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  • Robbie Calvo Clip 18 Phrygian Static Vamp Using BM em and C Major Pentatonic

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    This document provides a 3 sentence summary of a musical composition: The composition is a static vamp using the B minor, E minor, and C major pentatonic scales over a backing track in B minor. It repeats throughout in a cyclic pattern, alternating between the B minor and C major pentatonic scales. The piece remains in standard tuning and is meant to be played at 94 beats per minute.

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    Robbie_Calvo_Clip_18_Phrygian_Static_Vamp_Using_Bm_Em_And_C_Major_Pentatonic

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    This document provides a 3 sentence summary of a musical composition: The composition is a static vamp using the B minor, E minor, and C major pentatonic scales over a backing track in B minor. It repeats throughout in a cyclic pattern, alternating between the B minor and C major pentatonic scales. The piece remains in standard tuning and is meant to be played at 94 beats per minute.

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    © All Rights Reserved
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    4 views4 pages

    Robbie Calvo Clip 18 Phrygian Static Vamp Using BM em and C Major Pentatonic

    Uploaded by

    tmbr9rqbrc
    This document provides a 3 sentence summary of a musical composition: The composition is a static vamp using the B minor, E minor, and C major pentatonic scales over a backing track in B minor. It repeats throughout in a cyclic pattern, alternating between the B minor and C major pentatonic scales. The piece remains in standard tuning and is meant to be played at 94 beats per minute.

    Copyright:

    © All Rights Reserved
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    of 4

    Phrygian Mode

    Static Vamp Using Bm, Em, And C Major Pentatonic


    brettpapa.com
    transcription by Marco Tafelli
    Standard tuning
    = 94
    Example 1
    Bm7 sl. C6

    1 2

    3 3
    od.guit.

    sl.

    13 15 13 12 (12) 13 12 13
    14
    14

    Bm7 C6
    3 4

    15 12 13 12
    12 12 (12) 12 14 14
    15 15

    Bm7 C6 ½

    5 6

    (12) 15 12 13 12 15 12 13 12
    14 14 12 14 14 12
    14 14 14
    15

    Bm7 C6
    sl. sl. sl.

    7 8

    sl. sl. sl.


    15
    13 15 17 (17) 17 15 15 17 12
    12 (12) 14
    12 14

    1/4
    Bm7 C6
    sl. ½ ¼
    9 10

    ½ ¼
    sl.

    (12) (12) 7 7 (7) (7)


    9 9 7 7
    X 9 7 9
    X 9

    Bm7 full
    C6
    sl. ½
    sl.
    11 12

    full ½
    sl. sl.

    10 12 10 (10) (10) 7 7
    7 9 (9) 9 9 7

    Bm7 C6 ½
    13 14

    8 7 8
    10 7 8 7
    (7) 9 7 9 7 9 9 7
    9 9

    full
    Bm7 C6 sl.
    sl.
    15 16

    full
    sl. sl.

    12 13 15 (15) 13 12 15 12 13 12
    7 7 (7) 12 14 X 14
    9 12 14
    (7) 15

    Bm7 C6
    17 18

    12 13 15 12 13 12 13 12 12
    14 14
    14 12 (12) 14

    2/4
    Bm7 C6
    19 20 21

    (12) 13 15
    12 (12)

    Example 2
    Bm7 C6
    ½
    22 sl. 23

    ½
    sl.

    7
    7 9 7 7 (7) 9 9
    7 9 9
    (3) 9

    sl. sl.
    Bm7 ½ C6
    24 sl. 25

    ½
    sl. sl.
    sl.
    8 7 8 7 8 8 10 (10) 8
    7
    7 9 7 9
    7 9
    (3) 9

    Bm7 C6 sl.
    sl.
    26 27

    sl. sl.
    8 10 8
    (7) 10 7 8 (8) 10 10 8 10 8
    9 7 8 9 9 9 8
    9

    ½ full
    Bm7 C6 full
    sl.

    28 29

    let ring
    full ½ full
    sl.
    12 14 12 14 12
    12 15
    7 7 (7) (7) 12 14
    10 12 14
    (5) 14

    3/4
    Bm7 sl. C6
    sl. full
    sl. sl.
    30 31

    sl. full
    sl. sl. sl.

    (15) (15) 12 12 (12) 10 10 (10) 8 8 10 8


    14 12 9 9 8 7 7 9
    10

    full full
    Bm7 C6 sl. sl.
    32 33

    full full
    sl. sl.
    10 12
    13 13 10 (10) (10) 8 8 (8) 7 7 (7)
    9 9

    full
    full full full
    Bm7 C6 sl.

    34 35

    full full full full


    sl.
    15 13 12 12 13 14 15 (15)
    (7) 15 15 15 13 15 15
    X
    X

    Bm7 C6
    sl.
    sl.
    sl.

    36 37

    3
    sl.
    sl. sl.
    14 15 14 13 12 12
    15 13 12 13 15 12
    14 12 14 12 12 14
    14 12 (12) 12 14
    15 (7) 14

    Bm7 sl. C6

    38 39

    sl.

    (12) 13 15 12 (12)
    14 14 12 14

    4/4

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