Switchfoot - Nothing Is Sound

from Switchfoot - Nothing Is Sound
Lonely Nation
Words and Music by Jonathan Foreman and Tim Foreman
C5 D5
5fr
134 134
Gtrs. 3 & 4: Drop D tuning:
(low to high) D-A-D-G-B-E
Intro
Moderately slow q = 85
Gtr. 1 tacet

µ ***Em7
     
 
Gtr. 1 (elec.)

*p mp

w/ slight dist. & heavy reverb

9 9 12
*Vol. swell
                  
**Gtr. 2 (12-str. acous.)
  
Riff A
 
End Riff A
mf
let ring throughout
0 0 0 0

3 3 3 3 3 3 3 3
4 4 4 4
**Doubled throughout
           
 
Gtr. 3 (elec.)
 
       
mf
w/ slight dist.

9 9 9 9 9 9 9 X
X X X X X X X X
7 7 7 7 7 7 7 X

           
Gtr. 4 (elec.)
      

mp
w/ slight dist.

9 9 9 9 9 9 9
X X X X X X X
7 7 7 7 7 7 7
***Chord symbols reflect overall harmony.
© 2005 MEADOWGREEN MUSIC COMPANY (ASCAP), SUGAR PETE SONGS (ASCAP) and SWITCHFOOT CO-PUBLISHING DESIGNEE (ASCAP)
Admin. by EMI CMG PUBLISHING
All Rights Reserved Used by Permission 1
Verse
Gtr. 2: w/ Riff A Gtr. 3 tacet Gtr. 4 tacet
Em7
   
       
1. She turns like the o - cean,
          
Gtr. 3 Gtr. 1
             

    
0
3
9 9 9 9 9 9 9 9 9 0
X X X X X X X X X 2
7 7 7 7 7 7 7 7 7
 
            
Gtr. 4
  
         
9 9 9 9 9 9 9 9 9 9
X X X X X X X X X X
7 7 7 7 7 7 7 7 7 7
add#4
C add9
 
                   

 
she tells no e - mo - tion. She’s been gun - ning down the fight.
 
 
Gtr. 1


  

pp mp
0
3 3
0 0
2 4
3
Gtr. 1 tacet
Gtr. 2: w/ Riff A (1 1/2 times)
Em7

         
        
She’s just rem - i - nisc - ing. Blood, sweat, and one thing’s miss - ing.
C'9
 
           




She’s been break - ing up in - side, in -
 
Gtr. 3
 
 


3
3
0
2
3
2
Chorus
 
G/B C'9 G5 D G5 D


  
 
   
  
              
side. Sing - ing with - out tongues, scream - ing with - out lungs.
          
Gtr. 3 Rhy. Fig. 1
     
                  
  
f
3 3
3 3 X X X X 7 7
0 0 X X X X 7 X X 7 11 11 X X 11 12
X 2 X X X X 7 X X 7 X X X X X
2 3 5 5 X X 5 5 0 9 9 X X 0 9 10
5 5 0 0
      
Gtr. 4 Rhy. Fig. 1A
      
               
f
  
X X X X
X X X X 11 11 X X 11 12
X X X X 7 X X 7 X X X X X
5 5 X X 5 5 0 9 9 X X 0 9 10
5 5 0 0
C5 G5 C5 G5 C5 G5 C5 D5
  
           

   
     
         
        
I want more than my lone - ly na - tion, I want more than my lone - ly na - tion.
(Oh.)
End Rhy. Figs. 1 & 1A
         
*Gtrs. 3 & 4
                   
       
12 12 X X 12 12 12 X X
12 12 X X 12 12 12 X X
10 10 10 10 10 X X 10 10 10 10 10 10 X X 10 10 12 12
10 10 10 10 10 10 10 10 12 12
*Composite arrangement
Gtrs. 3 & 4: w/ Rhy. Figs. 1 & 1A
 
G5 D G5 D


  
 
     

  


   


 

Des - p’rate, we are young. Sep - ’rate, we are one.
C5 G5 C5 G5 C5 G5 C5 D5
 
  
  
 
         
 
  
         
   
     
I want more than my des - per - a - tion, I want more than my lone - ly na - tion.
(Oh.)
3
Interlude
Gtr. 2: w/ Riff A (2 times)
Em7
            
   
Oh, oh.
                         
Gtr. 3
                 
         

mf
9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9
X X X X X X X X X X X X X X X X X X X X X
7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7
          
Gtr. 4
  
  
9 9 9 9 9 9 9 9
X X X X X X X X
7 7 7 7 7 7 7 7
Verse
Gtr. 3 tacet Gtr. 2: w/ Riff A (2 times)
Gtr. 4 tacet
Em7

             
      
2. We are the tar - get mar - ket, we set the cor - p’rate tar - get.
Riff B
           
End Riff B

Gtr. 6 (elec.)
   
mp
w/ clean tone
let ring throughout
12 12 12 12
15 15 15 15 15 15 15 15
16 16 16 16

Gtr. 5 (elec.)
      
                        
     
Gtr. 4

         
    

mf
w/ slight dist.
9 9 9 9 9 9 9 9 9 9 9 X 11 X X 9 9 9 11 X
X X X X X X X X X X X X X X X X X X 0 X X
7 7 7 7 7 7 7 7 7 7 7 X 9 X X 7 7 7 9 X
0 0 0 0 0 0 0 0
Gtr. 6: w/ Riff B
C

         


 
We are slaves of what we want.
   
               
Gtr. 5
         
   
9 9 9 X 11 9 9 9 X X 9 9
X X X X X X X X X X X X
7 7 7 X 9 7 7 7 X X 7 7
0 0 0 0
4
 
Gtr. 5 tacet
G/B Em7
 
   
                 

We’re just numb and a - mused and we’re just used to bad news and
            
      
Gtr. 6
            
Gtr. 2
divisi *
0/ 12 0/ 12 0/ 12
3/ 15 3/ 15 3/ 15 3/ 15 3/ 15
4/ 16 4/ 16 4/ 16 4/ 16
*Gtr. 6 to right of slash in tab.
 
            
Gtr. 7 (elec.)
           

 
mf   
w/ slight dist.
0 9 9 9 9 X X X 11 9 9
0 X X X X X X X X X X
7 7 7 7 X X X 9 7 7
0 0 0
  
Gtr. 5
      
0
0
0
12
14
Gtrs. 2 & 6 tacet
  
C'#11 C

          
  

we are slaves of what we want.
        
Gtr. 3
             
Gtr. 6
                
  
Gtr. 2  
Gtr. 4
divisi
0/ 12 0/ 12
3/ 15 3/ 15 3/ 15 3/ 15 7 7 7 7 7 7 5
4/ 16 4/ 16 5 5 5 5 5 5 5 X X X
5 5 5 5 5 5 5 X X X
3 3 3 3 3 3 3 X X X
      
  
Gtr. 7
    
 
   
 
X 11 9 9 11 12 14
X X X X X X X
X 9 7 7 9 10 12
0 0
5
 Chorus
1st time, Gtrs. 3 & 4: w/ Rhy. Figs. 1 & 1A (2 times)
Gtr. 7 tacet
2nd time, Gtrs. 3 & 4: w/ Rhy. Figs. 1 & 1A (1 3/4 times)
2nd time, Gtr. 6 tacet
G5 D G5 D C5 G5 C5 G5
   

  
 
 
   
 

    
      
     
    
   
   

 des - per - a 
lone - ly na - tion,
Sing - ing with - out tongues, scream - ing with - out lungs. I want more than my
- tion,
(Oh.)
 
C5 G5 C5 D5 G5 D G5 D

 
 
       

    


 

 
     
   
 
   
 

I want more than my lone - ly na - tion. Des - p’rate, we are young. Sep - ’rate, we are one.
T o Coda 
C5 G5 C5 G5 C5 G5 C5 D5
    
  
 
         
 
  
         
   
     
 lone 
des - per - a - tion,
I want more than my I want more than my lone - ly na - tion.
- ly na - tion,
(Oh.)
Interlude
C5 D5
Gtr. 5        
      
   
         

Oh. Lone - ly,
 
 
Gtr. 4
              
            
10 10 10 10
12 12 12 12 17 17 17 17 12 12 12 12
12 12 12 12 12 12 12 12 X X X X X X X X X 7 7 7 7
10 10 10 10 10 10 10 10 X X X X X X X X X 7 7 7 7
X X X X X X X X X 5 5 5 5

Gtr. 3
                               
                          
X X X X X X X X X X X X X X X X X X X X X X X X X
X X X X X X X X X X X X X X X X X X X X X X X X X 7 7 7 7
X X X X X X X X X X X X X X X X X X X X X X X X X 7 7 7 7
5 5 5 5
6
Gtr. 5 tacet Gtr. 8 tacet
E5
 
      

     

lone - ly.
(Comeon! Yeah!)
  
Gtr. 8 (elec.)
 



mf
w/ dist.
Harm.
w/ bar
7 7 7
–3 1/2
–13 1/2
        
Gtr. 4
Gtrs. 3 & 4
         
Gtr. 3                             
divisi
X X X X X X X X X
X X X X X X X X X
X X X X X X X X X 0 0 0 5 5 5 5 5 5 5 5 5 5
0 0 0 2 0 2 2 2 2 0 2 2 0 2 2 0 2
Bridge
Gtrs. 3 & 4 tacet
   
Em
   

   
     
Don’t leave me hol - low. I’m
Riff C End Riff C
           
Gtr. 6 8v a
                    
w/ heavy reverb
15 15 15 15 15 15 15 15 15 15 15 15
15 15 15 15 15 15 15 15 12 12 12 12 12 12 12 12
12 12 12 12
Gtr. 6: w/ Riff C (3 times)
        
C
  
     
  
   
  

      
tired, don’t leave me hol - low. I’m tired of feel - ing low, of feel - ing
                     

Em
        

  
hol - low. I’m tired of feel - ing low, feel - ing hol - low. I’m
7
  
            
 
tired of feel - ing low, feel - ing hol - low. I’m
                            
Gtr. 6 8v a
    
15 15 15 15 15 15 15 15 15 15 15 15 14 14 14 14
15 15 15 15 15 15 15 15 12 12 12 12
12 12 12 12
      
C
     
    
   
tired of feel - ing low, feel - ing hol - low, of feel - ing
                           
8v a
    
15 15 15 15 15 15 15 15 15 15 15 15 14 14 14 14
15 15 15 15 15 15 15 15 12 12 12 12
12 12 12 12
D.S. al Coda
    
Em G/B C
 
       
hol - low, of feel - ing hol - low.

                           
8v a
Gtr. 6
    
15 15 15 15 15 15 15 15 15 15 15 15 15 15 15 15 14 14 14 14
15 15 15 15 15 15 15 15
12 12 12 12

Gtrs. 3 & 4
                 
               
4 4 4 4 4 4 4 4 5 5 5 5 5 5 5 5
X X X X X X X X X X X X X X X X
2 2 2 2 2 2 2 2 3 3 3 3 3 3 3 3
8
 Coda
Outro
C5 G5 C5 D5 E5 D5
            

       
 
        
I want more than my lone - ly na - tion. I want more than my lone - ly na - tion,
  
Gtrs. 3 & 4
           
         
            
12 12
12 12 7 7 7 7
10 10 10 10 10 10 10 0 5 5 5 5
10 10 10 10 10 0 0 2 2 2 0 2 2 2 0 2 2 2
E5 D5 D5 E5 D5 E5 D5
           
       
I want more than my lone - ly na - tion. Oh,

        
             
              
7 7 7 7 7 7 7 7
5 5 5 5 0 2 5 2 0 2 5 5 5 5
0 2 2 2 0 2 2 2 0 2 2 2 0 2 2 0 2
Segue to “Stars”
C5
 
     
oh.
 
  
 
5
3
9
Stars
Words and Music by Jonathan Foreman
Drop D tuning:
Intro
Moderately q = 132
** D
     
*Gtrs. 1 & 2 (dist.)
    
    
      
 
                        
f

6 7 11 9 13 16 14 6 7 11 9 9 9 9
X X X X X X X X X X X X X
0 0 0 4 5 0 0 9 0 0 0 7 0 0 11 14 12 0 0 4 5 0 0 9 0 0 0 7 0 7 7 7
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
**Chord symbols reflect basic harmony.
       
       
              
                     
 
 0
6
X
4 0
6
X
4
7
X
5 0 0
11
X
9 0 0 0
9
X
7 0 0
13
X
11
16
14
14
X
12 0 0
6
X
4
7
X
5 0 0
11
X
9 0 0 0
9
X
7 0
9
X
7
9
X
7
9
X
7

0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
           
          
                          
6 6 7 11 9 13 16 14 6 7 11 9 9 9 9 9
X X X X X X X X X X X X X X X
0 4 0 4 5 0 0 9 0 0 0 7 0 0 11 14 12 0 0 4 5 0 0 9 0 0 0 7 7 7 7 7
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
D5 E5 D5 F#5 G5 D5 E5 D5 E5 D5 F#5 G5
 Rhy. Fig. 1 
End Rhy. Fig. 1
  
                            
0 2 0 4 5 0 9 0 4 5 7 0 2 4 5 0 2 0 4 5 0 9 0 4 5 7 7 7 7
0 2 0 0 7 0 4 5 0 2 0 2 0 0 7 0 4 5
D5 E5 D5 F#5 G5 D5 E5 D5 E5 D5 F#5 G5

Gtr. 1 Rhy. Fig. 2 End Rhy. Fig. 2
  
                             
0 2 0 4 5 0 9 0 4 5 7 0 2 4 5 0 2 0 4 5 0 9 0 4 5 7 7 7 7 7
0 2 0 0 7 0 4 5 0 2 0 2 0 0 7 0 4 5

Gtr. 2
    
                         
 
0 2 0 4 5 0 9 0 4 5 7 0 2 4 5 0 2 0 4 5 0 9 0 4 5 7 4 5
0 2 0 0 7 0 4 5 0 2 0 2 0 0 7 0 4 5 0 2
Verse
Gtrs. 1 & 2 tacet
D5 Gsus2 D5
  
                        

1. May - be I’ve been the prob - lem, may - be I’m the one to blame. But e - ven when I
Rhy. Fig. 3
Gtr. 3 (slight dist.)

                       
& 4 (clean)
                   
   
         
mf P.M. P.M. P.M. P.M. P.M. P.M. P.M.
P.M. P.M. P.M.
7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7
7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7
0 0 0 0 0 0 0 0 0 0 0 5 5 5 5 5 0 0 0 0 0 0 0
0 0 0 0 0 0 5 5 5 0 5 5 0 0 0 0
Csus2 Gsus2 A7sus4 A7

   
               
       

       




turn it off and blame my - self, the out - come feels the same. I’ve been think - ing may - be
 
End Rhy. Fig. 3
             
                      
   
 
 




 
              
P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M.
7 7 7 7 7 7 7 7 7 7 6 6 6 6 6 6 6 7
12 12 12 12 7 7 7 7 7 7 5 5 5 5 5 5 5 5 5 5 5 5 5 7
10 10 10 10 10 0 5 5 5 5 5 5 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
10 10 10 10 10 10 5 5 5 5 5 5 5
Gtrs. 3 & 4: w/ Rhy. Fig. 3

D5 Gsus2 D5
     
                
  



I’ve been part - ly cloud - y, may - be I’m the chance of rain. And may - be I’m
Riff A End Riff A
            
Gtr. 5 (dist.)
                   
mf
2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 4 4 4 7 7 2 2 2 4 4 4 7 7
2
   
                   
   

      

o - ver - cast, and may - be all my luck’s washed down the drain. I’ve been think - ing ’bout

                                
5 5 5 5 5 5 5
5 5 5 5 5 5 5 5 5 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2
Pre-Chorus
Gtr. 5 tacet
Gsus2 Asus2 Bsus2 Csus2
  
              
           

ev - ’ry - one, ev - ’ry - one. You look so lone - ly. But when I look at the stars,
 Rhy. Fig. 4
Gtr. 3
  
     
End Rhy. Fig. 4
     
         
7 9 11 12
5 7 9 10
5 7 9 10
 Rhy. Fig. 4A
Gtr. 4

           
End Rhy. Fig. 4A
        
      
                
P.M.  P.M.  
P.M. 
7 9 9 11 12
5 5 5 5 5 5 7 7 7 7 7 7 9 9 9 9 9 9 9 10
5 5 5 5 5 5 7 7 7 7 7 7 9 9 9 9 9 9 9 10
 Chorus
Gtrs. 3 & 4 tacet
D5 Gsus2
        
               
when I look at the stars, when I look at the stars,
                
                
Gtr. 1
              
           
11 11 11 9 7 7 11 11 11 9 7 7 7 7 7 7 7 7 7
X X X X X X 7 7 7 7 7 7 7 X X X X X X X X X X X X X
9 9 9 7 5 5 X X X X X X X 9 9 9 7 5 5 5 5 5 5 5 5 5
7 7 7 7 7 7 7
 
Gtr. 2
                         
               
             
7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7
7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7
0 0 0 0 0 0 0 0 0 0 0 0 0 5 5 5 5 5 5 5 5 5 5 5 5 5
0 0 0 0 0 0 0 0 0 0 0 0 0 5 5 5 5 5 5 5 5 5 5 5 5 5
3
Half-time feel End half-time feel
Csus2 Gsus2 D5 E5 D5 F#5 G5
        
                 

I see some - one else. When I look at the stars,
     
                 
                      
   
11 11 11 9 7 7
X X X X X X 7 7 7 7 7 7 7
9 9 9 7 5 5 X X X X X X X 0 2 0 4 5 0 9 0 4 5 7 7 7 7 7
7 7 7 7 7 7 7 0 2 0 0 7 0 4 5

                 
                 
           
12 12 12 12 12 12 12 7 7 7 7 7 7 7
10 10 10 10 10 10 10 5 5 5 5 5 5 5 0 2 0 4 5 0 9 0 4 5 7 4 5
10 10 10 10 10 10 10 5 5 5 5 5 5 5 0 2 0 0 7 0 4 5 0 2
T o Coda 
Gsus2 Esus2 A7sus4/D
            
      

         

the stars, I feel like my - self.
            
                      
 
 
       
11 11 11 9 7 7 11 11 11 9 7 7
X X X X X X 7 7 7 7 7 7 7 X X X X X X
9 9 9 7 5 5 X X X X X X X 9 9 9 7 5 5
7 7 7 7 7 7 7

     




















       
 

          
 
7 7 7 7 7 7 7 7 7 7 7 7 7 7
7 7 7 7 7 7 7 7 7 7 7 7 7 4 4 4 4 4 4 5
5 5 5 5 5 5 5 5 5 5 5 5 5 2 2 2 2 2 2 0
5 5 5 5 5 5 5 5 5 5 5 5 5 2 2 2 2 2 2 0
Interlude
D5 E5 D5 F#5 G5 D5 E5 D5 E5 D5 F#5 G5

        
4
Verse
Gtrs. 3 & 4: w/ Rhy. Fig. 3 (2 times)
Gtr. 5: w/ Riff A
       
D5 Gsus2 D5
   
            

     

2. Stars look - ing at a plan - et, watch - ing en - tro - py and pain, and may - be start to

    
             
    

            

won - der how the cha - os in our lives could pass as sane. I’ve been think - ing ’bout the

Gtr. 5
                                 
5 5 5 5 5 5 5
5 5 5 5 5 5 5 5 5 2 2 2 2 2 2 2 2 0 4 4 2 0 0
Gtr. 5: w/ Riff A
      
D5 Gsus2 D5
   
 
         

      
 
mean - ing of re - sist - ance, of a hope be - yond my own, and sud - den - ly the
               

       
            

in - fi - nite and pen - i - tent be - gin to look like home. I’ve been think - ing ’bout

Gtr. 5
                                 
5 5 5 5 5 5 5
5 5 5 5 5 5 5 5 5 7 7 7 7 7 7 7 2 2 2 2 2 2 2 2
D.S. al Coda
Pre-Chorus
Gtrs. 3 & 4: w/ Rhy. Figs. 4 & 4A
Gtr. 5 tacet
          

  
            
    
ev - ’ry - one, ev - ’ry - one. You look so emp - ty. But when I look at the stars,
5
 Coda Interlude
Half-time feel

D5 E5 D5

  
   
      


I feel like my - self. Yeah!
  
   

7
5
 
  
 
 




7
5
0
0
End half-time feel

F#5 G5 D5 E5 D5 E5 D5 F#5 G5

   
1.
Bridge
  
Gsus2 F#5 A5 D5 E5 D5 F#5 G5
      
    
Stars.

Gtr. 1
                   
     
                 

7
5
7
5
7
5
7
5
7
5
7
5
7
5 4 4 4 4 7 7 7 7 7 0 2 0 4 5 0 9 0 4 5 7 7 7 7 7

5 5 5 5 5 5 5 4 4 4 4 7 7 7 7 7 0 2 0 0 7 0 4 5

Gtr. 2
          
                        
     
     

7
5
7
5
7
5
7
5
7
5
7
5
7
5 4 4 4 4 7 7 7 7 7 0 2 0 4 5 0 9 0 4 5 7 4 5

5 5 5 5 5 5 5 4 4 4 4 7 7 7 7 7 0 2 0 0 7 0 4 5 0 2
6
2.
Pre-Chorus
Half-time feel
Gtrs. 1 & 2 tacet
Gsus2 Asus2 F#m G
  
    
     
  
  
      

Ev - ’ry - one, ev - ’ry - one, we feel so lone - ly.

Gtrs. 3 & 4
  
   

      



        
7 9 7 9
5 7 4 5
5 7 4 5
End half-time feel

Gtrs. 3 & 4: w/ Rhy. Figs. 4 & 4A
   
         
  
  
          
Ev - ’ry - one, yeah, ev - ’ry - one we 
feel so emp - ty. When I look at the stars,
Outro-Chorus
µ
         
              
when I look at the stars, when I look at the stars,

Gtr. 1
 
    

*p mp f
fdbk.
0 19
Pitch: C

Gtr. 2 *Vol. swell
      
19

C5 G D5 E5 D5 F#5 G5
       
              

I feel like my - self. When I look at the stars,

Gtrs. 1 & 2
                  
                              
   
9 9 9 9 9 9 9 9
10 10 10 10 10 10 10 5 5 5 5 5 5 5 5 0 2 0 4 5 0 9 0 4 5 7 7 7 7 7
10 10 10 10 10 10 10 5 5 5 5 5 5 5 5 0 2 0 0 7 0 4 5
7
Gsus2 E5 A7sus4
           
                
the stars, I see some - one.


   
Gtr. 1
               
                        

fdbk.
7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7
7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 5 5
5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 2 2 2 2 2 2 2 0 0
5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 0 2 2 2 2 2 2 2

                  
Gtr. 2
             
                        
      
7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7
7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 5
5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 2 2 2 2 2 2 2 0
5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 0 2 2 2 2 2 2 2
Outro
Half-time feel
Gtrs. 1 & 2: w/ Rhy. Fig. 1 (1 1/4 times)

D5 E5 D5 F#5 G5 D5 E5 D5 E5 D5 F#5 G5

D5 E5 D5

     

Whoa!

Gtr. 5
       
            
f
12 12 12 10 10 10 10
X X X X X X X 11
9 9 9 7 7 7 7 X
9
      
F#5 G5 D5 E5 D5 E5 D5
  
F#5 G5 D5 E5 D5
  
                     
   
Gtr. 5
                
    
rit. fdbk. 
12 12 12 10 10 10 10 10 10 10
X X X X X X X 12 10 10 10 10 8 8 8 7 X X X 0 8 8 8 7 7 7 7
9 9 9 7 7 7 7 X X X X X X X X X 7 7 7 0 X X X
9 7 7 7 7 5 5 5 4 5 5 5 4 4 4 4
Pitch: C#
 
Gtrs. 1 & 2
   
                     

rit. 
0 4 5 7 0 2 4 5 0 2 0 4 5 0 9 0 4 5 7 0 2 4 5 0
0 4 5 0 2 0 2 0 0 7 0 4 5 0 2 0
8
Happy Is a Yuppie Word

Drop D tuning:
Intro
Moderately q = 98
µ * A5 D5 D A5 D5 A5
      
Gtr. 1 (clean)
      
      
    
    

mf
w/ heavy reverb
let ring throughout
0 0

1 3 1 3 1 3 1
2 2 2
Gtr. 2 (clean)

              
                       
mp  
P.M. throughout

4 4 4
7 7 7 0 0 0 0 0 0 7 7 7 0 0 0 0 0 9 7 7 7
7 7 7 0 0 0 0 0 0 0 0 0 7 7 7 0 0 0 0 0 7 7 7 7
*Chord symbols reflect basic harmony.
Gtr. 2 tacet
D5 D A5 D5 D
    

    
Ah!
          
    
          



0
1 3 1 1 3 1 3 1
2 2 2
Rhy. Fig. 1
   
    
          
                       
 mf  
P.M.
4 5 5 7 4 4
7 7 7 0 0 0 0 0 0 0 0 0 7 7 7 0 0 0 0 0 0 0 0 0
7 7 7 0 0 0 0 0 0 7 7 7 0 0 0 0 0 0 0 0 0
G5 C5 F5 A5 D
     
       



          
 
0 0
1 3 1 3 3 1
0 0 0 2 2 2 2
             
                 
P.M.
    
4
5 5 5 10 10 10 10 3 3 3 3 3 3 3 3 3 7 7 7 0 0 0 0 0
5 5 5 10 10 10 10 3 3 3 3 3 3 3 3 3 7 7 7 0 0 0 0 0
G5 C5 Fsus2 F
  
        



    



 
0
1 3 1 3 1 3
2 0 0
 
End Rhy. Fig. 1
                
          
       
P.M. 
4 2 0 5 5 7 7 5
0 0 0 5 5 5 10 10 10 10 3 3 3 3 3 3 3 3 3
0 0 0 0 5 5 5 10 10 10 10 3 3 3 3 3 3 3 3 3
Verse
Gtr. 3: w/ Rhy. Fig. 1 (2 times) Gtr. 1 tacet
A5 D5 D G5 C5 F5 A5 D
                 

         
  
1. Ev - ’ry - one dies, ev - ’ry - one loves a fight. Noth - ing is sound,
    
Gtr. 1 Gtr. 4 (slight dist.)
         
pp mf
0 2 2 2
5 7 7
2
G5 C5 Fsus2 F A5 D5 D

             
 
 
noth - ing is right side right. Eve - ning comes
  
Gtr. 4
                
 
 
  
rake  P.M.
1/2
10 8 3 3 3 3 3
X 9 2 2 2 2 2 2 2 2
7 X 7 9 9 2 2 2 4 4 4 4 4
                   
mf
1/2 1/2 1/2 1/2 1/2 1/2
9 9 9 9 9 9
G5 C5 F5 A5 D5

   
             
  

    

when the sun goes down in red. Noth - ing is cool.
     
                                   
P.M.  P.M.
3 3 3 3 3 3 3 5 5 5 5 5 5 3 3 3 3 3 3 3 3 3
2 2 2 2 4 4 4 5 5 5 5 5 5 2 2 2 2 2 2 2 2 2 2 2
4 4 4 4 5 5 5 5 5 5 5 5 5 5 5 5 7 7 2 2 4 4 4 4 4 4 4 4 4
                 
P.M.
9 5 5 5 7 7
3
  
G5 C5 Fsus2 F E5 F5 G5 A5
                  
When will all the fight - ing end? When will all the fight - ing end?
  
         
Gtr. 4
                

8v a
   
   
P.M.  let ring  Harm.
3 3 3 5 5 5 5 5 5 5 5 5 5
4 4 4 5 5 5 5 5 5 5 5 5 5 5 0 1 2 5
5 5 5 5 5 5 5 5 5 5 5 5 5 2 2 5
Pitches: B

G

Gtr. 5
    
D
       
P.M. 
5 5 5 0 1 2
5 5 5 2

Rhy. Fig. 2 End Rhy. Fig. 2
  
Gtr. 3

              
2 2 2 2 2 2 3 3 3 3 3 3 5 5 7
2 2 2 2 2 2 3 3 3 3 3 3 5 5 7
Chorus
        
A5 D5 G5 D5
             
     
Hap - py is a yup - pie word. Noth - ing in the world could fail me now.
Riff A End Riff A
              
*Gtrs. 4 & 5
            
loco
   
7 0 5 0
9 10 10 3 2 7 7 8 8 3 2
9 9 9 2 7 7 7 2
0 0

                
                
      
      

7 7 7 7 7 7 7 7 12 12 12 12 12 12 12 12 5 5 5 5 5 5 5 5 12 12 12 12 12 12 12
7 7 7 7 7 7 7 7 12 12 12 12 12 12 12 12 5 5 5 5 5 5 5 5 12 12 12 12 12 12 12 0
4
Gtr. 3: w/ Rhy. Fig. 3
Gtrs. 4 & 5: w/ Riff A
           
A5 D5 G5 D5
      
      
 


It’s emp - ty as an ar - gu - ment. I’m run - ning down a life that won’t cash out.
Interlude
A5 D5 D A5 D5 D
          

Whispered: Won’t cash out.
    
Gtr. 1
                
    
0 0
1 3 1 3 1 3
2 2 2 2
0
0
Gtrs. 3 & 5
            
                   
                 
P.M. 
4 4 4 4 4 4
7 7 7 0 0 0 0 0 0 0 0 0 9 7 7 0 0 0 0 0 0 0 0 0
7 7 7 0 0 0 0 0 0 0 0 0 7 7 7 0 0 0 0 0 0 0 0 0
Verse
Gtr. 1 tacet

Am D G6 Cmaj7 Fmaj7
                
     
2. Ev - ’ry - thing fails, ev - ’ry - thing runs its course. A

Gtrs. 3 & 5
           
              
  
       
0 0 0 0 0 0 0 0 0 0 0
1 1 0 0 0 0 0 0 0 0 1
2 2 0 4 4 4 9 9 9 9 2
2 2 0 4 5 5 5 10 10 10 10 3
0 0 0 0 X X X X X X X X
0 5 5 5 10 10 10 10 3
Gtr. 3: w/ Rhy. Fig. 4 (2 times)

 
Am D G6 Cmaj7 Fmaj7
     
        

        
         
time and a place for all of this love and war.
Gtr. 4
      
   3
3
X X X X X X X X X X
5
Am D G6 Cmaj7 Fmaj7
                 

    

Ev - ’ry - one buys, ev - ’ry - one’s got a price. And
 
     
Gtr. 4
     
1/2
5 3
3 5
2 4
          

Gtr. 5

                   
        
0 0 0 0 0 0 0 0 0 0
1 1 0 0 0 0 0 0 0 0
2 2 0 4 4 4 9 9 9 9 5 5
2 2 0 4 5 5 5 10 10 10 10 5 5
0 0 0 0 X X X X X X X 0
0 5 5 5 10 10 10 10
Gtr. 4 tacet
Am D G6 Cmaj7 Fmaj7 D5
      
        
 
   
 
noth - ing is new. When will all the fail - ures rise?
                   
Gtr. 5
              

         
      
0 0 0 0 0 0 0 0 0 0
1 1 0 0 0 0 0 0 0 0 10 10 10 10 10 10 10 10 10
2 2 0 4 4 4 9 9 9 9 X X X X X X X X X
2 2 0 4 5 5 5 10 10 10 10 7 7 7 7 7 7 7 7 7
0 0 0 0 X X X X X X X
0 5 5 5 10 10 10 10
                  

Gtr. 3
              

 
                   

0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
1 1 0 0 0 0 0 0 0 0 1 1 1 1 1 1 1 1
2 2 0 4 4 4 9 9 9 9 2 2 2 2 2 2 2 2
2 2 0 4 5 5 5 10 10 10 10 3 3 3 3 3 3 3 3
0 0 0 0 X X X X X X X X X X X X X X X 0
0 5 5 5 10 10 10 10 3 3 3 3 3 3 3 3 0
Chorus
Gtr. 3: w/ Rhy. Fig. 2 Gtr. 3: w/ Rhy. Fig. 3 (4 times)
Gtrs. 4 & 5: w/ Riff A (4 times)
       
E5 F5 G5 A5 A5 D5
 
          

   
 

When will all us fail - ures rise, rise? Hap - py is a yup - pie word.
       
Gtr. 5
        
             
8 7 7
8 8 8 9 9 9 9 10 10 10 10 8 8
X X X X X X X X X X X
5 5 5 6 6 6 6 7 7 7 7
6
    
G5 D5 A5
              
    
Noth - ing in the world could fail me now. It’s emp - ty as an
   
D5 G5 D5
 
   

       
 


ar - gu - ment. I’m run - ning down a life that won’t cash out.
        
A5 D5 G5 D5
          
   

 

Hap - py is a yup - pie word. Bless - ed is the man who’s lost it all.
        
A5 D5 G5 D5

      

  

Hap - py is a yup - pie word, word.
Bridge
Gtr. 4 tacet Gtrs. 3 & 5 tacet
G Fsus2 C
      
                    


Look - ing for an or - phan - age, I’m look - ing for a bridge I can’t burn down.
 
*Gtr. 6 Rhy. Fig. 5 End Rhy. Fig. 5
 
 
 
 





 
p
1 0
3 1 1
4 0 0
5 3 2
3
*Synth. arr. for gtr.
 
Gtr. 4
     

0
0
0
X
5

Gtrs. 3 & 5
   
  
  
pp
5
5
7
G Fsus2 C
           
         
I don’t be - lieve the emp - ti - ness. I’m look - ing for the
G Fsus2
         
           
 
king - dom com - ing down. Ev - ’ry - thing is mean - ing - less.

Gtr. 7 (clean)
           
        
mp
w/ heavy reverb
12 12 13 12 12 12
12 12
12 15
C G
    
             
  
I want more than sim - ple cash can buy. Hap - py is a
    
      
 
15
13 12 12 13 12
12 12
14 12
Fsus2 C
      
              
yup - pie word, hap - py is a yup - pie word.
        
 
 
8v a
  
mf let ring 
19
20 19 20 19 22 20 19
21 19 21 19
      
            
 
Gtr. 7
      
15 15 15
12 12 12 13 13 13 15 13
12 12 12 12
14 14
8
Gtr. 7 tacet
 
Csus2
  
                   
Hap - py is a yup - pie word, hap - py is a yup - pie... Noth -ing is
                        
Gtr. 8
        
8v a
let ring  let ring 
19 19
20 19 20 19 20 19 22 20 19 20 19 20 19 20 19 22 20 19
21 19 21 19 21 19 21 19 21 19 21 19

Gtr. 7
 
    
15
                
Gtr. 3
                
                                
mf
12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12
10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10
10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10

Gtr. 8 tacet
 
A5 D5 G5 D5
             
    



sound, noth - ing is sound, noth - ing is sound, noth - ing is sound. Noth - ing is
9
A5 D5 G5 D5
           

    

         

sound, noth - ing is sound, noth - ing is sound, yeah.
Chorus
        
A5 D5 G5 D5
              
     
Hap - py is a yup - pie word. Noth - ing in the world could fail me now.
          
A5 D5 G5 D5
  
 
    

  
Hap - py is a yup - pie word, word.
1. 2.
Outro
A5 D5
   A5 D5
    A5

D
          

So come down, yeah! So come down, yeah!
   
          
Gtr. 1
    
 1 3
0
1 3
0
 1 3
0
 2 2
 2

Gtr. 3
                  
           
       
 
 7 7 7 0 7 7 7 0 0
 7 7 7
4
0
7 7 7 0 7 7 7 0 0 7 7 7 0
10
The Shadow Proves the Sunshine Words and Music by Jonathan Foreman
Verse
Moderately q = 112

E5 Bsus4 C#m7 Bsus4
      

  
 
       
  
    
1. Sun - shine, won’t you be my moth - er?
  
Gtr. 1 (elec.) Rhy. Fig. 1
               
   
 
   
   
              
f
w/ clean tone & heavy reverb

4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4
2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2
0 2 2 2 2 2 2 2 2 4 4 4 4 4 4 4 4 2 2 2 2 2 0
 
Asus2 Bsus4 C#m7 B/D#
   
          
   
 
Sun - shine, come and help me sing.

End Rhy. Fig. 1
                   
              
                
4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4
2 2 2 2 2 2 2 2 2 2 2 2 4 4 4 4 4
0 0 0 0 0 0 0 2 2 2 2 2 2 2 2 2 4 4 4 4 4 4 4 4 6 6 6 6 6 6 6 0
 
E5 Bsus4 C#m7 Bsus4

   

 

           

My heart is dark - er than these o - ceans.

         
      
  
My heart is fro - zen un - der - neath. We are
Chorus
Gtr. 1: w/ Rhy. Fig. 1 (1st 4 meas.)

E5 Bsus4 C#m7 Bsus4
  
  
      
          
    

crook - ed souls try - ing to stay up straight, dry eyes in the pour - ing rain. Well,
 
Asus2 Bsus4 Asus2 Bsus4
      
 

         
 

   
 
the shad - ow proves the sun - shine, the shad - ow proves the sun - shine.

Gtr. 1
                  
                               
4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4
2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2
0 0 0 0 0 0 0 2 2 2 2 2 2 2 2 0 0 0 0 0 0 0 0 2 2 2 2 2 2 2 2 0
 
E5 Bsus4 C#m7 Bsus4
     
                

Two scared lit - tle run - a - ways hold fast till the brink of day - light when
 
             
              
Verse

E5 Bsus4 C#m7 Bsus4
    



     

  
 
2. Oh, Lord, why did you for - sake me?
 

           

  
Oh, Lord, don’t be far a - way, a - way.
        
Gtr. 2 (elec.)
    
mp
w/ clean tone
let ring throughout
5 0 7
6 8
6 6
2
Gtr. 2 tacet
 
E5 Bsus4 C#m7 Bsus4

   

  

          
Storm clouds gath - er - ing be - side me.
 
            
    
Please, Lord, don’t look the oth - er way. I’m a
 
Gtr. 3 (elec.)
      
      
p pp
w/ slight dist.
7 7 7 7 7 7
9 9 9 9 9 9
Chorus
Half-time feel
Gtr. 3 tacet

E5 B5 C#m7 B5
  
        
      

   
    

crook - ed soul try - ing to stay up straight, dry eyes in the pour - ing rain. Well,
 
Gtr. 4 (elec.) Rhy. Fig. 3
 
   
 
  
mf
w/ dist.
9
9
9 9
7 9 7 9
7 9 7
 
A5 B5 A5 B5
      



         



   
 
 
End Rhy. Fig. 3
    
   
7 9 7 9
5 7 5 7
3

E5 B5 C#m7 B5
    
     
          

Two scared lit - tle run - a - ways hold fast till the brink of day - light when

A5 B5 A5 B5
             
 
            

   
Gtr. 3
     
 
 
f
0 0
0 0
1 1
2 2
2 2
0 0
E Asus2 C#m7 Asus2

           
  
 
     

Yeah, ay, shine on me.
 
 
Riff A End Riff A
 
  


Gtr. 5 (elec.)
 


f
w/ slight dist.
      
1 2 4 6 8 8 9
  
Gtr. 3
     
  
 
 

     

     
0 0 0 0 0 0
0 0 0 0 0 0
1 2 4 2 1 1
2 2 2 2 2 2
2 0 4 0 2 2
0 0 0

Gtr. 5: w/ Riff A
E Asus2 C#m7 Asus2

          
   

  

   
4
E F#m11 C#m7 Asus2
        
   

  

    



  


Riff B
 
Gtr. 5
9 
11 13
 
14
       

Gtr. 3


 
 
  
   
 
0 0 0 0 0 0
0 0 0 0 0 0
1 2 4 2
2 4 2 2
2 X 4 0
0 2
E Asus2 C#m7 Asus2


       
 
        
        

 
   
Shine on me.
(Yeah, ay, ay.)
   
    

End Riff B

16

16

16 16

 
          
 

 
          

 
0 0 0 0 0 0 0 0
0 0 0 0 0 0 0 0
1 2 4 4 4 2 2 2
2 2 2 2 2 2 2 2
2 0 4 4 4 0 0 0
0
Interlude
Gtr. 3 tacet

*E Bsus4 C#m7 Bsus4
   
   
 
      

Oh, oh,
   
    
Gtr. 5
 
pp
fdbk.
16
*Chord symbols reflect overall harmony.
5
Gtr. 5 tacet
Asus2 Bsus4 B Asus2 Bsus4 B
     
          


oh. And
Chorus
        

E Bsus4 C#m7 Bsus4
 

   
      

         

  


crook - ed souls try - ing to stay up straight, dry eyes in the pour - ing rain. Well,
Rhy. Fig. 5
   
 
Gtr. 6 (acous.)
                     
                         
                 
mf
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
1 1 1 1 1 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4
2 2 2 2 2 4 4 4 4 4 2 2 2 2 2 4 4 4 4 4
2 2 2 2 2 2 2 2 2 2 4 4 4 4 4 2 2 2 2 2
0 0 0 0 0
                

                     
       
       
  
End Rhy. Fig. 5
                    
                       
                     
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
2 2 2 4 4 4 4 4 2 2 2 4 4 4 4 4 4
2 2 2 4 4 4 4 4 2 2 2 4 4 4 4 4 4
0 0 0 2 2 2 2 2 0 0 0 2 2 2 2 2 2
                

  
E Bsus4 C#m7 Bsus4
                 
     
Two scared lit - tle run - a - ways hold fast to the brink of day - light when
          
          
     
         


  
Gtr. 3
     
 
0 0
0 0
1 1
2 2
2 2
0 0
6
E Asus2 C#m7 Asus2
          
 
    

    
Yeah, yeah, shine on me.
     
                       
Gtr. 6
                         
    
    
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
1 1 1 1 1 2 2 2 2 2 2 4 4 4 4 4 2 2 2 2 2
2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2
2 2 2 2 2 0 0 0 0 0 0 4 4 4 4 4 0 0 0 0 0
0 0 0 0 0

E Asus2 C#m7 Asus2
        
   

  

    
Yeah, yeah, shine on me.
Gtr. 5: w/ Riff B
E Asus2 C#m7 Asus2
        
   

  

    
       
E
  
F#m11 C#m7 Asus2 E
           
      
 
    

Shine on me, let my shad - ows prove the sun - shine.

   
Gtr. 5
                        
      
Gtr. 6
         
                   

             
*Gtr. 6
divisi
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
1 1 1 1 1 1 2 2 2 2 2 2 4 4 4 4 4 4 2 2 2 2 2 2 2 16
2 2 2 2 2 2 4 4 4 4 4 4 2 2 2 2 2 2 2 2 2 2 2 2 2
2 2 2 2 2 2 X X X X X X 4 4 4 4 4 4 0 0 0 0 0 0 0
0 0 0 0 0 0 2 2 2 2 2 2
*Gtr. 6 to left
   
of slash in tab.
                

   
Gtr. 3
   
              


      
0 0 0 0 0 0 0 0 0 0 0 0
0 0 0 0 0 0 0 0 0 0 0 0
1 1 2 2 4 4 2 2 2 1
2 2 4 4 2 2 2 2 2 2
2 2 X X 4 4 0 0 0 2
0 0 2 2 0
7
Easier than Love

Drop D tuning:
Intro
Moderately q = 135
** D5 G D5 G
         
     
La, la, la, la, la, la, la.
*Gtr. 1 (slight dist.)

                  
       
              
       
f
   
1/2 1/2

7 7 5 7 0 4 4 4 4 4 4 4 0 7 7 5 7 0 4 4 4 4 4 4 4 0
7 7 5 7 0 0 0 7 7 7 5 7 0 0 0
5 5 5 5 X 5 5 5 5 5 0 X
5 5
*Two gtrs. arr. for one.
 
        
 
f
 17
0
0
D5 G F6 G
 
                 
   
 
La, la, la, la, la, la, la.

***Gtrs. 1 & 2

       
    
       
  
 

  
   
        
 
   
1/2 1/2
7 7 5 7 0 4 4 4 4 4 4 4 2 2 2 2 4 4 4 4 4 4 4 0
7 7 5 7 0 0 0 0 0 0 0 0 0 0
5 5 5 5 0 X 0 X X X X 0 X
5 3 3 3 3 5
***Composite arrangement
Verse
D5 G F6 G
    
   
           
 

   




1. Sex is cur - ren - cy. She sells cars, she sells mag - a - zines. Ad -
D5 G F6 G
 
               

  

   

dic - tive, bit - ter - sweet, clap your hands with the hope - less nic - o - tines.

Gtrs. 1 & 2
       
    
       
  
 

  
   








 

   
1/2
3 3 3 3
7 7 5 7 0 4 4 4 4 4 4 4 2 2 2 2 4 4 4 4 4
7 7 5 7 0 0 0 0 0 0 0 0 0 0 0 0 0
5 5 5 5 0 X 0 X X X X 0 X X X X X
5 3 3 3 3 5 5 5 5 5
Gtrs. 1 & 2 tacet
     
D G D/F# G A
 



                 

Ev - ’ry - one’s a lost ro - man - tic since our love be - came a kiss - ing show.
Riff A End Riff A

Gtr. 3 (clean)
        
mf
                        
4 4 4 0
5 5 5 4 7 0 4 4 4 0
7 7 7 7 0 0 0 0 7 5 5 5 4 4 4 4 5 5 5 5 7 7 7 7
Gtr. 3: w/ Riff A
     
D G D/F# G A
  


             
   

Ev - ’ry - one’s a Cas - sa - no - va. Come and pass me the mis - tle - toe.

    
C5 B5 F#5 G5
     
 
         

    

    
Ev - ’ry - one’s been scared to death of dy - ing here a - lone.

*Gtr. 4 (dist.)
      

mp
Harm.
7 7
7 7 7
*Doubled throughout

Gtrs. 1 & 3
                                  

10 10 10 10 10 10 10 10 9 9 9 9 9 9 9 9 4 4 4 4 4 4 4 5 5 5 5 5 5 5 5 5
10 10 10 10 10 10 10 10 9 9 9 9 9 9 9 9 4 4 4 4 4 4 4 5 5 5 5 5 5 5 5 5
2
 Chorus
Gtrs. 1 & 3 tacet
    
  
   
  
   
   
D5 Gsus2
         
She is eas - i - er than love, is eas - i - er than life. It’s eas - i - er to fake

Gtr. 4
                 
                   
           
f
7 7 7 7 7 7 7 7 7 7 7 7 7 7 7
7 7 7 7 7 7 7 7 7 7 7 7 7 7 7
0 0 0 0 0 0 0 0 0 0 0 5 5 5 5 5 5 5
0 0 0 0 0 0 0 0 0 0 0 5 5 5 5 5 5 5

   
   
  
   
   
D5 Gsus2
      

      

and smile and bribe. It’s eas - i - er to leave, it’s eas - i - er to lie.

       


 
          

                    
7 7 7 7 7 7 7 7 7 7 7 7 7 7 7
7 7 7 7 7 7 7 7 7 7 7 7 7 7 7
5 5 5 5 5 5 0 0 0 0 0 0 0 0 0 0 0 0 5
5 5 5 5 5 5 0 0 0 0 0 0 0 0 0 0 0 0 5
   
            
B5
   
   
    

It’s hard - er to face our - selves at night, feel - ing a - lone.

   







   







         
        
7 7 7 7 7 7 7 7 7
7 7 7 7 7 7 7 7 7
5 5 5 5 5 5 5 5 5 5 5 5 5 5 9 9 9 9 9 9 9 9
5 5 5 5 5 5 5 5 5 5 5 5 5 5 9 9 9 9 9 9 9 9
            
 
   
A5 G5  A5
   

    
    
  
What have we done? What is the mon - ster we’ve be - come?

                        
               
7 7 7 7 7 7 7 7 5 5 5 5 5 5 5 5 5 5 5 5 5 X X 7
7 7 7 7 7 7 7 7 5 5 5 5 5 5 5 5 5 5 5 5 5 X X 7
3


To Coda 2
      
G5
  

  
 
Where is my soul? Ah,

                       


4
7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 5 5 5 5 5 5 5
7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 5 5 5 5 5 5 5
To Coda 1 
Interlude
G5 D5 G
   
          
        

la, la, la, la, numb. La, la, la, la, la, la, la.
  
            
 

 




       
  
1/2 1/2 1/2 1/2 1/2
4 4 4 4 4 4 4 4 4 7 5 7 4 4 4 4 4 4 4 0
0 7 5 7 0 0
0 5 5 5 X
7 5
Verse
Gtr. 4 tacet
D5 G D5
  
        

 

2. Sex is in - dus - try,
 
                
*Gtr. 5 (dist.)
     
 
  
  
 

mf
1/2 1/2
P.M.
7 7 5 7 0 4 4 4 4 4 4 4 4
7 7 5 7 0 0 7 7
5 5 5 5 0 X 0 0 5 5 5
5 0 0
G5 F5 E5 D5
   
  
      
    
 

 

 
the C. E. O. of cor - po - rate pol - i - cy.
  
    


 
             
P.M.  P.M.  P.M.
  
0
0 0
9 7 0 0
5 5 5 5 7 5 5 5 5 5 5 5 5 5 5
0 7 0
4
Gtr. 5 tacet
G5 F5 E5 µ
       
   
        
 
 

   
Skin deep min - is - try, sub - ur - ban youth hail your so called lib - er - ty.
 
       
            
  
        
P.M. P.M. P.M.
0
0 0 0 0 0
0 0 0 0 0
5 5 5 5 5 5 0 5 5 5 0 0
0 0 0 0 0 0 0 0 0
     
D G D/F# G A
 



     

     
 

  

Ev - ’ry ad - ver - tis - ing an - tic, our ban - ner waves with a ne - on glow.
     
D G D/F# G A
 



     

     
 

  
War and love be - come pe - dan - tic. We wage love with a mis - tle - toe.
D.S. al Coda 1
C5 B5 F#5 G
              
              
 

  
Ev - ’ry - one’s been scared to death of dy - ing here a - lone.
(A - lone.)

Gtrs. 1 & 3
                         
         

10 10 10 10 10 10 10 9 9 9 9 9 9 9 9 4 4 4 4 4 4 4 2
10 10 10 10 10 10 10 9 9 9 9 9 9 9 9 7 4 4 4 4 4 4 4 5
 Coda 1
Interlude
G5 D5 G D5 G
        
                

       


numb. La, la, la, la, la, la, oh. La, la, la, la, la,
(Yeah!)

Gtr. 4
                            
              
     
1/2 1/2 1/2 1/2
4 7 5 7 0 4 4 4 4 4 4 0 7 5 7 4 4 4 4 4 4 4 0
7 5 7 0 0 7 5 7 0 0
0 5 5 5 5 5 5 5 5 X
0 5 5 12 0 0 0 0 5
5
D5 G D5 G
  
       

         

 

numb. La, la, la, la, no, ho.
(Yeah!)
       
            
    
         
      
  

1/2 1/2
7 7 5 7 4 4 4 4 4 4 0 7 5 7 4 4 4 4 4 4 4 4
7 7 5 7 7 7 5 7 0
0 0 0 0 0 5 5 5 5 5 0 X
0 0 0 0 0 5 0 0 0 5
Bridge
Gtr. 4 tacet
Bm Em9
        
  

 
 
 

    
  
It’s eas - i - er than love, it’s eas - i - er than love, yeah.
 
              
Gtr. 6 (clean)
                 

mf
P.M.  P.M.  P.M.  
let ring
0 0 0 0
0 2 3 2 0 0 2 3 2 0 0 2 3 2 0 0
2 2 2

Gtr. 4
     
pp
Bm Em9
          
  


 
 
  
It’s eas - i - er than love, it’s eas - i - er than love.
      
             
Gtr. 6
           
P.M.  P.M. 
2 3 2 0 0 2 3 2 0 0 5 7 5 0 0 5 7 5 0
2 4 4 2 2 7 7
6
  
Bm Em9
  
 
      
       
   
She’s eas - i - er than love, is eas - i - er than life.
           
Gtr. 6
          

       
P.M. P.M.  p
0
3 0 0 2 3 2 0 0 0 0 0 0 0 0
2 2

Gtr. 2

         
2 0
2 2 2 2 2 2 2 2
Gtrs. 2 & 6 tacet
   
    
 
C5 B5 F#5
    
         

Ev - ’ry - one’s been scared to death of, ev - ’ry - one’s been

Gtr. 4
                
                       
mf
P.M.
10 10 10 10 10 10 10 10 9 9 9 9 9 9 9 9 4 4 4 4 4 4 4 4
10 10 10 10 10 10 10 10 9 9 9 9 9 9 9 9 4 4 4 4 4 4 4 4
      
Gtr. 7 tacet

G5

A5
    

B5 F#5
     

     
  

  
scared to death of, ev - ’ry - one’s been scared to death of dy - ing here a - lone,

Gtr. 7 (clean)
 Gtr. 8 (dist.)         
              
mf
f
w/slide
2 10 14 14 14 14 14 14 14 14 14
X X X X X X X X X
11 11 11 11 11 11 11 11 11

Gtr. 4
                               

               
P.M.
5 5 5 5 5 5 5 5 7 7 7 7 7 7 7 7 9 9 9 9 9 9 9 9 4 4 4 4 4 4 4 4
5 5 5 5 5 5 5 5 7 7 7 7 7 7 7 7 9 9 9 9 9 9 9 9 4 4 4 4 4 4 4 4
7
Chorus
Gtr. 8 tacet
 
G5 A D5
      
  
  

        


a - lone. It’s eas - i - er than love,
(Sing!)
       
         
 
 
 

0
15 15 15 15 15 15 15 15 5
X X X X X X X X 6
12 12 12 12 12 12 12 12 7
0
     
          
              
f
7 7 7 7 7
7 7 7 7 7
5 5 5 5 5 5 5 5 0 0 0 0 0 0
5 5 5 5 5 5 5 5 12 0 0 0 0 0 0
D.S.S. al Coda 2
      
Gsus2
            
D5

        

is eas - i - er than love. It’s eas - i - er to fake and smile and bribe.

Gtr. 4
       


 
 
 





 
   

      
7 7 7 7 7 7 7 7 7 7 7
7 7 7 7 7 7 7 7 7 7 7
0 0 0 0 0 0 5 5 5 5 5 5 5 5 X 0
0 0 0 0 0 0 5 5 5 5 5 5 5 5 X 0
 Coda 2
Half-time feel
  
 
G5 A5
      

 
     
  
Where is my soul?
(Where is my?)

                 

     
          
5 5 5 5 5 5 5 5 5 5 5 5 5 5 7 7 7 7 7 7 7
5 5 5 5 5 5 5 5 5 5 5 5 5 5 0 7 7 7 7 7 7 7 0
8
End half-time feel
G5
 
    

              

Ah, la, la, la, la, la, la, la, la.

    
                      
    
1/2 1/2 1/2 1/2 1/2 1/2 1/2
4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4
5 5 5 5
5 5 5 5 0
Outro
D5 G D5 G
 
               



La, la, la, la, la, la, la. La,
     
 

   



          

   

  
1/2 1/2
7 5 7 0 4 4 4 4 4 4 4 0 7 7 5 7 0 4
7 5 7 0 0 0 7 7 5 7 0 0
0 5 5 5 0 X 5 5 5 5 0 X
0 5 5
D5 G
  
             

       

la, la, la, numb. La, la, la, la, la,
   
              

   



      

 
1/2 1/2 1/2 1/2
4 4 4 4 4 4 4 0 7 7 5 7 0 4 4 4 4 4 4 4
0 0 7 7 5 7 0 0 0
5 5 5 5 0 X 0
5 5

D5 G µ D

      


ho.
  
   




    
    


   

 
  
 1/2 1/2 1/2 1/2  
7 7
7 7 5 7 0 4 4 4 4 4 X X 7 7
7 7 5 7 0 X X 7 7
5 5 5 5 0 0 0
0 0 0
9
The Blues
D G
10fr
211 211
Intro
D Gmaj7[no3rd] D Gmaj7[no3rd]
                         
Gtr. 1 (acous.)
         
mp
w/ fingers
let ring throughout
5 5 5 5 5 5 5 5

7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7
7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7
5 5 5 5 5 5 5 5
Verse
D Gmaj7[no3rd]

   
      

       
 
1. Is this the new year, or just an - oth - er night?
D Gmaj7[no3rd] A5

   
     
 


         
     
   

Is this the new fear, or just an - oth - er fright? Is this the new tear, or
  
   
Gtr. 2 (elec.)
 
* pp p pp
w/ dist.
fdbk.
*Vol. swell
      
      
Gtr. 1
             
5 5 5 5
7 7 7 7 7 7 7 7
7 7 7 7 7 7 7 7 2 2 2 2
5 5 5 5 2 2 2 2
Gtr. 2 tacet
D Gmaj7[no3rd]

       
      
just an - oth - er des - per - a - tion?

Gtr. 3 (elec.)
      

* pp mp
w/ clean tone
*Vol. swell
    
       
 

 
Gtr. 1
     
   
5 5 5 5
7 7 7 7 7 7 7 7
2 2 2 2 7 7 7 7 7 7 7 7
5 5 5 5
0 0 0 0
Verse
Gtr. 3 tacet
Bm[add4] Gmaj7[no3rd] Bm[add4]

                 
      
         
2. Is this the fin - ger, or just an - oth - er fist? Is this the king - dom, or

     
pp
                    

     
0 0 0 0 0 0
0 0 0 0 0 0 0
11 11 11 11 11 11 11 11 11
12 12 12 12 12 12 12 12 12 12 12 12
10 10 10 10
Gmaj7[no3rd] Em Gmaj7
 
                       
  
just a hit and miss? I miss di - rec - tion most in all this des - per - a -
            
  
Gtr. 1 Rhy. Fig. 2
           
3 3 3 3 2 2 2 2
5 5 5 5 3 3 3 3
11 11 11 11 4 4 4 4 4 4 4 4
12 12 12 12 5 5 5 5
10 10 10
2
Bm[add4] Gmaj7[no3rd] D
  
        
3
      
- tion. Is this what they call free -

Gtr. 3
   



3

2
0
        
Gtr. 1
   
End Rhy. Fig. 2
       
     
0 5 5 5 5
0 0 0 0 7 7 7 7
11 11 11 11 11 11 11 7 7 7 7
12 12 12 12 12 12 12 12
10 10 10 10
Gtr. 3 tacet
Asus4 Bm Gmaj7
       
                  

    
- dom? Is this what you call pain? Is this what they call dis - con - tent - ed fame?
            
             
Gtr. 1
 
2 2 2 2 2 2 2 2
5 5 5 5 3 3 3 3 3 3 3 3
7 7 7 7 4 4 4 4 4 4 4 4
7 7 7 7 5 5 5 5
D Asus4 Bm

 
 
        
     

     

It - ’ll be a day like this one when the world caves in, when the world caves in,
      
    
              
5 0 5 5 0 2 2 2 2
7 7 7 7 5 5 5 5 3 3 3 3
7 7 7 7 7 7 7 7 4 4 4 4
7 7 7 7
3
Gmaj7 D D/A C7

 
  
  
 

   
when the world caves in.
        
                
      
2 2 2 2 5 5 5 5
3 3 3 3 7 7 7 7 7 7 5 5
4 4 4 4 7 7 7 7 7 5 5
5 5 5 5 7 7 7 8 8
Verse
Gtr. 1 tacet Gtr. 2: w/ Riff A (2 times)
     
Bm G5 Bm
         
               
3
3. I’m sing - ing this one like a bro - ken piece of glass, for bro - ken hearts and bro -ken nos -
Riff A End Riff A
       
    
Gtr. 2
2 2
3 5 5
4 2
Gtr. 4 (acous.)
            

                 
       
mp
2 2 2 2 3 3 3 3 2 2 2 2
3 3 3 3 3 3 3 3 3 3 3 3
4 4 4 4 4 0 0 0 0 4 4 4 4
4 4 4 4 4 0 0 0 0 4 4 4 4
2 2 2 2 2 X X 2 2 2 2 2 2 2 2
3 3 3 3 3
     
G5 Em G5
             
       
- es in the back. Is this a new year, or just an - oth - er des - per - a -
            
  
Gtr. 4
          
             
3 3 3 3 0 0 0 0 3 3 3 3
3 3 3 3 0 0 0 0 3 3 3 3
0 0 0 0 0 0 0 0 0 0 0 0
0 0 0 0 2 2 2 2 0 0 0 0
X X X
3 3 3 3 0 0 0 0 0 3 3 3 3 3
4
Gtr. 2 tacet
Bm G5 D
   
           
 
- tion? You push un - til you’re shov -


   
Gtr. 1
 
 
Gtr. 5 (acous.) mf
divisi
w/ slide
3 15
2 14
    
Gtr. 2
   
2
3
4
 
Gtr. 6 (elec.)
  



mp
w/ slight dist.

2
0
Rhy. Fig. 3
            
  
Gtr. 4
          
           
2 2 2 2 3 3 3 3 2 2 2 2
3 3 3 3 3 3 3 3 3 3 3 3
4 4 4 4 0 0 0 0 2 2 2 2
4 4 4 4 0 0 0 0 0 0 0 0 0
2 2 2 2 X
3 3 3 3 3
Gtrs. 1 & 5 tacet

A Bm G
                
   
        
ing, you bend un - til you break. Do you stand on the bro - ken fields where your fa - thers lay?
      

 
Gtr. 6
         
5 5 7 7 3 3
5 5 7 7 3 3
6 6 7 7 4 4
End Rhy. Fig. 3
            

Gtr. 4
             
             
0 0 0 0 2 2 2 2 3 3 3 3
2 2 2 2 3 3 3 3 3 3 3 3
2 2 2 2 4 4 4 4 0 0 0 0
2 2 2 2 4 4 4 4 0 0 0 0
0 0 0 0 2 2 2 2 X
3 3 3 3 3
5
      
D A Bm
  
 
 
        
        
 

      

   
Gtr. 6
      
2 2 5 5 7 7
3 3 5 5 7 7
2 2 6 7 7
Interlude
G D G
Rhy. Fig. 4A End Rhy. Fig. 4A
   
Gtr. 6
   
        
             
when the world caves in. When the world caves in,
   
  
Gtr. 6 Gtr. 7 (12-str. elec.)
      

mf
(cont. in slashes)
w/ clean tone
3 3
3 3
4 4 9 7
7 2
9

Gtr. 4
        
  
 

 

 

     
    
2 2 2 2 3 3 3 3
3 3 3 3 3 3 3 3
2 2 2 2 0 0 0 0
0 0 0 0 0 0 0 0
0 0 0 0 0 X
3 3 3 3 3
Gtrs. 4 & 6: w/ Rhy. Figs. 4 & 4A (1 1/2 times)
  
D G D
    
             
yeah, when the world caves in,
    
Gtr. 7
    
 
9 7 7
7 2
9 9
6
 
G Em D/F# A
    
    

  
when the world caves in.
 
         
     
Gtr. 6
      
3 3 7 9 5 X X 5 5 5
3 3 8 10 5 X X 5 5 5
4 4
   
Gtr. 7
         





0 2 3 2 2

0 0 2 2
2 2 4 2
0
         

Gtr. 4
        


 
      
          
3 3 3 3 0 0 0 0 0
3 3 3 3 0 0 3 3 2 2 2
0 0 0 0 0 0 2 2 2 2 2 2
0 0 0 0 2 2 0 0 0 2 2 2 2
X X 0 0 0 0 0 0
3 3 3 3 3 0 0 2 2
Verse
Gtr. 4: w. Rhy. Fig. 3 (4 times)
Gtr. 7 tacet
D A Bm
 
            

   
 
       

 
 


4. Is noth - ing here worth sav - ing, is no one here at all? Is there an - y net left
     

   
Gtr. 6
      
10 10 5 5 7 7
10 10 5 5 7 7
11 11 7
 
  
Gtr. 8 (elec.)
  





 

mf
w/ slight dist.
2


3 0 3

2 2 4
0 2 4
0 2
7
G D A

                         
   
 
that could break our fall? It - ’ll be a day like this one when the sky falls down
    
Rhy. Fig. 5
     
     
3 X X 3 2 2 5 X X 5
3 X X 3 3 3 5 X X 5
   
    
 
 
 
 


 
3 3 2
3 3 3

0 0 2 2
0 0 0 2
X X 0
3 3

2nd time, Gtr. 4: w/ Rhy. Fig. 3 (2 times)
Bm G D
 
  
                        
and the hun - gry and poor and de - sert - ed are found. Are you dis - con - tent -
Does jus - tice ev - er find
 

     
End Rhy. Fig. 5
      

7 7 3 X X 3
X 7 7 3 X X 3
X 7 7 4
      

 
   





 
let ring 
3 2



3 3 3 3
4 0 0 2
4 0 0
2 X
3
A Bm G
         
            

  
 
3

ed? Have you been push - ing hard? Have you been throw - ingdown this bro - ken house of cards?
you? Do the wick - ed nev - er lose? Is there an - y hon - estsong to sing be - sides these blues?
 
  
Gtr. 8
 
 
  
 

 

   
2 3 3
2 3 3 3

2 4 0 0
2 4 0 0
0 2 X X
3 3
8
 
             

    
D A Bm
    
       
And noth - ing is o - kay un - til the world caves in, un - til the world caves in,
  

 
 
 

 


 

2
3 0 3


2 2 4
0 2 4
0 0 2
T o Coda 
Interlude
Gtrs. 4 & 6: w/ Rhy. Figs. 4 & 4A (2 times)

G D G D
  
         
when the world caves in?
’til the world caves in.
  
 
 
  

 
   
 
 
  
3
3 3 3
0 2 2
0 0 0
X 0 0
3
Verse
Gtr. 1: w/ Rhy. Fig. 1 Gtr. 4 tacet
Gtr. 8 tacet
   
G Bm Gmaj7[no3rd]
          
       
5. Is there noth - ing left now, noth - ing left to sing?
  
   
Gtr. 4
 
 
 
2
3 3
2 4
0 4
0 2
      
D Gmaj7(no3rd) Em
           
            
3
Are there an - y left who have - n’t kissed the en - e - my. Is this a new year, or
D.S. al Coda
G,7 Bm[add4] Gmaj7[no3rd]
          

         

    
just an - oth - er des - per - a - tion? Yeah.
9
 Coda
Outro
      
D A Bm

                         
’Til the world caves in, ’til the world caves in, un - til the world caves in,
 
     
          
   
     
(’Til the world caves in,
     
    

  

 



 
let ring
3 2 2


3 3 2 3 3


2 2 4 4
0 2 4 4
0 2
        
G D A
     
             
    

un - til the world caves in, un - til the world caves in, un - til the world caves in,
        

              

                          
          
                    

’til the world caves in, ’til the world caves in, ’til the world caves in,
   
    
   



    

let ring 

3 3
3 3 3 0

0 0 2 2

0 0 0 2
X X 0 0
3 3
Gtr. 8 tacet
Bm G
          
D
      
         
un - til the world caves in, un - til the world caves in.
   
              
 
                



 
             
’til the world caves in, ’til the world caves in.)
  
Gtrs. 4 & 6


 
 
 

 
 
     

 

3 2
3 3
0 2
4 0 0
2 4 5 X
3
10
The Setting Sun

Asus2 Em G6 D5 Bsus4 D Am C
5fr
34 123 123 1 134 132 231 32 1

type 2 VII
Bbsus2 Dmaj7 D5 Gsus2 Asus2 D5/A G5
8fr 11fr 12fr 5fr 7fr 5fr
113 3 4 113 113 13 111
Drop D tuning:
Intro
Moderately fast q = 118
µ (A5) D5 Asus2 Em
            
Rhy. Fig. 1A
*Gtrs
3&4
(acous.)
mf

    

(Samples)
    
9 sec.
Hey!
Rhy. Fig. 1
                  
    

               
Gtr. 1 (elec.) *Gtrs. 1 & 2
      
9 sec.
mf
w/ dist.

10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10
X X X 7 7 7 X X X X X 9 9 9 9 9 9 9
7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7

Riff A
    
    
          
Gtr. 2 (elec.) Gtr. 6 (elec.)
            
9 sec.

mf f
(cont. on upper staff) w/ dist.
w/ dist.

10 10 10
X X X
7 7 7 9 11 11 9 7 5 9 12 12 12 11 9 7
Rhy. Fig. 1B
    
 **Gtr. 5 (elec.)
      
9 sec.
      
            
f
w/ slight dist.

2 2 2 2 2
2 2 2 2 2 2 2 2 2 2 2 2
0 0 0 0 0 2 2 2 2 2 2 2
2 2 2 2 2 2 2
**Two gtrs. arr. for one
Gtrs. 3 & 4: w/ Rhy. Fig. 1A (2 times)
Gtr. 5: w/ Rhy. Fig. 1B (2 times)
G6 Asus2 Em
End Rhy. Fig. 1A
             *Voc. Fig. 1
   
         
   
    
   
Hey. Yeah, yeah.
(Yeah.)
             
End Rhy. Fig. 1
                 
10 10 10 10 10 10 10 10 10 10 10 10
7 7 7 7 7 7 7 7 7 7 7 7
7 7 7 7 7 7 7 7 7 7 7 7
   
  
 
End Riff A
                
         
 
 1/2

0 9 11 11 11 9 7 5 9 12 12 12 11 9 7
9 10 9 10 9 10 9 9 7 0
End Rhy. Fig. 1B
             
              
 

7 7 7 7 7 7 7 7 7 7 7 7
7 7 7 7 7 7 7 7 7 7 7 7
5 5 5 5 5 5 5 5 5 5 5 5
5 5 5 5 5 5 5 5 5 5 5 5
*Refers to upstemmed vocal only.
Gtr. 7 tacet
G6 Asus2 Em
End Voc. Fig. 1 ***Voc. Fig. 2

  


  
      
 




Yeah,

(Oo.)
    
Riff B End Riff B

**Gtr. 7
    

mf
P.M.
10 12 10 10
12

**Elec. sitar arr. for gtr.
    
Gtr. 6
  

           
  

0 9 11 11 9 7 5
9 10 9 10 9 9 9 9 9 0 0
***Refers to upstemmed vocal only.
2
Bkgd. Voc.: w/ Voc. Fig. 1
G6

 
End Voc. Fig. 2
    
  
 
yeah.
       
Gtr. 6
   

              
1/2
5 9 12 12 12 11 9 7 0
9 10 9 10 9 10 9 9 7 0
 
Verse
Gtr. 6 tacet Gtrs. 3–5 tacet
D5 Bm Bsus2
Gtrs.

3&4
 
              

1. I’ve got a wound that does - n’t heal.
  
Gtr. 6

Gtr. 5

Gtr. 5






divisi
*
7
0
0 0
0
*Gtr. 6 to the left of slash in tab.
Rhy. Fig. 2
   
**Gtr. 8 (elec.)
   
  

             
       
      
  

mf
w/ slight dist. P.M. P.M. P.M.
P.M. P.M.
4 4 7 7 12 12 12 11
0 0 0 0 0 0 0 5 5 5 5 5 5 5 5 5 9 9 9 9 9 9 9 9
0 0 0 0 0 0 0 5 5 5 5 5 5 5 5 5 9 9 9 9 9 9 9 9
**Two gtrs. arr. for one.
Em Esus2
         
        

Burn - ing out a - gain, burn - ing

End Rhy. Fig. 2
  

                 
               
P.M.  P.M.  P.M. P.M.  P.M.
11 5 5 5 5 5 4 4 4 4 4 4 4 4
9 9 9 9 9 9 9 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2
9 9 9 9 9 9 9 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2
3
Asus4 A D Gsus2 Bm Bsus2
  
         
           
 
out a - gain. I’m not sure which of me is real.
               
*Gtr. 9
     
p mf
12 11 11 11 11 9 14 14 12 11 12 11
12
*Bkwds. gtr. arr. for gtr.
     
Gtr. 8 **Gtr. 10
     
              




 
              
P.M.  P.M.  P.M. 
mp
P.M. P.M.
2 3 0
2 4 9
12 12 11 11 11 11 11 11 0 5 11
7 7 7 7 7 7 7 7 7 7 7 7 7 7 7
7 7 7 7 7 7 7 7 7 7 7 7 7 7 7
**Synth. arr for gtr.
Gtr. 10 tacet
Em Esus2 Asus4 A
          
               
 
I’m a - lone a - gain, burn - ing out a - gain My
 
   
Gtr. 10 Gtr. 8
    
                             
              
P.M.  P.M.  P.M. P.M. P.M.  P.M.  P.M.  P.M. P.M.  P.M. 
7
7
11 5 5 4 4 4 4 12 12 11 11 11
2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7
2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7
Pre-Chorus
  
Fsus2 G
 
               

 
hope runs un - der - neath it all the day that I’ll be home.

     





 
    
0
0 0
3 3 5
3 3 5
3 3 5
4
Chorus
Asus2 Em Bsus4 D5
Rhy. Fig. 4
                         
End Rhy. Fig. 4
Gtrs.
                           

3&4
   
         
It won’t be long, I be - long some - where past the set - ting sun.
Riff C End Riff C
                    
Gtrs. 1 & 2
                                
     
10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10
X X X X X X X X X X X X X X X X X X X X
7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7
 
      
Gtrs. 8
     
   


   
   
 
3 3 3
2 0 4 2
2 2 4 0
0 2 2 0
2 0

Gtrs. 1 & 2: w/ Riff C
     
Gtr. 8: w/ Rhy. Fig. 4A
                     
Asus2 Em Bsus4 D5
 
  
        
       

Fi - n’lly free, fi - n’lly strong, some - where back where I be - long.
Interlude
Gtrs. 1 & 2: w/ Rhy. Fig. 1 (2 times) Bkgd. Voc.: w/ Voc. Fig. 1 Gtr. 7: w/ Riff B
 
Asus2 Em G6
         
      
  
Yeah, yeah.
 

Gtr. 6
            
          

 1/2
9 12 12 12 11 9 7 0
9 10 9 10 9 10 9 9 7 0
5
Asus2 Em G6
         
          
Yeah, yeah.
  
 
      
Riff D End Riff D
 
     

              
 
  1/2
9 11 11 11 9 7 5 9 12 12 12 11 9 7 0
0 9 10 9 10 9 10 9 9 7 0
 
Verse
Gtr. 8: w/ Rhy. Fig. 2 Gtr. 6 & 11 tacet Gtrs. 3, 4 & 5 tacet
D5 Bm Bsus2
Gtrs.
3&4
       
           
       
2. They’re sell - ing shares of me a - gain. I’m not
  
Gtr. 6 Gtr. 5
  
Gtr. 5






divisi
*
7
0
0 0
0
  
Gtr. 11 (elec.)
      
f
w/ dist., reverb & **delay
3
2
0
**Delay set for quarter-note regeneration w/ 15 repeats.

Em Esus2 Asus4 A
      
          
 
buy - ing it, I’m not buy - ing it.
 
Gtr. 3
     

3

2
2
6
Gtr. 3 tacet Gtrs. 4 & 11 tacet
D Gsus2 Bm Bsus2
   
         
          

 My wound goes deep - er than the skin. There’s no
 
Gtr. 11
       

17
15
14
0
 
Gtr. 4
    

5

7
7

Em Esus2 Asus4 A
   
       
    
  

hid - ing it, so I’m not try - ing it. My
      
        

     
*Gtr. 12
  
17 14 12 10 7 10 7 5 7
15 12 10 8 5 8 5 3 5
*Synth. arr. for gtr.
Pre-Chorus
  
Fsus2 G
             
  
  
hope runs un - der - neath it all the day that I’ll be home.

Gtr. 8
     



   
 
     
0 0
0 0 0
3 5 X X
3 5 X X
3 5 X X
 Chorus
Gtrs. 1 & 2: w/ Riff C (2 times)
Gtr 8: w/ Rhy. Fig. 4A (2 times)
           
2nd time, Gtrs. 5 & 13 tacet
          
   
  
Asus2 Em Bsus4 D5
 
 
           
It won’t be long, I be - long some - where past the set - ting sun.
7
T o Coda 
                        

  
Asus2 Em Bsus4 D5

 
   
     

 
Fi - n’lly free, fi - n’lly strong, some - where back where I be - long.
Interlude
Gtrs. 1 & 2: w/ Rhy. Fig. 1 (2 times) Bkgd. Voc.: w/ Voc. Fig. 1
Gtr. 6: w/ Riff A
 
Asus2 Em G6
      
    
         
    
   
 


 
Yeah, yeah.
(Some - where past the set - ting sun.
Gtr. 6: w/ Riff D Bkgd. Voc.: w/ Voc. Fig. 1

Asus2 Em G6
 
              
    

      
  
Yeah, yeah.
Yeah.)
Gtr. 6 tacet
D Am C
Gtrs.
3&4                          
   

**Voc. Fig. 3 End Voc. Fig. 3
       
        
  
Yeah, yeah.
(Yeah.)
 



 
       
      
(Fi - n’lly back where we be - long.
End Rhy. Fig. 5A
                   
Gtr. 6 Gtr. 5
            
 
       
             
Gtr. 5
divisi Rhy. Fig. 5A
7 7 7 7 7
7 7 7 7 7
7 7 7 7 7 10 10 10 10 10 10 10 12 12 12 12 12 12 12 12 12 12 12 12
0 5 5 5 5 5 7 7 7 7 7 7 7 10 10 10 10 10 10 10 10 10 10 10 10
7 7 7 7 7 7 7 10 10 10 10 10 10 10 10 10 10 10 10
*Gtr. 6 to the left of slash in tab. **Refers to upstemmed vocal only
8
Gtrs. 3 & 4: w/ Rhy. Fig. 5 Bkgd. Voc.: w/ Voc. Fig. 3
Gtr. 5: w/ Rhy. Fig. 5A
D Am Cadd9

       
  
 
           
  





   
Yeah, yeah, oo.
      
    
      
Set down with the set - ting sun.)
 

Gtr. 13 (elec.)
  
mf
w/ dist., chorus & reverb
10
Bridge
Bbsus2 Dmaj7
Gtr. 5                     
    
             
         


A, let the weak say I am strong,
  


10
10
D5 type 2 Dmaj7 Bbsus2 Dmaj7

 
                    
     
                


               

and it won’t be long. Let the right say I was wrong,
 
 

10
10
9
D5 Dmaj7 Bbsus2
 
                           
     
                  
        

         
and it won’t be long. Let us find where we be - long
 
  

10
10
Gsus2 Asus2VII
                          
     
        
  
   
 

             
 
be - yond the set - ting sun, be - yond the set - ting sun.
    

8 10
 
D.S. al Coda
D5/A Am G5
               

P.M.
    
        
       
Yeah, yeah, yeah.
    
Gtr. 14 (elec.)
  
Gtr. 13
    
 
 

 
mf
w/ dist. * f
3
3
11 11 0
0
*Vol. swell
10
 Coda
Outro
Gtrs. 1 & 2: w/ Rhy. Fig. 1 Bkgd. Voc.: w/ Voc. Fig. 1
Gtrs. 3 & 4: w/ Rhy. Fig. 1A
Gtr. 5: w/ Rhy. Fig. 1B
Gtr. 6: w/ Riff A
 
Asus2 Em G6
          
       
Yeah, yeah.
 
Asus2 Em G6
Gtrs.
3&4             
  
  
        
  
 

   
    


Yeah, yeah.
(Yeah.)

              
 

Gtrs. 1 & 2
                 
10 10 10 10 10 10 10 10 10 10 10 10 10
X X X X X 9 9 9 9 9 9 9 7
7 7 7 7 7 7 7 7 7 7 7 7 7
  
 
 
       
Gtr. 6
     

 


9 11 11 11 9 7 5 9 12 12 12 11 9 7
0 9

Gtr. 5
 

               



             
let ring 
7
2 2 2 2 2
2 2 2 2 2 2 2 2 2 2 2 2 7
0 0 0 0 0 2 2 2 2 2 2 2 5
2 2 2 2 2 2 2 5
11
Politicians
Drop D tuning:
Intro
µ E5
   
                     
(Public address) *Gtr. 1 (dist.)

2 sec.
f grad. bend 1/2

0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0

0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4
   
        
Gtr. 2 (dist.)
 
2 sec.
0 0 0 0 0 0 0 0

0 0 0 0 0 0 0 0
4 4 4 4 4 4 4 4
 
   
 


 

  

Oh.
                                
**Gtrs. 1 & 2
        
grad. bend 1/2 grad. bend 1/2 1/2

  
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4
0
0
0
**Composite arrangement
          
***Gtr. 3 (dist.)
               
           
               
mf
9 9 9 9 X 9 9 9 9 X
X X X X X 5 5 5 9 9 9 X X X X X X 5 5 5 9 9 9
7 7 7 7 X X X X X X X X 7 7 7 7 X X X X X X X
5 5 5 9 9 9 X 5 5 5 9 9 9
***Doubled throughout
Gtrs. 2 & 3 tacet
E5 D5 E5 D5 G5 B5 D5 E5 D5 E5 D5 G5 B5 D5

                                
                           

2 2 0 2 0 5 5 5 9 9 9 9 0 2 2 0 2 0 5 5 5 9 9 9 9 0
2 2 0 2 0 5 5 5 9 9 9 9 0 2 2 0 2 0 5 5 5 9 9 9 9 0
2 2 0 2 0 5 5 5 9 9 9 9 0 2 2 0 2 0 5 5 5 9 9 9 9 0
E5 D5 E5 D5 G5 B5 C5 D5 G5 D5 G5 D5 G5 D5

                               
                         
     
0 7 7 7
2 2 0 2 0 5 5 5 9 9 9 9 9 9 10 10 10 10 10 0 5 5 7 5 7 7 5 0
2 2 0 2 0 5 5 5 9 9 9 9 9 9 10 10 10 10 10 0 5 5 5 5 5 5 5 0
2 2 0 2 0 5 5 5 9 9 9 9 9 9 10 10 10 10 10 0 5 5 5 5 0
Verse
* E5 D5 E5 D5 Em('9) Em('11) Em D5 E5 D5 E5 D5 E5 E[b6) E5 D5
                
       

1. Ev - ’ry - thing is bro - ken, ev - ’ry - thing is bro - ken.

                          
           
         
0 0 0 0 0
0 0 0 0 0 4 4 4 5 5 4 4
2 2 0 2 0 4 4 4 7 7 5 5 0 2 2 0 2 0 0
2 2 0 2 0 0 2 2 0 2 0 0
2 2 0 2 0 0 2 2 0 2 0 0
*Chord symbols reflect implied harmony.
E5 D5 E5 D5 Em('9) Em('11) Em C5 D5 G5 D5 G5 D5 G5 D5
           
     
   
    
Ev - ’ry - thing is break - ing down, break - ing down.
        
                              
          
0 0 0 0 0 0 5 5 5 5 5 7 7 7
2 2 0 2 0 4 4 4 7 7 5 5 0 5 5 5 5 5 0 5 5 7 5 7 7 5 0
2 2 0 2 0 3 3 3 3 3 0 5 5 5 5 5 5 5 0
2 2 0 2 0 0 5 5 5 5 0
2
E5 D5 E5 D5 Em('9) Em('11) Em D5 E5 D5 E5 D5 E5
 
                

Ev - ’ry - thing is bleed - ing, ev -
E(b6) E5 D5 E5 D5 E5 D5 Em('9) Em('11) Em

  
                  
- ’ry - thing is bleed - ing. Ev - ’ry - thing is break - ing

Gtr. 1
                  
     
     
0 0 0 0 0
4 4 4 5 5 4 4 0 0 0 0 0 0
0 2 2 0 2 0 4 4 4 7 7 5 5 0
0 2 2 0 2 0
0 2 2 0 2 0
 Chorus
       
C5 D5 Asus2 D5 E5 D5 Gsus2

 
 
   
      
       
 
down, break - ing down. I pledge al - le - giance to a coun -

Voc. Fig. 1
    


   
(Oh.
(Oh.

     
Rhy. Fig. 3
     
                 
      
5 5 5 5 5
5 5 5 5 5 0 9 9 9 9 9 0 2 2 2 2 0 7
3 3 3 3 3 0 7 7 7 7 7 0 2 2 2 2 0 5
0 7 7 7 7 7 0 2 2 2 2 0 5
         
      
    
C5 F5 D5
       
  
    
    
- try with - out bor - ders, with - out pol - i - ti - cians
  


End Voc. Fig. 1

  


        
End Rhy. Fig. 3
             
                     
7 7 7 7 7 7 10 10 10 10 10 10 3 3 3 3 3 3 0
5 5 5 5 5 5 10 10 10 10 10 10 3 3 3 3 3 3 0
5 5 5 5 5 5 10 10 10 10 10 10 3 3 3 3 3 3 0
3
   

 

         
E5 D5 C5 G5 D5 G5 D5 G5 E5


                  



watch - ing for my sky to get torn a - part. We are bro -
    
     


Oh.)
          
                             
          
       
5 5 5 5 5 5 5 7 7 7
2 2 2 2 2 0 0 0 0 0 0 0 5 5 5 5 5 5 5 0 5 5 7 5 7 7 5 2
2 2 2 2 2 0 0 0 0 0 0 0 3 3 3 3 3 3 3 0 5 5 5 5 5 5 5 2
2 2 2 2 2 0 0 0 0 0 0 0 0 5 5 5 5 2
               
  

  
D5 Gsus2 C5 F5 D5
                    
    
- ken, we are bit - ter, we’re the prob - lem, we’re the pol - i - ti - cians.
 


      
    
Oh.)

                            
                            
2 2 2 2 2 0 7 7 7 7 7 7 10 10 10 10 10 10 3 3 3 3 3 3 0
2 2 2 2 2 0 5 5 5 5 5 5 10 10 10 10 10 10 3 3 3 3 3 3 0
2 2 2 2 2 0 5 5 5 5 5 5 10 10 10 10 10 10 3 3 3 3 3 3 0
T o Coda 
     
 
      


E5 D5 C5 D5

 
               
     

watch - ing for our sky to get torn a - part. Come on and break me.
               
                             

             
5 5 5 5 5 5 5 5 5 5 5 5 5 5 5
2 2 2 2 2 0 0 0 0 0 0 0 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 0
2 2 2 2 2 0 0 0 0 0 0 0 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 0
2 2 2 2 2 0 0 0 0 0 0 0 0
4
Interlude
E5 D5 E5 D5 G5 B5 D5 E5 D5 E5 D5 G5

     

                   
              
         
2 2 0 2 0 5 5 5 9 9 9 9 0 2 2 0 2 0 5
2 2 0 2 0 5 5 5 9 9 9 9 0 2 2 0 2 0 5
2 2 0 2 0 5 5 5 9 9 9 9 0 2 2 0 2 0 5
Verse
B5 µ E5 µ
     
        
2. En - tro - py and ach - ing,

 
           
       
Harm.
5 5 5 9 9 9 2 2
5 5 5 9 9 9 2 2
5 5 5 9 9 9 1.9 2 2
Pitch: F#
*Harm. located just before the 2nd fret.
E5 µ E5 µ

                

         
where have we been aim - ing? Ev - ’ry - thing is fad - ing

Gtr. 3
      

14

Gtr. 1
    
  
  
 
 
  

Harm.
      
2 2 X X X 2 2
2 2 X X X 2 2
2 2 2 X X X 2 2 14
5
Gtr. 3 tacet
Fsus2 B5 E5 D5 E5 D5 E5
       
     
out, fad - ing out. We
             
  
             
 
1/2
4 4 5 5 7 7 9 9 11 11 11 11 11 11
2 2 3 3 5 5 7 7 9 9 9 9 9 9
          

               
             
     
1/2
0
0
9
5 5 5 5 5 5 5 5 9 9 9 9 9 9 0 2 2 0 2 0
3 3 3 3 3 3 3 3 X X X X X 0 2 2 0 2 0
3 3 3 3 3 3 3 3 9 9 9 9 9 9 0 2 2 0 2 0
Cmaj7 E5 D5 E5 D5 E5 Em7 E5 D5 E5 D5 E5
                      
  

are the fad - ed, splint - ered and se - dat - ed. Ev -
        

        
Gtr. 1
   
         
         
0 0 0 0 0 0 0 0 0 0 0
0 0 0 0 0 0 0 0 0 0 0
9 9 9 5 5 4 9 9 9 7 7 4 9
2 2 0 2 0 2 2 0 2 0
2 2 0 2 0 2 2 0 2 0
2 2 0 2 0 2 2 0 2 0
 
D.S. al Coda
Esus2 Em C5 D5 Asus2 D5
       
 

            
 
- ’ry - thing is fad - ing out, fad - ing out. I pledge al - le -
              

        
               
 
0 0 0 0 0
0 0 0 0 0
9 9 9 11 11 12 12
10 10 10 10 10 10 10 0 9 9 9 9 9 9 9 0
10 10 10 10 10 10 10 0 7 7 7 7 7 7 7 0
10 10 10 10 10 10 10 0 7 7 7 7 7 7 7 0
6
 Coda
Interlude
Half-time feel
Fsus2 D5 E5 D5 E5 D
   

 
            
 


Come on and break me.
(Oh.)
 
                        
                        
7
X
5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 0 2 2 0 2 X X 4 0
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 0 2 2 0 2 X X 0
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 0 2 2 0 2 X X 0
End half-time feel
G5 D5 E5 D5 E5 D G5 C5
 
      
Oh,
         
          
              
             
7 7 8 8 7 7 7 8 8
X X X X X X X X X 5
0 0 4 0 4 5 5 0 2 2 0 2 X X 4 0 0 4 0 4 5 5 5
0 0 0 0 2 2 0 2 X X 0 0 0 3
0 0 0 0 2 2 0 2 X X 0 0 0
D G5 D5 C5 D
         
       
oh.
              
                      
         
P.M. P.M.
7 7 7 7 8 8 7 7
5 5 5 X X X X X 5 5 5 X X
5 5 5 5 4 4 0 0 4 0 4 5 5 0 5 5 5 5 4 4 0
3 3 0 3 0 0 0 0 0 3 3 0 3 0 0
0 0 0 0 0 0 0
7
Half-time feel
G5 D5

E5
 D5
 
E5
 
D
       
G5
 
D5
     
Gtr. 4 (dist.)
              
f
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
9 16 16 16 16 14 14 14 14 19 19 19 19 16 16 16 16
         
Gtr. 1
                        
              
7 7 8 8 7 7 7 8 8
X X X X X X X X
0 0 4 0 4 5 5 0 2 2 0 2 X X 4 0 0 4 0 4 5 5 0
0 0 0 0 2 2 0 2 X X 0 0 0 0
0 0 0 0 2 2 0 2 X X 0 0 0 0
End half-time feel
         
E5 D5 E5 D G5 D5 Cmaj7 E5 * D%/F#
              
                 
let ring 
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
16 16 16 16 14 14 14 14 12 12 12 12 11 12 11 9 9 9 16 16 16 16 7
         
          
                  
          
7 7 7 8
X X X 5 5 5 9 9 9 9 11
2 2 0 2 X X 4 0 0 4 0 4 5 0 X X X X X X X X
2 2 0 2 X X 0 0 0 0 3 3 3 7 7 7 7 9
2 2 0 2 X X 0 0 0 0
*Bass
plays F#.
** Em(add4)/G Cmaj7 E5 *** D%/F# † Em/G
  
      

I pledge al - le -
                
          
            
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
7 7 7 14 14 14 14 9 9 9 16 16 16 16 7 7 7 7 12 12 11 12
                       
                       
11 11 11 12 12 12 X 5 5 5 9 9 9 9 11 11 11 11 12 12 12 12
X X X X X X X X X X X X X X X X X X X X X X
9 9 9 10 10 10 X 3 3 3 7 7 7 7 9 9 9 9 10 10 10 10
**Bass plays G. ***Bass plays F#. †Bass plays G.
8
Chorus
Em Esus2 E5
                   
            
- giance to a coun - try with - out bor - ders, with - out pol - i - ti - cians,
    
Gtr. 4
 
 
 
 

mf
Gtr. 5
(dist.) w/ Leslie
divisi
0
0
9
5 4 2
    
Gtr. 1
    
9
X
7

C5 D5
 
           
    
pol - i - ti - cians, pol - i - ti - cians.

Gtr. 5
  
 


Gtr. 1
                   
                
* 
fdbk.
5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5
5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 0
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 0
0
*Vol. swell


Fsus2 µ
 D5

Esus2
    
Gsus2
         

I am bro - ken, I am bit -
 
   
Gtr. 1 Gtr. 2
                  

                
let ring let ring
7 5
9 9 7
5 5 5 5 5 5 5 5 X X X X X X X 0 9 5
3 3 3 3 3 3 3 3 X X X X X X X 0 7 5
3 3 3 3 3 3 3 3 X X X X X X X 0 5
9
Gtr. 2 tacet
    
  
  
Csus2 F5 D5 E5 D5
 
    
    
             
 
ter. I’m the prob - lem, I’m the pol - i - ti - cian watch - ing for our sky
  
       
Gtr. 1
       
  
(  )   

         
let ring  let ring  w/ bar
5 3
7 7 5 5
5 5 3 3 2 2 2 2 2 0
5 3 3 3 2 2 2 2 2 0
5 3 3 2 2 2 2 2 0
slack
       
C5 µ

         

            

to get torn a - part. Come on and break me, come
 
                           
                      
5 5 5 5 5 5 5 5 5 X
0 0 0 0 0 0 5 5 9 9 9 9 0 5 5 5 5 5 5 5 5 5 X
0 0 0 0 0 0 5 5 9 9 9 9 0 3 3 3 3 3 3 3 3 3 X
0 0 0 0 0 0 5 5 9 9 9 9 0
Outro
Gtr. 1 tacet Gtr. 1: w/ Rhy. Fig. 1
E5 D5 E5 D5 G5 B5 D5 E5 D5 E5 D5 G5
  

          
on and break me.
B5 D5 E5 D5 E5 D5 G5 B5 D5 E5 D5 E5 µ

Gtr. 1
            


 
             

                         
5 5 5 9 9 9 9 0 2 2 0 2 0 5 5 5 9 9 9 9 0 2 2 0 2 2
5 5 5 9 9 9 9 0 2 2 0 2 0 5 5 5 9 9 9 9 0 2 2 0 2 2
5 5 5 9 9 9 9 0 2 2 0 2 0 5 5 5 9 9 9 9 0 2 2 0 2 2
10
Golden
[E5] [Asus2] [C#m11] [F#m11] [Bsus4] [C#m7] [B7sus4]

7fr 7fr 11fr 4fr 9fr 11fr 9fr
[E/G#]
134 111 1131 111 111 111
Gtrs. 1, 3 & 4: Drop D tuning, Capo I:

Gtrs. 2 & 5–11: Capo I
Intro Verse
**
µ [E5] [Asus2] [C#m11]
              
Rhy. Fig. 1
*Gtr. 1
(acous.)
 
mf
  
(Samples & sound effects) (Drums)
         
6 sec.
 
1. She’s a - lone to - night
  
     
Gtr. 2 (elec.)

6 sec.
mf
w/ slight dist., chorus & ***delay

16
*Doubled throughout **Symbols in parentheses represent chord names

respective to capoed gtr. Capoed fret is “0” in tab.
***Delay set for quarter-note regeneration w/ one repeat.
[Asus2] [E5] [Asus2] [C#m11]
                         

 
            
        

  
with a bit - ter cup, and she’s un - done to - night.

      


w/ bar
16 13
14
[Asus2] [F#m11) [E/G#] [Asus2] [Bsus4]
   
End Rhy. Fig. 1 Rhy. Fig. 2
                         
 

   

                 
She’s all used up. She’s been star - ing down the de - mons who’ve been
     
 
Gtr. 2
 
    
14 16
17
16
   
        
*Gtrs. 3 & 4 (elec.)
    
Riffs A & A1
 
mf
w/ slight dist. & chorus
let ring throughout
0 0
0 7 0
8
7 9 7
9
Gtr. 2 tacet
[F#m11] [E/G#] [Asus2] [Bsus4] [C#m7] [Asus2]

   
                  
  
   


              
      

scream - ing “She’s just an - oth - er so and so, an -
Gtr. 3
            
Gtrs. 3 & 4
      

   
Gtr. 4
divisi
0 0 0
0 7 0 9
8 8
7 9 7 11
9
2
[B7sus4]
   
End Rhy. Fig. 2
                  

       

 
      
oth - er so and so.” You are
w/ dist.
  
mf

Gtr. 5 (elec.)
 
    

Gtr. 6 (elec.) divisi mf
w/ slight dist.
let ring throughout
*
4 0

4
4 8
7 7
 
End Riff A

     
        
Gtr. 3
        
    
(cont. in slashes)
0 0 0 0 0 0 0 0 0 0 0 0 0 0
0 0 0 0 0 0 0 0 0 0 0 0 0
9 9 9 9 9 11 11 11 11 11 11 11 11
7 7 7 7 7 9 9 9 9 9 9 9 9
  
End Riff A1
                  
Gtr. 4

             
(cont. in slashes)
0 0 0 0 0 0 0 0 0 0 0 0 0
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0

9 9 6 6 6 6 6 8 8 8 8 8 8 8 8
9 9 X X X X X X X X X X X X X
4 4 4 4 4 6 6 6 6 6 6 6 6
Chorus
[E5] [E/G#] [Asus2] [Bsus4]
                           
**Gtrs. 1,
3&4
  
   
  
Voc. Fig. 1
 
  

 
          
       
              
gold - en, you are gold - en, child. You are
            
Riff B
  
      
**Gtrs. 5 & 6
             
7 0 7 0 0 0
0 9 0 9 10 9 7 9
6 8
6 6 6 6 7 7 9 9 9
**Composite arrangement
3
Gtrs. 1, 3 & 4: w/ Rhy. Fig. 3
* F5 F/A Bbsus2 Csus4

 
 
       

  
End Voc. Fig. 1
   
        
        
 
  
   
     
gold - en, don’t let go, don’t let go to - night.
                
End Riff B
               
1
7 0 7 0
0 9 0 9 10 9 7 7
6
6 6 6 6 7 7
*Symbols in parentheses represent chord names respective to capoed gtr. Symbols above represent actual sounding chords.
Verse
Gtr. 1: w/ Rhy. Fig. 1 Gtrs. 3 & 4 tacet
Gtrs. 5 & 6 tacet
F5 Bbsus2 Dm11 Bbsus2

[E5] [Asus2] [C#m11] [Asus2]
    
  
  
           
2. There’s a fear that burns like trash in - side.
   
 
Gtr. 2

   
14 16
17
 
mf     
           
**Gtr. 7 Gtr. 7
        

 
  
Gtrs.
3&4
 
divisi
7
5 5 5
4 4 4 8 8 6 8 8 6 6 4
2 6 6
2
2
**Kybd. arr. for gtr.
4
F5 Bbsus2 Dm11 Bbsus2 Gm11
[E5] [Asus2] [C#m11] [Asus2] [F#m11]
 
 
            

  
    
And your shame, the curse that burns your eyes. You’ve been

     
   
      

w/ bar
12 12
17 17 12
11
14
      
                
   
7
5 5 5
4 4 4 8 8 6 8 8 6 6 4
6

Gtr. 2 tacet
Gtrs. 3 & 4: w/ Riffs A & A1
F/A Bbsus2 Csus4 Gm11 F/A Bbsus2 Csus4

[E/G#] [Asus2] [Bsus4] [F#m11] [E/G#] [Asus2] [Bsus4]
               
3
 
3
     
 
        
hid - ing in the bed - room hop - ing this is - n’t how the sto - ry has to go.
     
  
      
  
   
Gtr. 7
   
 

   
  
0 0 0 0
0 9 7 0 0 9 7
8 8
9 7 9 7
9
Dm7 Bbsus2 C7sus4

[C#m7] [Asus2] [B7sus4]
   
    
                 
It’s not the way it goes, it‘s your book now. You’re
   
                  
   
            
0 0 0 0 0 0 0 0 0 0 0 0 0 0
9 0 0 0 0 0 0 0 0 0 0 0 0 0
8 6 6 6 6 8 8 8 8 8 8 8
11 7 X X X X X X X X X X X
4 4 4 4 6 6 6 6 6 6 6
5
 Chorus
Gtrs. 1, 3 & 4: w/ Rhy. Fig. 3 (2 times)
Gtrs. 5 & 6: w/ Riff B
2nd time, Gtrs. 7 & 11 tacet
F5 F/A Bbsus2 Csus4
  
   
 
   


    
      
         
              
gold - en, you are gold - en, child. You are
T o Coda 
F5 F/A Bbsus2 Csus4
 
 
    
      
 

        
 
  
        
    
    


gold - en, don’t let go, don’t let go to - night.
Bridge
[C#m7] [Asus2]
 
                         
    
Gtr. 1

   

                
  
You’re a lone - ly soul in a land of bro - ken hearts.
 
     
Gtr. 5
    

 
12 12 14
X X
9 9 11
Riff C End Riff C
                     
   
Gtr. 8 (elec.)
   
                        
mf
w/ dist.
6 6 6 8 8 8 8 9 9 9 9 11 11 11 14 14 14 13 13 13 13 11 11 11 9
X X X X X X X X X X X X X X X X X X X X
4 4 4 6 6 6 6 7 7 7 7 9 9 9 12 12 12 11 11 11 11 9 9 9 7
                              
Gtr. 3
                
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
4 6 6 8 8 8 6 6 6 6 6 6 4 6 6 4 4 4 6 6 6 4 4 4
6
Gtr. 8: w/ Riff C
[C#m7] [Asus2] [Bsus4]

 
                         
 
    
               
     



Your far from home is a per - fect place to start.
      
 
Gtr. 5
    

12 12 14 12
X X X
9 9 11 9
                          
                          
Gtr. 3
  
  
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
4 6 6 8 8 8 6 6 6 6 6 6 4 6 6 6 6 4 2 1 2 1
Guitar Solo
Gtr. 1: w/ Rhy. Fig. 3 (2 times) Gtr. 3 tacet
Gtr. 5 tacet
F5 F/A Bbsus2 Csus4
             
 
   
         

            

La, la, la, la. La, la, la, la, la, la.
          
*Gtr. 9 (elec.)
 
                
f

w/ dist.
let ring throughout
2 0 2 0
4 4 0
4 4 2 1
2 2 2 4 6 7 6 4 2
2 0 2 4 2
*Two gtrs. arr. for one
 
 
Gtr. 3
   
0
0
1
7
F5 F/A Bbsus2 Csus4
              
 
   
                     



         

 La, la, la, la. La, la, la, la, la, la.

Gtr. 2
         
           
7 7 12 11 11 11
12 12
     
              
   
Gtr. 9
      

7 4 0 0 7 4 0 0 5 4 2 0 2 4 2 0
0 4
2
Verse
Gtr. 1: w/ Rhy. Fig. 1 Gtr. 9 tacet Gtr. 2 tacet
F5 Bbsus2 Dm11 Bbsus2
[E5] [Asus2] [C#m11] [Asus2]

      

               
  
3. So this fi - nal verse is a con - tra - dic - tion.
   
Gtr. 2

Gtr. 2
 
Gtr. 9
divisi
0
12
F5 Bbsus2 Dm11 Bbsus2 Gm11

[E5] [Asus2] [C#m11] [Asus2] [F#m11]
       
  
              
And the more we learn, the less we know. We’ve been
w/ dist. & *harmonizer

mf

8v a
   
   
Gtr. 10 (elec.)
    

Gtrs. 3 & 4
divisi
0 16 12 12 12

0 14 14
9
9
*Harmonizer set to produce

intervals a diatonic third below.
8
Gtr. 1: w/ Rhy. Fig. 2 (1st 4 meas.) Gtr. 10 tacet
Gtrs. 3 & 4: w/ Riffs A & A1 (1st 4 meas.)
F/A Bbsus2 Csus4 Gm11 F/A Bbsus2 Csus4

[E/G#] [Asus2] [Bsus4] [F#m11] [E/G#] [Asus2] [Bsus4]

           
  
                    
talk - ing ’bout a feel - ing we both know in - side but could - n’t find the
                      
Gtr. 10 8v a Gtr. 7
  
    
   


Gtr 7
divisi
12 0 0 0 0
0 0 0 0 0 0 0 0
8 11 8 8 11
7 7
[C#m7] [Asus2] [C#m7] [Asus2]
Gtr. 1                   

           

          

words. I could - n’t write this verse, but I’ve
 
    

Gtr. 11 (elec.)

mf
 
w/ bar
w/ slight dist. & reverb
9
13 13 6
           
   
Gtrs. 3 & 4
   

0 0 0 0
9 0 0 0 9
8 11 11 8
11 11
             
Gtr. 7
  



0 0 0 0
9 0 9 0
8 6 8 6
11 7 11 7
9
D.S. al Coda
(B7sus4]
   
                  

        

          
 
sel - dom been so sure ’bout an - y - thing be - fore.
  

   
 

  

w/ bar w/ bar
9 12 12 11
   
Gtr. 3
    
         
    


  
        

  
(Gtr. 4, cont. on lower staff)
0 0 0 0 0 0 0 0 0 0 0 0 0

7 0 7 0 0 0 0 0 0 0 0 0 0
6 6 6 9 9 9 9 11 11 11 11 11 11
7 7 7 X X X X X X X X X X
7 7 7 7 9 9 9 9 9 9
     
Gtrs. 4 & 7
                 
           
0 0 0 0 0 0 0 0 0 0 0 0
0 0 0 0 0 0 0 0 0 0 0 0
6 6 6 6 6 6 6 8 8 8 8 8 8
7 7 7 X X X X X X X X X X
4 4 4 4 6 6 6 6 6 6
 Coda
Outro-Chorus
Lead & Bkgd. Voc.: w/ Voc. Fig. 1 (2 1/2 times)
Gtrs. 1, 3 & 4: w/ Rhy. Fig. 3 (4 3/4 times)
Gtrs. 5 & 6: w/ Riff B (2 1/2 times)
F5 F/A Bbsus2 Csus4

  
       

          
This world is a dead man down. Ev - ’ry breath is a
F5 F/A Bbsus2 Csus4


                  
 
 
fad - ing crown. Wear it like some de - bil - i - tat - ed king.
10
F5 F/A
[E5] [E/G#]
   
    
 
 
     
   



Earth spins and the moon goes ’round.
(Gold - en, gold - en.
Bbsus2 Csus4 F5 F/A

[Asus2] [Bsus4] [E5] [E/G#]
       
        
   

                 






The green comes from the fro - zen ground and now ev - ’ry - thing will be
Gold - en, gold - en. Gold - en, gold - en.
Bbsus2 Csus4
[Asus2] [Bsus4]
     
       
   
 
            



    
made new a - gain, like free - dom in spring.
Gold - en, gold - en, gold - en.
F5 F/A Bbsus2 Csus4

    
               
  

   

 


 





        
 
Like free - dom in spring. Like free -
Gold - en, gold - en, gold - en. Gold - en, gold - en,
Segue to “The Fatal Wound”

Dm7
  [C#m7]
    
  
     

  
 
- dom in spring.
gold - en. Gold.)
        


Gtrs. 1, 3 & 4
   
     





 
 


 

0 0 0 0 0 X X 0
0 0 0 0 0 X X 0
X X X X X X X
9 9 9 9 9 X X 11
9 9 9 9 9 X X 11
9 9 9 9 9 X X 11
11
The Fatal Wound

Bb Csus2 D G D5
7fr 7fr 7fr 5fr 7fr
2 1 4 1 111 11 1
Drop D tuning:
 
 = 
   
3  3 
Intro
μ Dm7 Bb Csus2
Rhy. Fig. 1
    
       
(Sound effects & synths.) Gtr. 1 (acous.)
 4 sec.
       
                 
mf  

5 5 5 5 5 5 7 7 7 7 7 7 7 7
3 3 3 3 3 3 0 0 0 0 0 0 0 0 0 0
5 5 5 5 0 0 0 0 X X X X X X X X
0 0 8 8 8 8 8 8 8 10
Verse
Dm7 Bb G D5 Dm7
        
 

1. I am the cri - sis,
End Rhy. Fig. 1
                       

                          
     
5 5 5 5 5 5 7 7 7 7 7 4 4 4 5 5 5 5 5 5
3 3 3 3 3 3 0 0 0 0 0 0 0 0 0 0 0 0 3 3 3 3 3 3 0 0
5 5 5 0 0 0 0 0 X X X X X X X 0 0 5 5 5 0 0 0 0 0
0 0 8 8 8 8 8 5 5 5 0 0 0 0
Bb Csus2 D5 Dm7 Bb G D5
               
            
I am the bit - ter end. I’m gon - na gun this down.
            
           


    
       
        
         
  
   
7 7 7 7 7 7 7 7 7 5 5 5 5 5 5 5 7 7 7 7 7 7 4 4 4
0 0 0 0 0 0 0 0 0 0 0 3 3 3 3 3 3 3 0 0 0 0 0 0 0 0 0 0 0 0 0
X X X X X X X X X 0 0 5 5 5 5 5 0 0 0 0 X X X X X X X X X 0
8 8 8 8 8 10 10 10 10 0 0 0 0 8 8 8 8 8 8 5 5 5 X 0
Dm7 Bb Csus2 D5 Dm7
           
              
I am di - vid - ed, I am the ra - zor edge. There is no eas - y now.
                      
                          
    
(cont. in slashes)
5 5 5 5 5 7 7 7 7 7 7 7 7 5 5 5 5 5
0 3 3 3 3 3 0 0 0 0 0 0 0 0 0 0 0 3 3 3 3 3 0 0
0 5 5 0 0 0 0 0 X X X X X X X X 0 5 5 0 0 0 0 0
0 0 0 8 8 8 8 8 8 8 10 0 0 0

Chorus
Gtr. 1 tacet
Bb D D7 D5 Gsus4 G D5
Gtr. 1
          
           
    
   
     

Ah. The son of sor - row is star - ing down for - ev - er

*Gtr. 2 (acous.) Rhy. Fig. 2
                     

                   
               
       
7 7 7 7 7 7 7 7 7 7 7 2 2 2 2 2 2 4 5 5 5 5 5 4 4 4 4 2 2
0 0 0 0 0 0 0 0 0 0 0 4 4 4 4 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
X X X X X X X X X 0 0 0 0 0 0 3 3 0 0 X X X X X X X X X 0 0
8 8 8 8 8 8 10 10 10 0 0 0 0 0 0 0 0 5 5 5 5 5 5 5 5 5 0 0
*Two gtrs. arr. for one
D D7 G A'4 D D7
     
       
  


     


 
with an ach - ing view. Dis - en - chant - ed,

                     
                  
                       
2 2 2 2 2 2 4 4 4 4 4 4 4 4 4 4 5 6 2 2 2 2 2 2
4 4 4 4 0 0 0 0 0 0 0 0 0 0 0 0 0 0 4 4 4 4 0 0 0 0
0 0 0 0 3 3 X X X X X X X X X X X X 0 0 0 0 3 3 0 0
0 0 0 0 5 5 5 5 5 5 5 5 5 5 6 7 0 0 0 0 0 0

Em Esus2 Em Bb Csus2
Gtr. 3
(elec.) 
f
    


    
 
w/ dist.
    
  
 
 
let’s go down to - geth - er with the fa - tal wound.
End Rhy. Fig. 2
                     
             
                        
 
0 0 0 0 0 0 0 0 0 0 0
0 0 0 0 0 0 0 0 0 0 0
X X X X X X X X X X X 7 7 7 7 7 7 7 7
5 5 5 4 4 4 4 4 5 5 5 0 0 0 0 0 0 0 0 0 0
2 2 2 2 2 2 2 2 2 2 2 X X X X X X X X 0 0
2 2 2 2 2 2 2 2 2 2 2 8 8 8 8 8 8 10 10 0 0
2
 
Interlude
D G
  
  

                   
           

        
        
2 2 2 2 2 2 4 4 4 4 4 4 4 4 2 2
4 4 4 4 0 0 0 0 0 0 0 0 0 0 0 0 0 0
0 0 0 0 3 3 0 0 X X X X X X X X 0 0
0 0 0 0 0 0 5 5 5 5 5 5 5 5 0 0

D

G

         
















 
 

       
          
2 2 2 2 2 2 4 4 4 4 4 4 4 X X
4 4 4 4 0 0 0 0 0 0 0 0 0 0 X X
0 0 0 0 3 3 0 X X X X X X X X X
0 0 0 0 0 5 5 5 5 5 5 5 X X
Verse
Gtr. 2: w/ Rhy. Fig. 1 Gtr. 4: w/ Riff A (3 times)
Gtr. 3 tacet
Dm7 Bb Csus2 Dm7
                 
            
2. This is the real thing, no rub - ber bul - lets now. This is the fi - nal bow.
Riff A End Riff A
      
Gtr. 4 (elec.) 8v a
      
mf
w/ dist. & chorus
17 13 15
15 15


    
Gtr. 5 (elec.)

      



 

f w/ bar
w/ dist. & reverb
5

5 6 5


5 7 5
7 7
3
Bb G D5 Dm7 Bb Csus2
             

         

Yeah. My breath a - voids me, my chest is in my head.
  

Gtr. 5
  

       



 

  

w/ bar w/ bar w/ bar

3 3 5 6



3 4 5 7
3 5 7
1
         
Gtr. 2
                 
                  
               
 
7 7 7 7 7 4 4 4 5 5 5 5 5 5 7 7 7 7 7 7 7 7 7 7
0 0 0 0 0 0 0 0 0 0 3 3 3 3 3 3 0 0 0 0 0 0 0 0 0 0 0 0
X X X X X X X 0 0 5 5 5 0 0 0 0 0 X X X X X X X X X X
8 8 8 8 8 5 5 5 0 0 0 0 8 8 8 8 8 8 8 8 8 10
Chorus
       
Dm7 Bb Csus2 D5 D D7 D5
        
             
 

   
My stom - ach’s up - side down, down. The son of sor - row
Gtr. 6 (elec.)
      

Gtr. 5
 
                
  



mf
  
P.M. (cont. on lower staff)
6 5
7 7 5 2 2
7 7 5 7 4 0
8 5 7 8 0 3
0

Gtr. 2
        
Gtr. 6
             
                        
   
5 5 5 5 5 7 7 7 7 7 7 7 7 7 2 2 2
0 3 3 3 3 3 0 0 0 0 0 0 0 0 0 0 0 4 0 0 0 0
0 5 5 0 0 0 0 0 X X X X X X X 0 0 0 3 3 0 0
0 0 0 8 8 8 8 10 10 10 0 0 0 0 0
4
Gsus4 G D5 D D7 G A'4
      

 
  
             






  

 
  
 
  
is star - ing down for - ev - er with an ach - ing view. Yeah, yeah, yeah.
    
  

 



     
 
  

   
   


4 5 4 2 2 4 4 5 6
0 0 0 4 0 0 0 0 0
X X X 0 3 X X X X
5 5 5 0 5 5 6 7

  
   


  
  
      
4 2 2 4 4 5 6
0 4 0 0 0 0 0 0 0
X 0 3 0 0 X X X X
5 0 0 0 5 5 6 7
D D7 Em Esus2 Em Bb Csus2 D5
         


      
            
    
Dis - en - chant - ed, let’s go down to - geth - er with the fa - tal wound.
     
      
     
 
      
  

 
  
0 0
0 0 3 5
2 2 X X 3 5
4 0 5 4 3 5
0 3 2 2 1 3
0 2 2
     
 
     

   
   
0

0 3 5 5
2 X 3 5 5
4 5 3 5 5 0 0
0 2 1 3 3 0 0
0 2 0 0
5
Outro
D5 Bb Csus2 D5
Gtr. 2                 
         
 
     

With the fa - tal wound.
    
        
Gtr. 5
     
  


 
  
     


 
3 3 3 5 5 5 7 7
2 2 3 5 5 5 7 5
0 0 3 5 5 5 7 7
0 0 1 3 3 3 5 5
0 0
  
Gtr. 6
 



    

  
     
   
3 3 5 5 3
2 3 5 5 2
4 3 5 5 0 0 4
0 1 3 3 0 0 0
0 0 0 0
Free time

Gtr. 4: w/ Riff A
Bb Csus2 D5
         
      
 
  

With the fa - tal wound.
 
   
     


   
  
3 5 3
3 5 2
3 5 0 0 4
1 3 0 0 0
0 0 0
     
          

  
  
3 5 5 3
3 5 5 2
3 5 5 0 0 4
1 3 3 0 0 0
0 0 0
  
Fade out
 

*Gtrs.
 
5&6

    

   

   

fdbk. fdbk. fdbk.
3 3 3
2 2 2
4 4 4
0 0 0
0 0 0
*Composite arrangement Pitch: E
6
We Are One Tonight

type 2 type 2
Em7 Cadd9 Cadd9 Dsus2 Em7 G Dsus4
12 34 21 34 2 3 13 1 3 21 34 134
Intro
**G
Riff A End Riff A
                     
*Gtr. 1 (elec.)
                      
f
w/ dist. & chorus
let ring throughout
3 3 3 3 3 3 3

3 1 0 3 1 0
2 0 2 0
*Doubled throughout
Gtr. 1: w/ Riff A
Dsus4 Em7 C'9
       
 
(To - night,
***Gtr. 2 (acous.)
                               
                                
                       
mf
let ring throughout
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3
0 0 0 0 0 0 0 0 2 2 2 2 2 2 2 2 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2
2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 3 3 3 3 3 3 3 3
3 3 3 3 3 3 3 3 0 0 0 0 0 0 0 0
***Doubled throughout

G Dsus4 Em7 C'9
 
 
            

   
to - night.)
 
Gtr. 1

Gtr. 1
                
                      
 
†Gtr. 3 (elec.)
divisi
f
w/ dist.
P.M.
3 3 3 3 3 3
3 1 0 3 1 0 0
2 0 2 0
0 0
†Doubled throughout
Verse
Gtr. 1 tacet
Em7 C'9
                               
Gtr. 2
  
    
   
  
1. All rise, all fall.

Gtr. 3

                
    
               
         
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
2 2 2 2 2 2 2 2 0 X X X X X X X 0 X 0
0 3 3 3 3 3 3 3 0 3 0

Gtr. 3: w/ Rhy. Fig 2A (2 3/4 times)
Em7 C'9 Em7
Gtr. 4
(elec.)
    
mf
 
w/ slight dist.
          
  
 
    
I’ll fail you all.
   
Gtr. 5 (elec.)
     
mf
w/ slight dist.
1
0
3
Gtr. 5 tacet
C'9
                            
                
    
We built these cit - ies to stand so tall.
  
*Gtr. 6 (elec.)
      
     


f
w/ dist.
let ring
let ring
0
3 3
0
5 2 X
5 3 3 2
0
*Doubled throughout
2
type 2
Em7 C'9 C'9
Gtr. 3        
    
    
   
      
We’ve lost our walls.

       
 
*Gtr. 7 (elec.)
      



f
let ring w/ dist.
Harm.
0 0
3 3
0 0
2 2 0
7 7 7 7 0
*Four gtrs. arr. for one
Pre-Chorus
Gtr. 3 tacet
type 2 type 2
Dsus2 Em7 C'9
                               
Gtr. 2
        
                 

I don’t wan - na lose you com - ing down, with the whole world up - side down.

Gtr. 4
                                
P.M.
4 4 4 4 4 4 4 4 5 5 5 5 5 5 5 5 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2
5 5 5 5 5 5 5 5 7 7 7 7 7 7 7 7 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3
Rhy. Fig. 4B End Rhy. Fig. 4B
    
Gtr. 7
 





 

 
0 0 0
3 3 3
2 0 0
0 2 X
3
Gtrs. 2, 4 & 7: w/ Rhy. Figs. 4, 4A & 4B
 
Dsus2 Em7 C'9
 
  
      
         
        
I don’t have a soul to trust in now, with the whole world up - side down.
3
Chorus
G Dsus4 Em7 C'9
      
            

     
  
We are one to - night, and we’re sing - ing it out.
Riff B End Riff B
                    
Gtr. 1
                   
3 3 3 3 3 3 3
3 1 0 3 1 0
2 0 2 0

G Dsus4 Em7 C'9
      
           

     
 

We are one to - night, and we’re dream - ing out loud.
G Dsus4 Em7 C'9

   
   
                 
    
And the world is flawed, but these scars will heal.

G Dsus4 Em7 C'9
      

        
   
   

We are one to - night, to - night, to - night,
G Dsus4 Em7 C'9

*Voc. Fig. 1 End Voc. Fig. 1
     
             
 
     

to - night.
(To - night, to - night.)
Riff C End Riff C
      
Gtr. 7
                       
12 12 12 12 12 10 10 10 10 9 9 7 7 5 5 12 12 12 12 12 10 10 10 10 9 9 7 7 5
*Refers to downstemmed vocal only.

4
Verse
Gtr. 2: w/ Rhy. Fig. 2 (4 times) Gtrs. 1 & 7 tacet
Em7 C'9
  
        

2. Two eyes, one tongue,
  
Gtr. 1
    
Gtr. 7
divisi
3
                        
Gtrs. 3 & *8
                      

       
3 3 3 3 3 3 3 3 3 3 3 3 3 3
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
2 2 2 2 2 0 2 2 2 2 2 X X X X X X X 0 X 0
3 0 3 3 3 3 3 3 0 3 0
*Gtr. 8 (elec.) w/ clean tone, mp. Composite arrangement
Em7 C'9
  
             
3
  
I’ve come un - done.
    
 
**Gtr. 10
     

mf
1/2
11 11 9 11 9

**Gtr. 9
  
 
      
 
mf
5 5
5 5 7
**Bkwds. gtr. arr. for gtr.
                   
        
Gtrs. 3 & 8
                      

            
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
2 2 2 2 2 2 2 0 2 0 X X X X X X X 0 X 0
0 0 3 0 3 3 3 3 3 3 0 3 0
5
Gtrs. 9 & 10 tacet

Em7 C'9
         
                
I’m no vic - tim, I payed these dues.
            
   
   
   
   
   
Gtr. 7

mf
w/ clean tone & reverb
let ring throughout
7 7 7 7 7 7 7 7
8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8
9 9 9 9 9 9 9 9
       
Gtr. 9
    
Gtr. 10
divisi
5 7 8 7 5
9 11 12 11 9
        
Gtrs. 3 & 8
                       
                         
    
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
2 2 2 2 2 0 2 2 2 0 2 0 X X X X X X X X X X 0 X 0
0 0 0 3 3 3 3 3 3 3 3 3 3 0 3 0
Em7 C'9
      
        
      
I came to lose.
                              
Gtr. 7

7 7 7 7 7 7 7 7
8 8 8 8 8 8 8 8 8 8 8 8 8 8 8
9 9 9 9 9 9 9 9
         
Gtr. 5
      
p 1
7 14 14 14 12 14 14 14 12

Gtrs. 3 & 8

                
     
               
              
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
2 2 2 2 2 2 2 2 2 2 0 2 0 X X X X X X X X X X X X 0
0 0 3 3 3 3 3 3 3 3 3 3 3 3 0
6
Pre-Chorus
Gtrs. 2 & 4: w/ Rhy. Figs. 4 & 4A (2 times) Gtrs. 5 & 7 tacet
Gtr. 3 tacet
            
  
Dsus2 Em7 C'9
 

       
      
I don’t wan - na fight a - bout it now, with the whole world up - side down.
             
Gtr. 8
        
w/ reverb
let ring throughout
2 2 3 3 0 0 0
3 3
0 0
 
Gtr. 7
   
Gtr. 5
divisi
8
12
        
    
Dsus2 Em7 C'9
    
   

       
  
I don’t have a soul to trust in now, with the whole world up - side down.
Riff D End Riff D
             
Gtr. 8
         
2 2 3 3 0 0 0
3 3
0 0 0
Chorus
Gtr. 1: w/ Riff B
Gtr. 8 tacet
G Dsus4 Em7 C'9
      
      
     
        

We are one to - night, and we’re sing - ing it out.
Voc. Fig. 2 End Voc. Fig. 2
       

   
(One to - night.)
7
G Dsus4 Em7 C'9
 
     
      
     
 
       

We are one to - night, and we’re dream - ing out loud.
(Out loud.)
G Dsus4 Em7 C'9

   
   
 
               
     
And the world is flawed, but these scars will heal.

G Dsus4 Em7 C'9
      

        
   
  
We are one to - night, to - night, to - night,
 
         
   
(One, one to - night.)
Bkgd. Voc.: w/ Voc. Fig. 1 (2 times)

G Dsus4 Em7 C'9
    

                
  

to - night. To - night,
        
Gtr. 7
                      
12 12 12 12 12 10 10 10 10 9 9 7 7 5 5 12 12 12 12 12 10 10 10 10 9 9 7 7 5 5
Gtr. 7: w/ Riff C
G Dsus4 Em7 C'9
    

      
     
    

to - night.
8
Pre-Chorus
Gtrs. 2 & 4: w/ Rhy. Figs. 4 & 4A (2 times) Gtrs. 1 & 7 tacet
 
Dsus2 Em7 C'9
                   
    
        
I don’t wan - na lose the com - mon ground, with the whole world up - side down.
   
Gtr. 8
         
2 2 3 3 0 0
3 3
0 0
 
 
Gtr. 1
  
Gtr. 7
divisi
3

Gtr. 11 (elec.)
                                
mf
w/ dist. & flanger
4 4 4 4 4 4 4 4 4 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5
Gtr. 8: w/ Riff D
   
Dsus2 Em7 C'9
 
 
      
         
3
     

I don’t wan - na fight a - bout it now, in a world that’s burn - ing out.

Gtr. 11
                                
5 4 4 4 4 4 4 4 4 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5
 
Bridge
Gtrs. 4 & 11 tacet
C'9type2 G Dsus4 Em7
Gtr. 2
  
(cont. in notation)


            
            
Let’s slow the eve - ning down, slow it down, slow
       
Gtr. 11 Gtr. 2
                  
  
     
3 3 3 3 3 3 3
3 3 3 3 3 3 3
0 0 0 0 0 0 0 2 2 2 2 2 2 2 0
9 0 0 0 0 0 0 0 0 2
2 2 2 2 2 2
3 3 3 3 3 0

Gtr. 4
 
 
  
 
0
2
3
9
C'9 G Dsus4
Gtr. 2                
    
   

       
down. Please slow down, down, down,
        

Gtr. 12 (elec.) Riff E
                
*
w/ dist.
let ring throughout
10 7 10 7 10 7
0 0 0 0 0 0
0 0 0 0 0 0 0 0 0
*Vol. swell
       
Gtr. 2
                  

    
(cont. in slashes)
3 3 3 3 3 3 3
3 3 3 3 3 3 3
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
2 2 2 2 2 2 2 2 2 2
2 2 2 2 2 3 3 3 3 3
0 0 0 0 0
Outro-Chorus
Gtr. 1: w/ Riff B
Gtrs. 2 & 4: w/ Rhy. Fig. 1 (till fade)
Gtr. 12: w/ Riff E (till fade)
Em7 C'9 G Dsus4
               
         
           
the stars are com - ing out. We are one,
      End Riff E

Gtr. 12
            
mf
10 7 10 7
0 0 0 0
0 0 0 0 0 0
Gtr. 1: w/ Riff A (till fade)

Em7 C'9 G Dsus4
         
  
          
we are one, we are one,
10
Em7 C'9 G Dsus4
    
              
  
Voc. Fig. 3
    


we are one to - night, to - night.
    
        
We are one to - night,
Lead Voc.: w/ Voc. Fig. 3 (till fade)

Em7 C'9 G Dsus4
  

   
End Voc. Fig. 3
      
 
      
To - night,
 
  
  

             

and we’re sing - ing it out. We are one to - night,
Bkgd. Voc.: w/ spoken voc. ad lib (till fade)
  
Em7 C'9 G Dsus4
      

                  

 
and we’re dream - ing out loud. And the world is flawed
      
 
       
(We are one, we
      
Em7 C'9 G Dsus4

       

 
  
     

with these scars will heal. We are one to - night,
    
    
are one.)
Begin fade
Em7 C'9 G Dsus4

      
  
*Voc. Fig. 4 End Voc. Fig. 4
     
         
   
to - night, to - night, to - night,
(We are one.)
*Refers to upstemmed vocal only.
Fade out
Em7 C'9 G Dsus4 Em7 C'9
             

to - night, to - night.
11
Daisy
D5 D A Ab G
12fr 7fr 6fr 5fr
Gtr. 1 tuning: 111 1111 1111 1111

(low to high) Db-Ab-Db-F-Ab-Eb
Gtrs. 2-9: Open D tuning, down 1/2 step:
(low to high) Db-Ab-Db-F-Ab-Db
Intro
D
 
Rhy. Fig. 1
        
Gtr. 1 (acous.)
                           

                    

mf
let ring throughout
0 0 0 0 0 0 0 0 0

0 0 0 0 0 0 0 0 0

0 0 0 0 0 0 0 0 0 0 0 0 0
0 2 4 4 4 2 0 0 2 4 4 4 2 0 0 0 2 4 4 4 2 0
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
Verse
D D(#4no3rd)

   

              
1. Dai - sy, give your - self a - way. Look up at the rain,
End Rhy. Fig. 1 Rhy. Fig. 2
   
                 
                     
0 0 0
0 0 0 0 0 0 0 0 0 0 0
0 0 0 0 0 0 0 0 0 2 2 2 2
0 0 2 4 4 4 2 0 0 0 0 0 0 0 0 0
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
Bm7 Gadd9

             
          
       


the beau - ti - ful dis - play of pow - er and sur - ren - der. Giv - ing us to - day
        
                 
       
0 0 0 0 0 0 0 0 0 0 0 0
8 8 8 8 8 8 8 8 5 5 5 5
0 0 0 0 0 0 0 0 0 0 0 0
X X X X X X X X X X X X
9 9 9 9 9 9 9 9 9 9 9 9 9 9 5 5 5 5 5

Bbmaj7 D
  
        
  
when she gives her - self a - way.
                
End Rhy. Fig. 2
      *Gtr. 2 (elec.)

 
     
   mp
w/ slight dist. & Leslie
let ring throughout
0 0 2 4 4 4 2 0 0 0 2 4 4 4 2 0
0 0 0 0 0 0 0 0 0
8 8 8 8
0 0 0 0
X X X X
8 8 8 8 8 8 8 8
*Doubled throughout
 
D(#4no3rd) Bm7
         
                  

Rain, an - oth - er rain - y day comes up from the o - cean to give her - self a - way.
      
                 
0 0
0 0 0 0 0 0 0 0
0 0 2 2 10 10
0 0 0 0 0 0 0 0
Gadd9 Bbmaj7
 
   
 
           
   

       
She comes down eas - y on rich and debt the same, when she gives her - self a - way.
   
                     
0 0 0 0 0 0
0 0 0 0 0 0 0 0 0 0 0 0
10 10 5 5 10 10
Chorus

D ** D7/A
    
   


        

Let it go, Dai - sy, let it go.

Riff A End Riff A Riff B
    
***Gtrs. 2 & 3
       
     
Gtr. 2
      
 
let ring throughout
0 0 2 4 4 4 2 0 0 0 0 0
0 0 0 0 0 0 15 15 15
0 0 15 15
15 15 15
***Gtr. 3 is two 12-str. acous. gtrs. arr. for one, played mf.

Composite arrangement
  
               

             
             
0 0 0
0 0 0
0 0 0 0 0 0 0 0 0 0
0 0 2 4 4 4 2 0 0 0 0 0 0
0 0 0 0 0 0 0 0 0 0 0 0 0 0
0 0 0 0 0 0 0 0 0 0 0 0 0 0
**Chord symbols reflect implied harmony.
Bass plays notes to right of slash, next 6 meas.
2
Gtr. 1 tacet
Gadd9 Gm Dm/F
  

 

              

      
O - pen up your fist. This fall - en world does - n’t hold your in -
                   
Gtrs. 2 & 3
          

0 0 0 0 0 0 0 0 0
14 14 14 13 13 13 12 12 12
15 15 13 13 13 11 11 11
14 14 14 13 13 12 12

E7 Em7/G D
 
              
       

- t’rest, it does - n’t hold your soul. Dai - sy, let it go.
                   
End Riff B Riff C

Gtr. 2
         
0 0 0 0 0 0 0 0 2 4 4 4 2 0
11 11 11 10 10 10 0 0 0
10 10 10 10 10 10
11 11 10 10
           
End Riff B

Gtr. 3
         


0 0 0 0 0 0 0
11 11 11 10 10 10 0
10 10 10 10 10 10 0
11 11 10 10
Verse
Gtr. 2 tacet
D D(#4no3rd)

        
3
       
2. Pain, give your - self a name, call your - self con -
mf
  
w/ slight dist., Leslie & **delay
     
Gtr. 4 (elec.)
   
      
Gtr. 4
Gtr. 2 End Riff C

*
0 0 2 4 4 7 4 2 0 4
0 0 0 0
*Gtr. 4 to left of slash in tab.

**Delay set for eighth note regeneration w/ 3 repeats.
3
Bm7 Gadd9
 
     
              
3
        
tri - tion, av - a - rice or blame. Giv - ing is - n’t eas - y, and nei - ther is the rain
  
    
4 5
5 5

Bbmaj7 D

  
        
  
when she gives her - self a - way.
    
     
7 4 0
5 0

D D(#4no3rd) Bm7

                      
     
Dai - sy, why an - oth - er day, why an - oth - er sun - rise? Who will take the blame
   
       
7 4
0
0 5
Gadd9 Bbmaj7

 
   

                 
       
 
for all re - demp - tive mo - tion and ev - ’ry rain - y day while he gives him - self a - way?
  
    
7 4
5 5
5 4
4
Chorus
Gtr. 1: w/ Rhy. Fig. 3 Gtrs. 2 & 3: w/ Riff B
Gtr. 2: w/ Riff A

    
D * D7/A Gadd9

             
    


     

Let it go, Dai - sy let it go. O - pen up your
 
Riff D

  
10 9
0
*Bass plays note to right of slash, next 14 meas.
                        

 
     
  
Gm Dm/F E7 Em7/G

      
fist. This fall - en world does - n’t hold your in - t’rest, it does - n’t hold your soul. Dai - sy, let it go.
     

8 7 6 5 7
Interlude
Gtr. 1: w/ Rhy. Fig. 3 Gtr. 4: w/ Riff D
Gtr. 2: w/ Riff A
D D7/A Gadd9
 
       

     
  
Let it go.
               
End Riff D **Gtr. 5 (12-str. acous.)
                  
Gtr. 4

mf
let ring throughout
4 0 0 0 0 0 0 0 0
15 15 15 15 15 15 15 15 14 14 14 14 14 14 14 14
10 10 10 10 10 10 10 10
**Doubled throughout
             
Gtrs. 2 & 3

Gtr. 3
        

0 0 0 0
0 15 15 14 12 15 14 12 14 14 14 14
0 15 15 15 15 15
15 14
0
5
Gm Dm/F E7
 
            

Oh, oh.
                                                 

0 0 0 0 0 0 0 0 0 0 0 0
13 13 13 13 13 13 13 13 12 12 12 12 12 12 12 12 11 11 11 11 11 11 11 11
10 10 10 10 10 10 10 10 10 10 10 10
         
            
           
0 0 0 0 0 0 0 0 0
13 13 12 10 13 12 10 12 12 12 11 11 11
13 11 11 11 10 10 10
13 12 12 12 11 11
Gtr. 1: w Rhy. Fig. 1

Gtr. 2: w/ Riff C
D/G A7 D
     
  
      
         
 


 


 

0 0 0 0 0
9 9 9 10 10 10 0
10 10 0
0
0
0
          
Gtr. 3
 
 

 
 

 
 
0 0
9 9 10 10 0
10 10 0
0 0
0
0
6
Outro
Gtr. 1: w Rhy. Fig. 3
Gtr. 2: w/ Riff A
Gtrs. 3 & 5 tacet
D5 D D5 D A Ab
       
Rhy. Fig. 4
***Gtrs.
6&7
  
        
Let it go.

Gtr. 7 (elec.)
  
  
8v a †Gtr. 8 (elec.)
       
** f    
w/ dist. f
fdbk.
w/ dist.
(cont. in slashes)
0 16 16 11 10
X X X X
16 16 11 10
Pitch: A
**Vol. swell †Doubled throughout


Gtr. 6 (elec.)
     
 
* f (cont. in slashes)
w/ dist.
fdbk.
0
0
0
0
0
Pitch: E ***Composite arrangement
*Vol. swell

G D †† D A Ab G D
End Rhy.Fig. 4
       
    
                
Oh, let it go. And you let it

8v a

Gtr. 9 (elec.)
    
f
w/ dist.
†††fdbk.
X
Pitch: E
†††Microphonic fdbk.,
not caused by
string vibration.
     
Gtr. 8
            
 
 
        
               
   
1/2 1/2
9 9 9 9 9 9 9 9 16 16 11 10 9 9 9 9 9 9 9 9
X X X X X X X X X X X X X X X X X X
9 9 9 9 9 9 9 0 0 16 16 11 10 9 9 9 9 9 9 9 0 0
††Chord symbols reflect overall harmony.
7
A Ab G D A Ab
 
      

 
  
  



    

go, go. Let it go, let it go.
   
loco
                 

8v a loco
  
    
8v a
         
fdbk. fdbk.
1 1 1 1 1 1 1 1 1 1 1
10 0 0 10 0 0 10 0 9 9 9 9 9 9 10 0 10 0 0
13 0 0 13 0 0 13 0 12 12 12 12 12 12 13 0 X 13 0 0 X
Pitch: E C#
       
                      
              
 
 
1/2 1/2 1/2
12 12 11 10 9 9 9 9 9 9 9 9 9 9 16 16 11 10
X X X X X X X X X X X X X X X
12 12 11 10 9 9 9 9 9 9 9 0 0 16 16 11 10
G D A Ab
      

       
     
Let it go, go.
      
         
loco
       
     
fdbk.
1 1 1 1 1
9 9 9 9 9 9 9 0 10 0 0 10 0 0 10
12 12 12 12 12 12 12 0 13 0 0 13 0 0 13 X
Pitch: D
  
                
 
        
 
1/2
9 9 9 9 9 9 9 9 16 16 11 10
9 9 9 9 9 9 9 0 0 16 16 11 10
8
G D A Ab
  
    
       
    
Let it go.
8va    
loco
                    
  

 
   
P.H.  fdbk.
1 1 1 1/2 1 1 1 1 1
15 15 12 12 9 10 11 12 15
X 15 15 12 13 14 15 18
10
Pitch: B
  
 
           

 

 



      
 
1/2 1/2
9 9 9 9 9 9 9 9 9 12 12 11 10
9 9 9 9 9 9 9 0 0 12 12 11 10
G D D5
   
    

        
Let it go.
     15ma
 
  
 
    
P.H.
1 1 1/2
15 15
18 18 12 12
 


*Gtr. 10
 
        
 

        
   
7
0
8
9 9 9 9 9 9 9 0
X X X X X X X 0
9 9 9 9 9 9 9 0 0 0
*Piano arr. for gtr.

Switchfoot - Nothing Is Sound

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Switchfoot - Nothing Is Sound

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from Switchfoot - Nothing Is Sound

***Chord symbols reflect overall harmony.

Gtrs. 3 & 4: w/ Rhy. Figs. 1 & 1A

*Gtr. 6 to right of slash in tab.

Gtrs. 2 & 6 tacet

we are slaves of what we want.

Gtr. 5        

Oh. Lone - ly,

Riff C End Riff C

Gtr. 6: w/ Riff C (3 times)

                     

Csus2 Gsus2 A7sus4 A7

Gtrs. 3 & 4: w/ Rhy. Fig. 3

Csus2 Gsus2 A7sus4 A7

End half-time feel

End half-time feel

Half-time feel End half-time feel

I feel like my - self. When I look at the stars,

Happy Is a Yuppie Word

Gtr. 5 (slight dist.)

                

Riff A End Riff A

Rhy. Fig. 4 End Rhy. Fig. 4

Gtr. 3: w/ Rhy. Fig. 4 (2 times)

          

              

                  

              

let ring  let ring 

Gtr. 3: w/ Rhy. Fig. 3 (2 times)

So come down, yeah! So come down, yeah!

Gtr. 1: w/ Rhy. Fig. 1

Gtr. 1: w/ Rhy. Fig. 1 (1st 4 meas.)

Gtr. 1: w/ Rhy. Fig. 2

E Asus2 C#m7 Asus2

Rhy. Fig. 4 End Rhy. Fig. 4

Gtr. 3: w/ Rhy. Fig. 4

E Asus2 C#m7 Asus2

E Asus2 C#m7 Asus2

*Chord symbols reflect overall harmony.

Gtr. 6: w/ Rhy. Fig. 6 (2 times)

Easier than Love

*Gtr. 1 (slight dist.)

Rhy. Fig. 1 End Rhy. Fig. 1

Gtrs. 1 & 2 tacet

It’s hard - er to face our - selves at night, feel - ing a - lone.

Gtr. 3: w/ Riff A (2 times)

Gtrs. 2 & 6 tacet

Ev - ’ry - one’s been scared to death of, ev - ’ry - one’s been

la, la, la, numb. La, la, la, la, la,

                    

Riff A End Riff A

            

Gtrs. 1 & 5 tacet

      

End Rhy. Fig. 3

            

      

Rhy. Fig. 4 End Rhy. Fig. 4

Gtrs. 4 & 6: w/ Rhy. Figs. 4 & 4A (1 1/2 times)

         

     

Gtr. 1: w/ Rhy. Fig. 2

        

Em(add4)/G Cmaj7 E5 * D%/F# † Em/G