MESSE SOLENNELLE

pour l'Orgue

extraite de plusieurs auteurs anciens

par

A.P.F. BOËLY

édition après le manuscrit

(Ms. 169 Bibliothèque Municipale de Versailles)
par M.Cloney
(2022)
 1
Messe Solennelle pour l'Orgue
extraite de plusieurs auteurs anciens.

{
I. Kyrie

™
 2
Allegro
 
    4  


  

 
    
™
Grand Chœur

 
    42            <>      
1. Kyrie.



{
ped:


        
     


 

  
     ™ 

™ 

™       

     

{

             ™    ™    

     ™          
    
   

{

             


                            
 

{

 
   ™  
  ™       

 
 
     
    


{
 ped:

               
                              
     
       
                 
             <>   
Le Ky - ri e e - - - - - - le - i son.
  
Chœur.

 {
2


   C
fuga. Moderato.

Grand Chœur.  
   C       
        
2. Kyrie. tr

Kirnberger    

{
        
               
                         
  

{
  
                  

 
         
        tr  
            


{
   
        
      
tr
 
                  
   

{
<>
     
         
                  
    
        
    


{
™

                      
tr

    
 
 
   
                          
{
3
             

        
         
    

            
  

{
                   
 
   
     
tr
                
   

{

            
tr
   

                          
  
    

{
ped:

        
               
         
     
     
    
 
   

{
   
   
                                    


                
           
  
ped:    

{
    
                  

   
           
           
   
 ped: 
 {
4


    
   
 

         
    
          
  

{
      -                    <> 
Le
   
Christe
 
- e - - - - - le - i son.
 
Chœur.
  

™  ™   ™
™
Andantino. à 2. Claviers séparés et pédale obligée

  3      
m.d. sur le Clav de R.
  4        
™         ™    ™ 
    43       
Christe.

m.g. sur le positif.

  

{
3.

    43       
Padre Martini. Ped. de flûtes.

     

  ™    ™             ™ 
       
 
   
    ™   
 ™    ™               


{
            
  

 ™  ™   ™         
 
     
           ™       

                ™  
 
    
    


{
          
      

™        ™    ™ 
™  
   
    ™
 ™

      ™     
   
   
       

m.d.
     
     
m.g. sur le Clav. de Récit.
m.g. sur le posit:
        

{
 ™             ™    
5

      ™  ™     ™   ™     ™
 
      
   ™    ™  
          


{
 
   
                  

  
™   ™   ™  ™    
 
          ™    
™     
    ™   
    
 ™            
            

    ™    ™    ™

{
       
   

     ™        ™         ™
™  ™     ™    
        
 
      
     ™     
           

{
        
      
 

 
 ™    ™
 
                  
  
 ™
 
  
     ™    ™
 
    ™ 
    

    
™ ™ ™
   


{
                          
           
  

    -   e   -    -   -        
Le
     
Chris te - le - i son.
     
Chœur.
 
 {
6 Duo du Cornet de Récit et de la Trompette du positif

  c                  
Allegro

                              
 c   
4. Kyrie.

J.S.Bach


{
                          
             
 

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{
             
                     
  
      
                      
  

{
     
         
   

 
                                
     

{
                                                    
 
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{

                      
                                   
   
     

{
                                 
7

      
    
             
              

{
             
               
     
               
    

{
                 
             
    
 

             
    

{
         
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                                   
     

{
          ™    tr 
 
                  
    

{
                           
            
e  e
  le - i son.
         
      
        
Le Ky - ri - - - - -

     
Chœur.
 
 {
8

    
 3
   4     ™ ™
Allegro

     
  
Grand chœur
5.
    43   
Dernier Kyrie.
       
Händel       

{
ped: man.

          ™      ™  
    
   
       
     


{
     ™        ™           
      
 
       
   
   ™  ™
   


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       
         
  
   

    ™                
   ™™


{
avec ped:

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
  ™     
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tr

 
     ™           
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
 

{
™
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    ™ 
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            
      

    ™
           

 ™  
 
ped. senza ped: ped:
{
ÍÍÍ
9

    
    ™             
™   

               
    ™  
   

{
senza.

ÍÍ ÍÍ
  ™       ™          
      
    
 
  
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         


{
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{
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{
ped: continue jusqu'à la fin.


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          

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

{
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    ™ ™
   
       ™ 
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
         ™
10
II. Gloria
             

Intonat. le Célebrant.

{
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Glo - ri a in ex cel sis De - o

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3 ™   ™ ™
Grand chœur  ™   
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 ™ ™
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1.

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{
ped:

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 ™

{
   ™™ ™      ™   ™  ™
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™
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{
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          ™      
™ ™     

{
   ™      ™        ™     ™       ™™

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™ ™ ™ ™
 

{
      
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Le Chœur.
  
Lau

da
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 {
           
11

      
  ™   
Plein Jeu.

 c    
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™  ™ ™
    

Benedicamus
 
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{
  
 ™ ™   ™
ped. d'anches.
  
    ™       
       
     
     
   

{

             
           
-   -    -  mus
   
  te  .
Le Chœur. A do ra
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{
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3         
Jeux de fonds.

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Händel     
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      ™
3. Glorificamus te.
   

{
    ™   

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{
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{
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Lento.

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   
   
     

 {
           <>   
                     
12

            
                  mag    -  ri - am tu  am.
   
Le Gra - ti as a - ga mus ti - bi prop ter nam glo
 
Chœur.
   

{
  
Cromorne avec les fonds

Händel  c     
            
             ™  
Domine Deus,

™
4.
 c  
Rex coelestis

       

{
     
      

 ™
       

     ™   
  ™   

    
 
    

{
    
 
        
   
              
    ™         ™
   
        


{

                     ™ 
   
      
     

             
    


{
™  
  ™ 

™ ™
           
         
            
        
 ™    


  
{
              
 
              
13
    
    ™          ™  
  ™   
  
  

{
ÍÍ ÍÍ
 
  ™  
   
  ™  
  
         
  

                   
  

{
                         

          
          

 

™

 ™
  
            
 ™   
    
  

{
ÍÍ ÍÍ
             ™    ÍÍ 
                   ™            ™   
 ™ 
    

   
       
 ™
 
  

{
ÍÍ  
  
    ™ 
   
               

               ™™ 
™ ™

   ™          


{

   ™   ÍÍ
    
 ™        ™   ™
 
 
             
 
            
  
    
 
 {
14
  
 
                                   
            
  -   ni  su Chris 
   
Le
    
                                  
      
Chœur. Do mi ne fi - li u ni ge te Je - - te.

   

{
   ™™

 C             
Jeux doux.
F. Couperin

(de Crouilly)


Domine Deus
 C    
5.
  
Agnus Dei.
 

{
    ™ 
                  <>   ™  
Récit de hautbois.

™
              
    
  jeu doux.

{
     ™    
 ™   ™    ™      ™    ™ 
  

™    ™    ™      ™   ™    ™  
     ™ ™

  

{
™  Æ  ™     ™  ™ 
  ™ 
  
 ™ 





  
  ™   ™          ™   
     

{
    ™    ™            ™  3  tr ™       ™ 
  

                  ™  
   
{
™  tr ™    ™                    
15

 


   ™     ™       
   

{
         
   ™
              

™      
        
  
     

{
 ™      tr ™     ™    ™                  ™
 
  ™  ™   ™      ™  
    ™ 
  

{
      ™   ™   ™  ™     
   
         ™      ™      
™

    


{
     ™  ™   ™
        
 
    ™   

       ™

    


{
          
                 
          
 -  re
                   
  no - bis.
   
Le Qui tol - lis pec ca ta mun - di mi se re
Chœur.
 
 {
16

            
Plein jeu.

  c   
 ™   ™ 
6. Qui
 c 
tollis.
    

{
péd. de Bomb.

          
        ™
     

 ™        ™
         
      

{
Suscipe.

   ™   
      ™          
  
         
     
    ™  

{
 
                     
   
     
          


{
        
             

        
        
         
      
   
    


{

                             
          
                 
                 
Le qui se - des ad dex ter ram Pa - tris mi se re - re no - bis.

           
Chœur.
 {
Andante Moderato. 17

      
 4  
3   
sur la v. humaine.
L.Couperin
           
  

Quoniam

  43  ™   ™       
7.
   ™ 
tu solus.

{
                
             

        ™     ™   

  ™

{
         ™ 
    ™    ™ 
  ™ 

  
    ™  
   ™    
™
     


{
       ™  ™
  ™™™
        

   ™™
       
    ™
 ™ ™   
™

{
  ™™  ™ ™™
 
Bis.

™
       
 

  ™™  ™          ™      ™™
™ 

{
           
   
            
Le Chœur. Tu so - lus Do - mi nus .

   
 {
18


 c  3                                     

Grand chœur Fuga. Allegro.
J.S.Bach.

8.
 c
Tu solus altissimus.

   

{
                        
                                            
 
    

{
          
                 
       
          
                 

{
                  
         
 
     
                
   

{
  
     
                                  

                              ™                 
™ ™ ™ ™ 

{

        
                      
                  

         
          
  
{
19
      
    
   
     ™  
™
     
™ ™
      
     
          

         
          


{
   
                  
         
       
      
                     
       


{
                        
          
    
    
  
          
       


{
       
 
                              
                                      


{
™
    

             
 
                                      
 
                  


{

                      ™            ™    

   
                   
          
 {
20

                   
                                     
    -  to spi   -   ri - tu 
 sanc        
Le
             
               
 
Cum in glo - ri - a De i Pa - tris.
Chœur.

{
   ™  
 ™        
           
Plein Jeu.

 c        
     ™           
 c
9. Amen.

    

{

Pédales d'anches.

 
     ™   
  
  ™            
                  

                
    
  ™   
 

TABLE DES PIÈCES.

Kyrie.
1. A.P.F. Boëly
2. Fugue en FA mineur - J.P. Kirnberger
3. Prélude, 6eme. Sonata - G.P. Martini
4. 5eme. Invention - J.S. Bach
5. Courante, 8eme. Suite - G.F. Händel

Gloria.
1. A.P.F. Boëly
2. A.P.F. Boëly
3. Adagio, 2eme. Suite - G.F. Händel
4. Allemande, 3eme. Suite - G.F. Händel
5. 3eme. Kyrie, Messe à l'usage des Paroisses - F. Couperin
6. A.P.F. Boëly
7. Sarabande en Canon de Mr. Couperin - L. Couperin
8. Fugue en RÉ mineur - Clavier Bien Tempéré II - J.S. Bach
9. A.P.F. Boëly