This is important. Ryuho Okuyama

taught Shidokai Daito-ryu. The
contents of his teachings were
similar to that of the old scrolls.
However, he was teaching with too
much hype (Something like being
able to defeat an enemy with just
one finger), so Matsuda sensei scolded him for it.

And he later changed the name of his art to Hakkoryu.

Okuyama Sensei, Maeda Sensei , and Fukasawa Sensei decided on this after thinking
about it while drinking at an izakaya.
That's why he kept the techniques of Daito-ryu, but changed the name.

So the early Hakkoryu techniques were Daito-ryu. Since then, It seems that the
techniques were reduced or changed after that. Maeda Sensei also created “Hakkoryu
 magazine” around that time. However, Maeda Sensei returned to Matsuda Sensei
because he wanted to learn more about Aiki. As an apology for leaving Matsuda
Sensei’s side, Maeda Sensei built Matsuda Sensei's dojo in Hokkaido from the ground
up. Last thing I’d like to say about this, Renshinkan is the only organization that
knows and teaches Hakkoryu's early techniques (as they were originally practiced by
Okuyama Sensei and Maeda Sensei). That's why so many Hakkoryu masters came to
learn from Maeda Sensei after the war.

In the modern world of martial arts, there seems to be a disillusionment with

traditional martial arts in general. Most people today are drawn to sports martial
arts, such as MMA and BJJ. In your opinion, what benefit does studying traditional
Martial arts hold over the modern sport arts, and why should people study
traditional martial arts today?

Traditional Bujutsu originated from the battles of the Sengoku period (warring states
period in Japan, 1467-1568 CE). Many of the principles and theories were extracted
from its essence during the Edo period (A time when Japan experienced internal peace
1603–1867 CE).
These theories and principles can be applied to modern boxing, kickboxing, mixed
martial arts, etc.
Traditional Bujutsu is akin to classical music like Beethoven.
That's why I think traditional martial arts is an excellent art that can be learned by
everyone from young children to the elderly.

Takase Sensei uses a combination of the Kyu/Dan ranking system as well as the
older tradition of awarding Mokuroku (catalog of techniques) and Makimono
(traditional scrolls). Is this unique to Renshinkan Daito Ryu?

At first, I gave Mokuroku only to my students. However, the students wanted a dan
rank. And I decided to give both dan rank and Mokuroku. And I only give old Takeda
scrolls to disciples who have learned deeply.
I wanted to hand over old scrolls to Japan and the world. Because I am the absolute
rightful successor from Sokaku Takeda.

Since the western world is predominantly unfamiliar with the concept of Mokuroku
and Makimono, could you elaborate as to why these are awarded and what value
they have?

As answered in question 7, it is important to issue scrolls using the same grading

system as Takeda Sokaku. Therefore, anyone who becomes a successor must have
these scrolls. It is necessary to know and practice the techniques in these scrolls.
In Japan, these are the absolutely correct licenses for Daito-ryu qualifications (Dan
rank does not hold as much weight as Mokuroku and Makimono).
However, many people do not have these scrolls or licenses. That is why I give these
to my trusted disciples.
I understand Takase Sensei is planning an embu (public martial arts
demonstration) in which several different Daito Ryu lineages are invited to
participate. This is momentous occasion unprecedented. Could you explain a little
more about why you chose to unite the different Daito Ryu lineages in this manner?

Daito-ryu is divided into many schools. That's why I think it's important for all of us
to come together and get to know each other and do research. The most important
thing is that we all get along. Times have changed; We are seeking peace.

Lastly, is there anything you would like to say to the world about Renshinkan Daito
Ryu Aikijujutsu?

Renshinkan would like to award old Daito-ryu original scrolls to the world. I want to
share my Daito- Ryu with the world without hiding anything.
In this modern age where guns and bombs are being developed, old martial arts have
nothing to hide. Because in this day and age, I think it's shameful to hide something.
And as a man, I don't want to hide anything from my trusted disciples.
I just want to leave behind the accurate information I know about Daito-ryu for my
students 50 years from now and 100 years from now.
That is why I must work together with my disciples around the world for the sake of
our future students.

In this photo from left to

right, Okuyama Ryuho
(founder of Hakko Ryu
Jujutsu), General Matsui
Iwane, Minami Haizan
(Okuyama’s Shiatsu
teacher), and Maeda
Takeshi (successor of
Renshinkan Daito Ryu)

In red, Matsuda Toshimi

Sensei, Maeda Sensei’s
teacher and direct disciple
of Sokaku Takeda
Trolling - the New Trend
by Kevin Pereira, Kyoshi
Find us here
 A message from Andrew
Stigliano Soke
Warrior Insights

Who is Soke Andrew Stigliano?

This was a difficult question to answer. I

am a humble guy who has trouble
talking about myself. I love martial arts,
all martial arts. The only thing I love
more than martial arts is teaching
martial arts and empowering people
through the martial arts. I started at four
years old and my father, Anthony
Stigliano, was my first teacher. He taught
me many great things in martial arts but
more so, he taught me how to be a good
human and to be of good moral
character. I was and am still too hard on
myself. I was extremely competitive as a
kid and needed to be the best.
I excelled at sports, and even karate but unfortunately dojos did not stay open long in
my area. At 18 I could not get enough, I was training almost seven days a week, and I
even started teaching at the college martial arts club. Soon after a friend introduced
me to a Martial Arts Federation that changed my life. I was exposed to master level
teachers, tournaments, and seminars and I was instantly placed on their Black Belt
Fighting Team representing the USA which was so much fun. It was at this time I met
O’Sensei Ronald Duncan. He was amazing and he inspired me to be even better than
I was. He taught me to always be positive, humble, and knowledgeable. I strived to be
like him, and my more current teacher Grandmaster Robert “Sugar” Crosson. He too
is a multitalented and highly skilled martial artist, but what sets him apart is that he
is a great human and does not feed into negativity. I strive to be like him as well.
I want my students and friends to think of me as a leader who is a positive and
insightful role model. I just celebrated 50 years of being involved in martial arts, and it
has been a wonderful and amazing journey. I am truly grateful for all that I have
accomplished and have been blessed with amazing colleagues and friends. I have
trained in many styles and systems reaching black belt rank in most of them and some
I hold master level ranks. I have been addressed by many as a Multi-Disciplined Grand
Master, but the way I see it is that martial artists should love all aspects of the arts and
appreciate all the different approaches. The system that I teach is Nagare Do Sogo
Ryu. It is a true integration of different arts and systems along with their philosophies.
As a Tournament competitor I have always succeeded yet my goal was never to win
but to leave a memory on all who watched. I have been a three times kobudo Grand
Champion, and most recently on a whim I traveled to Stendal Germany for a World
Championships, and I brought home a World Title for Kata and Kobudo. I have been
inducted into many halls of fame, and in most of those I am a featured Seminar
Instructor. Teaching Seminars is my absolute favorite thing to do because I love to
bring people together and share what I know which includes empowering the
attendees with high energy and some humor. I have been featured in four books, and
two magazines… ((THANK YOU BTW)).

MAC United Martial Arts Center is my dojo, and we are coming up on our 30-year
anniversary. The community loves us because we are very professional and take care
of each and every student. We have an extraordinarily strong teamwork type attitude.
All classes are high energy, from 3 years old to 93. We make sure that everyone knows
they can become a black belt or whatever they wish, but they will have to work for it,
and never give up. At any given time, you could see strong powerful blocks and
punches like that of Shotokan, or strong fast flexible kicks like that of the Korean arts.
Our self-defense can resemble kenpo, all the way to ninjutsu, we keep it fun and
challenging. Our Junior Level Black Belts are the best I have ever seen, mainly because
they are held accountable for living up to and earning the respect from adults. Our
very capable and talented adult black belts can go into any seminar or workshop and
handle their own for they are taught to be open minded and learn, train, and teach!
With that, I teach 90 percent of all classes; I love being at the dojo and seeing all the
members reach new heights.
Our main philosophy on the modern warrior is to stay positive, stay moving, build
yourself from the inside and the outside. Not all techniques are for everyone, but
everyone can benefit from learning, understanding, and then teaching it with the hopes
of inspiring others to at least try. We all fail at some points, but the warrior only uses a
failure or an obstacle as a challenge. We often say work it, adapt, flow, overcome
nothing stops a SOGO RYU WARRIOR. As I get older the more I see and understand
that health is in movement, and in the positive mental state. So, I have helped many
people overcome negative situations in their life, injuries to their body, or unforeseen
health difficulties. Often, I refer to the warriors of the past for their strength and
fortitude, to inspire our modern warriors. And let’s face it all hard, working in this
modern world, trying to raise a family, trying to fit in, it is all hard, but giving up is
never the answer, BE THE “BEST YOU,” YOU CAN! I am asked to do many talks and
lectures at our local schools to inspire teamwork and comradery between all students,
to be A HERO, not a Zero. It is a short life, and we all need to be our best and inspire
others to do their best, and perhaps we can all live healthier, happier lives and enjoy
peace!

Growing up and excelling in sport was easy for me, but I worked at it all day every day,
martial arts was the same. No matter what happened in my life, good or bad, martial
arts was right there. I learned to excel through self-discipline, hard work, listening to
my coaches, sensei, and mom and dad. As I got older Martial Arts helped me stay
focused on my goals and helped me manage disappointments in my personal life. I
would most certainly recommend any martial arts training over sports training,
because of the positive attributes involved in a good dojo. The number of personal
qualities built within are countless, kicking, punching and grappling are all easy.
However, building a person that can stand up to a bully, to learn to be socially active, to
build on necessary life skills, is all priceless and only available at a good, quality martial
arts school. I have seen weak muscle toned children develop into fierce competitive
athletes, I have seen troubled kids develop into well behaved dependable adults, I have
seen scholastically challenged teens go to college and make 3 figure salaries, I have
seen out of control adults refocus their lives and save their families through discipline
and love. Martial Arts is truly the best thing for everyone.

As for the more combative people, we have developed our own grappling/ MMA
program and we are all enormously proud of it because it is not ego based it is all about
working, understanding, and building one another up. We have had a lot of success in
the ring, on the mat, and even in the cage. But our main purpose is to build each
warrior one at a time. We are working on our health and mindset pulling away from
the competitions, I do not like to see our warriors injured needlessly.

On another note, we also developed a program called TACT – Tactical Awareness and
Combative Training. This teaches people to use modern weapons such as firearms in a
safe and effective manner. We have had many people try the program and they love it.
Some police officers and military people come through and they all said the same
thing, “I wish we had this training from the get-go.” This program has many levels just
like the dojo portion: Sport Based, Combative, and Self Preservation. Our goal is always
to make our modern warriors knowledgeable, safe, and accountable.
I would love for people to go to "Warrior Insights" on youtube & See what goes on at
our Dojo. There is Hard Work, Dedication, & Love!
Our Website is www.umac-mma.com
 Yoseikan Budo bajutsu
by Arnaud Flour Alias Flox

How did you get into this wonderful horse martial art ? What is your group called ?

I don't remember exactly how I discovered YBB, probably in a horse magazine in

the 90's when this art born and rise, I met a practitioner and teacher summer 2000
during a reenactment event, I discovered the practice with him, he still do near
Bordeaux and 5th Dan today I saw Master Hiroo Mochizuki in a big martial arts
event in Paris-Bercy 2006, they made a demonstration on horses with a team of
french stunts to show what they can do in Bajutsu.
I worked with him two times in Aikido clinics, then he invited me to explain me
what is his Bajutsu (2018), he's still in very good shape but too old to ride hard now
(87 years old), he entrusted to me his saddle, a saber, a naginata, a javelin and several
accessories to promote YBB
YBB is one of the aspects of Yoseikan Budo, created by Master Hiroo Mochizuki, this
art with Japanese origin is based on undulation applied in elements of Karate, Judo,
Aikido, Weapons, and on horseback ! On horseback we can use freehand techniques,
trickriding, several weapons : bows, sabers, spear, javelin, naginata (foam, wood,
aluminium, steel, blunt or sharpened)

What is your origin ?

I live aside horses since very young, I trained as sport when child, in France in these
times equestrian schools were still influenced by military riding and it was a martial
art training ! After that I became a trickrider and worked in shows, I was working in
the Buffalo Bill's Wild West Show at Disneyland Paris from 2006 to 2020. I began to
prepare to pass equestrian teacher diploma and compete in international horseback
archery in 2018, in 2019 I won a contest in june, went to Russia for a tournament in
july and been luckily invited in Japan to learn Yabusame basics (Ogasawara Ryu
Tokyo and Takeda Ryu Kumamoto). I'm officially equestrian teacher since 2020.
On the ground I began with Aikido in 2004 (Christian Tissier Shihan school), can't
 practice since 2020 but still passionate (I was getting ready for Shodan). Received a
few lessons in Tenshin Shoden Katori Shinto Ryu. I practice and teach Shiatsu
Namikoshi, nice to keep martial artists in a good shape and in a nice mind and spirit !

How do you practice your Bajutsu? Do you practice other horse martial arts ?

So I am equestrian teacher, horse martial arts are my speciality ! I practice every

discipline with weapons and horses except maybe very unknown (YBB, horseback
archery, Yabusame, Dzhigitovka, Tent Pegging, Cavalry competition)
I practice alone on my horses, going to clinics when I can, once a week Yoseikan
lessons on the ground in a dojo close to my home. I sometimes teach details from
YBB to my equestrian students, I teach in clinics for riders to discover or to YB
practitioners with their sensei to make them discover the riding part of their art.
Right now I'm not officially graduated in YBB, preparing Shodan, my goal is to
become an official YBB teacher one day, I'm just a professional horseman and
equestrian teacher, after years in professional trickriding and stunt, years studying
martial arts!

Discover horseback martial arts is very useful for those who want to feel a very
important element on a battlefield in the past : the horse !! Personally I think a
modern warrior can't really imagine what was a warrior in the past if doesn't know
anything about horses, they were on the battlefield from centuries to a short time
ago we don't practice today to get ready to go on a battlefield horseback, so it's
another reason, first to enjoy this way to ride horses, to enjoy to learn that and to
share it with horses, certainly to become a better equestrian and a better human
The Yamakaze Dojo

Galveston, Texas

409-370-0796
 National Karate Jujitsu Federation (NKJF), USA-International®

(Symbolism of the Patch, Logo, or Mark)

The NKJF name and mark was founded on March 1, 2021 by Sensei, Steven E.
Johnson, Hanshi. It was meticulously designed to pay homage to the legacy of four
warriors and leaders in the history of the National Karate Jujitsu Union
(NKJU/NKJU-I), i.e., Soke Shogo (Kosho) Kuniba (1935-1992), Hanshi Richard P.
Baillargeon (1930-1989), Hanshi Tola E. Lewis, Jr. (1945-2020), and Hanshi Lemuel
“Doc” Stroud (1931-2013).

Center.

“X” marks the center, the core, and the beginning of self. When viewing the NKJF
symbol all angles point to the center yet radiates outwards and upwards. It points
North, South, East, West, and unto the Heavens. It is “Ki” or “Chi,” an internal force.
The center is the Hara. Translated from the Japanese, hara simply means belly, yet
there is so much more. At a deeper level, hara means one’s true nature. So, it is not
just a physical center in the body but also the center of one’s true nature. The “X” or
cross is very symbolic in the Christian faith, the crucifixion of Christ.

Lines.

The lines within the NKJF design represent the many directions, angles, and
application of karate kata. They weave in and out, cross paths, entangle, and break
free. The movements are repetitious and explosive, yet the circles soften the lines
and angles by redirecting the opponent to one’s center. This is where the battle
starts and should end. A moment of perfection.

Circles.

The circle is a universal symbol with extensive meaning. It represents the notions of
totality, wholeness, vitality, completion, perfection, the self, the infinite, eternity,
timelessness, and all cyclic movement, and God (God is a circle whose center is
everywhere and whose circumference is nowhere). In many customs and spiritual
beliefs, a circle represents the Divine life-force or Spirit that keeps our reality in
motion. The meaning of shapes and symbols meets us where we are ready to listen
and learn. One’s training in Budo is endless, timeless, and embraces moving towards
perfection in technique, and a sense of oneness in mind, body, and spirit.

As “kara” may be defined as empty, and “te” is hand (karate = empty hand), it is
important in any fighting style or system, in order to be effective, circular
movements must be incorporated for parrying, evasiveness, and breaking one’s
balance. This is highly stressed in NKJF’s jujitsu and grappling curricula.
 Eight (8) Diamonds.

Hanshi Stroud laid the foundation for jujitsu programs under NKJU, now NKJF.
At its core is jujitsu from the Hakko-ryu lineage, a Japanese term translated as
"The Style of the Eighth Light," or specifically, "eighth light school," hence, the
eight diamonds. The eighth light, appearing weak in composition, is surprisingly
powerful. Additionally, the number “8” is the symbol of infinity, reliance of
physical strength and the use of Hara.

The eight points of the four spears represents the eight-fold path:
11.. Right understanding
2.
2. Right aspiration
3.
3. Right effort
4.
4. Right speech
5.
5. Right conduct
6.
6. Right livelihood
7.
7. Right mindfulness
8.
8. Right concentration

Colors.

Violet or purple is an ancient royal color and therefore a symbol of the

sovereignty of Christ. Violet is also associated with repentance from sin. It speaks
of fasting, faith, patience, and trust. It is the liturgical color used during the
seasons of penance, Advent and Lent.

From the Center (X) comes light that is magnified and embraces us in majestic
colors. In the color spectrum there are normally seven bands of color that are
visible. Hakko, meaning the "eighth light," refers to the ultraviolet band, a band
of light that is invisible to humans. This invisible yet powerful band of light is
used as an analogy for Hakko-ryu, whereby "the faint and weak in appearance
comes surprising strength." In Hakko-ryu, the highest achievable dan rank
embraces the color purple.

The number eight also represents infinity in Japan. The name therefore suggests
an infinite number of techniques can be derived from it. Ryu means the school
or system of martial art. Hakko-ryu Jujutsu training employs strategies to defend
oneself using subtle movements rather than strength, yet powerful in execution.

Wisteria.

The Wisteria leaves or Fuji Mon are symbolic of the Kuniba family crest and
former Head of Motobu-Ha Shito-ryu Karate-Do, which is the karate lineage of
Baillargeon, Stroud, Lewis, and third Director of NKJU, (First Director of NKJF,
Steven E. Johnson (1959-)).

It is said that it takes fifteen years for the Wisteria plant to mature and blossom.
This is also the average time that it takes to raise a Budoka from jukyu to to
godan or to receive one’s Shihan license (Master Instructor).
 Vines.

The vines just like the center points of the diamonds reach upward and outward. As
in jujitsu, the vines embrace, lock, entangle, overwhelm, and choke out the weak and
the strong, but does so gently. Life itself, can be taken gently, or by force.

The reach of the vines is infinite. If there is something to hold onto, the vines will
expand and the flowers, if it is fed properly will continue to blossom. The same holds
true with any fighting style. To grow one must be properly nurtured.

The bluish-purple leaves, are the students, enriched in color, absorbing their
strength and knowledge from the vines rooted from the earth. It is hopeful, when a
student reaches Shihan, they are expected to blossom and continue to grow in the
years ahead.

The reach of the National Karate Jujitsu Federation (NKJF), USA-International ™ is

endless, but is only as strong as its weakest link. As with our nation, together we
prosper, divided we fall. Our patch, logo, or mark is a symbol of unity, strength, and
solidarity.

Interpretation by: Steven E. Johnson, Director, NKJF

MUSASHI TENGU
 武藏忍士団の根本思想
武蔵忍士団は、異質なものを共生、共栄させて釣り合いのとれる状態で、争い
の生まれない「調和」を求めます。さらに、調和のとれた「二つ」の状態か
ら、融合し争う相手もいない「一つ」の状態を探求します。この「一つ」の状
態が「融和」です。調和は相手を気づかい、敬う心から生まれます。融和は幽
玄の探究により得られる無我の心です。武蔵忍士団は「忍士道」として調和を
心掛け、融和を知る事で「和」を体現し、伝えようとしています。
The Fundamental Idea of the Order of Shinobi Samurai
The Order of Musashi Shinobi Samurai seeks ``harmony'' where all
coexist and prosper in a balanced state without conflict.

We endeavor to explore ðthe state of Oneness where no discord is.

“Oneness” means harmony that comes from caring for and
respecting others. Perfect harmony is realized by our turning to be
no-self through explorations of mysterious profundity. In Ninshido,
we, the order, strive to embody and convey ``Wa" (perfect harmony)
through sincere friendship and understanding its significance.

-Daiyho Suzak Shibata 19th Head of Musashi Clan

 a martial arts journey
Sensei Benjamin Wynand Fourie of Musashi Shibata-Ryu
Heiho Shiroh Ha
South Africa Cape chapter
I have been around martial ways of life
since I could remember. With a father that
served in the South African commando and
an uncle with active military service. I had
frequent exposure to the meaning of
violence and how it affected people. I
remember being taught how to shoot,
escape, evade, hide and use a knife when I
was around five years old. This was during
the 80s when South Africa was on the brink
of civil war towards the end of “apartheid”.

I was a millennial baby so this meant that I

grew up during the eighties “Ninja boom”
and remember spending many afternoons
running around with friends sword (stick)
fighting in a black mask, or re-enacting
choreography from some elaborate kung fu
movie as a child. I spent much of my
childhood on some friends' or relatives'
farms either exploring, hunting or
camping.

My first exposure to real martial arts other

than military style life was Taekwondo and
Hapkido during my early school years.
From there I went on to kickboxing and
some karate, but I did not experience what
I imagined it to be. I also remember
attending a combined aikido and iaido class
but unfortunately had a horrible
experience. The instructor at the time
treated me like a nuisance and put me off
martial arts for a while. Maybe I was just at
an annoying age to a serious instructor.
From there I spent a lot of time reading
books about martial arts and floated
between the local military base boxing
gym, karate classes, school wrestling,
kickboxing and MMA gyms towards the end
of my school days. I must add that karate
saved my life.
When I was seventeen I was attacked outside of a restaurant after spending time with
some friends. As we left the restaurant we crossed the street and were attacked in the
adjacent parking lot. It happened so fast that I can’t clearly remember how but one
friend shouted “knife!”. I turned around doing an overhead block and straight punch
combination. Luck was on my side and I managed to stop the attack by knocking down
the attacker. Except for a cut up shirt and shallow cut where the knife grazed my
blocking arm we got away unharmed.

After I finished school our family relocated to the Eastern Cape region in South Africa
where I joined a Black Dragon MMA gym. I engaged in self defense, security and
bouncer training, they also offered Ninjutsu. Shortly after this I met a Kenjutsu
instructor that offered Aikido and European sword training. I spent some weekends
training with this instructor but many of the styles did not make sense in practical
modern day application. Here I was introduced to the terms Koryu and Kuden. Later
on at an MMA tournament hosted by the Black Dragons MMA gym I heard about a
local instructor that broke away from them to begin an independent Ninjutsu school.
On investigating I noticed a picture of this instructor with Hatsumi Sensei of Bujinkan
Ninjutsu during an eighties Taikai and I was immediately sold. I attended a few classes
that soon turned into 6 years of training. During this time I learnt more about Japanese
martial arts and began to study the Samurai and Ninja more seriously. I also joined a
security response unit that some of the members were active in. After attaining a
provisional black belt from the Ninjutsu school I wanted to begin teaching self defense
and underwent testing by the “Eastern Cape Budo Association”. I attained a certificate
of recognition and began teaching independently. I then began interacting with a
registered Japanese martial arts school that pointed me in the correct direction and
stopped training with the independent Ninjutsu school.
I moved onto a registered Judo
dojo where I met Sensei Sybrandt
Esteves. I had the time of my life
training with them. I was a
teacher of what I learnt and in
turn I trained in Judo and soon
realized that it was a perfect
match. I trained up to blue belt
and in 2015 I was elected as
chairman of the Border Judo
region in South Africa under the
International Judo Federation. I
had a fantastic time leading the
region with 300+ plus students
across 5 registered schools.
During this time I had the
pleasure of hosting a regional
tournament and training with
Donald Sutehland as his training
partner in mens 100kg+ (220lb+).

During this time I was drawn towards the preparation of martial artists and
combatives for tournaments across various arts. I enjoyed the intensity of someone
training to win. They were some of the best training partners I have trained with and
can recommend this training to anyone. There is nothing that teaches you about
martial arts like an athlete at their peak. From there I relocated to George, Western
Cape, South Africa and filled the role of assistant coach for a few months with Eden
Judo before my responsibilities changed. I moved away from Judo and began private
self defense classes where I focused on Japanese Martial arts for self defense and
weapons training. This evolved into a permanent spot at a local fitness gym where I
soon after made contact with Soke Nikki Wulfe of Shiroh-Ha and was exposed to the
world that I have been preparing for all my life.

I was introduced to the Order of Musashi Ninja Clan where I learnt about the
ShinobiSamurai and also met world renowned instructors like Raven Cain. I joined
the W.A.R association, underwent testing and was graded according to my skill level. I
currently teach under Soke Nikki Wulfe of the “Musashi Shibata-Ryu Heiho Shiroh-
Ha” and am based in George, Western Cape, South Africa.

We offer a wide range of skills to those interested in learning with the culmination of
these skills leading to our Shinobi Scout training.

We engage in four different categories of training and study.

1.Outdoor exercises. Here we focus on field or bushcraft training. This form of

training covers the basics of survival in forest and urban environments.

2.There is indoor training. Here we focus on dojo style martial arts training that
ranges from authentic Samurai arts to self defense for modern times.
Indoor training is also offered to individuals that are involved in security on the
streets, this form of training is not for the faint hearted and can get quite rough due to
the nature of its intended use.

3.We also train the mental aspect of martial arts. This includes situational strategies
with personal refinement and mental development.

4.Then we follow the way of the ShinobiSamurai and also practice authentic Japanese
Ninjutsu under the guidance of the current Shibata family head in Japan.

I believe in putting everything to the test. If it is of no practical use then it is worthless

in the unforgiving world of violence.

While bearing this in mind there are many practices and techniques that might not
immediately seem practical but hold methods of movement and posture that are
crucial to the effective execution of many unrelated techniques.

Personal capacity: I am an avid student of psychology and the workings of the human
mind. I do life coaching and also engage in motivational speaking when opportunity
presents itself. During most of my free time you will either find me out training in the
forest somewhere or in front of the laptop working on some form of writing.
Kojima Makoto

www.kishinjuku.com
 Takagari compared to
European Falconry
Falconry, an age-old art of training birds of prey for hunting, has been practiced
with unique styles and philosophies in various parts of the world. This article delves
into the intriguing distinctions between Japanese takagari and European falconry.
While both traditions share the fundamental partnership between humans and birds
of prey, the cultural nuances and training approaches set them apart. In this
exploration, we highlight five key differences, each shedding light on the rich
tapestry of these ancient practices, from the methods of raising young birds to the
philosophies surrounding the bonds formed between falconers and their feathered
companions.

Feeding Practices for Birds' Development:

In Japanese takagari, birds of prey are

intentionally kept well fed during the first
few years of their life. This approach
ensures their healthy growth and
development, emphasizing their longevity
and readiness for hunting. In contrast,
European falconry might adopt different
feeding regimens, which can vary based on
the species and training objectives.

Shoulder Perching for Tsukai's Hands-

Free Approach:

An intriguing aspect of Japanese takagari is

that the birds are trained to perch on the
tsukai's shoulder. This practice allows the
falconer's hands to remain free, enabling
greater mobility and flexibility during
training and hunting sessions. In European
falconry, while perching techniques are
used, the emphasis might differ, and there
might not be as strong a focus on shoulder
perching.
Cultural Philosophies and Techniques:

Japanese takagari is deeply intertwined with the country's cultural philosophies, such
as harmony with nature and spiritual connections. The training methods emphasize
silent and patient techniques that reflect martial arts principles. In contrast, European
falconry reflects the cultural values of medieval chivalry, with a hierarchical approach
to training where the falconer commands the bird.

Species Selection and Adaptability:

Japanese takagari typically involves species like Harris's hawks and goshawks, chosen
for their adaptability to the Japanese landscape and prey. These choices reflect the
environment and hunting conditions in Japan. European falconry, on the other hand,
may involve different species like peregrine falcons and gyrfalcons, suited to the
unique hunting environments in Europe.

Different Approaches to Bonding:

In Japanese takagari, the emphasis is on building a strong bond between the tsukai
and the bird of prey. This bond is crucial for successful hunting and communication.
On the other hand, European falconers often focus on developing mastery over the
bird through training techniques and obedience, reflecting the historical chivalric
values of control and discipline.

These differences showcase the diverse approaches and cultural influences that have
shaped the art of falconry in Japan and Europe, making each tradition unique and
fascinating in its own right.

By Hanshi Marco Wulfe

 Kyoto has been recommended as a "must" on Japan tours, and Joe Okada is a
licensed tour guide
for 61 years experienced almost everything
The Last Samurai, Joe Okada
Sincerity and effort,
081-90-3867-3538

Now, 2023, he is running "Experience cutting

apples in the air with Japanese Katana"

Profesional class: 1 person=80,000yen,

additional person @20,000yen ; 3 to 5 hours

Tourist course: 1 person=40,000yen,

additional person @20,000yen; 3 hours.

Tour guide fee: 70,000yen for 7 hours (including sword demo.for10min.)

Authentic 45 min. samurai history and demonstration.......1 to 500 audience @150,000yen

Musashi Clan Dojo
Our clan is the only lasting ninja clan whose ancestors served the
Tokugawa Shogunate for 265 years, and then in 1868, they became
independent so they could continue to keep their identity as Shinobi.
All of our ninja weapons have been handcrafted in the clan.

Not many know that there were two types of Shinobi, namely, Shinobi
samurai and shinobinomono. Shinobi samurai were of samurai lineage,
and they trained local people to work as shinobinomono. Our
ancestors escorted Tokugawa Ieyasu in 1582 and that's when our clan
history really started.

Licensed interpreter/trainer(s) provides top-notch, real-time

translation.
Our workshop is for those who want to know more than just have fun.
If you want to know the clan's mindsets, history, and tradition, you
need a reliable interpreter/trainer with specialty knowledge.

In this hands-on ninja and samurai experience, the basic principles of

the Ninshido (Shinobi-samurai philosophy) are introduced in a
dynamic and mindful way.

Adult: ¥25,000

Child: ¥20,000
・Opening meditation
・Instructor Demonstration
・Wear a Battle Jacket Jimbaori
・Introduction to handmade Shinobi tools and weapons
・Stealth Steps
・Shuriken throwing
・Wear a pair of Hakama trousers
・Sword practice
・Short Meditation & Kujikiri
・Photo time
Musashi Clan Hong Kong
Academy of Japanese Culture
「
The establishment of the Academy of Japanese Culture
」
Limited aims to promote the spiritual aspects of Japanese
culture to young people and the general public through
education.

We have been collaborating with multiple Japanese martial

arts schools in Hong Kong, providing a training venue as a
central dojo, actively promoting Japanese martial arts
culture, and regularly organizing Japanese cultural
experience classes, performances, and martial arts-related
courses.

We hope that our students can improve themselves in

various aspects such as mindset, skills, and physical fitness,
while cultivating good etiquette and character. Our school
consists of various groups,
1)Hong Kong Japanese Kobudo Research Association
2)Hong Kong Fukiya Association
3)Hong Kong Shihan mato kyudo
4)Hong Kong Tatedo Association
5)Musashi Clan Hong Kong
6)Nihon Toyamaryu Iaido
7)Hong Kong Armor Association
8)Japan Karate-do Inoue-Ha Shito-Ryu Keishin-kai
9)Touitsukai Karate Hong Kong
10)Chado First, we would like to introduce one of the
groups, and other groups will be introduced in the
following seasons.

「
1) Hong Kong Japanese Kobudo Research Association 」
Established in 2019, this group focuses on researching
ancient martial arts within Japanese martial arts. The
research content is diverse and includes historical
background, armor, weapon usage, and martial arts
applications. The association members continuously travel
to Japan to study the "Yagyu Shingan-ryu" . The training
curriculum revolves around this style and includes
techniques such as body movements, armored fight
techniques, jujitsu, iaido, Jujitsu, nito, Jojitsu, Bo -
Where can I learn Horsback Archery in Japan
By Jess Gerrity
Where can I learn horseback archery/ sports yabusame in Japan? Do I need Japanese?
スポーツ流鏑馬習いたいけど、どこで習える
I often get asked where to go to learn horseback archery in Japan.
I made a Google doc (link) with a small list of places all over Japan that will teach and
welcome you
All about sports yabusame スポーツ流鏑馬 or, horseback archery
和式馬術
It combines the tradition of riding Japanese style: washiki bajutsu using
和馬具
traditional Japanese horse tack or wabagu together with the sporting element
スポーツ流鏑馬が伝統の
of horseback archery or kissha on Japanese indigenous horses.
馬術 和式馬術 、伝統馬具 和馬具 、日本の和種馬を使用したスポーツ ホースバック アーチェリー
( ) ( ) : •
騎射 のスポーツです。
( )
流鏑馬神
The yabusame you often see performed at Shinto shrines is [Yabusame shinji
事 ]. Sports yabusame is different in that there is no ritual or ceremonial aspects
神社で行う流
involved, in sports yabusame only Japanese indigenous horses are ridden.
鏑馬神事と別物で、スポーツ流鏑馬が神道の神事ではありません。またスポーツ流鏑馬では馬は全
頭、和種馬です。
Equipment 道具

We use a nami length yumi

並弓 (221cm) and blunted
arrows jindoya [ 神頭矢 ] or
standard sharpened arrows
soya( 征矢 ) (dependant on the
horse ranch). On our hands:
riding gloves or horseback
archery gloves. We wear a
riding helmet or Japanese
archers hat kisshagasa [ 騎射
笠 ], hakama, dougi and
archers sleeve or igote [射籠
手 ].
Japanese horse tack includes
a san gai[ 三懸 ] which is
bridal, halter, harness,
crupper. Stirrups: abumi
鐙 鞍
[ ] and saddle: kura [ ].
This traditional horse tack
fits the stocky body of the
Kiso horse well. We practice
on the straight track or
soro[ 走路 馬具が三懸、鐙と
].
鞍。
For me learning sports
is a chance to actively
learn riding techniques
while also spending
time with horses and
friends who love riding
too.I get to research
and ride on antique
horse tack too.

Sports yabusame is
competitive horseback
archery and generally
you get the most out of
it by entering
competitions. I'm not
really good
enough/can't get to
keiko enough at the
moment due to
time/money
constraints but each
time I do go I really
love my time learning
something new.
Meet the Team
Nikki Wulfe
Editor
Soke of Musashi Shibata Ryu
Heiho Shiroh-Ha Bajutsu oyobi
Hoyojutsu

Marco Wulfe
Art Director
Hanshi in Musashi Shibata Ryu
Heiho Shiroh-Ha Bajutsu oyobi
Hoyojutsu

Benjamin Wynand Fourie

Co-Editor
Sensei , Yodan 4th dan Musashi
Shibata Ryu Heiho Shiroh-Ha
Bajutsu oyobi Hoyojutsu

Raven Cain
Co-Editor
Kaiso of Way of the Raven
Soke Dai of Mi Yama Ryu
Kempo JuJutsu
Headmaster of Musashi
Shibata Ryu Utaka-Ha
Founder of Warrior Arts
Revolution

Steven E. Johnson
Co-Editor
President/Director NKJF
スティーブン ジョンソン 会長
E. |
範士
Hanshi ( 九段
), 9th Dan ( )
Seito Motobu-Ha Shito-ryu
Karate-Do
正統本部派糸東流空手道
 To Advertise with us
Email
warriorartsrevolution@gmail.com

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