Gig Book C

I
3r=
Gig Book
Standards
Latin rhythms
Novelties
Polkas
Waltzes
Irish (Ir)
Italian (It)
Jeyîsh (J)
Practical (P)
Wedding (W)
Xmas (X)
Adios Muchachos 153 Bridal march (IN) W-l
After the lovin' 1 Bunny hop 17
Air Force song (Wild blue yonder) P-10 Buona sera it-4
r ^ A1 di la lt-1 Cabaret 18
Alice blue gown 2 Caissons go rolling along P-8
All 1want for Christmas is my two X-1 Calypso-Day-o (Banana boat song) 19
front teeth Calypso-Island in the sun 20
All of you 3 Calypso-Jamaica farewell 21
All the way 4 Calypso-St. Thomas 146
Alley cat 5 Calypso-Yellow bird 22
America P-1 Cara mia non ti scordero lt-5
America the beautiful P-1 Carioca 24
Among my souvenirs 6 Cest si bon 23
Amor 25 Cha cha cha d'amour 28
Anchors aweigh P-12 Cha cha-Amor 25
Anema e core, With ail my heart lt-2 Cha cha-Cherry pink and apple 26
Anna 133 blossom white
Anniversary song 7 Cha cha-Dansero 27
Anniversary waltz 8 Cha cha-Melodie d'amour 28
April in Paris 10 Cha cha-Por favor 29
Army song (Caissons go roiling P.8 Cha cha-Quien sera 30

along) Cha cha-Sweet and Gentle 31
Around the world in 80 days 9 Charade 32
Arriverderci Roma lt-3 Charleston 33
Auld lang syne P-2 Charmaine 34
Autumn leaves 11 Cherry pink and apple blossom 26
Banana boat song (Day-o) 19 white
Bar Mitzvah song (Gift for today) J-1 Chiapanecas (clap hands) 35
Bashana Habaa J-2 Chicago 36
Because W-4 Chicken song 37
Because of you 12 Christmas in Kiliamey X-3
Beer barrel polka 121 Christmas song X-4
Bei mir bist du schoen J-3 Christmas waltz X-5
Berlin waltz medley 13 Clancy lowered the boom lr-1
Besame mucho 14 Clarinet polka 122
Bewitched 15 Coast Guard song (Semper paratu) P11
Blue Christmas X-2 Colonel Bogey 38
J^Blue Tango 154 Come back to Sorrento lt-6
Brazil 134 Come prima lt.7
Breeze and 1 16 Come rain or come shine 39

Copacabana 135 Godfather theme (Speak softly lt-10
Corcovado (Quiet nights of quiet 40 love)
stars) Godfather waltz (movie theme) lt-11
Could 1 have this dance 191 Hail to the Chief P-5 ^
Crazy 192 Happy days are here again P-6
Cumana 136 Happy holiday X-8
Cute 41 Harlem nocturne 58
Daddy's little girl W-5 Harrigan lr-5
Dance of Mexico (Hat Da^ce) 42 Hatikvah J-8
Danny Boy , lr-2 Hava nagilah J-9
Dansero 27 Have yourself a merry little Xmas X-9
Day by day 43 Hawaiian wedding song W-6
Day-o (Banana boat song) 19 Heat Wave 59
Days of wine and roses i 44 Helena polka 123

Dear old Donegal lr-3 Hello Dolly 60
Deck the halls X-6 Here comes Santa Claus X-6
Desafinado (Slightly out bf tune) 45 Here's that rainy day 61

Dodi li J-4 Hemando's hideaway 155
Early Autumn 1 46 Hindustan P-7

Easter parade P-3 Hokey pokey 62
Eh, cumpari lt-8 Holly, jolly Christmas, A x-ior^

Erev ba ! J-5 Home for the holidays (There's no X-11
Erev shel shoshanim J-6 place like)

Everybody loves somebody 47 Hoop-dee-do 124
Falling in love again 48 How are things in Glocca Morra lr-6
Falling in love with love i 49 Hucklebuck 63
Fascination 50 1left my heart in San Francisco 64
Fiddler on the roof J-7 1saw mommy kissing Santa Claus X-12
Five foot two 51 1wish you love 65
Flamingo 52 If ever 1would leave you 66

j
,Fly me to the moon 53 I'll be home for Christmas X-13
For sentimental reasons 54 I'll take you home again Kathleen lr-7
Frenesi 55 Irish washerwoman lr-8
From the halls of Montez^ma P-9 Island in the sun 20
Frosty the snowman X-7 Isle of Capri 190
puniculi, funicula lt-9 It's a great day for the Irish lr-9
Galway Bay
1
lr-4 It's beginning to look a lot like X-14
Christmas
Girl from Ipanema 57 —
Jalousie 157
Go to the Mardi Gras 56
Jamaica farewell 21
God bless America P-4
Jingle bell rock X-15 Mambo-Mardi Gras mambo 90
Jingle bells X.16 Mambo-Patricia 91
Jolly old St. Nicholas X-17 Mambo-Tequila 92
Jump jive and wail 67 Mame 93
Just a gigolo/l ain't got nobody 68 Mardi Gras mambo 90
Just another polka 125 Marine song (From the halls of M) P-9
Just in time 69 Marshmallow world. It's a X-19
Kansas city 70 Mayim, mayim J-12
Kiss of fire (El Chocio) 156 Meditation 94
Kritzel dance (Die Mezinka) J-10 Melodie d'amour 28
La Cumparsita 158 Melody of love 95
La paloma 159 Merengue-La Cruz 96
La vie en rose 71 Merengue-Tropical merengue 97
Lady in red (Rhumba) 72 Merengue-Universal Merengue 98
Laura 73 Miami Beach rhumba 99
Leamin' the blues 74 Military-Anchors aweigh P-12
Lech lamidbar J-11 Military-Caissons go rolling along P-8
Leroy Brown (Bad, Bad) 75 Military-From the halls of Montezu P-9
Let it snow, let it snow, let it snow X-18 Military-Semper paratus P11
Let me call you sweetheart 76 Military-Wild blue yonder P-10
Liechtensteiner polka 126 Misirlou J-13
Like someone in love 77 Misty 100
Li'l darlin' (Hefti) 78 Molly Malone lr-11
Little things mean a lot 79 Mona Lisa 101
Long ago and far away 80 Moon river 102
Lot of livin' to do, A 81 More 103
LOVE (L-O-V-E) 82 More 1see you 104
Love and marriage W-7 Mr. Sandman 105
Love letters in the sand 83 My foolish heart 106
Loveliest night of the year 84 My way 107
Lullaby of birdland 85 My wild Irish rose lr-12
Mack the knife 86 My Yiddische momme J-14
MacNamara's Band lr-10 Navy song (Anchors aweigh) P-12
Magic is the moonlight 87 Never on Sunday J-15
Makin' whoopee W.8 New Second line 108
Mala femmena lt-12 New York New York 109
Mambo #5 88 Night train 110
Mambo jambo 89 No beer in Heaven 127
Mambo-Mambo #5 88 Non dimenticar lt-13
Mambo-Mambo jambo 89 O solo mio (It's now or never) lt-14

Oh Johnny oh 130A Rocky top 163A
Oh Marie lt-15 Rose of Tralee lr-14
Old Cape Cod 111 Route 66 132
On a clear day 112 Rudolph the red-nosed reindeer X-21 ^

On the road again 193 Samba de Orfeu 138
On the street where you li ve 113 Samba-Anna 133
One 114 Samba-Brazil 134
One-two-three-kick 120 Samba-Copacabana 135
Orchids In the moonlight 160 Samba-Cumana 136
Ose Shalom J-16 Samba-Quando quando quando 137
Our day will come 115 Samba-Samba de Orfeu 138
Over the rainbow 116 Samba-So nice (Summer samba) 139
Papa won't you dance witjh me 128 Samba-Tico tico 140
Patricia 91 Santa Ciaus is coming to town X-22

Peg of my heart lr-13 Santa Lucia lt-17
Pennsylvania poika 129 Satin Doll 141
Perfidia 117 Second time around 142

Picnic 118 Seems iike oid times 143
Poinciana 119 Semper paratus P11
Polka-Beer barrel polka 121 Shadow of your smile 144
Polka-Clarinet polka 122 Shibolet basade J-17 ^

Polka-Helena polka 123 Shiney stockings 145
Polka-Hoop-dee-do 124 Sholom aleichem J-18

Polka-Just another polki^ 125 Shtiler Bulgar, Der J-26
Polka-Liechtensteiner pc^lka 126 Siboney 146
Polka-No beer in Heaven 127 Silver Bells X-23
Polka-Oh Johnny oh 130A Simon tov and mazel tov J-19
Poika-Papa won't you dapce with 128 Sleighride X-24
Polka-Pennsylvania poik^ 129 Slightly out of tune (Desafinado) 45
Polka-Too fat polka 130 Small World P-13
Por favor 29 So nice (Summer Samba) 139
Pretty girl is iike a melody W-9 Somewhere my iove 147

Prince of Denmark trump voluntary W-3 Spanish eyes 148
Quando quando quando 137 Speak iow 149
Quien sera 30 Speak softly love (Godfather them) lt-10
1
Quiet nights of quiet star^ 40 St. Thomas 146

Red roses for a biue lady 131 Star Spangled Banner P-14
Release me 163 Stout-hearted men W-1P^X
Return to me (Ritoma me) lt-16 Strangers in the night 150 ^
Rockin' around the Chrisâs tree
1
X-20 Stripper W-11
Summer Place theme 151 Walkin' my baby back home 175
Summer Samba (So nice) 139 Waltz you saved for me 176
Summer Wind 152 Watch what happens 177
Sunrise, sunset J-20 Wearing of the green ir-17
Sweet and Gentle 31 Wedding March (OUT) W-2
Sweet Rosie O'Grady lr-15 Wedding samba J-23
Take me home country road 194 What a wonderful world 178
Tango-Adios Muchachos 153 What 1 did for love 179
Tango-Blue Tango 154 When 1 fall in love 180
Tango-Hemando's hideaway 155 When Irish eyes are smiling lr-18
Tango-Jaiousie 157 Where the blue of the night meets 181
Tango-Kiss of fire 156 the blue of the day

White Christmas X-25
Tango-La Cumparsita 158
Tango-La paioma 159 Wild blue yonder P-10
Tango-Orchids in the moonlight 160 Winter wonderland X-26

Witchcraft 182
Tango-Yours 161
Tarantelia lt-18 Yankee doodle dandy P-15
162 Yellow bird 22

Tea for two
Teach me tonight 164 Yerushalayim shel zahav J-24
Temptation 165 Yesterday (Beatles) 183
Tennessee Waltz 166 You belong to me 184
Tequila 92 You belong to my heart 185
Thank heavens for little girls W-12 You make me feel so young 186
That's amore lt-19 You stepped out of a dream 187
There goes my heart 167 Young at heart 188
There's no place like home for the X-11 You're a grand old flag P-16
hoiidays You're all 1 want for Christmas X-27
Tico tico 140 You're nobody til somebody loves 189
To iife J-21 you
Too fat poika 130 Yours 161
lr-16 Zamar noded J-25

T oo-ra-loo-ra-loo-ra
True love 168
Try a little tenderness 169
Try to remember 170
Twilight time 171
Tzena tzena tzena J-22
Unchained melody 172
\ Under Paris skies 173
Unforgettable 174
Voiare it-20
Dance - Category Index
Beguine Perfidia 117 Jazz Lullaby of birdland 85
Beguine Temptation 165 Jazz Satin Doll 141
Bolero Magic is the moonlight 87 Jazz Shiney stockings 145
^^Bolero Yours 161 Line Dance Alley cat 5
Boogie Woo Night train 110 Line dance Hokey pokey 62
Bossa Nova Corcovado (Quiet nights of quiet 40 Mambo Mambo #5 88
Bossa Nova Day by day 43 Mambo Mambo jambo 89
Bossa Nova Desafinado (Slightly out of tune) 45 Mambo Mardi Gras mambo 90
Bossa Nova Girl from Ipanema 57 Mambo Patricia 91
Bossa Nova Meditation 94 Mambo Tequila 92
Bossa Nova Watch what happens 177 Mardi Gras Go to the Mardi Gras 56
Bossa Nova You stepped out of a dream 187 Mardi Gras New Second line 108
Bossa Nova Quiet nights of quiet stars (Corco40 Mardi Gras Mardi Gras mambo 90
Bossa Nova Slightly out of tune (Desafinado) 45 Merengue La Cruz 96
Calypso Day-o (Banana boat song) 19 Merengue Tropical merengue 97
Calypso Banana boat song (Day-o) 19 Merengue Universal Merengue 98
Calypso Island in the sun 20 Novelty Bunny hop 17
Calypso Yellow bird 22 Novelty Chiapanecas (clap hands) 35
Calypso Jamaica farewell 21 Novelty Chicken song 37
Calypso St. Thomas 146 Novelty Dance of Mexico (Hat Dance) 42
Chacha Never on Sunday J-15 Paso doble Colonel Bogey 38
Chacha Tea for two 162 Patriotic America P-1
Cha cha Amor 25 Patriotic America the beautiful P-1
Cha cha Cherry pink and apple blossom w26 Patriotic God bless America P-4
^^^tha cha Dansero 27 Patriotic Hail to the Chief P-5
Cha cha Melodie d'amour 28 Patriotic Military-Anchors aweigh P-12
Cha cha Cha cha cha d'amour 28 Patriotic Military-Caissons go rolling alon P-8
Cha cha Por favor 29 Patriotic Military-From the halls of MontezP-9
Cha cha Quien sera 30 Patriotic Military-Semper paratus P11
Cha cha Sweet and Gentle 31 Patriotic Military-Wild blue yonder P-10
Cha cha, Ta Isle of Capri 190 Patriotic Star Spangled Banner P-14
Charleston Charleston 33 Patriotic Yankee doodle dandy P-15
Charleston Five foot two 51 Patriotic You're a grand old flag P-16
Cole, Nat Ki For sentimental reasons 54 Patriotic Navy song (Anchors aweigh) P-12
Cole, Nat Ki Mona Lisa 101 Patriotic Army song (Caissons go rolling a P-8
Cole, Nat Ki Route 66 132 Patriotic Marine song (From the halls of M P-9
Cole, Nat Ki Unforgettable 174 Patriotic Coast Guard song (Semper parat P11
Conga One-two-three-kick 120 Patriotic Air Force song (Wild blue yonder P-10
Conga, Sam Hindustan P-7 Polka Beer barrel polka 121
Country Crazy 192 Polka Clarinet polka 122
Country On the road again 193 Polka Helena polka 123
Country Release me 163 Polka Hoop-dee-do 124
Country Rocky top 163A Polka Just another polka 125
Country Take me home country road 194 Polka Liechtensteiner polka 126
Country Could I have this dance 191 Polka No beer in Heaven 127
'^âzz April in Paris 10 Polka Papa won't you dance with me 128
Jazz Cest si bon 23 Polka Pennsylvania polka 129
Jazz Cute 41 Polka Too fat polka 130
Jazz Early Autumn 46 Polka Oh Johnny oh 130A
Jazz Li'l darlin* (Hefti) 78 Rhumba Arriverderci Roma lt-3
Dance - Category Index
Rhumba Besame mucho 14 Special Small World P-13
Rhumba Breeze and 1 16 Tango Adios Muchachos 153
Rhumba Carioca 24 Tango Blue Tango 154
Rhumba Flamingo 52 Tango Hemando's hideaway 1^^
Rhumba Frenesi 55 Tango Jalousie 15.
Rhumba Heat Wave 59 Tango Kiss of fire (El Chocio) 156
Rhumba Lady in red (Rhumba) 72 Tango La Cumparsita 158
Rhumba Miami Beach rhMmba 99 Tango La paloma 159
Rhumba More 103 Tango Orchids In the moonlight 160
Rhumba Our day will come 115 Tango Yours 161
Rhumba Poinciana 119 Tango, Cha Isle of Capri 190
Rhumba Shadow of your smile 144 Tarantella Funiculi, funlcula lt-9
Rhumba Siboney 146 Tarantella Tarantella lt-18
Rhumba Spanish eyes 148 Twist Hucklebuck 63
Rhumba Speak low 149 Waltz Alice blue gown 2
Rhumba You belong to n^y heart 185 Waltz Anniversary waltz 8
Samba Wedding samba J-23 Waltz Berlin waltz medley 13
Samba Anna 133 Waltz Charmaine 34
Samba Brazil 134 Waltz Christmas waltz X-5
Samba Copacabana 135 Waltz Could i have this dance 191
Samba Cumana 136 Waltz Falling in love again 48
Samba Quando quandc quando 137 Waltz Fascination 50
Samba Samba de Orfet 1 138 Waltz Let me call you sweetheart 76
Samba So nice (Summcir Samba) 139 Waltz Melody of love 95
Samba Tico tico 140 Waltz Moon river ir^
Samba Summer Samba (So nice) 139 Waltz My wild Irish rose Ir-i^
Samba, Con Hindustan P-7 Waltz Silver Bells X-23
Shuffle Around the wor d in 80 days 9 Waltz Sunrise, sunset J-20
Shuffle Jump jive and wail 67 Waltz Sweet Rosie O'Grady lr-15
Shufne Just a gigolo/1 a in't got nobody 68 Waltz Tennessee Waltz 166
Shuffle Kansas city 70 Waltz That's amore lt-19
Shuffle Leroy Brown (B ad. Bad) 75 Waltz True love 168
Shuffle Oh Marie lt-15 Waltz Try to remember 170
Sinatra All the way 4 Waltz Waltz you saved for me 176
Sinatra Chicago 36 Waltz When Irish eyes are smiling lr-18
Sinatra Come rain or come shine 39 Waltz Where the blue of the night meet 181
Sinatra Fly me to the moon 53 Waltz (V) Anniversary song 7
Sinatra Leamin' the blups 74 Waltz (V) Charade 32
Sinatra Lot of livin' to do, A 81 Waltz (V) Falling in love with love 49
Sinatra Love and marripge W-7 Waltz (V) Loveliest night of the year 84
Sinatra My way 107 Waltz (V) Somewhere my love 147
Sinatra New York New York 109 Waltz (V) Under Paris skies 173
Sinatra Strangers in thp night 150
Sinatra Summer Wind 152
Sinatra Witchcraft ^ 182
Sinatra You make me fpel so young 186
Sinatra Young at heart 188
Special Auld lang syne P-2
Special Easter parade P-3
Special Happy days are here again P-6
By Genre (Ballroom, Irish, Italian, Jewish, Practical, Standards, Wedding, Xmas)
Alice blue gown 2 Meditation 94
Alley cat 5 Melody of love 95
Anniversary song 7 Merengue-La Cruz 96
Anniversary waltz 8 Merengue-Tropical merengue 97
Berlin waitz medley 13 Merengue-Universal Merengue 98
Sesame mucho 14 Miami Beach rhumba 99
Breeze and 1 16 Moon river 102
Bunny hop 17 More 103
Calypso-Day-o (Banana boat song) 19 One-two-three-kick 120
Calypso-Island in the sun 20 Our day will come 115
Calypso-Jamaica farewell 21 Perfidia 117
Calypso-St. Thomas 146 Poinciana 119
Calypso-Yellow bird 22 Polka-Beer barrel polka 121
Carioca 24 Polka-Clarinet polka 122
Cha cha-Amor 25 Polka-Helena polka 123
Cha cha-Cherry pink and apple blosso 26 Polka-Hoop-dee-do 124
Cha cha-Dansero 27 Polka-Just another polka 125
Cha cha-Melodie d'amour 28 Polka-Liechtensteiner polka 126
Cha cha-Por favor 29 Polka-No beer in Heaven 127
Cha cha-Quien sera 30 Polka-Papa won't you dance with me 128
Cha cha-Sweet and Gentle 31 Polka-Pennsylvania polka 129
Charade 32 Polka-Too fat polka 130
Charleston 33 Polka-Oh Johnny oh 130A
Charmaine 34 Samba-Anna 133
Chiapanecas (clap hands) 35 Samba-Brazil 134
Chicken song 37 Samba-Copacabana 135
Colonel Bogey 38 Samba-Cumana 136
Corcovado (Quiet nights of quiet stars) 40 Samba-Quando quando quando 137
Dance of Mexico (Hat Dance) 42 Samba-Samba de Orfeu 138
Desafinado (Slightly out of tune) 45 Samba-So nice 139
Falling in love again 48 Samba-Tico tico 140
Falling in love with love 49 Shadow of your smile 144
Fascination 50 Siboney 146
Five foot two 51 Somewhere my love 147
Flamingo 52 Spanish eyes 148
Frenesi 55 Speak low 149
Giii from Ipanema 57 Tango-Adios Muchachos 153
Heat Wave 59 Tango-Blue Tango 154
Hokey pokey 62 Tango-Hemando's hideaway 155
Hucklebuck 63 Tango-Jalousie 157
Isle of Capris 190 Tango-Kiss of fire 156
Lady in red (Rhumba) 72 Tango-La Cumparsita 158
Let me call you sweetheart 76 Tango-La paloma 159
Loveliest night of the year 84 Tango-Orchids In the moonlight 160
Magic is the moonlight 87 Tango-Yours 161
Mambo-Mambo #5 88 Tea for two 162
Mambo-Mambo jambo 89 Temptation 165
Mambo-Patricia 91 Tennessee Waltz 166
Mambo-Tequila 92 True love 168
Try to remember 170 That's amore lt-19
Under Paris skies 173 Volare lt-20
Waltz you saved for me 176 Bar Mitzvah song (Gift for today) J-1
Watch what happens 177 Bashana Habaa J-2
Where the blue of the night meets the bl 181 Bei mir bist du schoen J-3
You belong to my heart 185 Dodi li J-4
You stepped out of a dream 187 Erev ba J-5
Could I have this dance 191 Erev shel shoshanim J-6
Crazy 192 Fiddler on the roof J-7
On the road again 193 Hatikvah J-8
Release me 163 Hava nagilah J-9
Rocky top 163A Kritzel dance (Die Mezinka) J-10
Take me home country road 194 Lech lamidbar J-11
Clancy lowered the boom lr-1 Mayim, mayim J-12
Danny Boy lr-2 Misirlou J-13
Dear old Donegal lr-3 My Yiddische momme J-14
Galway Bay lr-4 Never on Sunday J-15
Harrigan lr-5 Ose Shalom J-16
How are things in Glocca Morra lr-6 Shibolet basade J-17
I'll take you home again Kathlee lr-7 Sholom aleichem J-18
Irish washerwoman lr-8 Shtiler Bulgar, Der (And the Angels sing J-26
It's a great day for the Irish lr-9 Simon tov and mazel tov J-19
MacNamara's Band lr-10 Sunrise, sunset J-20
Molly Malone lr-11 To life J-21
My wild Irish rose lr-12 Tzena tzena tzena J-2I^^
Peg of my heart lr-13 Wedding samba J-23
RoseofTralee lr-14 Yerushalayim shel zahav J-24
Sweet Rosie O'Grady lr-15 Zamar noded J-25
Too-ra-loo-ra-loo-ra lr-16 America P-1
Wearing of the green lr-17 America the beautiful P-1
When Irish eyes are smiling lr-18 Auld lang syne P-2
Al di la lt-1 Easter parade P-3
Anema e core, With all my heart lt-2 God bless America P-4
Arriverderci Roma lt-3 Hail to the Chief P-5
Buona sera lt-4 Happy days are here again P-6
Cara mia non ti scordero lt-5 Hindustan P-7
Come back to Sorrento lt-6 Military-Anchors aweigh P-12
Come prima lt-7 Military-Caissons go rolling along P-8
Eh, cumpari lt-8 Military-From the halls of Montezuma P-9
Funiculi, funicula lt-9 Military-Semper paratus P11
Godfather theme (Speak ôftly love) lt-10 Military-Wild blue yonder P-10
Godfather waltz (movie theme) lt-11 Small World P-13
Malafemmena lt-12 Star Spangled Banner P-14
Non dimenticar lt-13 Yankee doodle dandy P-15
O solo mio (It's now or never) lt-14 You're a grand old flag P-16
Oh Marie lt-15 After the lovin' 1
Retum to me (Ritomo me) lt-16 All of you 3
Santa Lucia lt-17 All the way 4
Tarantella lt-18 Among my souvenirs 6
April in Paris 10 New York New York 109
Around the world in 80 days 9 Night train 110
Autumn leaves 11 Old Cape Cod 111
Because of you 12 On a clear day 112
Bewitched 15 On the street where you live 113
Cabaret 18 One 114
Cest si bon 23 Over the rainbow 116
Chicago 36 Picnic 118
Come rain or come shine 39 Red roses for a blue lady 131
Cute 41 Route 66 132
Day by day 43 Satin Doll 141
Days of wine and roses 44 Second time around 142
Early Autumn 46 Seems like old times 143
Everybody loves somebody 47 Shiney stockings 145
Fly me to the moon 53 Strangers in the night 150
For sentimental reasons 54 Summer Place theme 151
Go to the Mardi Gras 56 Summer Wind 152
Harlem noctume 58 Teach me tonight 164
Hello Dolly 60 There goes my heart 167
Here's that rainy day 61 Try a little tendemess 169
1left my heart in San Francisco 64 Twilight time 171
1wish you love 65 Unchained melody 172
If ever 1would leave you 66 Unforgettable 174
Jump jive and wail 67 Walkin' my baby back home 175
Just a gigolo/I ain't got nobody 68 What a wonderful world 178
Just in time 69 What 1 did for love 179
Kansas city 70 When 1 fall in love 180
La vie en rose 71 Witchcraft 182
Laura 73 Yesterday (Beatles) 183
Leamin' the blues 74 You belong to me 184
Leroy Brown (Bad, Bad) 75 You make me feel so young 186
Like someone in love 77 Young at heart 188
Li'l darlin' (Hefti) 78 You're nobody til somebody loves you 189
Little things mean a lot 79 Because W-4
Long ago and far away 80 Bridal march (IN) W-1
Lot of livin' to do, A 81 Daddy's little girl W-5
LOVE (L-O-V-E) 82 Hawaiian wedding song W-6
Love letters in the sand 83 Love and marriage W-7
Lullaby of birdland 85 Makin' whoopee W-8
Mack the knife 86 Pretty girl is like a melody W-9
Mambo-Mardi Gras mambo 90 Prince of Denmark trumpet Voluntary (1 W-3
Mame 93 Stout-hearted men W-10
Misty 100 Stripper W-11
Mona Lisa 101 Thank heavens for little girls W-12
More 1see you 104 Wedding March (OUT) W-2
Mr. Sandman 105 All 1want for Christmas is my two front t X-1
My foolish heart 106 Blue Christmas X-2
My way 107 Christmas in Killamey X-3
New Second line 108 Christmas song X-4
By Genre (Balirooip, Irish, Italian, Jewish, Practical, Standards, Wedding, Xmas)
Christmas waltz X-5
Deck the halls X-6
Frosty the snowman X-7
Happy holiday X-8
Have yourself a merry little Christmas X-9
Here comes Santa Claus X-6
Holly, jolly Christmas, A X-10
Home for the holidays (There's no place X-11
I saw mommy kissing San a Claus X-12
I'll be home for Christmas X-13
It's beginning to look a lot like Christma X-14
Jingle bell rock X-15
Jingle bells X-16
Jolly old St. Nicholas X-17
Let It snow, let It snow, let It snow X-18
Marshmallow world. It's a X-19
Rockin' around the Christmas tree X-20
Rudolph the red-nosed rejndeer X-21
Santa Claus Is coming toôwn X-22
Silver Bells X-23
Slelghride X-24
Winter wonderland X-26
You're all I want for Christmas X-27
Combined index Giq Book - 30s-40s Fake Book
About a quarter to nine 1 Blues In the night 18
Adios Muchachos G153 Body and soul 19
After the lovin' G1 Boo hoo 20
Ain't nobody here but us chickens 2 Boogie woogle bugle boy 21
Air Force song (Wild biue yonder) GP-1 Brazil G134
Ai di la Glt-1 Breeze and 1 G16
Alice blue gown G2 Bridal march (IN) GW-1
All 1want for Christmas is my two GX-1 Brother can you spare a dime 22
All of me 3 Bunny hop G17
All of you G3 Buona sera Glt-4
All the things you are 5 But not for me 23
All the way G4 Cabaret G18
Alley cat G5 Caissons go rolling along GP-8
Almost like being In love 4 Caldonia 24
Amapola 6 Calypso-Day-o (Banana boat son G19
America GP-1 Calypso-Island In the sun G20
America the beautiful GP-1 Calypso-Jamaica farewell G21
Among my souvenirs G6 Calypso-St. Thomas G146
Amor G25 Calypso-Yellow bird G22
Anchors aweigh GP-1 Can't we be friends 25
And the angels sing 8 Cara mla non tl scordero Glt-5
Anema e core, With all my heart Glt-2 Caravan 26
Anna G133 Carioca (Artie Shaw) 27
Anniversary song G7 Carioca (Rhumba) G24
Anniversary waltz G8 Cest si bon G23
Anything goes 7 Cha cha cha d'amour G28
April In Paris GIG Cha cha-Amor G25
Army song (Caissons go rolling al GP-8 Cha cha-Cherry pink and apple bl G26
Around the world In 80 days G9 Cha cha-Dansero G27
Arriverdercl Roma Glt-3 Cha cha-Melodie d'amour G28
As time goes by 9 Cha cha-Por favor G29
At last 10 Cha cha-Qulen sera G30
A-tlsket a-tasket 11 Cha cha-Sweet and Gentle G31
Auld lang syne GP-2 Change partners 28
Autumn leaves Gil Charade G32
Avalon 12 Charleston G33
Banana boat song (Day-o) G19 Charmalne G34
Bar MItzvah song (Gift for today) GJ-1 Chattanooga Choo Choo 29
Bashana Habaa GJ-2 Cheek to cheek 30

Because GW-4 Cherokee 31
Because of you G12 Cherry pink and apple blossom w G26
Beer barrel polka G121 Chlapanecas (clap hands) G35
Begin the begulne 13 Chicago G36
Bel mir bist du schoen GJ-3 Chicken song G37
Bel mIr bIst du schoen 14 Choo choo ch'boogle 32
Berlin waltz medley G13 Christmas In Klllamey GX-3
Besame mucho G14 Christmas song GX-4
Between the Devil and the Deep B 15 Christmas waltz GX-5
Bewitched G15 Christopher columbus 33
Blue Christmas GX-2 Clancy lowered the boom Glr-1
Blue moon 16 Clarinet polka G122
Blue skies 17 Coast Guard song (Semper parat GP11
Blue Tango G154 Cocktails for two 34
Combined index Gig Book - 30s-40s Fake Book
Colonel Bogey Q38 Foggy day in London town 54
Come back to Sorrento Glt-6 Fools rush in 55
Come prima Glt-7 For sentimental reasons G54
Come rain or come shin e G39 Frenesi G55 _
Comes love 35 From the halls of Montezuma GP-9
Continental 36 Frosty the snowman GX-7
Copacabana G135 Funiculi, funicula Glt-9
Corcovado (Quiet nights of quiet G40 Galway Bay Glr-4
Could 1 have this dance G191 Ghost of a chance 56
Crazy G192 Girl from Ipanema G57
Cumana G136 Glory of love 57
Cute G41 Go to the Mardi Gras G56
Daddy, Hey 37 God bless America GP-4
Daddy's little girl GW-5 Godfather theme (Speak softly lovGlt-10
Dance of Mexico (Hat Dsnce) G42 Godfather waltz (movie theme) Glt-11
Dancing in the Dark 38 Good night sweetheart 58
Danny Boy Glr-2 Goodbye 59
Dansero G27 Goody goody 60
Day by day G43 Got a date with an angel 61
Day-o (Banana boat son 9) G19 Green eyes 62
Days of wine and roses G44 Gypsy, the 63
Dear old Donegal Glr-3 Hail to the Chief GP-5
Deck the halls GX-6 Happy days are here again GP-6
Deed 1 do 39 Happy holiday GX-8
Deep purple 40 Harbor lights 64
Desafinado (Slightly out of tune) G45 Harlem nocturne G58
Do nothing til you hear 1rom me 41 Harrigan Glr-5
Dodi li GJ-4 Hatikvah GJ-8
Don't be that way 42 Hava nagilah GJ-9
Don't blame me 43 Have you met miss Jones 65
Don't get around much sny more 44 Have yourself a merry little Christ GX-9
Don't sit under the apple tree 45 Hawaiian war chant 66
Dream 46 Hawaiian wedding song GW-6
Dream a little dream of r ne 47 Heat Wave G59
Early Autumn
'
G46 Helena polka G123

Easter parade GP-3 Hello Dolly G60
Easy to love 48 Here comes Santa Claus GX-6
Eh, cumpari Glt-8 Here's that rainy day G61
Elmer's tune 49 Hemando's hideaway G155
Embraceable you 50 He's funny that way 67
Erev ba GJ-5 Hindustan GP-7
Erev shel shoshanim' GJ-6 Hokey pokey G62
Everybody loves somebody G47 Holly, jolly Christmas, A GX-1
Exactly like you 51 Home for the holidays (There's no GX-1
Falling in love again G48 Hoop-dee-do G124
Falling in love with love G49 How are things in Glocca Morra Glr-6
Fascination G50 How deep is the ocean 68
Fiddler on the roof GJ-7 How high the moon 69
Fine romance, A 52 Hucklebuck G63
Five foot two G51 Hummin' to myself (Male KEY) 70
Flamingo G52 1can dream, can't 1 71
Fly me to the moon j G53 1can't get started 72
Flying home 53 1 cover the waterfront 73
1cried for you 74 Jeepers creepers 113
1don't know why 1 love you like 1d 75 Jersey bounce 114
1get a kick out of you 76 Jingle bell rock GX-1
1got it bad and that ain't good 77 Jingle bells GX-1
1got rhythm 78 Jolly old St. Nicholas GX-1
1know that you know 79 Juke Box Saturday Night 117
1left my heart in San Francisco Q64 Jump jive and wail G67
1let a song go out of my heart 44 Jumpin' at the Woodside 116
1only have eyes for you 80 Just a gigolo/l ain't got nobody G68
1saw mommy kissing Santa Claus GX-1 Just another polka G125
1 surrender dear 81 Just in time G69
1wish you love G65 Just you, just me 118
1 wished on the moon 82 Kansas city G70
If ever 1would leave you G66 Kiss of fire (El Chocio) G156
If 1had rhythm in my nursery rhym 83 Kiss to build a dream on, A 119
I'll be home for Christmas GX-1 Knock me a kiss 120
I'll be seeing you 84 Kritzel dance (Die Mezinka) GJ-10
I'll never be the same 85 La Cumparsita G158
I'll see you in my dreams 86 La paloma G159
I'll take you home again Kathlee Glr-7 La vie en rose G71
III Wind 87 Lady be good 121
I'm beginning to see the light 88 Lady in red (Rhumba) G72
I'm getting sentimental over you 90 Lady is a tramp 122
I'm in the mood for love 89 Laura G73
Imagination 91 Leamin' the blues G74
In a mellow tone 92 Lech lamidbar GJ-11
In a sentimental mood 94 Leroy Brown (Bad, Bad) G75
In the mood 93 Let it snow, let it snow, let it snowrGX-1
In the still of the night 95 Let me call you sweetheart G76
Indian love call 96 Let yourself go 123
Indian summer 97 Let's dance 124
Irish washerwoman Glr-8 Let's face the music and Dance 125
Island in the sun G20 Let's fall in love 126
Isle of Capri G190 Liechtensteiner polka G126
Isle of Capris 98 Like someone in love G77
Isn't it romantic 99 Li'l darlin' (Hefti) G78
Isn't this a lovely day to be caught 100 Little brown jug 128
It don't mean a thing 101 Little things mean a lot G79
It happened in Monterey 102 Liza 127
It's a great day for the Irish Glr-9 Long ago and far away G80
It's been a long long time 103 Lot of livin' to do, A G81
It's beginning to look a lot like Ch GX-1 LOVE (L-O-V-E) G82
It's d'lovely 104 Love and marriage GW-7
It's only a paper moon 105 Love is here to stay 129
It's the talk of the town 106 Love letters in the sand G83
I've got a gal in Kalamazoo 107 Love walked in 130
I've got my love to keep me warm 108 Loveliest night of the year G84
I've got the world on a string 109 Lovely Liza Lee 131
I've got to sing a torch song 110 Lover come back to me 133
I've got you under my skin 111 Lover man 132

I've heard that song before 112 Lullaby of birdland G85
Jalousie G157 Lullaby of the leaves 134
Jamaica farewell G21 Lulu's back in town 135
Mack the knife G86 Navy song (Anchors aweigh) GP-1
MacNamara's Band GIMO Nearness of you, The 148
Magic is the moonlight G87 Never on Sunday GJ-15
Makin* whoopee GW-8 Nevertheless 149
Malafemmena Git-12 New Second line G108
Mambo #5 G88 New York New York G109
Mambo jambo G89 Nice work if you can get it 150
Mambo-Mambo #5 G88 Night and day 151
Mambo-Mambo jambo G89 Night train G110
Mambo-Mardi Gras mambo G90 Nightingale sang in Berkeley Squ 152
Mambo-Patricia ! G91 Nine-twenty special 153
Mambo-Tequiia G92 No beer in Heaven G127
Mame G93 No regrets 154
Manliove 136 Non dimenticar Glt-13
Manhattan 137 O solo mio (It's now or never) Glt-14
Mardi Gras mambo G90 Oh Johnny oh G130
Marie 138 Oh Marie Glt-15
Marine song (From the liails of MoGP-9 Old Cape Cod GUI
Marshmailow world, it's GX-1 On a clear day Gil2
Mayim, mayim GJ-12 On a slow boat to china 155
Meditation G94 On the Alamo 156
Melodie d'amour G28 On the road again G193
Melody of love G95 On the street where you live G113
Merengue-La Cruz G96 On the sunny side of the street 157
Merengue-Tropical merengue G97 On treasure Island 158
Merengue-Universal Merengue G98 Once in a while 159
Miami Beach rhumba G99 One G114
Military-Anchors aweigjh GP-1 One hour with you 161
Military-Caissons go rolling alon GP-8 One O'clock jump 160
Military-From the halls of Montez GP-9 One-two-three-kick G120
Military-Semper paratuo GP11 Opus One 163
Military-Wild blue yonder GP-1 Orchids In the moonlight G160
Minnie the moocher 139 Ose Shalom GJ-16
Misirlou GJ-13 Our day will come G115
Misty G100 Out of nowhere 162
Molly Malone Glr-11 Over the rainbow G116
Mona Lisa G101 Papa won't you dance with me G128
Mood indigo 140 Patricia G91
Moon river G102 Peg of my heart Glr-13
Moonglow 141 Pennies from heaven 164
Moonlight in Vermont 142 Pennsylvania 65000 165
Moonlight serenade 143 Pennsylvania polka G129
More G103 Penthouse serenade 167
More I see you G104 Perdido 166
Mr. Sandman G105 Perfidia Gil 7
My foolish heart GIGS Picnic/Moonglow IN MEDLEY Gil8
My funny valentine 144 Please 168
My heart belongs to Dsfddy 145 Poinciana Gil 9
My inspiration 146 Polka dots and moonbeams 169 ^
My old flame 147 Polka-Beer barrel polka G121
My way G107 Polka-Clarinet polka G122
My wild Irish rose Glr-12 Polka-Helena polka G123
My Yiddische momme GJ-14 Polka-Hoop-dee-do G124
Polka-Just another polka G125 Siboney G146
Polka-Llechtensteiner polka G126 Silver Bells GX-2
Polka-No beer In Heaven G127 Simon tov and mazel tov GJ-19
^ Polka-Oh Johnny oh G130 Sing sing sing 183
Polka-Papa won't you dance with G128 Sittin' up waitin' for you 182
Polka-Pennsylvania polka G129 Skylark 184
Polka-Too fat polka G130 Sleighride GX-2
Por favor G129 Slightly out of tune (Desafinado) G45
Pretty girl is like a melody GW-9 Small World GP-1
Prince of Denmark trumpet Volunt GW-3 Smoke gets in your eyes 185
PS I love you 170 Smoke rings 186
Puttin'on the ritz 171 Smooth one 187
Quando quando quando G137 So nice (Summer Samba) G139
Quien sera G30 Softly as in morning Sunrise 188
Quiet nights of quiet stars (Corco G40 Solitude 189
Red roses for a blue lady G131 Some enchanted evening 190
Red sails in the sunset 172 Somebody loves me 191
Release me G163 Someone to watch over me 193
Return to me (Ritomo me) Glt-16 Somewhere my love G147
Robbin's nest 173 Song of India 192
Rockin' around the Christmas treeGX-2 Sophisticated lady 194
Rocky top G163 South of the border 195
Rosalie 174 Spanish eyes G148
Rose of Tralee Glr-14 Speak low G149
Route 66 G132 Speak softly love (Godfather them Glt-10
Rudolph the red-nosed reindeer GX-2 St. Thomas Gi46
Russian lullaby 175 Star Spangled Banner GP-1
Samba de Orfeu G138 Stardust 197
Samba-Anna G133 Stars fell on Alabama 196
Samba-Brazil G134 Stay as sweet as you are 198
Samba-Copacabana G135 Stompin' at the savoy 199
Samba-Cumana G136 Stormy weather 201
Samba-Quando quando quando G137 Stout-hearted men GW-1
Samba-Samba de Orfeu G138 Strangers in the night G150
Samba-So nice (Summer samba) G139 String of pearls 200
Samba-Tico tico G140 Stripper GW-1
Santa Glaus is coming to town GX-2 Summer Place theme G151
Santa Lucia Glt-17 Summer Samba (So nice) G139
Satin Doll G141 Summer Wind G152
Second time around G142 Summertime 202
Seems like old times G143 Sunrise serenade 204
Semper paratus GP11 Sunrise, sunset GJ-20
Sent for you yesterday 176 Swanee River (Oliver) 203
Sentimental journey 177 Sweet and Gentle G31
September in the rain 178 Sweet and lovely 205
September song 179 Sweet Lorraine 206
Seven-twenty in the book 180 Sweet Rosie O'Grady Glr-15
Shadow of your smile G144 Swing Mr. Charlie 207
Shibolet basade GJ-17 Swonderful 208
Shiney stockings G145 Take me home country road G194
Sholom aleichem GJ-18 Take the A-Train 210
Should I 181 Taking a chance on love 209
Shtiler Bulgar, Der (And the Angel GJ-26 Tangerine 211
Comtijnecl index Gig Book - 30s-40s Fake Book
Tango-Adios Muchacho G153 We three (my echo, my shadow a 230
Tango-Blue Tango G154 Wearing of the green Glr-17
Tango-Hernando's hideaway G155 Wedding March (OUT) GW-2
Tango-Jalousie G157 Wedding samba GJ-23
Tango-Kiss of fire G156 We'll meet again 231
Tango-La Cumparsita G158 What a difference a day makes 232
Tango-La paloma G159 What a little moonlight can do 233
Tango-Orchids In the mbonlight G160 What a wonderful world G178
Tango-Yours G161 What I did for love G179
Tarantella Glt-18 What is this thing called love 234
Tea for two G162 What more can I ask 235
Teach me tonight G164 What's new 236
Temptation G165 When a woman loves a man 237
Tenderly 212 When I fall in love G180
Tennessee Waltz G166 When Irish eyes are smiling Glr-18
Tequila G92 Where or when 238
Thank heavens for little girls GW-1 Where the blue of the night meets G181
Thanks for the memory | 213 White Christmas GX-2
That old feeling 214 White Cliffs of Dover 239
That's amore G»t-19 Wild blue yonder GP-1
Them there eyes 215 Winter wonderland GX-2
There goes my heart G167 Witchcraft G182
There will never be another you 216 Woodchopper's ball 240
There's no place like home for the GX-1 Wrap your troubles in Dreams 243
These foolish things 217 Yankee doodle dandy GP-1
They all laughed at Christopher 0 218 Yellow bird G22
They can't take that away from me 219 Yerushalayim shel zahav GJ-24
Things I love 220 Yes indeed 241
This love of mine 221 Yesterday (Beatles) G183
Tico tico G140 Yesterdays 242
To life GJ-21 You always hurt the one you love 244
Too fat polka G130 You belong to me G184
Too-ra-loo-ra-loo-ra Glr-16 You belong to my heart G185
Top hat, white tie, and tails 222 You brought a new kind of love to 245
Touch of your lips 223 You do something to me 246
True love G168 You made me love you 247
Try a little tenderness G169 You make me feel so young G186
Try to remember G170 You stepped out of a dream G187
Tuxedo Junction 224 You turned the tables on me 248
Twilight time G171 You'd be so nice to come home to 249
Two sleepy people 225 You'll never know 250
Tzena tzena tzena GJ-22 Young at heart G188
Unchained melody G172 You're a grand old flag GP-1
Undecided 226 You're all I want for Christmas GX-2
Under a blanket of blue 227 You're driving me crazy 251
Under Paris skies G173 You're getting to be habit with me 252
Unforgettable G174 You're gonna lose your gal 253
Very thought of you, the 228 You're nobody til somebody loves G189
Volare Glt-20 Yours G161
Walkin' my baby back hiome G175 Zamar noded GJ-25
Waltz you saved for me G176 Zing went the strings of my heart 254
Watch what happens G177
Way you look tonight 229
Preface
This practical selection for commercial gigs brings together in one place, in a
convenient bandstand format, a bunch of standard tunes that are scattered throughout
many commercial fake books, plus a few that are not in any of them. It is partly a
supplement to our 30s-40s Fake Book which includes standard two- and four-beat
tunes composed during the 1930s and 40s, many of which are revived regularly or
have become "standards". Gia Book has waltzes and Latin rhythm tunes of the earlier
period, plus all sorts of non-rock beat dance tunes and standards of the 40s and 50s,
plus a some later tunes of the "easy-listening" variety.
We have used our experience playing weddings and dances in selecting commonly
requested tunes and categories. We regularly have been asked for categories in
unexpected combinations such as Jewish-Irish, Jewish-Italian, Italian-Irish, so there
are sections with the most common tunes of each category, and in each case we have
provided a somewhat larger selection so you can respond to more requests, or offer
them to prospective clients, but we have not tried to turn you into experts.
The "Irish" tunes are old Irish-American tunes of the "sing-along" variety, not popular
tunes from the Irish folk tradition. The Italian tunes are those one would expect to play
for Italian-American functions. The Jewish-Israeli section has commonly played tunes
and older Israeli circle dances, not current Israeli pop tunes, Klezmer or Eastern
European/Hasidic dances. There are popular polkas, but not the other types of tunes
one would need for a hard-core polka crowd.
The Christmas section contains only secu/ar tunes one might play at a holiday dance
or party, including events with a lot of kids, not the traditional carols.
Requests for more specialized Latin dances and polkas usually come in the form of
"Play a cha-cha!" etc., and usually the bandleader doesn't call them unless he's
thinking in terms of the type of dance. So we've grouped all the cha-chas, sambas,
tangos, etc., by name of dance. Rhumbas and bossa novas are commonly offered as
changeups in the mix of dances, so we've left them, as well as waltzes and novelty
dances, in the alphabetical order.
Indexes: 1. Title, including alternate titles; 2. Dances / categories; 3. Genres;

4. Combined index for this book and 30s-40s Fake Book.
Other music books:

There are many general and specialized commercial fake books on the market.
Anyone who might expect to play special client requests should have several of the
general books in his library. Hal Leonard Publishing Corp. is the major fake book
publisher. The Ultimate Fake Book, vol. 1 and vol. 2 are among the best around. Hal
Leonard has the best source of pre-1950s tunes. The Real Little Book: the most
amazing colossal ultimate...real legal fake book. A good supplement to those is
Richard Wolfe's Legit Professional Fake Book, which has a variety of non-pop and
practical tunes that might come in handy. Hal Leonard a\so has "Ultimate Fake Books"
for Country, Broadway^ Jazz, Blues, R'n'B, Christmas, etc. A cautionary note: most of
these general books, e|/en the "genre' books do not have the verses, etc., to old tunes
that fans often treasury. Even when they have a few Dixieland tunes, they don't include
the pre-chorus strains that are basic parts of tunes such as Tiger Rag. Despite the fact
that the saxophone intj-p to Glenn Miller's swing classic In the Mood is for all practical
purposes part of the tube, ie musicians have to play it for it to be recognized by the
average listener, and conversely all you need to do is play the Intro for the audience to
go nuts, it's not in the fake books!! (You wanna see some interesting expressions on
folks's faces, use that intro on another tune...)
Other publishers have issued the Beatles Fake Book, Irving Berlin Fake Book, Disney
Fake Book. Jewish Falê Book, etc. Beatles includes many signature passages from
the records, while Berlin includes the verses.
There are a number of rock I Motown I oldies fake books, several of which are
basically the melodies and lyrics of tunes, with no hint of the signature intros, solos,
endings, etc., that are dn the records. There are a few that have at least portions of the
record arrangements iiji them, but you've gotto be really careful to getsomething
really useful...
-2
After the Lovin' 1
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(I love the) Looks// of you^/ the lure// of you,// the

Sweet//of you,//the pure//of you;//the
Eyes,//the arms,//the mouth//of you,//the
East,/West,/ North, and/the South/of you. /I'd love to
Gain// com- plete// con- trol// of you//, and

Han-//dle even the heart and soul// of you.// So
Love at least a small percent of me, do/// ///for
I/love/ all/of/ you.///
All the Way
Sinatra hit;
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When somebody loves you, It's no good unless he loves you ||AII the way.///
Happy to be near you, ^hen you need someone to cheer you, || all the way.///
Taller/than the talles t tree is, that's how ifs got to feel;///
Deeper than the Deep blue sea is, that's how deep it goes, if its real.///
When somebody need^ you, it's no good unless she needs you, ||all the way.///
Through the good orlân years and for all the in between years, ||come what
may.///
Who knows where thd road will lead us, only a fool would say,// but
If you let me love you, it's for sure I'm gonna love you,/ all// the way,///
all/the/ way./// ////
Alley Cat
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LAST TIME: last 16 bars, drastically Increase tempo every 4 bars.
Among My Souvenirs
Connie Francis, 1960
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(There's nothing) Left for me/ /of days that

used to be/ /llivein
Memory a- mong my souve nirs./// /Some letters
Tied with blue,/ /a photo- graph or two,/ /i see a
rose from you a- mong my souve nirs./// /A few more
Tokens rest/ /within my treasure chest,/ /and though they

Do their best/ /to give me con-/ so-/ \a-l tion/ |i count them
Aii apart,/ /and as the tear drops start,/ l\ find a

Broken heart a- mong my souvenirs.///
Anniversary Song
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Oh// /how we danced// /on the * Night// /we were wed.// /|We
Vowed// /our true love// /though a * Word// /wasn't said.// /|the
World// /was in bloom// /there were * Stars// /in the skies// /|Ex-
Ceptil /forthe few// /thatwere * There// /in your eyes.//
Dear as i held you so close in my arms,//

Angels were singing a hymn to your charms,/two
Hearts gently beating were murmuring iowrMy
Darling i love/ you so."// /| The
Night// /seemed to fade// /into * bios-// /soming dawn.// /|The

Sun// /shone a- new// /but the * dance// /lingered on./// /jCouid
We// /but re- live// /that sweet * mo-// /mentsub- lime// /|we'd
Find// /that our love// /is un- * ai-// /tered by time// //|
8 Anniversary Waltz
American Waltz
c. 1941
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TelV me 1/ may ai-/ways dance/ the
Annniversary waltz/with you./// ill
Telime this/is real/romance,/an
Aniîversary dream/come true./// //Let
This be the anthem to our future years/ to

Miiiions of smiles and a few little tears.//
May/i ai-/ways iis-/ten to/the

Anniversary Waltz/with you.// Il\
Around the World
Originally a waltz, In C
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(A-) Round// the world// I've searched// for you/1 travelled

On/ when hope was gone,/ to keep a ren-ll de- vous.//1
Knew// somewhere// sometime,// somehow/ you'd look at
Me/ and I would see/ the smile you're smll-//ing now.// It
Might// have been// In Coun-//ty Down/ or In New

York/, In Gay Pa- reel or even Lon-//don Town.// No
More// will 1/ go all a- round// the world,/ for I have
Found// my world// In you./// ///|
10 April In Paris (1 )
Count Basle classic, 1956;
2-beat (tune only); 4/4 âs/e big bandstyle C.1932
J=128 dI' c G6
m m HZZZEZZZe -o-
I
G7 Gm^ C9
2- " -V.
n?— r— 0 g ^—h-
W 1
—^ 0 0 • = 5/ -
Am B+ B7 A7
i
3E ZXE
P
Fmaj7 Fdim Fdim Fm®
î»-b 331
P P
Am £7 Am Am® B7 £7 G7
S®
dI' Gm® A7
Ii
# # g i
D7 Ai'm Am G7
XT
»i) II
To Basle ending
April in Paris, //// Chestnuts in blossom, ////
Holiday tables under the trees. //// //||
April in Paris //// this is a feeling //||
No one can ever //re-/ prise./// ////
1/ never knew the charm of spring,/

never met it fepe to face.///
1/ never knew mV heart could sing,/
never missed a warm em- brace./till/
April in Paris //|| whom can I run to ////

What have you done to //my/ heart?/// Ill]
April In Paris (2 ) 10
Basie ending
F6 Em7 AmTl'S Dm^
^ ^ 0 n 11 ^
^ F6 Em7 Am G^mTbs
Gi'mTl'S btI'S £7 A7 D7 G^
G7
^ ^Lj f pIr [TI Lf Tj pJi3j,Ji>j jj||j ji^j p
dI' GititI'S A7
ji: ^ h j n I h
II jfj I • J. _:
D7 Dm7 G7 s :k i 1,J
9 f?
i -TTi p
Dm7 dI'S
n rJT
i=^
&
f J J11 r r :22
B® C® Cmai7
After 1St X: After 2nd X:
"One. k'JtiJMimKifiU ^Ônp Mnrp Onrpf
Play "straight" first X (quiet drums), 2 Jazzy solos

(jazzy drums), split bridge, Basie ending.
11 Autumn Leaves
4/4 or 2'beat
1947
-^=108
(The filing) Leaves/// /drift by the

win-/aow/ /The autumn leaves
Leaves/// I of red and gold./// /I see your
Lips/// /the summer kiss-/ es/ /The sunburned
Hands/// /I used to hold./// || Since you
Went away/ /the days grow long,/// /And soon I'll

Hear/// /old winter's song./// //But I
Miss you most of all// my dari-/llng/ //when/
Au-//ti^mn leaves/start to fall./// ///|
Because Of You 12
Tony Bennett hit, 1951;
C.1940
r^w = 104 el'dim bI"? Fm 8^7 elfdim

f
f J. J' Ii ^
:k
BI'7 Fm ^7 eI' bI'.
il
• -U- — ^
W f -&r
f
, Bi>m 07 Fm Fm
I''! \>m'
P P- J'l J- J- Î p P J- J'
F9 Adim Ai> Al^m 81^7 Bi'dim
5
XE
b1>7 Fm 8^7 bI''

0 F
-&-
U
^—•
1—
» a
h —#
—^
rt- 5"
D7 eI' Cm eI'
(S^
BI'7 eI'
^r • *•
o.
—^
;
1 ^—\
*
(Because of) You,/ there's a song/ in my heart./// /Because of
You,/ my romance had its start./// /Because of
You the sun will shine, the moon and stars will say you're mine.// For-
Ever/ and never/ to part/// /i only
Live/ for your love/ and your kiss./// /it's para-

Dise/ to be near you/ like this,/// ///Be
cause// of you// my life is now worth- while and i can
Smile//because//of you.///
13 perlin Waltz Medley (1 )
What'III Do? C.1924
^ 106 Fm Fm
o ^—1
6h-^ 10 01
S
0- a
G7 1. G7 2. C7 3
A.
i I I j jTJii
Dm Fm
A7 D7 G7
if V-
Fm Fm
£
G7
The Song Is End^d C.1927
S106 ^ E^7 A^m

V\, I—(g
iTe^ 2.^ D7
m P fg
Gm Cm(Am7(^5))
•# 0
>-E
p r
D7 Gm C7 A? B?7
# f
Et Ek Al' Al'm
eI'
m -# r0
§ p t
Berlin Waltz Medley ( 2) 13
Remember C.1925
J;; 109 bI' f+ bI' F+
Pi 5
bI' Bl'dlm C7 F 1. F7 2- F F
5 P
bI> Bi'm
i I
Am Gm
I bI^ F+, bI» F+

Z2
i
C9 C7
iAlways Ij. m
C.1925
F C7
rs: zz:
5 5 i
¥
^
#L—|J
S 15= Im
w
e O
^
m
D7 Cmi Gm
-iS^
?
Bi'm _ G7
r\ C7
g
14 Besame Mucho
Jimmy Dorsey hit, 1944

Rhumba, Slow
J7IO8 Dm Dm Gm
5
Gm 3. — I Adim GiIL, Dm Dm
# 0 m i XE
D7 EdimFdfm D? Gm
-O-
t
Dm E7 A7 Dm Gm^ Dm
—. '—3
iW f T>
*3
l*- —J 0 it
Gm Dm A7
0 #—#—0 0 0 0—0 m. m.
0—0 -o-
"=f
Dm Gm^ Dm Gm
—•—m
%
Gm A7 Dm A7 Dm
0—0 01 0 3Qr %
D7 EdimDdjm D^ Gm
p 0
Dm E7 A7 Dm Gm7 Dm
~m ar—
a — —*
TT
m
Ending: Play last line 3 X [
Bewitched 15
c. Rodgers, 1941
Square 2-beat
J = 94 G7 C Dm 0+ F Fdim
I
D7 G7 fij Dm G7
£ 5 XT
Dm 0+ Fdim
P
07 F A7
• > ^w 1 ^,0- •
»—
^ —J
—1 •—
1
eJ J
U '' Cj
Dm G7 Cdim Dm7 G7
[J ^ u
Dm 0+ Fdim
$
zt:
a Q cJ r t;"' [J
G'
s
w
—J r—t—-—1
Iw m —^ 1
(I'm) Wild again/, be- guiied again,/ a simpering, whimpering child again,/
be-
Witchedl bothered and be- wildered/ am I./// //||
Couldn't sleep,/ and wouldn't sleep,/ when
love came and told me I shouldn't sleep,/ be
witched,! bothered and be- wildered/ am I/// ///j
Lost my heart,/ but what of it?// He is cold,/1 a- gree,///

He can laugh,/ but I love it,/ although the laugh's/ on/ me.// I'll
Sing to him,/ each spring to him,/ and

long for the day when I'll cling to him,/ be
witched], bothered and be- wildered/ am I./// /jjj
16 Breeze And I
c. Lecuona, 1929
Bolero
J=116 eI' bI'7 eI' Al'm El'dim B^7
-6^
f
•I'm eI*
IT
eI' ek eI' Al>m & it'dim bI'^
t olrn
~V
f
^3^
Fm7 eI'
JZ.
g *
i
* *
Fm7 Bl eI' Ek
S
f
aI* Fm7
' 3
bI'7 eI* Al'm
3 '' ~ ^
ez
22 s i
22
p
Fm ^ E^ bI'7 e^
P -«*•* m -ef
(The) Breeze// and 1/ are/ saying with a sign,/ //that/

You/// //noionger care./// ///The
Breeze// and i/ are/ whispering gooddbye,/ II to/
Dreams/// //we used to share.//// ///|
Ours/ was a love song/ that

seemed/ constarn as the moon/, ending in a
Strange//mourn- ilfull tune./// Il\\
And all a- bout me they know/ you have de- parted with out me and
We// won- //der/ why,/// / the breeze and I./// Ill]
Bunny Hop 17
Ray Anthony hit, 1952
Line Dance
j=138 F bI^ F
5 5
»• I ^—4—4 i
#« # m' m.
W=0 vm o
a
bI^ pcl-s)
> >
m m
I
a
Gm7 CT'H F F6
^ >
0 0 0
im
iE5=3E=53=3E
£ m- p m'~w
t
bI>9
if m m (•« m
222
F* F m' W
&
b1« F > >
• m
jm
0-0 m* 0 70
5 0' 0 M' m
i
0 0 0
Gm7 > >
vm
F* 0
s 22 0 0 m
Repeat ad barfeum
MELODY: Last 2 bars of each line can be same as line 1.

Can play as straight blues, segue up the scale; stock
charts have it In Bb,
Dancers get in a line with hands on waist of person in front

Someone LEADS the line around the room, Into the hall, etc.
The band could Increase tempo by steps, set up a CONGA beat,

segue Into CONGA, ultimately go into "When the saints".
18 Cabaret
2-beat Dixieland style 1366
J = 204 B+ eI' Bk
I P Ik ft 11 _
^-SJ—
Ek7
3 1—
O!: -gii ^
'
1
F •
Ak Adim Gm C7
tj
5
I Fm7
f
Bks T"Ek Fm7 Bk7 2. Ek
iW %• ^ 9
Akm Ek
5
^ J
Cm Cm7 F Bk7
r> p
•k^
Ek B+ Ek Bl'+
Ek Bkm7 ^ Ek7
Jz —
Ending do
line 3 X Ak Adim Gm7 07
e: fJ
p
Bk7 Ek
0 .Iv aFi
P n ' ra. > •
-/5k—^7 P P 1
1
ENDING: Play next last line 3 X, Extend last iine-doubie value of notes.
CALYPSO - Day-o (Banana Boat Song) 19
Calypso
r^.
Belafonte hit, c. 1955
A cappelia vocal intro
;=118
&
rf=i=Fl P
9-m -h- y- N y
-0
p Ff
—J-- yL-J_
P
fl
_ J
"d
1
1
« ?
* a
•
• ^ k -y- =yy= 1 -J—0 J
J P' d J. '
1
1
Chorus S 3
1
1
—p
te=;: -
_|» p=f
—h-
- ^ m m
—
m m
pi «
-—^
^
—m—* "•
1 1 P
1
i
•>
C T F
P r-s 0_ P
P
[fr - / Pti
—i-
V-
m
V- m m m
—J—J -^•
F=^ • '
1.
C7 1- C F
m I J) Ji J i
S 0 J
1
C7 C7 F
1
r r rr J i 1 P
il-H •
•
F
m
iP_
1 "
^=Fq
1
_ • >
P .P
M'
N fli m
—)• fli
C'
0
11! ^1
—d—* f
C'r f
p. _ .p
f=f] s— F= N=^ —t—
0 a • i- —0 — 0
p
—
•7^-—* > >p f— LT r_r-^ ^ 1

'-f—m ^ «r—F
# pi *
^
' 1 ^ ^
C7 F
C.I ir^rrd •
h I Jl JU J>m g|
Ending = Intro
20 CALYPSO - Island In the Sun
Ca/ypso J=108 Belafonte hit, 1957
Verse
C7
m— m—
r— r— p »— p
—
P
•—P-
f
m—
N —
f
—
Gm C7 F
» 7
m ^ ^ ^ ^^
Chorus bI' C7
Ml i J
bI> C7
:5
* * *
Routine: VC each time.

Try moduiating up had a step for iast VC, repeat C as ending.
1. This is my isiand in the sun,

where my peopie have toiied since time begun/.
Imay sail on mai^ a sea,/ her shores wili aiways be home to me./
Chorus:
|0h isiand in the ûn,/ wiiled to me by my father's hand./
Aii my days I wiii sing in praise of your
forest waters, your shining sand./
2. As morning breaks the heaven on high,

i left my heavy iopd to the sky./
Sun comes down \yith a burning glow,/
mingles my swe2it with the earth below./
3.1 see woman on bended knee, cutting cane for her famiiy./
I see man at water side, casting nets at her surging tide./
I
4.1 hope the day wiii never come when

i cant awake to the sound of drum.
Never let me miss Camivai, with calypso songs phllo- sophical./
CALYPSO - Jamaica Farewell 21
Belafonte hit, 1956
Calypso
J=112 F bI' 07 F
r/^reirrr 0—0 0
§
i
bI> 07
0—0
w [t r M P r[T ^ r ^ ©•
07
•r"
0h—0
B^ 07
ft 0 0 0 0
m m
m m 0—0 m 0 ej
Solo
P~1
i —J
41
-0 M —0
k -
X-m )—
0— 0
F=f^0 r
0
F Gm 07
0
pr p n |T XE
V. 1. Down de way where the nights are gay and the

sun shines daily on the mountain top,
I took a trip on a sailing ship and when I
reached Jamaica i made a stop. But I'm {CHORUS)
Chorus: Sad to say, I'm on my way,| won't be back for many a day.| My
Heart is down, my head is turning around, i had to
leave a little girl in Kingston town.)
V. 2. Sounds of laughter every- where, and the dancing

girls swaying to and fro./
I must declare that my heart is there,/
though I've been from Maine to Mexico. But I'm {CHORUS)
V. 3. Down at the market youcanhearj

the ladies cry out while on their heads they bear
r^ Akie, rice, saK fish are nice,
and the rum is nice any time of year. But I'm {CHORUS)
22 CALYPSO - Yellow Bird li
r
Arthur Lyman 1hit, 1961
Moderate Calypso or Rhumba fc:^

J^110 F Fdini F G^dim Gm^ F
LL
i
1 i p
F Fdini F Gl'djm Gm^ , F
if zz<
i p M
p
bI' C7
J. 0—0
bI> C7 Gm7 C7 F
5
V—W
# #
r lUPf XE
0— )— \ 0— ti
—J
-H—
m-
fl
l=H — 0^ ^—& ^—
~0
— 0 ±=i
1
=5= r K r1 P
r—)
Jr-rsl
•i S i* *4 ^ ^
\lM-P
!
-J- ^
LL Tag p Gi'dim
1
<
" 1 r r —
. F Gi'dim F Gi'dim F
VT
^t 9* Iha
r t» ti ho
^
^
r
- 11
C'est Si Bon 23
414 swing Earth Kit hit, c. 1947
3? W Dm Cm^ R
TT
Cm7 bI^ Dm Dl'm

-Or 0^ I
Cm7 F7 bI'
s § m
Cm7 R bI>
-Or
t
•0 1 l>p , 11 1 £ m —
M— M ^ ' J —» \ô ^
,m r T1
C7 Gm7 C7 Cm7 R Dm Dl'm
i ^ m
Cm7 bI'
XT
IB
Cm7 Fm ©7
®^ ly
Cm7 m
XE
ff r ^ r I K F lt ^
B7 bI'
m -o-
t
ENDING: play last 3 bars 4 X
24 Carioca
c. Youmans, 1933
Rhumba J = 126
Intro [TACIT- Rhythm
I09E
s 0' 0 7 0 W0
Choi rus 1 si>7

Ehm
' ^ i - 1
A 7 p ^ rWl»-70 m r, i 1 •y m I* m
Bh? Ahm ei}7 m Ehm Bh7

>
-"-hff- p • m
/ r' f' 1
t=N
m
B^7
ti
-1^7 & '' I I' ^ 0
ek Ah
A^m ek
Bf Ahm
t Eh
lI'i. r re r ff I XE
ff-r U J
P
eh Fm ek Fm
s
Fm Bh7 Eh
9-1 Xt A d P ^
Eh Fm Bk Fm
if S LT^pl TTT-
Bh7 Bh7 Eh
I'l j) ^ ri
Carioca (2) 24
Interlude
~i [Break:
E>m
^3
C£n.l|,JJ3 i
if *
7 BI'7
0 0
Trio
b!'7
(£^ I; i^ff f 0 0 0 0 0 ^ j. 7pp^ • # • # #
ei'dim eI'im
t'h> ^1* |» I* r iTh 0^F 0 £ 9 ^ "jgf 5
sr-^TW
aI' ^ bI'^ ^ Fm ^ bI'^ ^ E^m

5 e P a g 5 5
U ^
aI' B^7~^ Pin X bI'7
i E^nifrAc/r
m
Rhythm
Back to Chorus
[ Break
\.m , \>0ijm L
5 ^ j) 7 i - :2=^ fTTTf
E
Routine: Intro, Chorus, Interlude, Trio, solos.
Chorus out or Interlude, Trio, Chorus.
25 CHA CHA - Amor
J=112
Iz
Bk
^ rTT~—„ ^
1
r—
a ^
^ 1 tl 1=±J
i
Ddim
J? rj.
^ I
e:
' P ^
BI'7
e>-
E? ^
rT- ••p iT r' ^^
' J ^ ^ J J a
1 XE 22 S
zz;
l> P 7 9 7 |»
(A-) M(^r//a- mor,//a- mor/// //This word so

Sweet ^hat Ire- peat,/ means I adore/ you./ //|A-
Wlor,//a! mor,//my love/// //would you de-
Ny/this heart that 1/have placed before/you/ //|l
Can't find another word with meaning so clear, my
lips t^ to whisper sweet things in your ear. But
Somehow or other nothing sounds quite so dear,
as
this soft caressing word I know.// A

Mor,//a^ mor,//my love/// //When you're a-
Way/ there is no day/ and nights are lone-/ly/ //|A-
Mor,//ar mor,//my love/// ||make life di-
Vine,/ ây you'll be mine/ and love me only.// ///|
CHA CHA - Cherry Pink And 26
Apple Blossom White
Prez Prado, 1950
^ = 112 Fm7 Bi'7 eI'

'•''I'21 n'3 t m
Fm7 BI'7 eI'
m m P
I -o-
eI' Fm7 B^ eI'

fa 3 P*
£ OJlUj
E^ Fm7 B^7 eI'
i
£
q:
i ^J "S
P ^ P
BI'7 eI' BI'7 eI'
BI'7 eI' BI'7 eI'
Fm7 BI'7 eI'

iW H
hriJ rrrr a
Fm7 BI'7 E^
i
Lead horn holds and bends the 4th note, 1st and out choruses
27 CHA CHA - Dansero
195?
Jt113 Gm7 C7 Gm7 C7
14'• I .
Gm7 C7 D7 G7 C+
i¥ 5
Gm7 C7 Gm7 C7
Q" w u*' '''•

Gm7 C7 D7 G7 C+
* =5
i #/ &
A7_ A+ D9
5 J— -O-
&
G7 G+ C9 . D7 Gm7
I ?
Gm7 C7 Gm7 C7
5
Lf tt
Gm7 C7 F ^7 G7 C+
rm t
ENDING: Last 2 bars 3 X

CHA CHA - Melodie d'Amour 28
Also called: "Cha Cha Cha d'Amour" Dean Martin;
Ames Bros., 1957
Loose feeling, not square
F _ , Bl' C7
EZZBE
F Fdim Gm7 Gm^

—mr
-o-
f XE
bI> C7
• urn
F D1>7 Gm7 C7 F
C7
5 XE * m 5
* *
C7
if 5
B^
5 5 XE
~?L It ^ P ^ ^— N=^ —iH—i—

—iJ F—J
^ m
^
0
^—dMM
w w
• M
•—'
bI' C7
9 ^ 1—j
(h "»—
p—-—z—
• 1 ^ —1
—i #
- 1 1 ^
M-i 1
Melodie d'a- mour,/// take this song to my iover.//

Shoo shoo iittie bird/// go and find my \oveJII
Meiodied'a- mour,/// serenade at her window.///
Shoo shoo iittie bird,/// sing my song of iove.//Oh!
Teii her i wiii wait/// if she names the date.///

Teii her that i care/// more than i can brar,// for
When we are a- part,/// how it hurts my heart.///
|So fiy,oh fly away/ |And say i hope and pray,/
(This iover's meiody,/// |wiii bring her back to me. Oh! (to top)
29 CHA CHA - Por Favor
1955
J= 120 I Intro Cm^ Bm^ el'm^ £^7
i
Choms
s t X X X
r Li''" LU' 'II
aI* " Bmt bI'ih^ aI' ^ ^ Bm7 B^m^ Ek
1f i m
Cm7 Bm7 bI'iti^ Ek aI' Bl'm^ Ek
lz± 5^
ItJ. I\^J
aI' ^ ^ Bm7 Bl'm^ Ek ^ Bm7 bItti^ Ek
m
Cm7 Bm7 Bi'm^ _Ek
5 E XT
Gm7 C7 Cdim C7 Gm7 C7 Cdim 07

23
E=3E=22 mP^r 0 F F I
e
Fm 0+ F|n7 ek Ek
# JLLrHf^gTi^^
m •33^
aI'^ ^ Bm7 Bi'm7 Ek aI' ^ ^ Bm7 Bi'm7 Ek
m
Cm7 Bm7 Bl'm7 _ Ek Bl'm7 Ek
if S
[J ^ # III
5
XT-
A^
XT
CHA CHA - Quien Sera (Sway) 30
1953
Cha Cha, slow
.= 114 al'dim al'dim A7 Dm
9 0 9 0 "I ^ " * P
bI> a® bI* A^ Dm®

m
el'dim ^ A7 el'dim A^ Dm
A® bI' A7l« Dm®

^—4 m
C7
^ a #
[J' I r Cj I' §
A^ Gdim A^ Dm Dm
I
"r iLT n r
Bi'dim _ A^ Bl'dim^ A^ Dm
•H " I p. " *
bI' a® bI' a^ Dm®

m 9 9 9
Ending
Dm®
-O-
31
1953
Cha cha, slow
mJ C+ Am^ G Gmap G6 C
'VP.
-Ji-Mt ———
^
• —F—i—=~ 0 I -
(ffl
— r
I s—i
a—^ P ^ 1 d * d '
m—E ^
' A j ^J ^'
f. j, Am^ C+ Am7 D7 G
^ • > _ p-^-^ -
— m V m *~r ^~m~^^
1^ cJ ^ ^ J ^ m IJI cj 'C r |!l=Ei4 "^*1 •
D7 Am^
W
Pi- p f m
D7 Am^ D7
&
ir
Am^ C+ Am7 D^ Gmaj7 G^ G

4
4 4
Am^ C+ Am^ D7
4
&
iS'fn r^
D7 Am^ D^
~9
m
m
m
p
i # #
D7 Am^ D^
*
4
(I was sweet and) Gentle ||| ||kinda sentimental.||| ||no one will de-
Ny it.||| III was once so quiet and then one magic night I learned to do the
Cha cha!||| And now I'll never be the same! For I have turned into a dancing
cuca-
Racha.lll And my muchacha is to blame./// ||How can I be
Gentle,III ||sweet and sentimental,||| ||while the cha cha's

Piaying,||| ||and my heart is swaying? Ifind that i am even dancing when I'm
Waiking!||| I'm haunted by that cha cha
beat. Ihear the jrhythm start whenever we are
Talking,||| I do the cha cha in my sleep.||| ||Please be sweet and
Gentle,||| ||treat me sentimental,||| ||for I'm tempe'ra
Mental,||when I'm doing the cha cha with you.|||
Charade 32
c. Mancini, 1963
Viennese Waltz
•
9 a
Ljm_5LJl
•
m
m
m 0
•
^ •
Am £7
i
Tits) £7 Bm 7^S) —^ £7 ^
0
J d d d d
^ J •c •B
1.2. Bl1117^5) £+ £7 Am
i.
• I
d •
)—
m -d -B
*•
-6
*•
Ending Bm7^5) E+ £7 Am
P m 32
—m
Bridge
Dm7 G7 Am
Dm G7 Gdim
1 >r 1^
• a
1 w \j , 1
D7 Bm7^'S) £7
i
33 Charleston
^ = 202
Ja mes P. Johns on, 1923
Chorus r
B D7
4 «v y- •4 s— •y v-^ ^ V—
^ 4 d /
UJ «] —J ^ J J ^2—J
Gdlm P
f
0 s—
+ s ^—
5
•4 •4
fty m a ' a l-I k-2-J —zh m —J- f

)
Dm A7 D7 F7
m *—0
jfcl m
0 y-
•
•4
^-'-J •'
^
« w
f s
}
—J ^ pi .J ^ ->
—#- — —JLi_^
C7 F7 Gdim F7
Gm bI>7 eI* G!'7

9 0 f-
f i i
B Gdliii F7
m el"
m
s ^=1
eree I Gm Cm D7 Gm
e=5 . (P #
i
Gm A7 F7
=•;
S=5 "V ;:z:
D7 Gm
s
r [j*
Fdim
n Fp r c ^Gdim 07 F7
P rrj
[fp rI(! r
Charmaine 34
American Waltz 1926
# = 118
Iz
i 9
Bi'dim
rtf-^
^ ^ 1L JM J
J p
bI'7 Fm7 BI>7

^7
f
B^ bI>7
a
eI' ehm C7
a 1
Fm C7 Fm
p
Fm Al'm eI' c+
m
Jr •
•
—i—1
—^^—1
fa J —J
(I) Wonder why you keep me wait-// ing,/ Char-

Maine// /cries in vain,// III
Wonder when bluebirds are mat-// ing,/will
You//come back, a- gain.// Ill
Wonder if I keep on pray-// ing,/ will

Our/dreams be/the same.// Ill
Wonder if you ever think of me, too,/ Charmaine
waitinng, just waiting for you.// Il\
35 Chiapanicas (Clap Hands Song)
Mexican Waltz
J = 210
CLAP CLAP
V V
1 m
%
CL4P CLAP
Et V
J.I. i • m
? ii 1i
I'g" j J
a
' 4J i ^
CLAP CL4P
rh^ —^~y
^ • a —•
#-
0-
>
*
V
(•
r !
m
I i 1J
BI'7 eI'
m
??"' j
a At C7 Fm
iZ
p p
eI* b1>7 eI'

ij
ia "^ p fs
1. E^
-St^
b1>7
hh-
2- 1eI' 1 m m
eI'
"—^—•—
B^ E^
"—!^ i —
1~\
J S— \
m
^4=
ROUTINE: ABeachX
INCREASE Tempo last few times, till frantic.
Chicago (That Toddlin' Town) 36
4/4 swingy c. Fisher, 1922
186
eI' el'dim
k=3E= 0 0
m f
bI'^ eI' F7 B\f7
#/
5 # *
5
*
0 "0
m
eI'
rTTT] i; ppi iL-i r I
A , 6^7 eI' Bi>dim bI'^
^ Jp
eI' Bi'dim
f r r ^ L
-0^
^5 \
—
•
f —0 0 L.. ^K—J
• J —HO
Fm eI' Ei'dim
>'•!• J' I J' I J' p r r" p m
sk Fm sk
XE
•
(Chi-) Ca/go, Chi- ca-/go,that toddlin'town,/ (toddlin* town.) Chi-
Ca-/go, Chi- ca-/go, I'll show you around./ I show you around.
Bet your bottom dollar you'll lose your blues in Chi-
ca-/go, Chi- ca-/go, the
Town that Billy Sunday could not shut down./// ||| On
State/Street, that great/Street, I just want to say. Just want to say, they
Do things/ they don't do on Broad- way. Ill Say,///
They have the time, the time of their life,/
i met a man he danced with his wife In Chl-
Ca-/go, Chi- cago my home town./// Ill\
37 Chi^^ken Dance (Bird Dance)
Circle Dance J =228
c G7
=5
0 0 0
G7
*—*
5 m m
0—0
T
— 0 —0
rrr—JL: J b=?=hd
V— A A.
=: •—^
« l-J
0 —i d ^—0-^
\
CQ m
)
0
• M
J 0 —w
fl * 0
J fl M 0 « 0 —*
rj'
• —
• Gh 0 J
^ C
> •
©
G7
311
CIRCLE dance piopular among the Polka set. People put their hands in
their armpits and flap their "wings" and do aii sorts of weird stuff.
INCREASE TEMPO gradually; when they're tired, go to "frantic" & out
Colonel Bogey 38
Paso Doble J=254 J=228
Intro bI* B^^dim bI*
— r— r
F dim F7
> 4———K- 1 r i f=f1^ ~i P—n
4 ' T m • -J J J1 « • a
•' 1il •
IS I 1—11
.t. i B.
XE
F7 Bdim
im
m
#
—.— -—^—f— rt «—>—i— o
^ r —^
t
F7
t XE
t p=f=^
m
t
m Gm
•
$
Gm EI'7'
Gm Cm
(g*
$ m r r p
, Gm r D7 Gm 1. 2.Gm F7
iif . —.
1? (g i
i J» r II
39 Come Rain Or Come Shine
Solid 4/4, swingy Sinatra standard, 1946
JtIIS Fmar Em7^ Dm7
S
f, G® , c!m7 C7 F7 Cm7 F7
^ L j _n '
P m m m m m a r ^M m JU
m m Jm
m P\-r
m ^ 1 « il
f\ Bl'm7 Fitl7 61^1117 C7

-it^—5
1*3 r r'
s—f pm
« •—J p p •
Dm7(^s) G7 Cm7 D7 Gm7 ^ C7 ^

5 ^ 0
P
z rz.
_ -
s r TLr
Fmap
»JL_ . Em7(^lL A7 Dm^ G9
m m'r
m— m
5
\ m-—w
5
22 XC
Bm7 E^ A7
bi» (> (» jr
f f c r c 11 r r r
D7 G7
p r F *—*——*—T
Dm7 G7 Em7^'5) A7 F6
K 0. -O-
&
I'm gonna love ycju like nobody's loved you come rain or come shine./ II11
High as a mountain and deep as a river, com rain or come shine./ ////
1/guess when you met me/it was just/one of those things.///
But/ don't ever bet me,/ 'cause i'm gonna be true if you let me.///
You're gonna lov4 me like nobody's loved me, come rain or come shine./ Ilfl
Happy together, un- happy together and won't it be fine,/ ////
Days may be cloiiddy or sunny,/ we're in or we're out of the money. But
I'm with you always/ I'm with you rain or shine./// Ill]
Corcovado 40
(Quiet Nights Of Quiet Stars) c. Jobim
Bossa Nova
'^J5 128 D® Ddim
')>j IJj -6^
Gm7 gI'7 Fmap F® Fmap

) wJ) J_ig: J)i J) j & 5 5 i
Fm7 Em7
D® Dm7 Ddim
m WTjP
i
liP
•4 < 1 •
< •i \ \
7 1 X- X X#
4 M ±=i —J —J ^—J 4 —m ^-4 —J —m
Gm7 F® Fmaj7
F® Em7
Quiet nights of quiet stars,// quiet chords from my guitar,//

Floating on the silence that sur- rounds us.// ///|
Quiet thoughts and quiet dreams,// quiet walks by quiet streams,//
And a window looking on the moun- tains and the sea. How lovely!
This is where I want to be,/ here with you so close to me, un-
Til/ the final flicker of life's em-/ber./ ///|
I who was lost and lone-/ly/ | believing life was on-/ly/
IA bitter, tragic joke, have found with you/// //||
|The meaning of ex- istence. Oh, my love./// ///|
41 Cute
Drum special
4/4Jazzy 0. Hefti, 1958

Drummer use brushes
Jt162 G9 A7-
-IM—— S 1 — —
—&
•
3-
L—• —^ p #
Dm7 Grn7 C7 Gm7 C9

1, [ Daim Break.- — ?
Fmaj7 Fm [DrmBrk — ] C Amî[DrmBrk — ]
Ip « i LJ l P
Am^ B7 Emapf Drum Break —
0)
1
tH- PI^ V i -
$ (9
Dm7 G9 C [ Drum Break ••—-A7. 7
^ b7 i
Din7 G9 Gm7 C7 Gm7 C®
r Drum Break' L
J' I J'S i -
Fmaj7 Fm [ Drm Brk --J C Am^ [DrmBrk---]
Lf I P ^ ' CJ I P '
Dm7 G7k C6 [ Drum Break- •
$ p '[1 » -
Dance Of Mexico (Hat Dance) 42
J = 183
I Intro F7 Fdim Fl
a
• •
i 1 i j)
Verse
bI>
s 7 i j?
bI'
J i 7 ^ J'
, bI' F7
7 i j)
4 g 7 i j)
bI'
k &
Chorus
# r
UJ\U^
bI?
f b»
It—f-
1 4 K-
[jji r^^^Cnf
F7 ®bI'
ids
Coda
Lcj I r *
bI>
E
1 * •c—f-
43 Day By Day
J = 140 J = 120 1945
Bossa Nova, moderate rhumba
Avn7 D7 Am7 D7
t 5
if
Gmaj7 C7 Bm7 £7
5
XE
Am7 Gi'dim B7 Em7
4
0 n 1 P
5^ P
9 n 0
LOT *—i •
Am7 D7 Am7 D7
i Gmaj7 C7 Bi'dim £7
1
Am7 D7 Bm7
* Am7
f
D7 Ginaj7
9^
*
if 5
Day by day/ /I'm felling more in love with you,// and

Day by day,/ /my love seems to grow./// ///There
Isnt any en^ to my de- vo-lt\onl ///It's
Deeper dear by far than any o-/cean./ /I find that
Day by day,/ /you're making all my dreams come true,// so

Come wheit may,/ /I want you to know:/// ///I'm
Yours along/ / and I'm in love/ to/ stay,// as
We go through the years,/ day by day./// ////
Days Of Wine And Rose 44
Andy Williams, 1963
4/4 smooth, stately c. Mancini, 1963
^
p V
1 —m " d
Gm^ sl'm^ Ek
17
Gm7
Jf L •— — •
X- — • ^
J L—J
•
L
V
•
•
—m a #
•
m
•)— —^
Fmap Cm^ D7
4 XE
Jr L • J F=t=n
—^
m
® 4
m 6 a 6
Am^ Dm7 £7
3E
m
Am7 , Al'm^ Gm7 ^ C7 Fmap
XE m
(The) Days/// /of wine and ros-lesi //laugh and
Runaway/ //like a child at play/ //through the
Meadowland to- ward a closing door,// a door marked "Never-
More,//" that wasnt there before./// ill The
Lone-/// /ly night dis- clos-/es/ //just a

Passing breeze/, //filled with memories/ //of the
Golden smile that Introduced me to/// III the
Days of wine and roses/ and you./// Ill]
45 Desafinado fSliqhtIv Out Of Tune) (1)
BossaNova Getz/Byrd hit, 1962;
c. Jobim, 1959
Jx170 F
5
♦ • XT
Gm7 C7 D7(l«)
5 5
*
Gm A7 D7
s
1 P ?o-
I
Jf_ L f 1 y— n-j: ) s
/
'• J
~OT J i
—J fl
mJ ,ci
s
1i » !>• "O"
Gm7 C7 D7(^)
5 5
Gm Bi'm . Gm®
•/r\- h
r ^ pI
el^dii m Bm7
5
lit fit
Bl>d im Bm7
^=3C I^
m7 Bm7
p
$a = ^ = H $
w
C#dim Dm7 G7
m &
Gm7
$
Desafinado (2) 45
G7(''5)
"*——
w
Gm7 Cm® D+ D7
Gm7 Ei^m Fmap Dm7

bi» l>i 0 n
G7
0^
m m m m
G? Gm7 07 F®
=5 _c xr
f
|Love is like a never-ending melody/ ////

jpoets have com- pared It to a symphony,/ ////
|A symphony con due-/ ted by the lighting of/ the moon,///
IBut our song of love Is slightly out of tune./ //||
Once your kisses raised me to a fever pitch,// ////

Now the orches- tratlon doesn't seem so rich.// ////
Seems to me you've changed the tune we used to sing,/ ll\\
Like a bossa nova love should swing./// Il\ We
Used to harmon- Ize two souls In perfect time,/ ////

Nowthe song Is dlfPrent and the words don't even rhyme./| 'Cause
You forgot the melody our hearts would always croon] And so what
Good's a heart that's slightly out of tune.///
Tune your heart to mine the way It used to be,/ ////

Join with me In harmony and sing a song of loving,] We're
Bound to get In tune again before// too long//There'll be
No desafinado when your heart be
longs to me completely. ///Then you
Won't be slightly out of tune, you'll sing a- long with me./ Ill
46 Early Autumn
4/4 Jazz ballad Woody Herman hit, 1952
J=88 bI'^ Ei'maF ol'mai^ C7

i r'îflr. r^T'p r I* r-bff
m r pI[£jiy r I
. Brnaj^ Gm7 C7 Fin7 bI'7
•ft"
I
qi* f I* i'l*' ^ y I r^rî
El'maj7 D7 Dl'nnaj7 C7
EizES
Bmaj7 Bt7 eI' Fm7 eI' Cm7

a 5
I ^
I Fm7 bI'7 El>maj7 Ei'dim Fm7 bI'7 Elrnap ^

k —
i^^"11 j- i 5
^ a M
Ei'm7 aI'7 dI' gI'7 Fmaj7 eI^ D7 dI'7 b1^

s
\^0 q:
1^-
g'' j- 1.J
El'maj7 D7 Dl'maj7 C7
ft f r r *• h,
Bmaj7 B^7 eI' Fm7 eI'

ft
1
Everybody Loves Somebody 47
Dean Martin hit, 1964
Slow shuffle rhythm
r^j = 90 D7 Gm C7
0 [r W
a
n
—0 a =M • •
^ 1 1 A
—
* J a -0—9 a
J 1' J. J ' CL
p
^l?ja e
Fdim Gm^ C9
if m XT
F7 Cin7 F7 F+ bI'
9 0 9
§
Dm G7 Gm7 Cdim Gm7 C7
i 0" 9—0
0 9 0—0
07 Gm eI' C7
i FdIm Gm7
m
Ev'rybody loves somebody sometime,// ev'rybody falls in iove somehow.///
Something in your kiss just told me/ my sometime/ is now.///
Ev'rybody loves somebody some place,// there's no telling where love may ap
pear.///
Something in my heart keeps saying/ that my someplace is here.///
If I had it in my power,/I'd ar- range for ev'ry girl to have your charms.
Then ev'ry minute, ev'ry hour,// ev'ry boy would find what I found in your arms.///
Ev'rybody loves somebody sometime,// and although my dream was over- due.///
Your love made it well worth waiting/ for someone/ like you.//|
48 Falling In Love Again
1930
Slow Waltz
J=100 eI, :k aI'
>f J J
Fm7 Al'm bI'7 & El'dim bI'^
s
eI' e1i7 eI'
i
m m
Fm'' A^m bI*^ eI' Cm D7
3Z
G7 Cm
IZ.
bI' Bl^dim bI'^

iw 0 m
LJ r r
k aI' eI'
3
$ -P—y
Fm^ J I'm bI'^ eI' ( El'dim bI'^)
Falling ih love again,/ never wanted toJI

What an| I to do,/can't help It./ Il\
Love's £dways been my game,/ play It how I may//
Iwas m^de that way;/ can't help itJ /||
Girls cluster to me like moths around a flame//

And If tlêlr wings bum, i know I'm not to blame.//
Falling in iove again,/ never wanted to.ll
What am I to do,/can't heipit./ Il\
Falling In Love With Love 49
Viennese Waltz Rodgers, 1938
1^}=168 bI* bI'maj b1>6 bI"

t
i Cm7
—IT
-St*
J M O a M
F=h
-#
•
'maj B^maJ^
Bl'maj7 BI>6 Bi'maj^ bI'S
D7 F6 S D7
Gdim Gm Cm 07
Jz:
Cm7
Jr
^ Ending
G7 Cm Ddim Cm^
—
&
Falling in love/ with iove/ is falling for * Make/ be- lieve// III l\\
Falling in love/with love/is playing the * Fool.// Ill III l\\
Caring too much/is such/a juvenile * Fan-// cy.// Ill /||
Learning to trust/is just/for children in * School.// Ill III l\\
I fell in iove/ with love/ one night when the * Moon/ was full.// Ill
iwasun- wise/with eyes/un- able to * See.// Ill III l\\
I fell in love/ with love/ with iove ever * last-// ing.// //| But//
Love// fell// out// with// * Me.// Ill III l\\
50 Fascination
Jayne Morgan hit, 1957;
American Waltz c. ca. 1904
108
\l a #
P -t
J
^ •#
Cdim Dm
i
Dm Dm7
Dm7 Fm
m
3
-St*
Em
o. a —i—
—J —J
r
— —
Cdim Dm
if F 0
m f
n t
Dm Dm7 G6 G7
f
Dm7 G7
i ^ 11
(It was fesci-i Na-// tlon/i know,// / and it might have

Ended right then at the start,// / Just a passing
Glance,// /just a brief ro- mancej/ I and i might have
Gone on my way empty heart-/ed. / it was fesci-
tia-ll tion/i know,// /seeing you a-

Lone with the moonlight a- hove,// I then i touched your
Hand, and next moment i kissed/ you, /fascination
Tumed// to// love.// /II
Five Foot Two, Eyes Of Blue 51
C.1925
harleston
Chi
196 C E7 A7
D7 G7 G+ G+
A7
%
D7 G7
J- ^ tt
£7 fij
^5 XE
D7 G7 G+
I
fij
D7 G7 G+
zzi
IE
Five Foot two,I eyes of blue,| oh what those blue eyes can do, has
Anybody seen/my/ gal?/// Ill\
Turned up nose,| turned down hose,| flapper yes sir, one of those, has
Anybody seen/ my/ gal?/// I Now Ifyou
Run Into a five foot two,| covered with fur, ////

Diamond rings and all those thlngs,| betcha' life It Isn't her. But
Could she love, could she woo, could she could she could she coo, has
Anybody seen/my/ girl?///
Rhythm play 8-bar Charleston beat to set up rhythm for dancers, spark some
dancing. Play it for 8-16 bars 1st chorus, and during an out chorus. This tune is one of
the "party-makers", "ice breakers", that often can get things going if nothing else will.
If someone requests a Charleston, play this one, not "Charleston".
52 Flamingo
Ellington standard, c. 1941
Rhumba
J=119 G7 cmap Am7 Dm^ G^cs) Cm^ F Gail's)
5 iJjrJI " ^ jT<
Ak 2,^ G7 Em7 A7 Dm7 G7
t
i -6*-*
Cmaj^ Am7 Dm^ G^^s) Cm^
=5 i >e-
Ak P Gm7 C7
•
'4 i J E^< ^ Gm^s)
m I
ba ^ L i-
r •
1 1T —u —T"
Fm7 ek Fm7 Dm7 G7
5 i I'l •
Cmaj7 Am7 Dm7 G7^5) cm7 G7(l'S)
m m ?0
Ak Dm7 G7 Cmaj7
JOT ezj
t m
i -s*-*
(Fla-) Min-/go/ llike a flame in the sky,/// |flying over the
Island// |to my lover near- by./// //| Fla-
Mln-/go/ |in your tropical hue,/// jspeak of passion un-
Dying/ |and a love that Is true./// /|| The
Wind/// jslngS a song to you as you go,/ |a song that I
Hear beelow/ ' |the murmuring palms./// //|Fla-
Mln-/go,/ |wh^n the sun meets the sea./// |say farewell to my
Lover,// |and hasten to me./// ///|
Fly Me To The Moon 53
Sinatra hit; c. 1954
Swingm'4/4, or Bossa nova
^ Cm7 Fin7 B1>7 El>maj7 £^7

32
5
p
i f
aI' Fm® G7 Cm 07
s 5
p
Fm7 B^7 Fm7 B^7
p P
Fm BI'7 Al'm® eI' Dm7 G7
i
P
i t
Cm7 Fm7 bI'7 Et>maj7 £1*7
B
P P P
aI' Fm® G7 Cm C7
B 5
P *
*• I g' —^
Fm7 bI'7 Fm7 b1'7@ Bl'm C7
-O-
Fm7 bI'7 eI*
-g- ^ ^ -•— e
^Coda Ak
El'mai^— 3.
= P
—
Ti P
^ r p [
r-y
E^ Cm7 Fm7
3£ 3CC *» iz
54 For Sentimental Reasons
Nat King Cole hit;
C.1945
414 smoothly
Jt 100 Dm^ Gm'' Dm^Gm^
i
ts:
m
S P S. J^'
Dm7 G9 . Cl D7 Gm^ C+
i 3X
Dm^ Gm^ Dm^ Gm^ Cl
ih" [_
m m 0—m
m
Dm7 Gm7 07 Gm7 Fdim F
5
«>—4 XE "TTT
Gm7 07 Odim Gm7 07 Dm
i
m—0
m 0 0 0
m
XE
Gm7 A7 Dm G9 07 c+
an
0 d
0 0
m
Dm? Gm7 07 Dm7 Gm7 07.
i m m
f m
£
Dm7 Gm7 07 si'm dI^ Fmaj7
•—4 XE m
(I) Love you// /for sentimental reasons,// /! hope you do be-
Lleve me// /I'll give you my heart/// III i
Love you// /and you alone were meant for me/ /Please give your loving
Heart to me,/ and say we'll never part./// ///I
Think of you ev'ry morning,// dream of you ev'ry night.///

Darling, I'm never lonely/whenever/you're In slght.//l
Love you// /for sentimental reasons,// /I hope you do be-

Lleve me// /I've given you my heart./// Ill\
Frenesi 55
J=104 J=148 ICo = CdimI Artie Shaw swing hit, 1939
Rhumba; swing 4/4
Chorus 8^017 Bl'm7 eI'T^
g/
Bl'm7 eI'7
riaI'r' p Aô eI'7
rA^ M
# 0 0
P 0—F—0 TT
Bl'm7 eI'7 Bl'm7 eÎ Bl'm7 Ek

I ^''1.^ IT] r r r rI r ' B I iLLr r •
fJ 0
^l'm7 eI'7 aI' Aô eI'7 aI'

l2±
r'- luiuis bI'm
0—0
-
XE
t Z
3:
dI« y7|5^ Bl'm7 eI'7
te -o-
J- tjJ ti*' i
Bl'm7 eI'7 Bl'm7 EÎ Bl'in7 Ek
rPrrrrl r' P I' ILT-rr*^
Bl'm7 eI'7 aI' 8^017 eI'7 aI'
1j±
•I J J 5
iE
m
XE
m
êrse
aI'. aI'® Ao Bl'm7 eI'7 aI' aI'SAo Bl'm7 eI'7
5 0 0 0 \ 0 0 0 0
s XE
I
A^® Ao Bl'm7 eI'7 aI'
#—#
5 0-0
XE J i - I
C6 Co Dm7 G® Cp- C® Co Dm7 G7
«r « • ' I* «
—cL J —0—0— CJ
0 4 —«
' UU ' LJi
A C 06 (}o Dm7 G® c E >1
56 1
Go To the Mardi Gras (1 ) Professor Longhair, 1960;
J = 208 c. Byrd/Ierry
IPiano Inti^ 0I? Horns
P mZM
LfP m m m
V V
a
bI" Horns
i LS J J ITJ W—9
- l"j f I[j**' ^
Rhythm
ojily t
B
> > > >"
y y > > y > > y y y
Whistle
i y y y y yyyy yyyy yyyy

%
• # —
el'
t
iPianoI d|>
t %
^ f 0—0
M W I 1^* m' -
fhistle
Ek
# — > ^ s A
> bP ,
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Go To the Mardi Gras (2) 56
Vocal
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¥
m m m
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m—0
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t s
I
B^
Rhythm pattern
k
lliU' I' ^' i' f i' LTT' f LiU' f ^' i' f
1. (Ifyou) Go to N'yOr- leans, you ought to go see the Mardi Gras
(If you) Go to N'yOr- leans, you ought to go see the Mardi Gras
when you see the Mardi Gras, somebody'll teli you what's carnival fall.
2. (Get your) ticket in your hand you wanna go to New Orieans

(Get your) ticket in your hand you wanna go to New Orleans
You know when you get to New Orleans, somebody'll show you the Zulu
King.
3. You will see the Zulu King down on St. Ciaude and Dumais
You will see the Zulu King down on St. Ciaude and Dumais
And if you stay right there, I'm sure you'll see the Zulu Queen.
57 Girl From Ipanema
Bossa Nova Jobim, 1963
Jr 132 Fmaj7 G7
0 9^0
Gm^ Fmaj7
5 5 t
m m—m ^ -6^' f
Fmap G7
iw =5
0-d '' 0 0
W 0
0 0 0 0
Gm7 G^ Fmaj7
5 i
~0. 0 -^•
Gl'map ^—3 3 1 B9
3E£
\>J- -0^
Gl'm^ D9
!> -Ut 70
?0 jm
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Gm7 Ek
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y p
[ 0—• •
0
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1
Fmaj^ G7
=5
0 0
#
0 0
# 0
0-0
0
Gm7 Gkil-sM Fmaj^

g
-• 0
Ending Ifsk Fmaj7 G^^ Fmap

i
Harlem Nocturne 58
Tenor sax key (orlg. in Bb)
Viscounts hit, 1965
Solid 4/4. Expressively, 0. Earle Hagen, 1940
rhythmically
J =96 [ Tacit • Dm® Gm®
i It
a
bI'7
m
£m® A7(^) Dm® [ Break
•7^
m
Dm® Gm® r\
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la i i0P I
nng
Cm7 F Cm7 F Cm7 F
it
• P- ff 1;*^m 0.
t fj r ^
BI>9 Fm7 Eh Fm7 D® C'
i
t tZiC
Cm7 F
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Fm7 b1^ Fm7 . 7g^" D®
^ \?(^ \ r 1^
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Gm® A7d«) Dm® Gm® Dm®
r^ EO-
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i IZiC
59 Heat Wave (Rhumba) (1)
J= 154
Chorus D7
iTiy 11 —^
^ ^ • n• — i?—m—
*1 \
rrr r -i- 1 J. J'

!
^4^
G7 C Cm A7 D7 G
* 3C
rrrfff rp p—(•
D7
i (S^
p f
G' C Cm G fij D7 G
4 » M ^
r r ri P f p r [^1 r r r r
11 \m w— P
R-i
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• *1
^
Lid
D7 D7
1-^
XE
# 7 g
1Q11 ® •/ F A
P V A
V p ^^ pi V
1f r p r ^ M o-
^^
m
aÊe] d7 g
; t ° , •> r f C
IE
Cm
^ r r rf p n p n
Verse
^ . ' Gm Gm
5 5
XT
F7 Bt
XE TT
bI' Dm Am Cm Am D7
i XE i V h-^
Heat Wave (Rhumba) (2 ) 59
(Optional)
Patter D7 G G+ Dm G7 C G7
-O-
eI' aI' eI' ek G7
LjTcirTrd-'r^
• n . 1 m V-
m'
« ^ « ^,\'0 0
0:^_L
eI' Fm7 E^ aI' eI' BI'7 D7

l>|1 -o-
fjI [j I r [ji M T r To Chorus
Verse: A heat wave/ blew right Into town last week./// ////
She came from/ the Island of Martin- Ique./// ////
The Cancan/ she dances wll make you fry./// ////
The Cancan/ Is really the reason why./// //| We're
Chorus: Having a heat wave./ Ill A tropical heat wave./ ///The

Temperature's rising, It Isn't surprising, she
certainly can/ cancan.//She
Started the heat wave,/ ///by letting her seat wave./ ///And
In such a way that the customers say that she
/certainly can/ cancan.///
Gee/// /her anatom- y/// / made the mercur-

Y/// /jump to ninety three./// Yes sir!/ We're
Having a heat wave./ Ill A tropical heat wave./ ///The

Way that she moves that ther- mometer proves that she
/certainly can/ cancan.//|
Patter:
It's so hot that weather man will tell you a record's been made. ////
It's so hot a coat of tan will cover your face In the shade. ////
It's so hot the cold- est maiden feels Just as warm as a bride. ////
It's so hot a chicken laid an egg on the street and It fried. Ill We're
60 Hello Dolly
J=120 Louis Armstrong hit, 1964
4/4 Dixieland; sing-along
J=156 Gm
p w J. •" j. <p
Bl' Bi'dim Cm7 F
JlI^ J , p a W 1
—i—
«»
1 •' f r' M -4JJ
H—
1T !
it*
^ e —#
—J —# —J —J
—#
Cm Bl>dim F
i i J =a
bI' Gm
TT
Fm7 bI'^ Fm7 bI'^ eI' Cm
-It---
P p m
JL_ i ^ r(P— • m ¥"i
] 0
i3
Gm Dm Gm Dm
1> i p 5
d'5 '
C9 C9-tt Cm7 B^ ( Bdim Cm^ F )
(• 0 -o-
Ending C9+ Cm7 F
C9 C9+ Cm7 F7 C®
iI p T' ^ ^^ r r r IP r'^
c® c®+ Cm7 F bI>
* •
t
I
If the crowd Is In a sing-along mood, can play It slowlsh. Imagine the
folks In a line, h dilding waist of people on either side of them, swaying
to and fro...cllmabc.
Here's That Rainy Day 61
Soft 4/4 c. van Heusen, 1949
J=108 b!' Gm El'map

XT
—r
?0-
i
Am^ D7 G7
-O- 9^
-9 •—
Cm7 F bI' E^maj''

ijrj c:
lat
«F ¥
Am D7
(9^
LT r l;
Bi> Gm maj Ek
I: p » 3£
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Am^ D7
jt 9^
f •• •
Cmaj7 D7 B A7
I: g; m
XE
rfHHy D7
J j - II
Maybe/1 should have saved those left-yover dreams.///

Funny,/but here's that rainy day./// ///|
Here's/ that rainy day they toid/ me a- bout,/ and i
Laughed at the thought that it might tum out this way./// ///|
Where is/ that wom out wish that i/ threw a- side?///

After/ it brought my lover near?/// Ill\
Funny/ how love becomes a cold/ rainy 6ayJll
Funny/ that rainy day is here.///
62 Hokey Pokey
Line Dance-not too fast J = 128
Verse
bI'
0—0- 0^ ^ \ 0 0 0' ^ \ 0 0 0' 'J * i
Cjjljif rLjij'r \ULs I
FZ
I &
FZ
iW 0—0 0—0
F7 bI'
k
J- J. 3 13-|j J"j 3 i I ,
:horus
Bi> F7
E
-TT:
F7 el'
1^
if 5S
§ 1 m m (t'J" J- 3)11
"Line" Dance. Piay at moderate tempo for a whiie, then graduaiiy raise
it, tii dancers appear to be getting tired, piay 1Xfranticaiiy, go out
Verse:
(You put your) [ ] in, you put your [ ] out. You put your
[ ] in and you shake it aii about; you
1. Right foot, 2. ieft foot, 3. right arm, 4. left arm. (Chorus)
5. right elbow, 6. ipft elbow, 7. head (Chorus)
8. right hip, 9. left hip, 10. whole self (Chorus)
Do the hokey pokey and you turn yourself around,/

that's what it's aii bout/ (You do the)
Chorus:
Hok-//ey pokey,/ you do the Hok-//ey pokey,/you do the
Hok-//ey pokey./// that's what it's aii a- bout./You put your
Hucklebuck 63
Twist J=158 1
Tommy Dorsey, 1949
Chubby Checker
1
hit, 1960
Versei
C G7 li
i 1>
w—i—=—
—^
1 • m
e
jf P i •
r ^ I
—
•
0
e
Chorus
—^ 1- -f
—0—^ —0^—0 —J—i- —0 —• L-d f —J r
G7
$ 9=^ • * Ilm
1
1
a
Verse:
Here's/// /a dance you should/// know.|||
When/// /the lights are down/// low.|||
Grab/// /your baby, then/// go.|||
Chorus:
Do the huckle buck.| Do the hucklebuck.]
If you don't know how to do it Boy, you're out of iuck.|
Push your partner out,] then you hunch your back.]
start a iittie movement in your sacroiliac,]
Wiggie like a snake.] waddie like a duck.]
That's the way you do it when you do the huckiebuck.]
64 ILef^ My Heart In San Francisco
Tony Bennett hit; 1954
4/4 Ballad
J= 100 p Bl^dim bI' sl'dim Cm^

5
XE
Cm7 bI" Cm^Bl'dim

i i 5
$
b\^ Dm^ Di'dim Dm^ Pdim Dm7
5 5
m
Gm7 Q7 b'' Cm^Bl'dim
B^dim Cm^
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» J J. V
• I }• I i b[d •*•
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if ^ r I'p- p
+ G7 C7
-p
m-r-
" hi? • 1 r J
«sb 1 >
v7 bI'
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J— —!
—5—J 1\
(I left my) Heart/// /in San Fran- cIsco./) |high on a

Hill/// lit calls to me./|| jto be where
Little cable ca\rsl /|| climb halfway to the stars,/ /the morning
Fog/// /may chill the alr,/| I dont care! My love waits
There/// jln San Fran- cisco/j [above the

Blue/// /and windy sea./// [When I come
Home// to yo^/ San Fran- cisco// [your golden
Sun//will shine/for/ me./// /jjj
I Wish You Love 65
1946
4/4, expressively
J = 90 Edim Ftn^ 3 '
Fm^ Gm^ cl'dim
1 m
0 0
Fm^ e1>6 Edim
s
0 ^ 5
Fm^ el's » , eI'M^ Fm7
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m 1 0 0 0 ^ ^
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F F
f m ^ V9 ^
Fm ' 3 F9 B^ Edim,
m m
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Gm^ Gl'dim
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f 0 0
Fm/ Fm® B^/ Ei'

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0 ^ m
(Iviîshyou) Bluebirds in the spring/to give your
heart a song to sing; and then a
Kiss, but more than this/1 wish you love./// /| And in Ju-
Ly/a lemon- ade/ to cool you in/ some leafy glade;/1 wish you
Health/ and more than wealth/1 wish you love./// I\ My breaking
Heart/ and I a- gree/ that you and 1/ could hever be/ so with my
Best,/ my very best,/1 set you free/// /| I wish you
Shelter from the storm,/a cozy fire/to keep you warm./but most
of
All,/ when snovrilakes fall,/1 wish you love./// ///|
66 If fever I Would Leave You
c. Lowe, 1960
2'beat or lilting 4/4
Jt1Q4 F
si'dim F bI*
Cm7 G7
2- Cm7 F7
— *1 mmmm^ 1
I 1—
-J. 0 ^ •
D D+ D6 ^ A7 D
• 1/ I , 11 |l |=|:
* J J J J # 4 d d
ei'dim F el'
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5
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\
Jump, Jive And Wail 67
râst shuffle J=176 Louis Prima, 195?
Intro
Jm
m 0 * d
Verse
bI" BI'7
0 0 0—0
P I' r 0 0
4 ^
el'
l» f »
Nkrj/ I^ j,
0— ••
F#
m— 0—0 — w P p* F" m
0 A • ^ »- ^ ^ ^
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^^
gl? OA/i/r j;a gotta
t
i 5
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Chorus
si' BI'7
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Ending
bI'
E
? 7 r" s. ^ 0' -
ROUTINE: Intro, VI C, Solo 2x, V2 C, solo 2x, V3 C, solo 2x, V4 C,

Band Riffs 2-4X, Ending
68 Just A Gigolo
Louis Prima, 195?
Shuffle Gigolo is Prima's phrasing, not the book 1
J? 122 3 Fmap 3 F G7 Gm C7
r^.
i B m m
^ S t m m m m. 5
C7 Gm C7 1
<
———— ——v ^ •
m
3
Eê C)7 r4-I ^3m
^ -1 >• ==*=-p^
w A* * A O -
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r-d-|—'—3 H
n j j j -
•i— —i
•P
—•—
fli. « a fl a &
f/ • « —
—J- 7 L•
I";——y •
—• •
P " ^
1 Ain't GottN< ly
i XT
^ b# a— ^
G7 C7
i
O
iW
• _E7_JE^7_p7 J2
G7
XT
XT .-•g * bi» l>i» - XE
14^ ^ yi'
T"'
tl
•
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1
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£7 R D7 G7
(• p# XE
G7 C7 LAST X to TOP IX Each

17^
i XE
Just In Time 69
414 swing. c. Jule Styne, 1956
r^J=156 bI* A bI* a st' a Am7 A

t
w m w
Fm G7 C9 Gm7 C9
r-p: o I*
5 TT jO"
F 89
f
eI« aI' D7
XL
$ I tf*
Gm D Gm D Gm Gm Gm^C^
m d i
f
B Ak G7
i ? •Or
C9 Bi> F+ bI^
i lit
? #
C7 Cm7
if i>" f fa
p
fS^
Just in time/ /! found you just in time./ /Before you

Came my time/ /was running lowJ// ////
I was lost/ /the losing dice were tossed,/ /my bridges
All were crossed,/ /nowhere to goJ// ////
Now you're here/ /and now I know just where I'm going, no more
Doubt or fear,/ /I've found my way./// /For love came
Just In time,/ /you found me just in time,/ /and changed my
Lonely life that love-/ly/ day./// ///|
70 Kansas City
Shuffle J=132 J =144 c. Lieber, Stoller, 1952
0 C7
5 J' m
'Tff i w—i—m
3X
—jjf A. M — S m. •
—> —
m=^
m
0 1' —/ «
r p- f « ' f ^ • L-J LJ
G7 F7
i S 1
i
5
C7
•
5 1
XE
0—0
•
i_
'
•
m ^ -r ♦ —^ ii i i - • —
rn0 ^ ! - •
^—
li_J_ !• J •
I'ii' LiJu 0
C /* Break ] C [Break ] C[Break-'J C[Break"]

>
y^=3i
5 5 m- m m-m m- m m * »• m
10 • V- f
1 m
^ •
—
—m — — a —0
G7 F
5
s
TAifS is more ft/fp when done with enthusiasm. Originai was sort of
quiet, siowish. You can take iiberties with meiody and phrasing,
reaiiy hit the sti^ps in C, piay ita bit faster. Just so it "rocks".
La Vie En Rose 71
2-beat 1950
J7120 C Cmaj^
Et
C6 Dm G7
i-y
nnk"
\v\i
a V 0
Dm G7
9^
i
Adim Dm G7
Jr
vfft A J e
a
—sJ L m
I
^— ' "
rV
M M <1
—.
m
-wk a
™XM7
—
V
F6 Fm C9
Ei'dim Dm7 G7
m & 0 0 & ^
• • 5>
T
-m 1 &
m\
Cmaj7
Dm^ Fmaj9 C
ii Tl-
r » II
Hold// me close and hold me fast,// the magic spell you
Cast,// this is la vie en rose./// ////
When// you kiss me heaven sighs.// and though I ciose
my
Eyes,// i see la vie en rose./// ////
When// you press me to your heart,// I'm in a world a-
Part,// A world where roses bloom;/// ////
And when/you speak an-/gels sing/from a- bove.///
Ev'ry-/day words seem/to tumin-/to love/songs./
Give// your heart and soul to me// and life will always
Be//la vie/en/ rose./// ///I
72 Lady In Red (1)
Fast Rhumba J = 138 Ethel Merman hit, 1935
Verse X37 G7
Cm -— Cm
m m
m
Cm G7 Cm G7
>L 1 0 0 0 0—0 %
G7 Cm
& G7
Cm
k m
s
Cm G7 Cm CJ
0—0 & 1
m Cm G7
Cm ©7 3 '
k——— • 0
-^7
i
Cm G7 Cm G7
4 4 4 ^1^ #-p j a
J J ^
G7 Cm G7 „
i^rvlp J'trffrfTlrrfT'T't!
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rin^^—^ ^— , 1
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Lady In Red (2) 72
Chorus
eI^ bI'7
m m
0 0^—0—0^ 5 XT
0 ^
bI'7 eI'
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£
Pr PI ^ [ t Lrrj^ bI'7^ £
F
O P
4 rrrr f [_r ^ ^^0^0—0^

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l.''l, I Jl i V bi» 90
^ 0 0
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bI'7 f[> ITo Optional endifw

/- \
i
Optional Ending
f r I! r M c r
, eI' eI'^ AITL Ê7

1^1 It f bp 1>m m m w XT P_^ P
if [j p r iifa'^'i fcM
Am E7 Am F E7
i
1 em
E7 A
i
73 Laura
Slow 4/4 ballad 194S
Jt104 Am7 Gmaj7 G6
4 -o-
Sm? C7(^) Fmaj7

i 1J i<r3 j
El'maj^ Cm7
22 l>J *
Cm6 Ah D7 D7(i«) G £9 ETitS)
[>»«
• P iJI 2
Am^ D7(l«) Gmap G6

*
Gm7 Fmap
3^^
s
\l I 1 i —
= p
G ^—T-
"1-
J ® r P 1
Cdim fi' c«
-l7yj
if m ai
m
Lau-/ra/ /is the face In the misty light,/ //||
Footr/steps/ /that you hear down the haiUII llll
|The Laugh/ /that floats on a summer night,/ /that you can
Never quite/ //re-/ caii/// /And you see
Lau-/ra/ on the train that is passing through,/ //||

Those/eyes/ /how familiar they seem./// Ill
IShegave/ /your very first kiss to you/ //that was
Lau-/ra/ /but she's only a dream./// Ill\
Learnin' the Blues 74
Sinatra hit, 1955

^4/4swingy
J=? 130 Bdim Cm7 F b1> Bdim
nj I —J' § I
Cm7 bI' ek
j ri^ J——•—a
n
El'm® El'm^ bI> Bdim
-zi
r r T cj TT
t §
n7 F eI'^ b1> 1. dim 2. B
J 1—1—Xm—p—* -i— --1— •
1i » • m—
OT a J T P d'
m —J •
N=H
fCT m :::—' —a =—^ > • ^ —t—s— ' -p-
r 1 r' N=M
Ek El'm7 eI*® El'm^ Bdim
iz:
r I' V f I r r
Cm7 bI' Bdim
F bI' bI''
i &
mm w
•."••I bi'iii h#'
w. ^ 1h-^^- ^ i ^=55=
M 1 r 1 u tl
m J —•LI
^7 b1>
75 IJeroy Brown (Bad, Bad)
Book melody is suggestive, phrasing varies with the lyrics and vocalist.
4/4 moderate rockin' ^huffle J'm croce, 1973 ^

Verse
J=146 G7
m m m
5 0 9 9
^ -aL* a p
A7 bI' F
1JP L hi h pt
J
V-
/
f+=
—d—4 :——
—d—0' 0 -vjV r}
•i
/ a*
G 7
Y
^ ^ ^—a ^L-#- ' V
^
J- ^ -a
«' 4 « —0' 0—•- 6 \ m m m
A7 C7
iChorus
m' m m
0—m—« 0—0
G7
5 5 * 9
W' »* ZM 0 0
li
A; N=t V-
-L ^ FP1 Y-
1
' « • r} —0—• —0 a
Q1.-
1
1
1
C^-i
Let Me Call You Sweetheart 76
C.1910
American Waltz
^J=126 el'dim bI'
llli'
^ tL
1 1
e
bI' Fdim
E 1 i
bI' CD F bI' B^dim b1>
•
eI' G7
!3»
•
1 €
G+ G7
—(•— a m
9
^ "T— A
o. e
•
F7
==--5
—= ir~\
1—1
*
Let/me call/you sweetheart,/ I'm/in
Love// with// you.// //j
Let/me hear/you whisper/ that/you
Love// me// too// //|
Keep/the love/light glowing/ in/your

Eyes// so// true// III
Let/me call/you sweetheart/ I'm/in
Love// with// you7/ //|
77 Like Someone In Love
c. Van Heusen, 1944
Smooth, 2-beat or 4/4 \
J? 108 C Am^ D7 G7 C Citdim ^
-O-
0
G7 Gm7 C7
•
W
1 1^ "
0 0
cJ
Bm7 £7
P 0
0
P 1tt "-T- • ^
G d O—1
Am7 D7 Dm7 G+
m a ' 0
XT
Am7
U—
• M o
0
J e J 0 0 0 e}
Dm7 G7 Gm7 C7
i-Hi P o
• 0^ a
-nK
W) a a 1 0 &
Hp—^ 0
P—ip—
1
•
•——0~~
—
r T r 0 0 J 0
Em7 A7 Dm7 G7 Cmaj7

i TT
r * ' II
Lately/1 find myself out gazing/ at stars,///
Hearing/gul- tars//like someone/in love.///
Sometinlies/ the things i do a- stound/ me,/ III!
Mostly/ whenever you're a- round/// meJII
Lately/ i seem to walk as though 1/ had wings,///

Bump in-/to things// like someone/ in love.///
Each time/ i look at you I'm limp as/ a glove// and
Feeling/like someone/In love./// Ill]
L'il Darlin' 78
Neil Hefti, 1958
r^Languid 4/4 swing
J=92 Q9 Dm? Gm^ Am7 D7l>9
g IX
e)
. G® Dm7 <Sitl7 F F|
j —a—
) •/* ^
gft " ^—n
^ «—J— fl
id
B^® slrn® F B ;1>® bI'iti® Am7 D''
• 3^1 1
J L 1J •f «/• 5s
7 •
^ * J-|J J-1""' M •' •'•ti^ ri .-1 1
•<
"1
G7 Dm7G7 Dm7 G^ Gm^ C® Am^
•
JE
G® Dm^ Gm^ C7l>9 Am^ D7l>9
XT •I' ^
m
G® Dm7 Gm7 CtI'® f F+
V r- T J xc 5=
$
b1>6 fil'm® F Bê B^m® Am7 D7
« #
•0^ Ending
G® Dm7 Gm7 C7 C7l« F® s Am7 D7
&
Dm7 Gm7 C7 07^® F® Am7 D7
«# t r-q—f
rL / ®^ —
•m i *»
—J J
G® Dm7 Gm7 ^7 F® Dm^ Gm^ i^^Fgaj®
1 1
79 Little Things Mean A Lot
Kitty Kallen hit, 1954
4/4; very expressive
J = 90 eI* Fm^ BI'7 eI'

Iz
0—h# y—#
eI* Fm^Gm''Cm^ Fm^ Ai'm P Cm^ Fm^ bI'^

a
f f BI>7
3X
E^ .Cmi Fm7 E^
0—a
m
eI* Fm7Gm7Cm7 Fm7 Al'm P ek eI' Fm7 e!'
B^m7 Ek Bl>m7 Ek B^m7 Ek '
r cj nr I r r * r' r r r 3E
G7 Cm7 Fm Bl^dim Fm C7 Fm Bk
3 ,1 n— ^1
5
Elu^_Cm7 Fm7 Bk Et'dim ^
m m m 0—0 0—m
c+ ^ Fm Cm7 , P Bk
-s—'
t —
r r p 0 0
eI* ,Cmt Fm7 Bk Ek

if P d \ 0 0 0
m
— 3-
; Lk
m ^ •ri":.
p
—h N=l= 1
!—1
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0 0 m
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Long Ago And Far Away 80
c. Kem, 1944
2-beat, smoothly
D7 D7
y tt A— s
£—J 5—
w
a ^1* J —m •
—•
J
Em7 Am7 Gmaj^ Am^ D7
bI* Gm^ Cm7 B^maj^ Em7 A7

I:
I Bm7
90-
Em7 A7 Am^ D7
-O-
^L.
Em7 Am7 D7 Grnaj^ Em^ Am' D'

i:
% Em' Am' D'
5
Gmaj' E' Am' D'
w
0
•— • ^ f" •
— a
Em' Am' D'
Long//a- go and far a- way,//1 dreamed a dream one

Day// and now// that dream is here beside/ me./
Long// the skies were over- cast,// but now the ciouds have
Passed://you're here//at last/// ///|
Chiiis// run up and down my spine,// A- laddin's iamp is

Mine,// the dream// i dreamed was not de- nied/ me./
Just// one iook and then i knew/// /that aii i
Longed//for, iongagowas you./// ///|
81 Lot Of Living To Do, A
Sinatra classic; c. 1960
Swingy4/4
Jt148 Cmap C6
ft
II- r " I^Lj tj* 5
Cmap C7 F6
^
t xr
Fmaj7 G7
XE
m—0-
F 0 5 t
Dm7 1. G7 G7
- J J:
2. G7 C7
TL
f
Fm7 Ek
HE
?0-
0 m
bI" G7
Cmaj7 C6
i ^ 0 0
m
A Cmaj7 F6
-4
J J
o 1—^—0
o
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^F=— — i '
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^ 1 ^
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->—i—=—1
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L-O-V-E
82
2-beat J- 134 Nat King Cole hit, 1964
'^J=122 F Gm C7
f
C7
XT
F#F= J —J m
m
^ J •
m
C7
F#=P=^.3 J —m
J •
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m —m •
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I 3X J
"L'7/is for the way you look//at me.///

"O"// is for the only one//1 see.///
"V"// is very very ex-//tra- ordinary.
"E"// is even more than anyone that you adore can.
Love// is ail that i can give//to you.///

Love//is more than just a game//for two.///
Two// in love can make it take my heart but please don't break it.
Love//was made for me and you./// /|||
83 Uove Letters In the Sand
m-, "Heart &Soul" rhythm Pat Boone hit, 1957; c. 1932
J=104 Q fij ^
I: 5 9^ • m
0 90 I
D7 Am^ D7 D7
IZ.
A7
I: I
0^ m 0
D7 A7 D7 Gdim
«=;»
•
• 0 ^ P' '
cl
Lg!_J—
1
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m
A7 Am7 D7
*
f
A7
» *
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D7 A7 D7
(On a) Day/ lite to day//we passed the time a- way/writing

Love/letters in/the/ sand./// //How you
Laughed/ when 1 cried// each time i saw the tide/ take our
Love/ letters in/ the/ sand./// /You made a
Vow// that you// would always be true, //but some-

How//that vow//meant nothing to you. //Now my
Poor/heart ju^ aches//with ev'rywaveit breaks/over

Love/ letters in/ the/ sand.///
Loveliest Night Of the Year 84
Viennese Waltz J= 168
i Bl'
if ¥
w
5
f2F bI'
-6^
i
bI> 4
^^
, ,
eI> B>'dim B^" G7 12 C7 bI"
1^
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p
1207
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85 Lullaby Of Birdland
c. George Shearing
J=154 Fm® bm7l>s Fm^

I ^ •!••• 11 1 1 ™• I ••••• — ' ••' •••• ' •' —^
*•' i<«i * ti f m
Cm7 Fm7 , Bl'm^ eI'^ Al'maj7 dI« GititI'S
if ^ rr m
f
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i r^' 1J IJ • *
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XE
CmT^s R bW Ek Ai'maj'
Izi 0—10
*»
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Cm7l« F Bl'm^ Ek A^map C^
\z±
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Fm® Omul's G7 C^ Fm7 oi'map Bl'm^ e1>7
Izi
i m
Al'maj^ eI'^ Ai'map
fe
Mack the Knife 86
^ m
i 4 1 L: J )— —5-- y- —i—
—J —J[ j j
J #
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#
Gm^
f\ I Cm
^^ J- i t i
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Book
m
version 06 Dm
— — s s
A.. 5— ar TT. H
• ^ •
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G9 06
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& V"
n si ^ci •
/
l> 5 i—1
14=h cJ gJ
*1,, ^ J i
>lfter around ofsolos, or whenever you feel like It, start modulating
up by half steps or other, every 16 bars. Maybe C, Eb, F, G, Ab, Bb
87 Magic Is the Moment
Bolero (slowRhumba) c. Maria Grever, 1929
1P — rJ eJ 6
1
rJ rJ
—J J
^ J[ m 1
^ -
"T~*~
? ^
J . •
•
liri •
• *
p -
(Magic is the) Moon-/iight./ //on this iovers'

June/ night/ //As i see the
Moon-/iight/ //shining in your eyes./// /Can't resist their
Pow-/er/ //in this mooniit hour/// //Love began to
FiowJer/ //This is para- dise./// //Living in the
Splen-/dor/ //of your kiss so ten-/der,/ //make my heart sur-

Ren-/der/ //to your iove di- vine./// //Magic is the
Moon-/iight/ j//more than any June/night. //Magic is the
Moon-/iight,/ //for it made you mine./// Ill\
MAMBO - Mambo #5 88
Mambo J =164 -180
c. Prez Prado, 1948
~0 f ^9 m 9 » m ^ m f ^ 9 m 9 ) m m ^ m
qi -• J ^ ^ p ' p -J-' J ^ ^ F r p1J ^ p p r P'
1
94 ) V ^ 0 . m 1 ") 9 m 9 ) m m ^ m
J^ p * p •-^-f-1 p r ' j ^ ^ p r 1^ ' M r p"
bI'7 E^s
=^!5= =w J J ^ ^ —
J M g—^ : —=i^
•J 4 —9—m
b1>7
9
5 9 0 9—9—9—9
BI'7 eI* IPIav4XI
a I r i s=^
interlude-No Chords
1 bI^
Pr piJcJ'Pr
Bi>9 eI'
^ h . , . - •/ ") -t-^ » f —#—
X-, ^ ' p '=t^ ;t:

=tt: '• p r P' =;t=;i
peati& fade
E:1?6
^S LhÎ-It- J 5-^ ^ ^— Mm r M •!
* ^ .M= —V
—#— J '1
89 IÂMBO - Mambo Jambo
Mambo, fast J=225 Prez Prado, 1950
H G7 Fdiip G7 G7 Fdim G^
i
Cmaj7 C6 C Cmaj7 C6 C
5
m
G7 Fdim G7 Fdim G7
¥m ^ fi r r '
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p
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0—0—0
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Cmaj7 C6 Cmaj7 C®
l: r rrr ^f: :6'

cjr rrr
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P ; i 7J)iJ' J fJ) la
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DmA7DmA7 F G7 F G7 1. c 2.C
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Fmaj7
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MAMBO - Mardi Gras Mambo 90
c. EIliott-Welsch-Adams, 1955
'^J=135 Sax Intro

UnghU
I ^ Ii*:
0 0 m ^ ^ 0 ^—--
i r i
Verse
bI' bI>
S
bI> bI'
i
0—0
m m
p
Chorus
eI' mam-bo mam-bo bI' mam-bo mam-bo
7^^
<o A A A 0 f d <D A A A A
0 0
P
bI'
» m
ir LT r
XE
(V1.)
Down in New Orleans where the blues were bom It takes a cool cat to blow a hom/.
On the side of Rampart Street the combo's there with a mambo beat, to the
(Chor.) Mardi Gras mambo //// Mardi Gras mambo ////

Mardi gras mambo Oh/// down in New Or- ieans.///
(v. 2) In the town where the cats all meet, is the Mardi Gras with a mambo beat
Shout and cheer for the Zulu King, truck on down with a mambo swing to the
(Chor.)
(v. 3) The Parasols are on parade down in New Orleans, well they got it made./
They play a tune with a mambo beat, so the "second line" can shuffle their feet to
the
(Chor.)
(v. 4) On the comer, a hat on the ground, plays a hom and they gather 'round
the Quarters fall and sound so sweet, he answers back with a mambo beat.
91 MAMBO - Patricia
Prez Prado, 1958
Mambo J=128 J=140
C G7 Dm G7 ^
m & 0 0
&
G7 Dm7 G7
0—m—0
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G7 Dm^ G^ G7 Dm7 G7 06
j ^ ~ I <1 j j r
G7 Dm G7
iw ^ - 1^ ni 0 0
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G9
* ^ *
£
Dm7 G7
XT
P ^
Dm7 G7 Cmaj7 06
XE
G6
-y— 1 1—
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p p p i«
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t=fL-pLf
p ^p.
B —J — — —
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^
C G7 Dm G7
& &
G7
& 3K
MAMBO - Tequila 92
J=168l J = 158 Champs, 1958
iritrn
Intro F Cm7 F Cm^ Cm^ F Cm^
0—0
Cm7 F Cm7 Cm^ F Cm^
0 0 * \}0 0 m
5
'0 0 J
Chorus
Cm7 Cm^ Cm^ Cm7
J Jj j
Cm7 Cm7 Cm^ Cm^
m m ') I M
i 9 m 1 J'l J M J-;
Cm^ Cm^ Cm^ Cm7
J., ^^ J JI] ^ ^ ^Î

Cm7 Cm7 Cm^ Cm7
t) I i 7 &
Fdim F Fdim
222 "UgT
9 ^
> II
^ ^—H
\}rJ» ^ 1 = p
——Y'
i i 7 1
^
3 3
Li^ - M
1
—^ m
—
P P -W
—
J
1
—
1—0—0—M
—
Wimm r TEQUILAaaa./
Cm7 R
>
TO ^ J /
v- V— 11
a
—W • P a
—WL-J—J- m P —w m
ENDING: Drag It out. Instruments gradually drop out, except drums, then
all "HIT IT" and shout TEQUILA.
Intro-Ending: Lead horn can start on F 2 bars, then A 2 bars, then C 2 bars.
93 Mame
1966
J=148 C C6 Cmap Ol'dim Dm7 G7
m m # XE
Dm A+ Dm7 G7 Cmaj7
i J J J 'I J
Am g1'+ ^m7 Am® Em A®
^ r r riT cjcj
Dm A+ . bm^ GI Dl>dim Dm7 G7
^ a • J 7a—
Di'dim
—i—
it- —J— —0
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-fe J—J •
:ê r
G
•
Am gI'+ Am7 Am® Em A®

I r f
r (r cj is m j® p'j» 1^1®-
Dm A+ I I A®
^ * • » ^
I
•# !»-
D7 Dm7 G7
XE
m
Meditation 94
Jobim, 1962
BossaNova
B^sus^ 87
E=l —k-—
^ n m 1' «J
'
—R— W j HZ
1=F=^
/m • ^
m, • Y T—
\„0^
C6 Em7 A+
m m m m ') I J) > j)
Dm7
:z.
m B?7
TT
5 5
Em7 A+ Dm7 G9
\W •
* I "
Fmaj7 BI?7
€»
p r pI p T
/ '-^1»—â , a» *—h «• ••
1
B7sus4 B7
XE i *
# -X^
C6 Em7 A7<''S)
TT
m m m m m •£=•2
ix: :z:
Dm7 BI'7
XE X2
5 i' I i' J Ji -i îr
1
Em7 A+ Dm7 G7H C6
0-0- * * 0—0
m
95 Melody Of Love
American Waltz
•0 ^g •
^5^ J- • 6
G7
TO e) •
C7 c+
a!
|A j a
—¥
Cdm
Dm7^5)
1. Hold/me In/your arms// dear,// * Dream//with// me.// Ill

Cra-/died by/]|our kiss-// esll *Ten-// der-// iy.// /||
While/a choir/of an-// gels// * From// a-// hove// ///
Sings/our iViei-/o- dy// of// * Love.// Ill III ll\
2. Heart/to h^rt/for- ev-// er,// * lips// en-// twine.// Ill
i/am yours/and you// are// * mine,// ail// mine.// Ill
Hea-/ven wrote/the mu-ll sic// * up// a-// hove// III

For/our mei-/ o- dy// of// * love.// Ill III ll\
MERENGUE - La Cruz 96
Merengue J=216
Intro -
Am D7 G Am
1J? ^ 4 > > ^ > > > ^ ^ > > > -^ ^ ^ ^
1—4
G 1 1
D7
cji ^ r F •
0—#
|7 D7 ^ G
;fe-# °J ^J 1 l=i—l-^
d fli
A
?
A
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D7
i 1 1
22
D7 "I "G 2.G D7
i 5
♦ •^ D7 r\
1 s
^— 0 f m I 0'
pi p
"I • G 2- G
D7
0 0
LTI p r p m
7 Cnri7 g ]D7 G
N=^ ^ ^
t
6 "fl
Mantuno
D7
> > >—^
N-^!h > a. ^ • ;;!• P—t—i—

0 0
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«
f V P —J—J— 1 1
97 MEFIENGUE - Tropical Merengue
Merengue
G7
• ' 1 1 « ^ 1m — i—
1• ^
fe 31 ^—e m
^
m—
• î
I4==fj •
!• f •
J
G7
Dm7 G7 1. m
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4^ i •
w
j
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rvJ , C|7 1 c
1
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f=^ ——P" '—T T— ff' ff •-
^ : ^ P - i— =4^
t' ^ ^ n
T17 c 57 0
F$=^•—F—f=F
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• ^ ^ ^ ^ > > > > > >
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Give drummer plenty of solo space.
r^
MERENGUE - Universal 98
Merengue
^J5 232 C Am Dm G7 Am Dm
^ ^ ^ ^ ^ ^ ^ ^ ^
G7 G+ C6
t A9 A7 D
1' "
i ::s:
G7 Dm7 G7 Dm7
G7 Dm7
i i
L
r-fH
in5~ J (9^ = m a P
^
J ^ • a
c 7 F Fdim
0 ^ p •P 1 A
"^T *»
r
Ddim Dm7 G? Cdiml^
Dm7 G7
xc
1.2.3. 4.
G7 Dm7 G7 C6 C
1»-
% I
lontuno G7
> > > > > > > —?- ^ ^ -?—?
^ Ending G7
itri r ^
99 Miami Beach Rhumba
Rhumba J- 120
Intro
C ^ Fm 07 Fm
%
3^ • •
07 ^ Fm 07 ^ Fm
ptJ •
•
•
^ •
Chorus
Fm C 7 Fm
• • .
V *
^=N
A
1 —•—^
/I 1 Fm 07 Fm
if A • W d —fl m •
—J
A
' • « *»
Fm 07 Fm
w kf w M
r p \ 0—0
m
Fm 07
U
-> \
_• d
0m 0 0 \' 1 i xc
eI'7 aI' eW aI'

I n P [ J > J'l j"J J"3 pyIf i i Tj
0\>7 07^ Bl'm07
/ 1 —i— p >
1—J
V
-'—d —i— b4=^ •

J—
[?w «
07
Fm Fm
lz±
m % I^ pip %
I Fni _ 07 ^ Fm
m
n m
Ending = Intro
Misty 100
Johnny Mathis hit, 1959;
c. Earl Gamer, 1946
J=84 0i,9 Et'M^ Bl'm^ £^7 3_aI'iti dI'^

Iz 0 0 0 0
J- 11;, f
L
eI'
-
^S—Cm ^
Gm7 C7 F7l»5 bI«
5
^00
€—0^
m w
£^1^17 Bl'm7 £^7 a1'M7 A^m dI'7
0 0 0 -0
I rrrr r
LiLr^y-n
£l? 5^Cm Fm7 bI>7^.,-^ £I> dI>7 £^ ^
i I m j ni
^ ^ ^ ^
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IF —
5
J
£^017 El'T^s Ai'

• Pl> ^
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P
Am7 D7 F7. B^7 £tdim Fm7 £^7
!• (• 0
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£l'M7 Bl'm7 £^7 a1'M7 Al'm D^7
0 0 0 0 5
s
J. jl l ;. g
£^ ^ ^ Cm ? Fm7 B^ £!»
^ 0 0 -e^
0—a *
101 Mona Lisa
Nat King Cole hit; 1949

Smooth 4/4
Fm7 bI'^
1 ^ ^
^ -d ^
A 1 Fht
J< Lî 1* « /r-N !—m— #
1^5 ^ LLLILTI - tiJ 1*' "^3 •

aI:
>
0 1^ « t-f—m p p A JLil ——0-
—I—— p
eAN:
w '
^ LlL
f\ 1
BI'7 Ek
J[ Lh L- - h*—— JBi
gj—p_E_P
"TO ^ ^ f 6 U
Ejk eI* /
0 1 —t-i
-i^-ri—w—F-"T—— m ^
•'
m
P
1
7
m
r L iiJ 1
(Mona) Lisa, Mona Lisa, men have named you,/ you're so
like the lady with the mystic smile.// Is It
Only 'cause you're lonely they have blamed you,/ for that
Mony Lisa strangeness In your smile.// Do you
Smile to tempt a lover, Mona Llsa,/or Is this
your wayfo hide a broken heart?/ Many
Dreams have been brought to your doorstep/ they just
lie there/ and they die there/ are you
Warm, are you real, Mona Lisa, or just a
cold and lonely, lovely work of arL//|
Moon River 102
American Waltz c. Mancini, 1961
\l 11 •
• 5^
4 M 0
C Dm® E7
LL
^ d
\l •
Q__
J 1
i h-
i 1 ^
Adim Em7 A7 Dm7 (
1^ 1 J F—0f- ^ 1 U 1 .
m
• » m
e 0 •
0
Dm®
0 d
J
ll
CJ I
1 J=
'
-& sU ^ a .
f
—0 M
. C Am 1Dm * G7 C
— r r
=—1
1
1 i ^ Ct -t
Moon// river/ wider than a mile,/ I'm

Crossin' you in style,/ some day.// //Old
Dream// maker, you heart-// breaker, where-
Ever you're goin'/i'm going/your way.//
Two// drifters/ off to seethe world,/there's

Such a lot of world/ to see.// //We're
Af-// ter/the same// rain-/bow's end,//
Waitin'round the band,// my huckleberry friend,//
Moon// river/ //and me.// ill
103 More
Perry Como hit, 1956

Slow Rhumba
1 U C A, ^
i5L " 7 0 0 IT
4 -ra • J a 0
•
•
Gmap Em7 Am^ D7

i
i^ j. n XE
D7
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a*
rm
vsy a ^ a
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Grnaj^ Em7 Am^ Gl>n[|7(add4)
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f
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Am^ A9 Am^ D7
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i XT
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ii i
g' i
Am7 D7 Gmap
J •5^
More I See You, The 104
Smooth 4/4 Harry James; Nat King Cole;
c. H. Warren, 1945
J=100
Am^ Am' D' Am'
G D' A^dim Am' D'

I:
j r' y
Gm D Fm bI>' Cm' D+
$ Gm A9 Am' Am'
d
XE
Am' D' Am'
D' D+ Dm' ^GI_Dm' G' Fm Fdim

* 3CE m
Cm E' A'
• m f=M
p
1r r ^
• W P
6 m d
ti' "
Am' D7(i«)
(The more I) See/ you,/ /the more I want/ you./ /Somehow this
Feel-/ing/ /just grows and grows./// /With ev'ry
Sigh/1 become more mad a- bout/ you/ /more lost with
Out/ you./ /and so it goes./// /Can you i-
Ma-/gine/ /how much I'll love/ you,/ /the more I

See/ you,/ /as years go by?/// /I know the
Only one for me can only be/ you,/ /my arms won't
Free/you,/ /my heart wont try./// ///|
105 Mr. Sandman
2-beat J»198 1954
Intro
C Dm 1. G7 2. G7
P'l- J jJ
Chorus
IJ
07
0 0
i
E7 A7
W=0 J
P
D7 G7
i 0 0
& 0 0
4 —
1
\? •
B 0 W— • 0 0 P
h p—-—
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i—=—
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ir g _g
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c D9 G9 C
i
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t
^.Ending \c 09 G9 C 09 G9
b:
09 Q9 c WoW 8 fears; Horns play intro

n—
TT
t
Om 1. G7 2.C
i —IT
•o-
r ^ ^
My Foolish Heart 106
A14 ballad 1949
r^} =92 bI> Gm^ Cm^

t
a J 0
i
sl'map D7 Gin7 Cm7
t
* m
Eio E^7 D7
0—0 0—0 P-m-
1
Gm^ D+ Gm7 C7 F9
i
J n JTn
bI> Gm7 G7 Cm7
t
if a
Bl'maj7 D7 Gm7 Cm7 D7
e
Gm^ Gk si" eI" maj•7 G7
i m
t
0—0 0
m
Cm7 bI"
k
m
(The) Night/ is like a lovely tune/ be
ware/ my foolish hearts/ How
White/ the ever constant moon,/ take
care/ my foolish heart.//There's a
Line between love and fascination that's hard to
see on an evening such as this.// For they
Both give the very same sen- sation/ when you're
lost in the magic of a kiss.// Her
Lips are much too close to mine,/ be- ware/ my foolish heart.//But
Should/ our eager lips combine,/ then let/ the fire start.//For
This time it isn't fascination,/ or a
dream that will fade and fall a- part// It's
Love/ this time, it's love my foolish heart./// ///|
107 My Way
4/4, expressively Sinatra hit, 1967
J?92 H C Em Gm® A7
^ ^3
W
Dm Dm7 G7 _ C
C7 Fm
jS
^5
G7 1.F6 C 2.F6 C
I -I- XT i
C7 F
i I " '11
Dm7 G7 Em7 Am
b:
p 7 7 » F
m
Dm7 G7 F®
p—^
E
m =5
Routine: A ABA, iastX A B

Night Train 110
J=122
Usually a Rockin'shuffle; Buddy Morrow, 1952
Brown used a funk beat James Brown, 1962
bI>6
i V.bI'G ILLJi i
0^
i
/I 1
SbI^ To A ToC
-if Ll^ ^
^- r ^ i! 1mjr j j y—
1 V ^ 4^—
bI>6
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At
C glê \[Rhythm: do3's]

¥ £
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&
if E i
ROUTINE: A A B C, SOLOS on A2X,AB OA, Ending
111 Old Cape Cod
Lilting 2'beat Patti Page hit, 1956
Jt84 eI"
1 e
m i s
P Fm7 Bk7
4
I i
A? eh Edim Fm7
Adim
i
Eb
If you're fond ofsaijd dunes and salty air,/ quaint little villages here and there,/
You're sure to fall irp love with old/ Cape/ Cod./// ///|
If you like the taste pf a lobster stew,/ served by a window with an ocean view/
You're sure to fall iip love with old/ Cape/ Cod./// ///|
Winding roads that seem to beckon you, miles of green beneath the skies of
blue.
Church bells chimii^g on a Sunday mom, re
mind you of the town where you were bom./
If you spend an evening, you'll want to stay,/

watching the mocihiight on Cape Cod Bay./
You're sureto fall iip love with Old/ Cape/ Cod./// ///|
On A Clear Day 112
Square 2-beat 1965
^ J = 100 Gmaj^ C9
22
U
GtnaF Bm7 £7
4 Am7 Fm7?'sr" D7
j9 ~P
t
Bm7 Bi'dim Am7 Bdim Am7 D7
im &
Dm7 G^ Dm7 G7
*
m
D7
P
Cmai7 A7
i
Gmai7 Bm7
I: ZZ
Am7 G Am7 Am7 G Am7
P
Am7 D7
XE
-O-
(On a) Clear/day/ //rise and look a- round/ you/ //and you'll

See/ who/ II you/ areJII //On a
Clear/day/ //how It will as- tound/you/ //that the
Glow/of your belngi out- shines/ev'ry star.//You feel
Part/of/ //ev'ry mountain, sea and shore./ //You can

Hear from far and near a world you're
never heard be fore/ /And on a
Clear/day,/ //on that clear/day/ //you can

See/ for-/ ever| and ever| and ev-/// erill more./// ///|
113 On the Street Where You Live Eddie Fisher,
Vic Damone, 1956
2-beat
j,im bI* Gm^ Cm^
J II-J j. J ^
Bl>dim Cm7 F7 Cm^
Cm7 m Dm7 Bi^ Gm7
& &
C7 l.ps F7 2.F7 if
i -©-
m
D7
t
eI'iti® Bl^dim bI"
XT
•f » ?
gI'7 bI* feme Em7 A7
I M •
A7 BI> C7 F7 Cm7 F7
# • * i xr
bI'G F7 b!* Gm7 Cm7 F7
Bl'maj7 Bîm Cm7 F7 Cm7
t
P
Cm9 El'm Dm7 bI' Bi'dim
'p ^ r pip «
Cm7 F7 Cm7 F7 bI'
P a
One 114
Square 4/4 J=128 Chorus Line
Intro I El'maj^ Fm7

« 0 P f !»• 0-0- w~w 0-0
jei
Chorus
E^maj7 A7
& t
'H |W.- W-- J- W. ^ f
eI* maj' BPin® —3.—? C7
-y—y a
m
Cm® D7 Gm D^. Gm
Jz
^\j ^ S
^ IW tjj- J
s n i -€U t
t)
Bm dI'7 ok a7 e7
Ji
I'"!.' ^^ ^ (» ssS 1
El'maj^ A7
Al'maj^ Cm D7 Gm G7
' I' J- j[] J- ^ 5 1

07 sk Gm7 07
; ip-i r ^ r Î r r ^f
F7 sk El'maj7
xr 3X iz
s m
Ênding
Fm7 Repeat & lade
t o;I* fj{|« |» !»• PII* Qp f !• !»•

mum.
From "Chorus Line". If some folks form a line and start kicking, segue
Into the Intro to "New York, New York" and watch 'em go nuts.
115 Our Day Will Come
Expressively J =120 1963
Sossa Nova) (or slow Rhumbs .
Irl40 G Bi'7 Am^ D7
iVi ° J J BI?7 D7
Am^
ijix
Dm7 G7 Crnaj^ C6
5 ^ J
Cm7 Bm7 bI'^ Am7
90^
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\)
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—>
—J J
l==J —J m'
J i > J —i—
J •
d M
Dm7 Cmap Cm^
iW 5 >0^
Em'' Am^ D7
*
|Our day will conje/// |and we'll have ev'rythlng./

We'll share the \oylll jfalllng In love can bring./
|No one can tell ê that I'm too young to know,/ //| I
Love you so// //aqd you love me./// ///|
|Our day will come/// |lfwejust wait a while./
|No tears for us,/// |thlnk love and wear a smile./
jOur dreams have j magic because we'll always stay In love this way,/
Our/day/ //will/ come./// ///|
Over the Rainbow 116
Light, square 4/4 c. Arien, 1939
^=92 eI, Cm Gm Ek aI' eI' eI'^

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m
Al>m eI* C7 bI'7 eI*
s
E Cm Gm Ek E^ eI'^
5 22"
m
Al>m ^ 07 F ek eI* bI'7
I Fm7 bI'7 eI*

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E^ Ei'd im BI>7 Fm Eh
i
£
Cm Gm E^ aI' eI* eI'7
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h Al'm eI* C7 F B^ E^
S m
Some-/where/ over the rainbow way/up/ high.///
There's/ a/ iand that i heard of, once in a iulia- by./// ///|
Some-/where/ over the rainbow, skies/are/ biue,.///
And/ the/ dreams that you dare to
dream reaiiy do come true./// ///Some
Day i'ii wish upon a star and wake up where the ciouds are far be
hind/me/ ///Where
Troubies meit iike iemon drops, a- way above the chimney tops that's
where/ you'li/ find/ me./
Some-/where/ over the rainbow biue-/birds/ fiy.///

Bird/fiy/ over the rainbow, why, then, oh why cant i./// ///|
117 Perfidia Xavier Cugat hit, 1941; swing
versions by Goodman, Miller,
Rhumba, Beguine J. Dorsey, Krupa, 1941
J=114 c Anf^7 Dm^ Am^ Dm^ 07

^ I I "-v ^
m
Am7 Din7 Ddim Dm7 G7
5
"Or
C Am7 Dm7 G7 Am7 Dm7 G7
if X8_
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#—0—0
C AitT Diij|7 GJ Am7 Dm7 G7

XE
Am7 Dm7 G® Ak
XT TT
(To) You,/// /my Heart cries out "perfidia,"// /for I found you, the
Love of my life, in sombody else's arms./// //|Your
Eyes,/// I are echping "perfidia// /forgetful of our
Promises of love, you're sharing another's charms./// //| With a
Sad lament, my dreams have faded like a broken melo

dy;/// //|Whilethp
Gods of love look down and iaugh'd at what romantic fools we mortals
be./// /||And
Now/// II know m^ love was not for you,/ /and so I'll take it
Back with a sigh, per- fidious one, goodbye./// ///|
Picnic 118
On "standards" gigs usually paired with "Moonglow", a la a 50s classic.
1. "Moonglow" doesn't resemble the 1930s Benny Goodman Quartet tune.
2. "Picnic" is not appropriate' on a 30s or swing gig. Originally in C.
Movie theme, 1955
4/4
z
Dm7 - .P* G7_
3
p
m r
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f ' r *»
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©
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&
119 Poinciana
RHUMBA-Moderate
1936
Intro-
Rhythm
C6 bI'S c® bI*® c® C7 F®
Tt 3E Xfl
XE XE
tert Rhumba heat I

C6 bI*® C® Bê C® C7
xc p xE XE s:
:horus Cm7
Fmaj® F
B^m x:7
biy ^^
Fmaj® Cin7
bI'm
i m vm
Bl' m Ddim C
BS
B^m Ddim C7 Cdim Gm
iy
iza 5 sa
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c® bI>® c® bI'b c®
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O ne-Two-Th ree-Kick 120
O Conga c. Xavier Cugat, 1939
j =220 eIo F F F
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121 POLKA - Beer Barrel Polka (1 )
J = 264
G7
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Beer Barrel Polka (21 121
Interlude
p 32
s
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To the TOP
till they (you) drop!!
122 pOLKA - Clarinet Polka
^S.
_,J= 208
CD
I ROUTINE: A ABB AC
0 0 0
::!) m
0——F—0
i 0—0
F
i 1/ rTf} 0—0 0 0
m
F7 bI'
i cjUJ IDJ
C7
rrrrrrrr
t
0 1
i
11. ^c^r
C
t; [L;r
^ F
ItS F ^3?:a^C7.^ F^
I r%
mr'- Jtl—ir ^-'--p-#. 0 m 0

i
cji;t; Dii; IcxN i
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p—
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B
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POLKA - Helena Polka 123
/ ^f p • p p p p
* pf • a _ _ m & •
^ —J Ij '
^ t a •
• « a a •
C7
1; m m m m m m ^ m
» *
C7 2d\XtoC\ R
4 P m
G7
m m
0 0
G7 C Back to A
0 0
0 0 0 0
C, bI'
i
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XT
sl'dim bI* F
!Z
ax
bI'
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F bI> 1. 2.
C7
(• ^
22
C7 ToC\
m m d }
Routine: A, B, A, C, D, C
124 POLKA - Hoop-Dee-Doo (1 )
I—I
I J=100 -ItI — c. F. Loesser, 1950
¥
&
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£
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* *
m
ÂI'7 A7 bI'7 eI'
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•Ênding IaI> eI' C9
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Fm7 A7 E^T D7 C7
tis tm
2. At'7 A7 bI'7
XT lz±
¥ P i •jp^T
IHoop-/dee dooj// |hoop-/dee doo,///

II hear a polka and my troubles are through. ////
IHoop-/ dee doo,/// |hoop-/ dee dee,///
|This kind of music Is like heaven to me. ////
|Hoop-/dee doo,m |hoop-/de doo,///* [It's got me higher than a
kite/// ////
Hand me down my soup and fish,/ I am gonna got my wish,/
|HooD-/dee- doin' itto- niaht./// /When there's a
Hoop-Dee-Doo (2) 124
aI' Fm Cm aI'
72
a\> Al'dim £1*7

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Tf- •
Bkn^ E^^7^l»m7 ^7 Bi»m7 £^7
:3t=5
Bl'm7 £k Ak
1 XT
XT
J- ^ 4
"Fm Cm aI'
Jz
m fok 5 -o-
Ak
? 5 -O- -o-
P P
dI' Al'
J2:
5 ^5
i f
sk £k aI'
XT
i 4
B. Trom-/bone/ play-/er/ rah-ta dah-dah dah, I get a
Thrill/// /I always will./// /When there's a
Con-/cer-/ tin-/a/ stretchin' out a mile I always
Smile/// /'cause that's my style./// /When there's a
Fiddle in the middle and he playsj the tune so sweet,///
Plays the tune so sweet that I could die./// Ill
Lead me to the floor,// and hear me yell for more ;cause I'm a
|Hoop-/dee- doin' kind of guy./// /|||
A. (w/Ending) |Hoop-/dee doo,/// |hoop-/dee doo,///

|l hear a polka and my troubles are through. ////
IHoop-/ dee doo,/// |hoop-/ dee dee,/// * |This kind of music is like heaven to
me. nil
|Hoop-/dee doo,/// |hoop-/de doo,///* jlt'sgotme higher than a kite/// ////
I'm in clover I'm in bloom,/ when I'm dancin' give me room./
|Hoop-/dee- doin'it with all of my might. ////
Rain my fall and snow may come./ Nothing's gonna stop me from/
[Hoop-/ dee doin' it tonight./// Ill\
125 POLkA - Just Another Polka (1 )
c. F. Loesser, 1953
H J=256
-iS^
XE
I
I^lI' 1 1 J N —m • •
•
—f p • p —I¥——i—
i i
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J —J
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• L—J a
BI'7
TF
IT
u
Cm7 m Fm6 G7 G+
E rj»
C7
i
A. (This is) Just another poika,// just another poika,/ but

Oh/ what a giri/ in my arms./// /Am i in
Heaven.// |since/we met?/// |ls this the
Phiiharmonib piaying Rome- o and Juii- et?| N0!|
Just anotheil poika,/ iike any other poika,/ but

Some-/how the mu-/sic has charms./// //This is
Just another polka,/but ho-/iy/ schmoika!//
Oh,/ what a giri/ in my arms./// /| I'm/ (To B)
Just Another Polka (2) 125
B eI'
19-
12. At m
BI'7 eI'
i
t9- JL
tiT
BI'7
iI • a*
-Q 11 p — u.- p ••• m—
-Îpk—^ ^—m # —
J— -i-L^ m
A 1-
eI' BI'7
h:
P 72
B1>7 E^
^ fS" •
s 9
O —m 0
0—
0
- 0 11> a
V
9 •
—m •J m km—
-Ak—^ >
r ' ' 0
BI>7 E^
-rr
f ftf TP
ROUTINE: A B A Repeat as necessary
B. Danc-/ing/ with/ an/ an-/gel/ //with an

An-/gel, an An-/gel, an An-/gel,/ /Oh yes I'm
Danc-/lng/ with/an/ an-/gel/ /that's why the
Band Is sounding better from the moment that I met her, 'cause I'm
Danc-/lng/ with/ an/ an-/gel/ //with an
An-/gel, an An-/gel, an An-/gel./ /She's got me
Danc-/lng/ llke/l/ never thought I could, oh Arthur
Murray never had It sol good./// /|Thls Is (To A)
126 POLKA - Liechtensteiner Polka 11)
J=256
1—i
m
1 fl ..
P
OT 4 • r « \\'4^ ®
C7 F6
if
^ r
^ **
—JJ
1J ^ = —i—
—i—* ii
WitJ •— « \\'4 ^
^ C7 C7 F Fo C7
Bdim
m 0 • *
f» I* I#' 0 0
Dm G7 C7 Cdim C7 C+
* *
5
$
fsN= : i
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= r —^
1—^—• :ip«—• -—• :i^1—•
• ^
w
C7
G7 LastX F C7 F
•0-
To Verse
Liechtensteiner Polka (2) 126
Verse
r—fl L,
rj
j J fl & &
CJ
m 0
Cdim
5 m m
)7 GiS D7 G
—] f »
m
1
m—
f •
• — —\—I—
i—m
—H —fli
m
G7 Gdim G7 C7
ROUTINE: CHORUS, VERSE, CHORUS till the guests or band drop
Chorus
Ja,||| Idas is die Liechtensteiner Poika/ mein Schatz,///
Poika/ mein Schatz,/// Poika/ mein Schatz,///
Da,||| jbiiebt doch kein Liechtensteiner auf sein-/emPiatz,///
auf sein-/em Piatz,/ mein/ Schatz!/// /Man kann beim
Schieben, schieben, schieben sich in

beide augen seh'n. Man muss sich
Lieben, iieben iieben und die Liebe, die is schoenljj Oh/
Jaijli jsoeine Liechtensteiner Poika/die hat's,///

Die macht/ re- bats,/ mein Schatz./// IIIDer
Verse
Alten herr von Liechentenstein/ Ja!/ Ja!/ Ja!//Der
Konnte nicht ai- leine sein,/ NeinI/ Nein!/ Nein!// Er
Schickte seine Boten aus,/ Ja!/ Ja!/ Ja!// Schaut
r\
Mir nach Musi- kanten aus und schickt sie mir in's Haus.jjDie
Musik iegte ios,// da wussten kiein und gross.|||
127 P<ilka - No Beer In Heaven
C F
m ^
G7
0 0
i
G7
ef- •
m—
& !y
•
_& j—
G7 In
P m XE
t
Band vocal
C Heaven there is no beer. C That's
• m pj m ^^
0
f J
]» r
r-
H
&
^
—^—'
0 ^ j
fiP= C> i 0 P o
r— j —
i- 1P—
^ 1"^
C Friends will be drinking aiithe C beer. 1.
3X Se
p
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XL
^— e •
•—
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-4^ 1—j—
m 0 m 0
i
Band vocal1st X sing words, 2d X: Sing "La ia ia ia..." etc.
POLKA - Papa Won't You 128
Dance With Me
J = 246 Gdim
^
j J
J , aI. i ll •
1
r d —0
0 Gdim
« • -t
G7
-iig: w
D'
i ^3
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D7 D7
i ¥ ¥ * * m
D7
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• a' —d • /
4 a
Gdim
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G7 A7
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G7 C
XE
129 POLKA - Pennsylvania Polka (1)
J =244
A F
——p— •
——J- « ^ «— F=^
F C7
9
J r G
•
C7
i i
C7
• «
F7 B
1>
8^ |I C7
i
C7
i -
ROUTINE: A, B till someone drops, END ON A
Strike up| the muslc| the band has begun ////

|The Penirisyl- va-/nia/ Polka.// ////
Pick out| your partner! and join In the fun ////
jThe Pennsyi- va-lnial Polka.// ///It
.j.
Started! in Scranton! It's now number one fill
!lt's bourjd to en-/ter-/ tain ya// ////
Ev'rybody has// a mania// / to do the
Polka! from Penn-/syl-/ vanla.// /!!! (to Interlude)
Pennsylvania Polka (2) 129
Bi> F7
|if —W TT
j===
XE
XE
F bI'
B^
3E -O-
XE
j 1 5^
^ m m e
0
\ OT gj
eI'ih R
BACK TO A
While/// they're/// dan-/// cing///

Ev'-/ry/ bo-/dy's/ cares are quickly gone.///
Sweet//// ro-/// man-/// cIng///
This/goes/ on/and/ on until the dawn.///
They're/// so/// care-/// free,///

Gay/ with/ laugh-/ter,/ happy as can be.// They
Stop to have a beer,/ then the crown begins to cheer.// They
Kiss//and then//they start to dance a- galn.|||
(back to A)
130 PQLKA - Too Fat Polka (1 )
c. 1947
J=252 Sc G7
G7
G7
G7 G7 C7
p p
Cdim Gdim
rj
# 0
• 0
e) ei
Cdim
o '
G7 Cdim
G7 G7 C7
P
(Oh!/) I don't want her, you can have her, she's too fat for me.///
She's too fat for me./// She's too fat for me.///
Idon't want herj you can have her, please do that for me.///
She's too fat,| ^he's too fat,| she's too fat for me./lget
Diz-/zy,/ in get num-/bo,/ //when I'm
Dan-/clng/ //with my jum-/bo/ jum-/bo/
(repeat 1st 4 lin^s)

Too Fat Polka (2) 130
Interlude
fw —h J— 1 - m
—
j i -
# —
!••••
C+
-o-
i
iJ^ L . ''-J
1
0
e- —^
Gm
XT'
Cdim C7
\l L ,
P
e
^
ROUTINE: A, B till somebody drops, END ON /

Can/ she prance /up a/ hill?/// Ill\
No!/no!/ No!/No!/ No!/// Ill\
Can/she do /a quad-/ rllle?/// ///|
No!/ no!/ No!/ No!/ No!/// Ill\
Does/ she fit /In my/ coupe?/// Ill\

By/herself /she's/a group./// Ill\
Could/ she pos- /sibly/ sit/ upon I my knee?/
No!/// no!/// No!/// /|0h!/
130A Oh Johnnie Oh
J=182
2-beat cutsie Fern. Voc; Polka
j?210 C Gdim
Cdim
Cdm
I
1
G+ C6
—y i
- 1 —i—
ar—— y ^
—tlJ—J
Gdim G7
iw
Dm7 £7 G7
-O-
• p 0 • 0
0 •—k 0 •
—
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G7
XE
Oh,/ Johnnyj oh,/ Johnny, how you can love! ////

Oh,/ Johnny, oh,/ Johnny, heavens above! /You make my
Sad/heart/ jump/with/ joy./// /and when you're
Near/1/ Ju^ can't/ |sit still a minute I'm so
Oh,/ Johnny, oh,/ Johnny, please tell me dear III what
Make/me/ love/you/ so?/// /|You're not
Handsome, K's true //but when I look at you //I Just
Oh,/Johnny^ oh,/Johnny, Oh!/// Ill\
Red Roses For A Blue Lady 131
Syncopated 2-beat Hit versions in 1949,1965
EmEl'dlmG7 C B7
m
s>^
£7 A9
-j9^
Dm7 G7 Em Am
Em Ei'dim G^
w &
J —^ —H
—tH I
w
#
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J
it m e J ^
——r - -
1
no 1
-/ i#
^ a
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i3
rv
1 a
-TO ^ m • m •
1 = #
or 0
Dm7 Cdim C6 G7
XE
i
P
(I want some) Red/// roses for a blue/// lady.//
Mister florest take my order, please./// ///We
Had a silly quarreel/ the oth-/er day ////
Hope these pretty flowers chase her blues/ away. /Wrap up some
Red/// roses for a blue/// lady,///

Send them to the sweetest gal in town./// ///And
if they do the trick,//i'ii hurry back to pick//your
Best white orchid for her wedding gown./// Ill\
132 Route 66
Nat King Cole hit, 1946
4/4 groovy swing
J5I42 F
&
m
B!>9
^5 #* # »
5 •» 22
Gm7 C7 F Fdim Gm^

i
b1>9
IZ
bI'S
« *
Gm7 C9 C7 Fdim Gm7

5
—r— r
Brea/c •--rJ f f treak ]

I j -^-4
F•9
r-^
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i 1
p—V • • • m^' • m
?=p= f=N^
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z^dbl: -)-
BI>9 F 3 •
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1 ' ^ u 1
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•—j- #=
n Gm C9 F Gdim G m7 C7
m p
' F m « * •* if •• 9 m
r r r F r ! r r Lr K =M^Mt4= =h
^ F
•
BI'9 F
# tf 1 0
bI'S
~zu^ cJ fl • fl 0
.
H
• —m
Gm7 C9 C7
XT 2Z
SAMBA - Anna 133
Siivana Mangano,
Perez Prado, 1953
/^Samba
J=194 bI" F
rJiMn|.mi j-j EE
m
b1> 1. bI> z.bI'
TT
t
if r 11 p r lt I p r I
bI' Bl'dim bI'
;i j Pfl 5
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p— « —mN fl
s—
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Cm7 F bI> ^ Bi'dim

• 1 ^J r J
Cm7 F Cm7 F B^ TTb^ 2. bI'
i § TT
bI' F bI'
z
f
fir p r cj IF r c
bI> Bl^dim bI>
N=^ £
f ^ ppr 3Z
t
_B^ bI'
I ^ ^ ^
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134 SAMBA - Brazil (1) Xavier Cugat, J. Dorsey,
1943; c. Barroso, 1939
J=240 F F+ F6 I F F+ F6 ^ F F+ F6 ^ _F F+ F^ ^ ^
iLniiif
i
If r ^'pi pIf Pp jif If r •''pip If
Chorus
C7 F F+ F6 ^ F F+ F6 ^ F F+ F6 i F F+ F6 ^
xz TV
m m
1 « 0
GmEl'Gm^ X
i -er
0 m
ZZ. 0 0
5 m
C9 C9^ vy. y eI> c9 bI*
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Gm^ 4F F7 E7 eI'7
3X 22
XT
ti 0 V m y-J
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3E P P fa Ei^
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D7 Ek D7 D+ D7 D7(''5) D7
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€» 0 0 m m
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=M
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—tp
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r r 1
Gm eI* Gm Gm
?—
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SAMBA - Brazil (2) 134
b1> m
i FmaF
m
•4
Gm C9
TT XT
i i
FmaF Gm7
—t:
FmaF Gm^ C7
3X
F F+ F6 ^
i D+ D7
Ii
Brightly
F+ Gm El'mai^ G® Edim
XT 1 TT
F+ F? Gm Ei'maF G® C7
3X
f TT
135 SAMBA LCopacabana (At the Copa) (1)
Samba J = 236 c. Manilow, 1978
A Fm7 bI'7 Ei'maF

—b ; 4 ^
w
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um
N=^ lA
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)
fil——J—0
m P
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Fm7 Bk El'maj^
£ 5 m 5
Ain7(''5) D7 Gm7
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$
Cdim D7 Gm Cdim D7 Gm
¥ P
Cm7 D7 Gm D7
Jr
B Fm7 bI'^ El'maj^

BS ^5
Fm7 b!*? Gm7 09
b' U. »-->=P
, Fm7 (fo Coda Q7

iW f w
Gm9 gI'9 Fm9 Gl'm9
S 1
^ J aJ:
Gm9 Gi'm9 Fm9 Gl>m9 Gm9
b" J J. TT
^ (J f
Copacabana(2) 135
c Gn1® Ai'm® Am®

Y- - •' h.
M © t ZiJL:——J .o fl
'• p r 1
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XE
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Pkn® Cm® Bm®
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To A al CODA
Fm® pl^m® Gm®
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& w
Fm® Gl'm® Gm® Gl'm®
iw > J jJ XT
Fm®. Gi'm® Gm®

J- J itJ a d' J
n
136 SAMBA - Cumana
Samba, Fast J=132 Fredddie Martin hit, 1947
Intro
0 P m
•3-
Chorus A7
Din Gm®
fe
m 0 ^
fiJ Dm Gm®
J ti' J ^
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p— p P
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Je, > > > > GnD®

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. A7 3 8 Dm Gm<5
RN=f m n pi ^—jrF J P*' J J =F=f^
Dm 4
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f
Dm Gm® Gm® Dm Gm® Dm 8
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C m
* s _;rJ J'm; [0/ 9—m
Gm® Dm A7 A+ Dm
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SAMBA - Quando Quando Quando 137
^ SAMBA-Slow to Medium 1962
J = 240 B1^ Bdlim Cm7 P Cm7 F7

1 A ^ •
•
•
w
1 p •—
3 M •
m
V- e
Cm7 F7 b!' B^M7
Bdim Cm^ P Cm^
s
^ r r
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Cm7 B^ 1. 2^^
-o-
B
bI' Fm7 Eh Fm7 bI>®
2CE
bI'^
1/ XT XT
p
Gm^ C7 Gm7 C7
XE XT
t
P
Gm^ C7 Cm^ P Cm^ P
iW XE
Routine: ABA1X
138 SAMBA - Samba De Orpheu
Samba 1959
J = 210 Cmaj7
m 0 0
m t
P
Cmaj^ Bl'dim Dm^
i5 J r P p r IF SI Tj j) j ij
Dm7
•y=v
5 i
• 0 XT
07 1. Cmaj7
^^5 5 pi
2.G7
3E
• J' p r .p M rî?
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f
bI^7
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siz:
Fm7
^ 1
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t
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)—
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SAMBA - So Nice (Summer Samba) 139
1966
Samba
^J*126 F
0—0-?0
B
Em^frs) A+
Dm Dm" G"
F® G^map Fmaj^
Someone to hold me tight that would be very nice,

someone to love me right that would be very nice
Someone to understand each iittle dream in me,
someone to take my hand, to be a team w ith me
ISonice/ //life would be so nice./// //if one day I'd
Find/// //someone who would take my hand and samba thru life with
me.||
Someone to cling to me, stay with me right or wrong

someone to sing to me some little samba song
Someone to take my heart, then give his heart to me
someone who's ready to give love a start with me.
|Oh yes,/ //that would be so nice./// ////
Shouid it be you and me, I couid see it would be nice./// ///[
140 SAMBA - Tico Tico
Samba, moderate J=172 1943
S Api £7
M F f
Am 4 Dm Am B7
i i l»-M
-fij- Itf i
E7 8 Am £7
i f
0—0
'[ r U w
Am 12 Dm Am £7
JU] Iji (I rrri

-0-
Am
1 ^ m~Ur
G7
i m m m
0 J
m
A+ Dm C G7
G7
i
iff
Dm Cdim C Dm7 G7
u^^ fr 0—m-
Satin Doll 141
Ellington, 1956
4/4 swing J=118
Intro Dm7 G9
Dm7 G9 Dm^ Dm7 G9
—»' =E
S e s
lorus
Dm7 G7 Dm7 G7 Em7 A7 Em7 A7
5 5 5
iE=3t P *
Am7 D7 Al'm7 dI'7 Cmaj7 B7 bI'7 Bi'dim
5 y
P
Dm7 G7 Dm7 G7 Em7 Em7 A7
U.|v J. J) 5
Am7 D7 Al'm7 0^7 Cmaj7 D9
c
—
f Hp P—=—
' y— ^
Gm7 C7 Gm7 C7
XT iz
^ 1^1^ m
r u oJJ f
Am7 D7 Am7 D7 G7 Dnn7 G7 Gdim
7-n
Dm7 G7 Dm7 G7 Em7 A7 Em7 A7
m m
5 1 0- d 5
Am7 D7 Al'm7 D^T Q^gjT IEnding: Last line 3X
1 y- iJ >- I =^=n
142 Second Time Around
Sinatra 1960
c. Van Heusen, 1960
4/4 Ballad. Expressively
J=112 Cdim Dm
m m • ^ w m
-r^ M. m n ; Xfl
OT 4 a>
m) r
Cmaj^ 06 Dm6 £9
0 0 xr
ij
[" d
H 0
m • L^J a
W'^1 •
D7 Am7 D7 D+ G7 Fm6
A i, ^ A •
p
4— d «—M =—w
^ J d d L—J 1
Cdim Dm G9
^5^
0 0 0
I XT
Cmaj7 C6 Dm6 £9
0 0 0 TT i
Am C7 Gm7 C7 C+ F A7(^5) F^dlm
* *
-0-'
Dm7 G7 Bdim £7 £7(1'5) a7

0 0 «==y ¥
i
^
II
1
-d •
Seems Like Old Times 143
Arthur Godrey's theme song;
Swingy 4/4 or 2-beat J=126 c. Carmen Lombardo, 1946
'-^J=140 D7 D+ D7 D+ D7
TT
"T^
G9 G7 G9 G7
XE
\ 1 f m • p
—
m it^ —m
G9 C7 D7
12
D+ D7 D+ D7
XE 0 10
G9 G7 G9 G7
XE
f
C7H F6 Cm D+ D7
~Z" P P P P
CT
m\
aI.
0
J 11^ J m
G9 Gipg _ C7(^) F
1 •
IE
(Seems like) Old/// times/// having you to walk with, seems like
Old/// times/// having you to talk with, and It's
Still// a thrill// just to have my arms a- round you,//
Still// the thrill// that it was the day I found you, seems like
Old/// times/// dinner dates and flowers. Just like

Old/// times/// staying up for hours,/ making
Dreams// come true,// doing things we used to do,/ seems like
Old/ times/ /being here with you./// ///|
144 Shadow Of Your Smile
Rhumba, slow
B7 Em A7
pr rr iAk
Am^ D7
-e-
Cl'm^ B7^«) Em Em7

i
I
ol'm^^'S) Gk C9 Gl'm^ B7
3cr
tror*
Gl'm^ B7 Em A7
§ it®
Am7 D7 Bm^^-s)
wz
-6^
Am Cm F Bm7 E7
BI
5
A7 Am D7 G6
I:
5 i m
(The shadow of yûr) Smile//when you//are gone/// /will color all my
Dreams// and light// the dawnJ// //Look Into my
Eyes,// my love// ^nd see/// //all the lovely
Things// you are// to me./// //our wistful little
Star//was far//t90 high./// //A teardrop kissed your

Lips// and so//dl(| 1./// //Now when i re-
Member spring/ //all the joy that love can bring,/ //I will be re-
Membering/ /the shadow of your smile./// ///|
Shiney Stockings 145
Count Basie, 1956
'Êasy 4/4 swing
Bdim Btn'
m
nk Cm7
Bd m Bm'
•k Cm7
1
i
146 Siboney (1)
Bolero (slow Rhumba)

J=114 Cm Fm Cm Fm Cm G7
I I II r
^ 5 0 "W
Cm Fm
•^~T I
i—*K— ; € L
T1 "Ffti1 Cnr1 G7 C G
() ,l
W^'—i )— ) #
'^5* ' J —JL J9 •
Fm
Si 5
Fm
-t* ♦—*
Cm Fm Cm Fm Cm G7
I
3^
Gdim
XE fSr
r? rIp r
G7
x*- ! "V '
5 O
Jf ^ ^ ©
p • • T
• 4
^ • •
G7
Siboney (2) 146
0 p—
—i—
i 5=^ •
—m
^
...
MM
G7
1 f
G7
I
G7 Fm Cm Fm Cm G7
j: r 1^' 5 £
D
CALYPSO - St. Thomas Sonny Rollins, 1963

• =180
c A7 Dm7 G7 C G7
m # =P
A7 Dm7 G7 C G7
i
Dm7 G7
p
f7^=]1 MM
rj ^ —
f—
V
C7 Cdim C G7 C
P
147 Somewhere My Love (Lara's Theme)
From "Dr. Zhivago"^^^
Viennese Waltz
J=168 G
m i
(9^
Gdim D7
D7
y, i. ....
(d • •
^ -oLr 1
[n7 )7 G 2.C)7 G
i.
P |:
LiS 0
•
1— m
e
•
—J <• <•—
# 0
¥
Bridge 1
bI'
$
rH—^ 1# p
1 1 —
m
— 1
A ABA. Bands often treat itis A A B, play A1X going out.

Spanish Eyes 148
Rhumba, slow
c. Bert Kaempfert, 1965
Jf108 G
TT
•
a
- <«
i^
m
J
D7
5
I -o-
i XT
1 " i—
m L_tJ—j a
m
. Cm,
i=izti ZZ
D7
i
i
Ending: last line 3 X
A. Blue/// ///Spanish eyes./// ///|

Teardrops are falling from your Spanish eyesJII lll\
Please,/// //please dont cry,/// lll\
|This is just "a- dios" and not goodbye./// Ill\
Blue/// //Spanish eyes./// ///|

Prettiest eyes in ail of IMexi- coJII lll\
True/// //Spanish eyes,/// ///|
Please smile for me once more before i go./// Ill]
B. Soon/// //I'll retum,/// III]

Bringing you ail the love your heart can hold;/// III]
Please/// //say "Si si."/// ///Say
You and your Spanish eyes wiii wait for me./// Ill]
149 Speak Low
J=128i 1943
Slow Rhumba, Bossa Nova

J=114 Gm® C7 Gm^ CL
II' •XL 3X
Gm® , c® F® D7
t) • •
^ ei'm® '® 5 1 Bl'm®

Li.
) 3
—Jr—L W A • -
—J
1
G®, . C® . C^®., "••F D7 Gm7 C7 2.
J- m I TT XE
Fm7 Al'm
222 S XC
3 ,
• €h &
"Tsrhn
lALd
m ^
W '
e
% G
•
Gtn® CL Gm® 07
3CE Q 31
F® D7
B^m®
^ ^ÊW• ^
3
•-
' D7
ft j 'J
^
g\ w
A ^
W' 1 a' •
iP
m '•
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5
Strangers In the Night 150
4/4, smooth Sinatra hit, 1966
"N 0
% ** —\—
1 ^
\s\j ^ m ^ - m
—# —J •
—m
m ^ m
—•U
Fdim Gm
r'Lcu
Strangers in the night/ /exchanging giances

wond'ring in the night/ /what are the chances
We'd be sharing love/ /before the night was through./// ///|
Something in your eyes/ /was so inviting,
something in your smile/ /was so exciting/
Something in my heart/ /told me I must have you./// ////
Strangers in the night/ /two lonely people we were

strangers in the night/ /up to the moment when we
Said our first hello/ little did we know/
love was just a glance away, a warm embracing dance away and
Ever since that night/ /we've been together,

lovers at first sight/ /in love forever.
It turned out so right/ /for strangers in the night./// ///|
151 Summer Place Theme
Henry Mancini hit, 1960
Slow, w/piano triplets
J=111 ^ Gm7 Cm7 F7 bI' Gm7 Cm7 F7
) 0
S 77^
bI' Cin7 B^ Cm7

5
$
0^ 0
^ —'
bI* Gm^ Cm7 F B^ Gm7 Cm7

5
bI' Cm7 bI' Cm7 F
i m
bI* Gm^ Cm7 F B^ Gm^ Cm^ F
Jr
SC-
Gm bI' eI' Cm7 bI' Gm^ C" Erne ^

—»
d. m 0
b!' Cm 09 F
bI* Gm7 Cm^ F bI' Gm7 Cm7"

5
Cm7 b1> Cm7 F
I i
_-6 ^
0 5
♦=—
B^ Gm^ Cm^ F bI* Gm'' Cm7

V. ^ -v-
bI' Gm7 Cm7 F bI'

Summer Wind, The 152
Sinatra hit, 1965
'^J=100 eI' bI'7

y kh 4 J
•i
—J
• ^
jp M i ®
El>
s m - M J)
&
Ek aI' A^m®
El* ^ 1 Êi' ^ 7 ^~ p "• XE
eI* Gtn Fm eI*

^5 - i 7
(The) Summer wind/came blowing in/a- cross the sea,/ |||it

Lingered there/ to touch your hair/ and walk with me./ |||Aii
Summer long/we sang a song/andd strolled the golden sand,///
|Two sweethearts and//the summer wind.// |||Like
Painted kites,/the days and nights/went flying by,// |||The

World was new/ beneath a blue/ um- breiia sky/. |||Then
Softer than/ a piper man/ one day it called to you,///
|i lost you to//the summer wind.// |||The
Autumn wind,/ the winter winds/ have come and gone,/ |||And
Still the days,/the lonely days/go on and on./ |||And
Guess who sighs/his lullabies/through nights that never end,///
|My fickle friend,//the summer wind7//
153 Tgngo - Adios Muchachos
Tango
j=116 0 E7 G7
0—0-
Em Dm^ G7
¥ £ H"
E7 G7
#—«
I rf_r rfjiri r g
C7 Fm D7G7 C
W 9 ^ ^
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D7 G7 C
V 5:
B E7 Am G'
W 1 f * *1' * *1
f
Fm Em Dm7 G7
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s
E7 Am G'
s B P
P P
Fm Em Dm7 F G7 C
s nzs
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ROUTINE: ABA Repeat End on A, ending
TANGO - Blue Tango 154
Intro E^ Bi'7 E^ eI'7 bI* A^rn

m ^ ^ ^ m .P f-5- •4 ^ ^
^ cir [u mrm 1 11 '
mum
1
[XJLimj.1 j^(!I fi *j3ii
Chorus
a!* eI' bI'7
a •Zl
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eI' Fm eI'
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Fm sI'dim^Bl'^
r
32
eI' aI' Ei' BI»7

S 2
r j-jij eI»7
eI' Gm ei'^ eI'
aI* eI' Gm7

t E<
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# #
bI'7 Fm7 Bl'dim bI'7, eI' bI'7

Jz
l'"l K 1* F' *
m-—m
A^ eI* Gm7
77T-
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bI'7 Fm7 E^ bI'7

k
a 5 s 7 m m m
eI' eI'7 ., bI' Al'm „ eI' Fm7 bI'7

I ICM • ittr#
bI'7 eI' Riff pattern

• • •
t i
155 TANCÔ - Hernando's Hideaway
'Pajama game", 1954
Tango
0 ^* , i i-r -TiT""
J V
^ ir -r-f ;
-V^ fl / ^
«y • -iM^ "j— —
0
h— #
•
C7 Fm C7 Fm C7 Fm
7 Jj| j) 7
)i i> > 1— ^ L_Z—^—
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^
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C7 Fm C7 Fm C7 Fm
lz±
a
C7 07(1^) C7 Fm
fct
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r J'lC7r Eb±3
7^
C7 C7^«) Fm
lz±
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F7
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RH'
iP "P—^
Bl'm—I
ti=*
t r g!i r \fj J rk ' 0hm 0-
G7 Gdim G^ C C7('«)
i\f ^jp r l \ l") ^ F=3»
~m
C7 Fm B^:m
s I mh i^r & ? h K^ ^ &
y
C7 Fm C7 Fm C7 Fm
i* ^J' -i* ^'J" Jv i ^1 Ji ^ ^ a I Ji^' i J'^'ill

TANGO - Kiss Of Fire (El Chocio) 156
J= 110
[57 Gm
• —ip P n
Ip '1
t_ !±r UrtJ
li> L 1 - ^ J • 1
—
Dm D7 Gm
mum y—pr !=^
Gm Dm A7 Dm
m—m
m —0
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157 TpANGO - Jalousie (1 )
1925
C
Cm — 5 Cn1
h-4—— h ^
^
I-
qfl iM—^
Nq ••
•4 4
#
t=M 4 L d —•-'
Fm7 G7 G7
i i hp
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5 a=ta p—•
Gm
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d r i —J f
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Jealousie (2) 157
•
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158 TANGO - La Cumparsita
Tango
Jt126 G7 . Cm
$ • • $
G7 . Cm
•9^
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Fm Cm
m jm 0 t b0 F a 3
G7 Cm /T\
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G7 Cm G7
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UJiLU Cm G^Cm XT
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Fm Cm
r r rr VP
Cm G7 Cm
I- rj j ^ J' j*
Cm G7 Fm G7 Cm G^ ToABi
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TANGO - La Paloma 159
Tango J= 124
C G7
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G7
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160 TANGO - Orchids In the Moonlight
Tango 110 Youmans, 1933^.^^
Fm dI* Fm 07
rs
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07 Bi'm7 07 Fm
Or
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Fm dI' Fm bI^ m
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ROUTINE: ABA
TANGO - Yours 161
J= 112
Tango or Bolero
r^_
1
S
eI^ El>di|n^ aI* eI'
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p r C7 I r p
Fm
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Yours till the stars have no glo-/ry/ ll\\

Yours till the birds fell to sing./// ///|
Yours to the end of life's sto-/ry/ |thls pledge to
You,/dear,/ /|l/ bring./// Ill\
Yours In the gray of De- cem-/ber/ //||

Here or on far distant shores/// //||
I've never loved any one the way I love you^How could
I?/// (when I was bom to be/ /|Just/
Yours./// Ul\
162 Tea For Two
J=112 j=126 One of the most requested cha chas 1950s hit.
Cha cha; 2-beat c. Youmans, 1924
Chor us
4 7 £7' F Bl'm7 E:k Bl'm7 £k aI'M? Aê aI'M7 .Ak '
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Release Me 163
As an oldtimer once advised me about commercial gigs when folks just
won't get up on the dance floor: "If all else fails, play 'Release me.'"
Country 2-beat ballad Englebert Humperdinck hit, 1967
F bI>
p- 1m • ji —^—,m—
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iJ^ L 1 A
w
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1. Please//release me, let me go,/// IIIfor

III don't love you any more./// Ill To
Waste// our lives would be a sin,III ///Re-
Lease me/ and let me love a- gain./// Ill\
2. ill have found a new love dear,III III and

I//will always want her near./// //|Her
11. Lips// are warm while yours are cold,/// //|re-
lease me/ my darling let me go./// ||||
3. Please//release me, can't you see./// ///You'd

Bella fool to cling to me./// //|To
Live// a lie would bring us pain,/// //So re-
Lease me/and let me love a- gain./// Ill\
163A Rocky Top
c. B. &. F. Bryant, 1967
Vfrse c
.
( Am G7 c r
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Verse:
1. Wish that I was on old Rocky Top down in the Tennessee hills.///
Ain't no smoggy smoke on Rocky Top, ain't no telephone bills.///
Once I had a girl on Rocky Top half bear, other half cat;///
Wild as a mink but sweet as soda pop, I still dream about that.///
2. Once two strangers climbed ol'Rocky Top

lookin' for a moon-shine still;///
Strangers ain^t come down from Rocky Top, reckon they never
will.///
Corn won't grow at all on Rocky Top, dirt's too rocky by far;///
that's why all the folks on Rocl^ Top get theircom from a jar.///
Chorus:
ROCKY TOP/ you'll always be/ Home sweet home to me.///
Good/ol'/ Rpcky Top,// Rocky Top, Tenn-es- see,///
Rocky Top, Tenn-es- see.///
Teach Me Tonight 164
Patti Page hit, 1954
De Castro Sisters,1955
^ 780 Fm7 bI« b1'+ Gm^ 0+ Fm^--'''

m m m
u f Ir u w
, Gm7^5)C7 4 Fm7 bI'7x eI' Fm7 Bi^Bk
I/, . * P P P
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Gm7 07 0+ Fm7^ ^ bI'7 Gm7^s) C7
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s lg-l i=g^
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(Did you say I've got a) Lot to leam?// /Well, don't think I'm trying
not to leam.// Since this is the perfect
Spot to leam,// teach me/tonight./// |Starting with the A B
C of it,// /right down to the X Y Z of it.// Help me solve this myster-
Y of it,// teach me/ tonight./// /The sky's a
Blackboard high a- bove you,/ if a shooting star goes by,/ I'll use that
Star to write I love you,/ a thousand times across the sl^. One thing isn't very
Clear, my love,/ should the teacher stand so near, my love//
IGraduations's almost
Here, my love,// teach me/ tonight./// ///|
165 Temptation
Bolero (slow Rhumba)
Jjr128 C dI' 5— c
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Tennessee Waltz 166
American Waltz Patti Page hit, 1950s
'^JtIOO C C7 F
t-M
5 #—10
m # 0
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G7
f
C7
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m # ^
p—
m
a
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m 0:—0
m
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(I was) Waltzing with my dariin' to the Tennessee Waltz when an

Old friend i happened to see.// //intro-
Duced him to me loved one, and while they were waltzing, my
Friend stoie my sweetheart from me.// //i re-
Remember the night/ and the Tennessee Waltz, now I

Know just how much I have lost./// //Yes I
Lost my little dariin', the night they were piaying,the

Beautifui Tennessee Waitz.// Il\
167 There Goes My Heart
Joni James hit, 1958; c. 1934
Light 4/4
Jr96 slfmaP , G+ Cm
TT"
s
Cm7 bI"
t
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Fm G7 Cm G^ Cm
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Gm^ C7 Cm^ F bI'

tl
f f P
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(There goes my) He^rt/// rthere goes the one I love./ /There goes the
Girl/// /I wasn't worthy of./ /There goes my
Happiness/ /it couldn't be./// /There goes some-
Body else/ /in place of me./// /Goodbye ro-
Mance/// /It couldnjt last somehow,/ /I had my

Chance/// I but it's Ml over now/ /I never
Thought that she/ /could pass me by./// /There goes my
Heart// and here// am I.///
True Love 168
Bing Crosby & Grace Kelly;
American Waltz c. Cole Porter, 1955
114 bI" Fdim
C7
>
• d •
-d
"d
bI" Fdim
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-d-*
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(I) Give/ to you and you give/ to me//

True// iove,// true// iove./So
On/and one it wiii ai-/ways hell
True// love,// true// iove./For
You/ and i have a guard-/ian angei on

High/with nothing to do,// /But to
Give/ to you and to give/ to me//
Love/for- ev-/er true./// /||
169 Try A Little Tenderness
C.1932
Light 4/4, expressive
J =94 c
s
Dm' G'
I
s
|She may be weary, women do get weary,

wearing thle same shabby dress///
|And when she's weary, try a little tenderness./// ////
|You know sê's waiting, just anticipating
things she may never possess.///
While she's without them, try a little tenderness/// ///it's
Not just senfi- mental,/ she has her grief and care.//And a
Word/that's soft and gentle,/makes it easier/to bear.Ill
|You won't regret it, women don't forget it,

love is their whole happiness.
it's ail so easy, try a little tender - ness./// IU\
Try To Remember 170
From "Fantastiks", 1960s
Slow Waltz, with Feeling
"M
j=114 F Gm C7
5
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Gm C7
tJ -si- c
Gm C7
a 1
J J al'" 1 J. e
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1>
171 Twilight Time
Three Suns classic,1944;
Lilting 4/4; dont emphasize the dotted 8ths. Platters hit, 1958
Can do light50s baiiad\shuffie.
J=84 Q
G B7 G7
J-#
C Cm E9 A7 Am7 D7
It 0 S
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m Pi #, ,#
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Unchained Melody 172
A1 Hibler, 1955;
414 Expressively Righteous Bros., 1965
Em CmaF D7
Em D7
m XT XT
Em Cmai7 D7
i
Bm D7
eh ^
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32
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A. Oh//my love//my darling/I've hungered for your

Touch.//A long/lonely time./// ////
Time//goes by//so slowly/and time can do so
Much//, Are you//still mine?/// ///I
Need your love/ //I/ need your love/ //God/
Speed your love/ //To/ me7// ////
B. Lonely rivers flow// to the sea//to the sea,III

To the open arms//ofthe sea./// ////
Lonely rivers sigh,// "Wait for me.// wait for me."///
r^ I'll be coming home,//wait for me./// ////
/repeat Aj
173 Under Paris Skies (1)
Viennese Waltz J = 168 1951
1—
Fm
to 1
If
0
Bl'm^
to
C7
s i
Fm bI>^m Fm 1. C7 2. Fm
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Under Paris Skies (2 ^ 173
Fmap
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t
bI'
It %
m
t A7 Dm A7
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i 13.
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174 Unforgettable
1/4, smooth Nat King Cole hit, 1961
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Unforgetta- ble, that's what you/ are./// ///|

Unforgetta- ble/ though near or far./// ///|
Like a $ong of love that clings to me,
how the thought of you does things to me.
Never before ///has someone been more ///|
Unforgjel»tta- ble// in ev'ry way./// ///|

And forever- more,/ that's how you'll stay./// ///|
That why, darling. Its Incredible,
that spmeone so unforgettable.
Thinks that I am unforgettable too./// ///|
Walking My Baby Back Home 175
Nat King Cole, Jonhny Ray
2-beat or shuffle hits, 1952; c.1930
J=136 ^ p
^'I'l c r TcJ P m
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176 Waltz You Saved For Me, The
1I '
Wayne King classic;
American Waltz
C.1930
J=112 5 eI* aI'
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(Ever in) Dreams/with you./I'll sway// dear,/to the
Waltz/you saved/for me./// //Ever In
Dreams/ when I'm/ a- way// dear/, I'll
Hear/this mel-/o- dy.// //Whisper good-
Bye/an(| gent-/ly say// dear/that In

All/the days/to be// //youwil
Some-// times/ re- mem-// her/ the
Waltz/ybu saved/for me,/// ll\
Watch What Happens 177
^"ôssa Nova, medium 1964
jI 4 S
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—9
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178
-^3' What A Wonderful World
Popular first dance at weddings
Louis Armstrong hit, 1967;
4/4, light, smooth
1
revived in 1990s.
J»90 F Am ^ Am Gm^ F Dm
9 O
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What I Did For Love 179
Slow, rock beat From "Chorus Line", 1975
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180 When I Fall In Love
Robert Goulet; Celine Dion
Light 4/4. hit. 1996; c. 1952
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When I fall in lovef// It will be forever,//

Or I'll never fallZ/Iri love./// ///In a
this is,/ iove is ended before its begun,//and too
Restless world like
Many moonlight kisses,/ seem to cooi in the warmth of the sun.///
When i give my heart/// it wili be completely,///

Or i'll never give//ifiy heart./// ///And the
Moment I can feel that/ you feel that/ way too,// Is
When I fell In love/ with/ you./// ///|
Where the Blue Of the Night 181
Meets the Gold Of the Day
Bing Crosby hit;
C.1931
Medium Waltz
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(Where the) Blue/of the night/meets the gold/of the day,//

Someone/ waits for/ me.// //And the
Gold/of her hair/crowns the blue/of her eyes,/like a
Halo/ tender-/ ly.// //If
Only/ 1/ could see her/ //Oh how

Happy/ 1/would be!// //Where the
Blue/of the night/meets the gold/ of the day,//

Someone/ waits for/ me.// Ill
182 Witchcraft
Sinatra hit, 1958
Rockin' 4/4 swing

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Yesterday 183
J»92
Light rock ballad Beatles, 1965
^ IIntro bI* r
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184 You Belong To Me Jo Stafford, Patti Page,
Deam Martin, 1952
4/4
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|See the Pyramids a- long the Nile,/

jwatch the sunrise on a tropic isle,
|Just remembpr, darling, ail the while,/ |you belong to me.///
jsee the market place In old Algiers/,
(send me photographs and souvenirs,/
|Just remembbr when a dream appears,/ |you belong to me.///
I'll be so a- Ipne// without/ you./ ////
Maybe you'll iê lone-// some, too// and blue.///
I
|Fly the oceaii In a silver plane,/

see the jungl^ when It's wet with rain,/
|Just remember til you're home again,/ you belong to me.//|
You Belong To My Heart 185
J= 100
C.1941
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(You belong to my) Heart,/// /now and for- ev-/er./ /And our love had Its
Start/// /not long a- go./// ///We were
Gathering stars while a million guitars played our love/song/ //| When I
Said "I love you," ev'ry beat of my heart said It
tooJ// /Twas a moment like
This/// /do you re- mem-/ber/ /And your eyes threw a

Kiss/// /when they met mine./// //|Now we
Own all the stars and a million guitars are still play-/lng/ //| Darling,
You are the song and you'll always belong to my heart./// ///|
186 You Make Me Feel So Young
Sinatra classic, c. 1946
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You Stepped Out Of A Dream 187
1950
^•"^Bossa Nova or hot l^ûmba

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You/// /stepped out of a dream,/// //You are too
Wonderful/ /to be what you seem./// /| Could there be
Eyes like yours,/ //Could there be Lips like yours,/ //Could there be
smiles like yours,/ //honest and tru-lll ly?///
You/// /stepped out of a cloud,/// III want to

Take you away/ I away from the crowd./// /And have you
All/ to myself,//, a- lone and apart/ //out of a
Dream/// II safe in my heart.///
188 Young At Heart
Sinatra classic, 1954

4/4, with rhythmic lilt
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You're Nobody 'Til Somebody Loves You 189
J = 100 Dean Martin hit, 1965
2-beat C.1944
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(You're) No-Zbody till somer/body loves/you./ ///You're
No-/bodytil[ some-/body CaresJ// ///You
May be king,/ you may possess/ the world/ and its gold,//but
Gold won't bring/you happiness when you're/growing old.///The
World/ still is the same/ you'll never change/ it,/ ///as

Sure/as the stars/shine a- bove./// ///You're
No-/bodytill some-/body loves/// you,//so
Find yourself somebody/to love.///
190 Isle Of Capri
J =11I2 Grig. Tango; jazz ver. Wingy
Manone; c. 1934
Swing, Tango or Cha Cha
J5I52 F
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(Twas on the) isle of Capris that i found her, beneath the
shade of old walnut tree/ oh 1 can
still see the flowers blooming 'round her| when we
met on thp Isle of Ca- pris.// She was as
Sweet as a ijose at the dawning, but somehow
fate hadn'^ sent her for me./ And tho' I
Sailed with fhe tide In the mornlng.| still my
heart's on the Isle of Ca- prIs.//
Summertime was nearly over,/| blue Italian sky a- bove.///
Isaid "Ladyj I'm a rover,/|
can you spare a sweet word of love./She whispered
Softly "It's best not to linger, and then as
I kissed her hand I could see,/ she wore a
Plain goldeii ring on her finger. 'Twas good
bye on the Isle of Ca- prls.//|
Could I HaveThis Dance 191
American Waltz J =98 Anne Murray hit, 1980
Verse | ^
3
i
P
orus
i eI'
Ending
1: (I'll) Always/ remember the song they were playing/ the
First time/ we danced and I knew// //As we
Swayed to the music and held/to each other/
I fell In love/ with you.// //Could
2; Always/remember/ that/magic moment/when

I held/ you close/ to me.// //As
We moved together,/ /I knew forever/
You're all I'll ev-/er need.// //Could
C/iorus; I have this dance/for the rest of my life./Would

You be my partner// ev'-/ ry night?//
When we're together it feels/ so right./ Could
I have this dance/ for the rest of mv life.// //I'll
192 Crazy
Patsy Cline, 1961;
C&W syncopateed 2-beat c. Willie Nelson
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5
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ENDING: Repeat Line, Ritard last 2 bars.
CrazyJU crazy for feelin'so lonely/// |||rm

Crazy,m crazy for feelln'so blue./// ||||
I know// you'(f love me as long as you wanted,/// ||and then
Someday//ycû'd leave me for somebody new./// ||||
Worry,/// why do I let myself worry/// ||||
Wond'rin'/// what in the world did I do./// III!
Crazy,m for thinkin'that my love could hold you/// |||rm

Crazy for tryin', crazy for cryin' and I'm crazy for lovin' you.//|
On the Road Again 193
Country 2-beat Willie Nelson hit, 1980
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194 Talê Me Home Country Roa^
J = 160 Verse i
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Clancy Lowered the Boom! lr-1
March beat
Verse IJ = 183
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(Now) Clancy was a peaceful man, if you know what I mean,// the
Cops picked up the pieces after Ciancy ieft the scene.//He
Never iooked for troubie, that's a fact you can as- sume,//But
Nevertheiess when troubie wouid press,
Ciancy iowered the boom./ Oh that
Ciancy// //Oh that Cian-/cy./ ///When

Ever they got his irish up,/ Clancy iowered the boom. Oh that
Ciancy// //Oh that Cian-/cy./ ///When
Ever they got his Irish up,/ Ciancy lowered the boom/, boom,/
boom/, boom,/ boom/, boom,/ Clancy lowered the Booml/||
lr-2 Danrty Boy (Londonderry Aire)
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BOXED CHOI^DS are the GLENN MILLER chords. Use them on

swing gigs, oj"solos. Best to use the regular chords for vocals.
e^) Dear Old Donegal lr-3
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lr-4 Galway Bay
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1
I (If you) Ever go across the sea to Ireland,/ then
maybe at the closing of your day,// you will
Sit and watch the moon rise over Cladagh,/ and
see the sun go down on Galway Bay.// Just to
Hear again the rippie of the trout stream,/the
women in the meadows making hay,//and to
Sit beside a turf fire in the cabin,/ and
wa^ch the barefoot gossoons at their play.//For the
2. Breezes blowing o'er the seas from Ireland./ are
peitum'd by the heather as they blow,/ and the
Women in the uplands diggin' praties/ speak a
language that the strangers do not know./ For the
Strangers came and tried to teach us their way./
They
scorned us just for being what we are,/ but they
Migh^ as well go chasing after moonbeams,/ or
light a penny candle from a star.// And if
3. There is going to be a life here- after,/ and
sopiehow I am sure there's going to be,//1 will
Ask my God to let me make my heaven/ in
that dear land across the Irish Sea.//|
Harrigan lr-5
c. George M. Cohan
f^quare Sing-along
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H-/A-/ double R-l/ G-A-N spells Harrigan.//

Proud of all the Irish blood that's in me./|
divll of a man can say a word a- gin me.||
H-IA-I double R-l/ G-A-N spells Harrigan, you
See,// Is a name that a shame never has been connected with
Harrigan,! that's me.j||
H-/A-/ double R-l/ G-A-N spells Harrigan.//

Proud of all the Irish blood that's In me./|
divll of a man can say a word a- gin me.jj
H-/A-/ double R-l/ G-A-N spells Harrigan, you
See,// Is a name that a shame never has been connected with
Harrigan, Mulligan, Harrigan, Mulligan, Harrigan,! that's me.j
lr-6 How Are Things In Glocca Morra
1946
F Gm7 _ F Grn^ C7
m
Gm7 C7 Gm7 C7
m
1 m 1
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Gm7 C7 Gm7 C7 Gm7 C7
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Gm7 C7
(How are things In Glocca) Mora?// / Is that little brook still
leaping there?// / Does It still run down to
Donnycove?// through Kellybegs,/ Kll-
kerry and Klldare?/ /How are things In Glocca
Mora?// /Is that willow tree still
weeping there?// /Does that laddie (lassie) with the
Twinklln' eye/ come whistlln' (smilln') by/ and
he (she) walk aw^y, sad and dreamy there/ not to
See me there?// ///So I
Ask each weepin' willow/ and each brook along the way.// And each
Lad (lass) that comes a- whistlln' (laughin') toora- lay./// //How
Things In Glocca Mora this fine dayJII lll\
I'll Take You Home Again Kathleen lr-7
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1. (I'll) Take you home again Kath- leen,// A- cross the ocean wild and wide.// To
Where your heart has ever been,//since first you were my bonny bride.// The
Roses all have left your cheek,// I've watched them fade away and die.// Your
Voice is sad when e'er you speak// and tears bedim your ioving eye.// Oh
Chorus:
I will take you back, Kath- leen,// to where your heart will feel nno pain.//And
When the fields are fresh and green,// I'll take you to your home a- gain.//|
2. (I) Know you love me Kathleen dear,// Your heart was ever fond and true.//l
Always feel when you are near,//that life holds nothing dear but you.//The
Smiies that once you gave to me,//i scarcely ever see them now.//Though
Many, many times I see,// A darking shadow on your brow.// Oh (Chorus)
3. (To) That dear home beyond the see,// My Kathleen shall again retum.//And
When thy old friends welcome thee,// Thy loving heart wili cease to yeam,//Where
Laughs the little silver stream,//beside your mother's humble cot.//And
Brightest rays of sunshine gleam,// there all your grief will be forgot.//Oh
(Chorus)
lr-8 Irish Washerwoman
Jig J= 171
C7
€J
gT^J JJ l_
0 0 \ m
1- C7
9—m—0
V w
P
|-4-t—P ~|—p
-T^ p « r -s s-n®:—P—p-
i J J-^ # P
m
C:7 F
0 0 11
=pF
"•*"3 -4 ^' LLT'
A
-^-J- I' ""^ II

B ^ . C7 0^0
m m \
^ I^ [JJ I
Bi> bI> b!' c7
uj; I cu cJ>J IC-U lU* 0 0 0
C7
"V P i» F
A bI' f ^ bI' C7
Pi ^ 0 0 0 ^
W
i CZZS
P
Routine: ABA
It's A Great Day For the Irish lr-9
Square 2-beat
h
-—
—#
p f'— p •
a
—i #
Dm7 G+ Cmaj7 C6 G+
XT
Gdim Dm7 G7 Dm7 G7
0 #
i
D7 G7
if
G7
flC
—P
1
P a
h #
a
Dm7 G+ C7
iW XT
a m—
a
a a
a
P w
•
#
J ^
Dm7 G7
XE
XE
i
(It's a) Great/ day/ //for the l-/rish/ //It's a
Great/day/ //for/ fair!/// ///The
Sidewalks of New York are thick with blarney,// ///For
Shure you'd think New York was Old Kll- lar-ney!// I\ It's a
Great/day/ //for the sham-/rock/ //for the

Flags/In/ full/ar-/ ray/// ///We're
Feeling so in- splrlsh, shure because for all the Irish, It's a
Great,/// great/// day!/// Ill\
lr-10 MacNamara's Band
Jig J= 183
Verse
£
ir— m
^=5
m- m 5
A C7 F 1.C7 ^•F
-Jf-k , - P m Y ) "r m- •
1 * ft
' P " P P *—^ —•!—-L_,L-,1. —m
•
Chorus
F
f C7
C7 G9
s * *
F6 Fmaj7 F® C7
If 5
C7 Dm G® C7 La - /a - /a
r P r gN r F i
no
•
a
•
N=q • •
rJ •
€
C7 C7
5
-S^ —»—"
Gm Fdim
c Cdlm C F To Verse
5
P r FI r p r FI r r
ROUTINE: VERSE 1, CHORUS, TRIO. V 2, C. TRIO, V 3,4, C, TRIO
(out on CHORUS or trio)
Molly Malone lr-11
Slow waltz
112 Verse C6 D7
KS—
c:
h=M
li—J
^—m
—J
^
1
•
D7
22
f
C6 D7
5 5
li? tt : , ^ M J J
^
(ôms
#-
=M C6
' 1
J
G -
DT ^
J:
-s
J
f^F=
iJ— —^— 4f
m a.
) M' m m
1' 1 U 1
D7
I:
i m
1. (in) Dublin's fair city where the girisareso pretty, i
First set my eyes on sweet Moiiy Ma- ione./As she
Pushed her wheei- barrow, through
streets broad and narrow, crying
"Cockies and musseis, a- iive, aiive, oh."/ A-
Chorus: Live/aiive o/a- iive/aiive 0/crying

"Cockies and musseis, a- iive, aiive, oh."/ She
2. Was a fish- monger, but sure twas no wonder, for

So were her father and mother before./And they
Each wheeled their barrow, through
"Cockies and musseis, a- iive, aiive, oh."/ A
3. Died of a fever, and no one could save her. And

That was the end of sweet Moiiy Ma- lone./ But her
r^ Ghost wheels her barrow, through
"Cockies and musseis, a- iive, aiive, oh."/ A-
lr-12 My Wild Irish Rose
1898
Faster than American Waltz
Fm
\l y J rj. V •
—
5* P
Gdim
fl= • rj
• —i—
—m
A
C Gdim G7 C
m
D7 G7
i
Fm C7
Z FJ
G7 Gdim
pY
Mm 9 —i—
•
—^ ^ —J
1 1
G7 Gdim G7
D7 G7
(My) Wild// l-/rish rose,// //the

Sweet-/est flov/r/ that grows.// //You may
Search ev'ry- where,/ but none can com- pare/ with my
Wild// i-/rish rose.// //My
Wild// l-/rish rose,// //the

Dearest/ flow'r/that grows.// //And some
Day for my sake,/she may let me take/the
Bloom fronri my wild Irish roseJI ll\
Peg Of My Heart IMS
f^^tUng 2-beator 4/4

J=96 5I? C7
ir
:sz zzi m
F9
4 tH ' * \\
J m rJ T 7 R m
j f ,
~ <
m
•— •
F9 bI"
0—® 0—m i
Peg of my heart,/ /1 love you, don't let us part/ /I love you,

I always knew,/ it would be you,/
since I heard your lilting laughter It's your Irish heart I'm after.
Peg of my heart,/ /your glances make my yeart say,/ /How's chances.
Come, be my own,/ come make your home in my heart./// ///|
lr-14 Rose of Tralee
Slow waltz J s 98
ISl eI'
i f
F7 bI' C7 F7
q;
* •
bI>
P
eI' Bi' Cm7 B^
i m
D7 Gm A7(1'5)
m
f m i *
Gm F7 bI* Gm Gm
c 0 0
I P P
bI" eI' bI>
i
:7 bI" eI* Bi> F7 bI>
p1' m ' 1
m
Ic—
CT Ji
r—^ a N=N ^ 1
A. (The) Pale moon was rising a- bove the green mountain, the
Sun was de- dining beneath the blue sea./ When i
Strayed with my iove to the pure crystal fountain that
Stands in the beautiful vaieofTra- lee/she was
B. Lovely and fair/ as the rose of the summer, yet

Twas not her beauty a- lone that won me,/ Oh
No was the truth in her eye ever dawning that
Made me iove Mary, the RoseofTra- lee./The
A. Cool shades of ev'ning their mantle were spreading, and

Mary ail smiling was iist'ning to me./ The
Moon thru' the valley her pale rays was shedding, when
i won the heart of the Rose of Tra- lee./ Though (To B)
Sweet Rosie O'Grady lr-15
Fast Waltz-Viennese
F7 bI'
bI? F7 bI"
i
Gm D7 Gm C7
3
P
C7 F7
3 t
bI' B^
f
F7 F7
m f P
F—F-=H •
bI* eI'7 D7
i
p
eI' C7 Bi'dim ^ Gm
m
C7 F7 bI'
Sweet// Rosie O' Gra-// dy//

My// dear little Rose// //|
She's// my steady la-// dy,//
Most// ev'ryone knows.// //|
And// when we are mar-// ried,//

How// happy we'll be.// Il\
I love sweet Rosie O' Gra-// dy,/ and
r^
Rosie O' Grady loves me.// //|
lr-16 Too ra-loo-ra-loo-ra (That's An
4/4, gently J=92 Irish Lullaby) 1913
J) 4 c n s— s •/
r
—J^ •
•
li 1 ^
^ ^—J )— —0
1?—m
•
—m m
m
D7 G7
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•
m
)— L* d —m
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L—J cJ -Jn —
)
I4fc=j •
9
)—
I J —m
—J #
T J 1 '• P '• J
s
—&
J —m
D7 G+
Jf' 'I 1 ^
dft * 1
J——J J. • a jfcJ
Chorus Cdim
C
m- . . .
^ •
r
P
-•— 9
J ?—•<» " 1
. C F D7 G7 G+
Jf ^ 1I* s.
• -•LL •' » >
—
Jj m —
K-'
F Cdim
J-* ' —J4 ^ :<!i 1

Mi
) ,
—p— m 41
M ^ K_. ^ h—1 i—\

—J— • ^—i
—
•
0 • ^ —J •
M • ^
-0
•
Verse:
Over in Kil- ^rney, II many years a- go,II me
MIther sang a isong to me in tones so sweet and low./ Just a
Simple little gitty in her good ouid Irish way,/ and I'd
Give the world if she could sing that song to me this day.///
Chorus:
Too-ra-ioo-ra- ioo-rai,// Too-ra-ioo-ra- \\,lll
Too-ra-ioo-ra- ioo-rai,// hush now don't you cry.///
Too-ra-ioo-ra- ioo-rai,// Too-ra-ioo-ra- li,///
Too-ra-ioo-ra- ioo-rai, that's an Irish iuiia- by.//|
Wearing Of the Green lr-17
Square 2-beat or 4/4
Gm C7
rM 1 1 1 1 h m m > •
1 3—•!—J— — —
Wt 0 0 —#- —&—î
A BI'
r 1 ^
F
J4^L •1 • • •- m
m m
m
« d J 0 —e
1 p
b1> C7
•
0 P P
0 =w 0 w
T"^ « ^ 0 «d
0—
0 0 • V
f
•
•
0- « S
Dm Am C7
0 0
u.
1
m
1
Gm C7
f
* « i i— 1
5 s
a
bI' bI' bI'm
0 P
~fL^—r"—0— 0 • = 1
r c ' m 0 0 a 1
(Oh/) Paddy dear, and did you hear the news that's goln' round,//the
Shamrock Is by law for bid to grow on Irish groundJ/No
Man Saint Patrick's Day shall keep, his color can't be seen,// For
There's a cruel/ law against the weaiin'o'the green.//l
Met with Mapper Tandy and he took me by the hand,// Said

He "How Is old lre-/landand how/does she stand?//She's the
Most distressful country/that ever could be seen,//For they're

Hanging men and women for the wearing of the green.//|
lr-18 Wljten Irish Eyes Are Smiling
1912
Moderate waltz, not slow
C7
\l t\ J r
14±=J —0 J m
d
#
i
A7
G7
jt —i
—i—0
J ei 0- w
C7
1
#-
^ II 0 0
1
J—il
fij
~Jr a •
» r-
J J
1 1—r r
/I 1
G7 c
m
• M- ^ T— ^— 1
1—1
(When( l-/rish eyes/ are smiling,/ /sure it's

Like/a mom/in Spring.// /in the
Liit/ of i-/rish laughter/ /you can
Hear/the An-/geis sing.// //When
i-/rish hearts/ are happy/ /ail the

World/seems bright/and gayJi /and when
i-/rish eyes/are smii-// ing, sure they
Steiî/your heart/a- way.// /||
Al Di La IM
Slow ballad J=76 J=92 Emiiio Pericoli hit, 1962;
Intro (Vocalist goes "la la la...") Ray Charles Singers, 1964
r '^ Intro
B^ Gm7 Cm^ F7
0
w—
p ar- • •
A P
^ JW
P •— P
=f= =f=
Gm^ Cm7
i
Chorus
B
|9 0—m
E
0
Dm
E
Cm7
W—w
m m—9 IN
9 J J J -6^ W—W
Dm Cm' P
I' j j j j
Ei'm® B^ C9 Ei'dim
r [J r [J-1 r %
b!> •I'dim Cm^ P B^ Bdim Cm^
-9^ Si t
B^ Dm Cm7
-5U
bI> Dm Cm7
s
ir—V 1' J J J J
E^ El'm® B^ Gm
0 •» » I j» $
C9 Cm7 F7(^) bI* Ending: play Intro
r ^ pi Qj>i '•0^
m
lt-2 A Nema E Core (With All My
Lilting 2'beat Heart and Soul)
J=104 Gdim. Am
frit
I P
Am^ C+ Am^ DI D+ Am D7
I:
5
W
Gm Dm B7
1.
D7
\l y J
1
a* Ea •
0
a —W 0 m
# a
—^ c
1
14^ ^ • m
d t=J [•
4 d m
m •
d d d •
Am^ C+ Am^ Dl—3

I:
5 • 0
t
Cm
11^— _
K
4—
•—
r
p—
«
P
<3* •
F=Fl r
Am^ QT—3
5 •0r ^^1
(My) Life I'd give for you,/ Anema-e co-/re,/ ///I
Only live for you,/ Anema-e co-/re,/ ///i
Have but one de- sire/ and it's to iove/ you/ //with ail my
Heart,/ with aii my soul,/ my whole life through.// From
Stars I'll m£)ke your crown/ and kneel before/ you./ ///i
Pray you'll take my hand,/ for i a- dore/// you.///
Open up the doors/ leading to heav-/en/ III A
Heaven mirje and yours,/ anema-e cor-e.// ||||
Arrivederci Roma lt-3
414 ballad, or
slowRhumba 1954
^=118 •
Cm D7
I
1
rH— 1
—
J Ot —^ —m M —M
D7
£ 5
if mut
D7 Cm D7 Am^ D7
*
Cm D7
*
i
E7 Am
—
" 19 ^ • --
•22 - e- —^ M M •
0^ ^ 1 N=i
vCy m J- 9
W • • 9 # L—J #
« J
1
N=q m 1 1
J 0 •
i 1
0
(Ar-) Ri-INe- der-//ci Roma./// ///Good-

Bye,//goodbye//to Rome./// //City of a
Millionmooniit places, city of a
million warm em- braces, where i found the
One of ail the feces for from home./// //|Ar-
Ri-//ve- der-//ci Roma./// ///it's

Time//for us//to part./// //Save the wedding
Bells for my re- turning, keep my lover's
arms out-stretched and yeaming. Please be sure the
Flame of love keeps burning In her heart/// /|||
lt-4 Buona Sera
Traditional last dance: guests dance in a circle around the couple.
Sheet music not found, so the melody and phrasing are derived
by slowing down Prima and Dean n/lartin record versions.
4/4 2-beat c. De Rose, Sigman, 1950
Jt116 bI>6 bI'
s m \m m h j J>i m J- a m
t
Bl'dlm F
iS —1^— 5
•
F Cm7 Cin7
P' 0
s
f
bI>
5
XT V
bI' bI>6 bI'

22
W « 9
b1> bI»7 eI'

9 0-
9 9 9
9 9-9
-Or
eI^m Fdim
9 9 9 h# ?9
B^
# #
bI" bI'7 eI'

f=^ ^ f—f— Ml
r -1.
r
#—
—fr— • ^
9
)—
T —;0
—i— • — —
I bI' , F bI'
J I I ,J J J
i
Cara Mia lt-5
Slow waltz
bI"
p
f • #
M —m ^ —J •
J
el' el'dim Fmaj7 Gdim G7 Gm7 QtH
bI"
n p
• J
S « • •
• -S
1
Bl' F GiItl7 C7 F
bI'm C7<^) Fmaj7 F6
^ \n
B^m6 DI'7 C7 C7(l«)
Am B^
•
bI'm Gm7 C7
E
Ending: repeat line, extend last 2 bars
Cara mia why// must we say goodbye?//
Each time we part,/my heart wants to die./My
Darling hear my prayer,// cara mia fair.//
Here are my arms you a- lone/ will shared/
All I want is you/ for- ev-/er- more,/ to
Have,/to hold,/to love,/a- dore.//
Cara mia mine,// say these wors di- vine,//
I'll be your love till the end/ of time.//
Ending: I'il be your love till the end// of// time.// Il\
lt-6 Come Back To Sorrento
Slow waltz
Fm Cm
0 —J— —J—* 1' fl' ^

J 0
Fm c m Fm Cm
•-r-p f—f* J 9 J 0 J
—
•"b'V
w •
Dm 7 G7
1
* 1 «
Am Dm G+ C
.. m
t=^ m —0—
J 6 •
Dir Am
J M ^
P
•
h=t * 9—*
—u
M a
•
Fm C Fm Gi7 c
-Jr a—f #—m—
0 gL • ^ LaL i J-J- i- r
5
s pu cj -6^
G7
& o
3 i
0)
Playing gently o'er the water,/

soft winds murmur low, "Re- member,"/
And, enchanted, I lie dreaming,/ sighing, longing, dear for you.//
Scent of fragrant orange blossoms,/
wafted up frpm sheltered gardens;/
Their sweet perfume, so nos- taigic,/
saddens and disturbs my heart.//
For you said goodbye, we parted,/
left me ione and broken- hearted.//
Torn and shattered is love's image,/
how much mbre can I en- dure!/|
Harken to my piea,// come back to me my darling,/

Back to Sor- en-/to And iove re- new./|
Come Prime lt-7
Chung-ka chung-ka chung-ka chung-ka
^ sort ofshuffle rhythm, not fast
J = 88 bI* Gm Cm7
Jz 0
m
.9
• ~i^ m n— rTT
fl I—J- =ibt
w
— .
# • m 0
Cm7 F
S
I
Fm 4 Cm
Cm7 F 1. Bi* F7
I t-l- ,V m ^ '
LT JILT'II
*1 9 ^ *\
3
lu Cj dlr
3 3 3
irB^ Cm D7 Gm 07
B Gm Cm7 B>'
if i
§
(For the) First time, for the first time, I'm in love.// For the
First time, for the first time, i found happiness. From the
Moment i saw you i was en- raptured,/ ev'ry
moment after that i live in the clouds.// For the
First time, for the first time, i can thriii.//For the

First time, i love you and always will,// You're the
First one, yes the first one, you're my one and only one. For the
First time, for the first time, I'm in iove.//|
III! IIIForthe First time,//for the First time,//i'm in love./// ///|
lt-8 Eh, Cumpari!
Tarantella beat 1953/^
J = 198 C G7
i i # #-
G7
J. Mi >
bi 1 ^—t Jt— ) y-
--—•-—• —J t
—^—m\1—s m
P m t=t m •
# • —
G7
^= 5
«—#
5 «=i
(Eh, cum-) pa-Zri/ |ci vo' su- na-yri/ I Chi si

So-/na?/ rufrisca- \et-ltuJ |Ecomusi
So-/na/ iI'u frisca- ieW tu?/ |(whistie) 'u frisca-
ie-tt'e. tipiti tipiti- taJII ll\
Funiculi, Funicula lt-9
Tarantella beat
-Jr— if —f5 r r— V '

F F
»—1
gp" S 15— -H f r—
h=N ?-
•0 ^ y- y-
/ —fT
« # -L id " S •
V ✓ « •
- fl •
A 0 p
-fe-^ 5=^ .> a

r—
C7 C7
i
P Am £7 An .i
£7 Atp
fli ^b» #
=?=1—^ 4-^
1
> y f=
^ ' *%
'
Q Am £7 Am £7 Am 9
-Jr—• < < »s s ^ 1— 1 ^ # 1
eb -L_J J. i 6- 1 J- 1
. C G7 C G7 ^
G7 C G7 C
5
[M- »• ^ ^ •
5 #
4 f
C7
-anr
if p r ^
A7 PJ Dm
C7
Îr ;i j J'l ,1. (p) I

lt-10 Godfather Love Theme
4/4, floridly
(Speak Softly Love)
p 1 P
m— # p
?— r4—
k-jg—J
p -4 P B—. m—
—:• —^
-^= ^
r—
i— 1m—
P F •
;t=1 —w n ^ J
r r ^
Cm ]
ll^h '''"o- i •
J ^
F w—
J
111
Cm G7h) G+ Cm
S
9
m
'I f f )
a e — m
m
1 i—
g 1 F
m D' G7
- t |i * '
e —i—d
I* ^ ^ ' If
Cm Fm Cm
-O-
Cm Fm Cm Fm
iw 7
Xl_
Fm Cm
-O- XT
IF
^ G7('«) G+ Cm
I m—
^Coda G7 G+ Cm
^
n 1. _ ^
tr
#
r ^ 1
Godfather Waltz lt-11
J=118
.S Dm Gm
i
m
Gm Dm
s:
i
m
Dm A7
m
9 4 p—
^6
M
w V • #
r m
fij Dm
9^
if a
Gm fiJ Dm
1 i
B Gm eI' Dm
i 1
Gm
i¥ ¥
Gm Dm
1
Am E7 Am
£ i
i Back to A
Routine: ABA each X
lt-12 Mala Femina
Smooth 4/4
J=112 ^ Bi'mai?
t
0—0
g—^ #
m 0 O 0 0
G7 Cm
=5 %
p
i? ^^2 0' 0
5 o - 0 0 W r
F+ Bi' Bdim Cm^ F

11 (Ti t
b1> Bi'maj?
(• 0 m' fj Ill*
BUar
5 c>
El'm®
0 0 W P 0
07 bI'
m
s
Yes you are/ /an aijigel with a devil's heart/ /your lies have tom my
Soul apart,/ /for you just cant be true./// Ill\
Yes you are,/ an angel who has ~
lost her way./ /You gave your heart and
Let It stray, /knowlpg I still loved you./// Ill\
In despair/ /I cling to what was never there,/ /a love I thought was

Mine alone/ /to shaê my whole life through./// ///|
Yes you are/ /an angel with a devil's heart/ /and I am just a
Fool/ who's/ /still In love with you./// ///|
Non Dimenticar lt-13
As square 4/4, J=88 Watch Phrasing & held notes in bars 1-2 of
1952
Lilting, lines 2,4 —Vocalists may cut long notes short.
rîmost shuffle
Jt72 & sl'mai^
i r bI* 33 G?
w Cm^ R Fdim Cm^
'in/T; J 5
Cm7 R Cm7 F+ bI" Cm7

XE
-o^
bI' Bl'maj^ bI* G' Cm^ R Fdim Cm^

0 m
1 • 5 n
Cm^ R Cm7 F7 b'' El'm Bi'dim bI'^

XE
f i p (» p
Fm7 bI'^ Fm7 B> b1'+ ^
gr
!Z
m
W^30
Gm7 C7 Gm7 C7 Cm7 El'm R

Jz 5
B^ Bl'mal^ ^ G® Cm^ R Fdim Cm^
rji-rf 5 22
R Cm7 F® Cm7^ El'm Bi'

i¥ m
Non dimenticar means don't forget you are my dar-/ling/ //Don't forget to
Belli llaW you mean to me./// Ill\
Don dimenticar my iove is iike a star, my dar-/iing// //shining bright and
Ciear/// //just because you're here./// I\ Please do not for-
Getl that our iips have met/ and I've held you tight,/ dear./ //Was it dreams ii
Go/ my heart felt this glow, or only just tonight,/ dear?/ Ill\
Non dimenticar, ai- though you travel far, my dar-/ling./ //It's my heart you
Own,/so I'll wait a- lone,/Non dimenticar./// Ill]
lt-14 O SoIg MiO (it's Now Or Never)
J=112
i 3 Fm
aa
BI'7
i f
eI.'
Fm bI'^ eI'
J J IJ '
i
E^ Fm7
i f=r TT
eI'
$ Al'm Ei'
Fm7 bI> IMI]
Routine: ABA each X
A: (When I^rst) Saw you,// Avith your smiie so

tender,// ^|my heart was
Captured// /my soul sur- rendered.// ji've spent a
Lifetime// /waiting for the right time.// |Now that you're
Near the tiipe is here// at iast./// /Just iike a
Wiiiow,// /we wouid cry an ocean,// jifweiost

True lovell /and sweet de- votion.// jvour iips ex-
Cite me.// /Let your arms in- vite me,// |For who knows
When we'ii meet a- gain//this way./// /it's now or
Never,/// /come hoid me tightJ// |Kiss me my

Dariin',/// /be mine tonight/// //|To-
Morrow// îil be too iate/// / it's now or
Never,/// /lihy iove won't waitJ// /|||
Oh Marie lt-15
Louis Prima version: originaiiy 6/8. Melody approximate.
Hot shuffle
^J=172 J=184
xc
G9
0 r p r f
TT
0 p
#— p p B •
G7 C 5
sr
LT I
Dm
#— P— •
y m y • p ^
TE=i m—
i—
—
Dm Fm Cdim
•O-
ET
G7
-»•
HE EE
^=1
(Oh Ma-) Rie,/// //oh Ma- rie/// ///there

is/ no one but you,/ dear, for me./// ///|
My/// heart's//repeat-ing// /each word
You can hear In It's beat-lng.// //Oh Ma-
Rie,/// //oh Ma- rie/// ///fairest

Flow-/er In all/ Ital- y./// ///|
I/// //beg of thee///, //hear my
Plea,/// //Oh Ma- Rie./// ///|
lt-16 Return To Me (Ritorna-a Me) Dean Martin hit
c. Carmen Lombardo,
Light 4/4; good as slowirhumba 1957
. ,,41^ P P
m
«
j— Y—"
—
—1—
-0
C7 Gm7 C7 ' 3 >

—y 0 0
0 0
oj I r u XE
• i r' p
. 3 ' 3 Gm7 C7
XE
W=0
C7 Gm7 F F R
0 0
t
LJi r rj XL-
fJTrra 1 3 1—,
• ^ » • > — •
—T — 1
r 1 1 1 r'
£7 o1
m
Gm7 C7
0 0
XX 0—d
C7 Gm7 bI'
zzmz
i § IT m
(Return to) Me/// /Oh my dear I'm so lone-ly// ///Hurry
Back, hurry back, dh my love hurry back I am yours./// /Return to
Me./// /For my heart wants you only/// ///Hurry
Home, hurry home, wont you please hurry home to my heart./// //| My
Darling,// /If I hurt you I'm sorry/// ///for-

Give me/// /and please say you are mine!/// /Return to
Me/// /please come back, beila mia.// Ill Hurry

Back hurry home to my arms, to my lips, and my heart./// /|||
Santa Lucia lt-17
Important Swedish
/--•^Moderate Waltz Christmas tune
J= 100 ^ Cm F Cm
4 # 0
V"
J •
M
/
e —J
# €a
#
bI' Cm F Cm bI'
pm
Cm bI"
bI' bI'
te b:
i
bI' Cm F
5
I
bI* Cm bI>
bI" Cm bI'
I
lt-18 Tarantella
Traditional WEDDING dance. You have to
J=189 J=195 play it if there are older adults present
Am - Dm Am
f ii! r p r yI r * r m r i 0- m
vim Dm £7 Am
rrri -p
- 1* ^ -—-1 T f'l 11—•—^^—
p—9—1 ^ 1 ^ A ' A ml ' m
pFr r r
1
1
-P Am £9 Am £9 Am £7 Am
• F
UJI LJJ txj f

« Am Dm Aim Dm Am £7 Apn Aip ,
Jr m^ m ^ m ^ I r -t- i: V
m ^ 1
1Lr_ry[j
i
Ann Dm Am
1
f
=7 £7 ^•Am ^ ^ ^•ifVm
E-
• ^ A V ^ 1J •yTp.l
m' I • m
t—\-=
1—* '—0
• •'
i
To the TOP till they (you) drop!!
End on A. Audlenie may really get Into It and keep going. When they're
obviously slowing down, Increase tempo a bit at each strain, get frenzied
on final A. If mostly older folks, don t let It go on Indefinitely...
That's Amore lt-19
Fast Waltz J- 184 Dean Martin hit, 1953
c. Harry. Warren
bI' b
p *1
5 P d
F Fdim Cm
W 0
12 16
i » _ jm—•
i I
bI> #dim
Fdim F
22
13—J—•
bI'
i •g~ TO p
bI' B^ el'map
P
Et>m Cm7
m 5
Cm7 12 D7 C Ddim
1 5
Cm si'dim bI' Bi'dim
t
J J| ^ J j it: 17 i
F7 Bl'dim F Bl'dlm F 12 bI* Ei'm bI'
o Q 11,
^ J f ^1 J 19^
r ri^ r r
lt-20 Voiare (Nel Blu Dipinto Pi Blu)
Domenico Modugno,
Chorus Solid 4/4 J =142 Dean Martin, 1958
G7^) Cm7 Cm7 P 4Bi' P. , Gm

t ~
XE
g. I g
Cm7 Cm7 P bI'
Gm Gm7„o ,Gm®
> 3 -1
DmT <3, '
A+,
T ^
Dm^
m
•7
.
,
3 .
Cm
I—-
D7 Gm
t
I -O-
E^m bI'I- eI' m Ak d1> G7('«)

5
k
ZM i XE
Cm7 67^-9) Cm7 F7 4 bI' Gm

Z_
XE
rJ \ rJ m
Cm7 P bI' Cm7 P. B^

k
Verse
B^ Bdim Cm Cm7 P^«) P
&
P_ bI'
fcM 4
i
bI' , . 3 —
Bi'di ?! Cm
(•—g m
Cm7 ^ C7 Cm7
k5hi I
r-^
i 0 0—
Bar Mitzvah Song J-1
(A Gift For Today)
J=114 Dm A+ Dm7 Dm®
*
m ' *• j ' *
Dm ^ Gm® Dm
t &
i
Gm® fij Dm
m
« J —m fl a 2J •
i
J —h T—
Gm® C7 Fmap F®
J u r'
Gm^ C7 A7
$ "1> p
Dm7 Dm®
i
3
J-2 Bashana Haba-a
Lively 2-beat Circle dance
J=246 Fm dI' eI' aI'
i
a
m
bI'm C7 Fm
Izi
CT
dI' Ek
Jr
-Ak—
hi • •
N=H 1 ' J
m C7 Fm F
kk i
-jtirk 9 9 — m— 9 * ^ O A
fl'
TO " m ^
bI" m C7 Fm
1 Xt
bI'm aI' Fm
9 0
P
B^m C7 Fm
kk
IT
I-) lâ/
(Basha-) Hal haba- all ne- shev al hamir- peset v'nis-
Por/ tsipo[^ rim/ nod'- dot/// //y'la-
Dlm/ baciûf- shall y' sachaku to- feset ben ha-
Bayltu- ven/ha-sa- dot/// //odtir-
E/odtir- e/kama tov/yi/ ye/basha-

Na/bashana/ha-ba- alll //odtlr-
E/odtlr- e/kama tov/yi/ ye/basha-
Na/bashjj- na/haba a./// /|||
i Mir Bist Du Schoen J-3
J=192
Siste rws, 1937
Chorus R
Am
fil=F= ^ ^ m rj f
0 11 P M 5 7
^—Û-J f p ^ p' 1
—br
s—1 ~ 55
fl' !
4
r 1' M
•
Am
in' P M e:
£7 Am
i^ r j p I p r p p^ XE &
DlTl Am
ft] © d— • \W^ • ^
' •
"j m
\> ' P '

Dm £7 Edim £7
q:
i1 I ?
Am Am f=7
p a ^ —^ 5> ^
^ V 7
i^L =4^ i
0
•
P ' ' ^ 1
. F Am
S—1
•7
^ aT m ^
11
•
—)—=-i
r 1
J r p p r
Verse
/!im Dm E•7 Alfn
ry Pr ifp ^—(»
Dm £7 4 Am Dm B7
0 5
*: t. p p r piT r p p m
1. £7 2. E7
Z2i:
iw
" *
m ^ .
r^
Tpt solo might be Ziggy Elman style. DRUM might do hora style on Bridge. |
J-4 Dodi Li
Slow, lilting Circle danpe J=112
Gm Dm
Gm Dm Gm Dm
Dm (a7)
ROUTINE: ABAC AD A Repeat
Chorus: D(>di li/ va-ani lo ha-roe/ ba-shoshanim/

Dodi 11/ va-ani io ha-roe/ ba-shoshanim/
i
Mi zot ola min ha-midbar mi zot o- la.//|

M' kuteret mor mor ul'vona mor ui'vo- na.//| (Chorus)
Li-bavtini achoti kaia ii bavtini ka- la.//|

Li-bavtini achoti kaia li bavtini ka- la.//| (Chorus)
Uri/ tzafon/ uvoi te- man.///|

Uri/ tzafoii/ uvoite- man.///| (Chorus)
Erev Ba J-5
Slow, stately, circle dance
J= 104 Rhythm pattern

n^ X H ^
Gm C7
i— p ^ i
• 0 L: i —m
m *
—-
C7
p
> L ^ w
m —
5h=i
/ 1 r=r=i m ©—
—m
—
}-
p
m—
P «
-
Dm Gm C7 _
* IT Ml
Before f/ie party starts thinning (deally the last tune) gather the
guests into circle, dim the lights, put a candle in the middle of the
circle, play tune.
Shuv ha-ederno- her/// bimvoot hak- far///

Vole ha-a- vakiil mishvlle a- far///
v'harchek od tzemed inbalim/ m'lave er
meshech hatzlallm/ e-irevi ba erev ba./// ii\\
J-6 Erev Shel Shoshanim
S/ow Circle Dance J=122
Dm Gm Dm
j 0 0 3DE
bI> Am Dm
' *
m xr
Dm Gm Dm
m XT
bI'
1(1J J •
\
J 0
M
' ' 1 • 0 • —0 o
Dm Gm Dm
3GC
Gm Dm Dm
s
m ♦—• TT
U 1
—• —J —J —0
•
—# 0 0
m
\> 1/ ^ ^ N=t • i •
J a —0 J 0 J o
Erev shel shosha- nlm//ne- tze na el habus- tan///

Mor b'-sa-rplm u- T-vo-na/ r-rag-/lesh mif- tarn.///
Erev shel shosha- nlm//ne- tze na el habus- tan///
Mor b'-sa-mim u- T-vo-na/ r-rag-/lesh mif- tam.///
Lal-la yorec! T- at//v'- ruach so shan nosh- va.///

Ha-va el-hash lach shir ba-lat/ zemer shel aha- va.///
Lai-la yoreci T- at//v'- ruach so shan nosh- va.///
Ha-va el-hash lach shir ba-lat/ zemer shel aha- va.///
1
Fiddler On the Roof J-7
Paso Doble: J =256
Not Fast
r^=198 c dI'
m m
dI'
—Jr • 1 —t—
m ^ # G b J J —w - u - ^ m
-G
m-
k
c
• 1 1 J 1 L: J
1 1—
m J J— G • «
^ •
-G
'W
k
eI' dI> c
• J 1 1 i^ 1\
m m m G L: J M
^ -—U- -s
•
Verse 1.(A-) Way above my head//l see the strangest sight.//A

Fiddler on the roof,// who's up there day and night./| He
Fiddles when It rains.// He fiddles when It snows.// I've
Never seen him rest,// yet on and on he goes.//|
2. (An) Unexpected breeze//could blow him to the ground.// Yet
After ev'ry storm,//l see he's still a- round,/) what-
Ever each day brlngs//thls odd outlandish man;//he
Plays his simple tune,//as sweetly as he can.//)
Chorus: 1. What does It mean this fiddler on the roof who
fiddles ev'ry night and fiddles ev'ry noon?/
Why should he pick so curious a place to play his little fiddlers' tune?//
(A) Fiddler on the roof.//a most unlikely slght.//lt
might not mean a thing,// but then again It might!.//)
J-8 Hatikvah
Israeli national anthem
Slowly
Jt120 Dm Gm Dm
Gm Dm £7 A7 Dm
5 a
I
T
o
J 1 •
•
H
^ J 9
Gm Dm £7 A7 Dm
J2
XT
bI'
-1 f—
r.._.
Sr
/ •> • A
/>
bI'
© & #
• • IB
^ J r
fT^nn
f—
^
•2 & m
• 1i
Hi
J—1—J • r m
9 a
Gm Dm £7 A7 Dm
Kol/ od ba- le-/vav/ p'-/ni-/ ma///

Ne-/feshY'- hu-/di/ ho-/mi/ ya.//ur
Prate/ miz-/rach/ ka-/di-/ ma///
Ai-/yin 1'- tzi-/yon/ tzo-/fi-/ ya.///
Od/lo/ av-/da/ tikvate-/ nu///
Ha-/tik-/ va/ bat/ sh'not al pa-/ yim.///
Lir/yotam hof-/she/ b'-/ar-/ tze//nu
E-j/retz/ Tzi-/yonvi- rushala-/ yim.///
U-/yot am hof-/shl/ b'-/ ar-l tzel//nu
E-/retz/ Tzi-/yonvl- rushala-/ yim.///
Hava Nagila J-9
Hora. Start slowly J=168 ,
J = 196 Chairs: J = 226 out: J = 252
0 U IL
D , ,1
$ i $
Gm Cm
Jr ^
fe ^ J 0 0 • • 0
^ 0 9 J jfu 11
Cm
-JNkI •
0 m d 6 0 e d L -d
Cm Cm
m i * m Im
Gm
Gm
m
t 0 0
Last X to A ❖
J? m m
&
• •
&—
m —
e
J d
^'Ending rr
D7 Gm
¥ S -O-
1 -O-
V V
0—0
-O-
SIART SLOWLY, WATCH the DANCERS. 1. let them get Into the circle,
then work up fairly quickly to a moderate tempo—Do NOT exceed the
SAFE tempo for the: 2. CHAIRS -they put the COUPLE, on chairs, lift
them up, dance around with them; may also do the PARENTS. When the
chairs are down, gradually Increase the tempo. 3. When people start
leaving the circle, increase the tempo quickly to frantic, play C w/CODA,
go out.
J-10 Kritzel Dance (Die Mazinka)
! :
Wedding dance
start slow, increase tempo

J=138 Qpf, Gm
22
Gm A7 Dm Gm
'*0 0
fij Dm
• d
w
A7 Dm
TT
Start SLOWLY, up tempo gradually.

Segue up the scale by half-steps
Lech Lam id bar J-11
Circle dance: fast 2-beat
Gm A7 Dm
1/ , 4 ' m' r~i^-1m— m
—
X— —• —J -m
mm
Dm 07 Gm Am fiJ.
m S
f
Dm PJ Dm A7 Dm
^^5 "• i
Dm A7 Dm A7 Dm
if —m •—i
^ h \i
07 F ^ Dm Gm A7
5 * " s • •
Dm A7 Dm
-#-b \ \ s -^1
-)
J # —J —m —J
4 —
cJ —m • J m
Lech lech lamidbar ha-drachim yovllu

lay!! terem ba lech achi el ha-mldbar
Shuv shuv nachazor ha-kotzrim yarlu
shemesh gdola shel or Od tizrach ealenu
Lamidbar/ eretz lo mayim ho at admati shavnu elayich eretz m'-lucha
Ruach vaza-am ha- lochamim chazru ho chasa-ar el lamidbar/

Eretz lo mayim ho ar admati shavnu elayich. ||||
J-12 Mayim, Mayim
J=264
Fast2-beat Circle dance
J=225 H Dm A7
Jr L m m— P"
&—
j . p m' m
# • m-
—m m
Dm Dm
b1> C7
0
0 • • 0
r—f—• — 0 1P
—^—1
—
— — « ^
cj Am Gm F Gm F C ^
0 0^ [. m ^
m
' 0l- f 0 0 •
Am Gm Gm Dm A7 Dm
s §
• *
m
A. (U-) sh'aV-tem mayim b'sason/ ml-mai-ne ha- y'shu-a u-

Sh'av-tem rpayim b'sason/ mi-mai-ne ha- y'shu-a./
B. Mayim mayim mayim mayim |ho mayim b'sason./

Mayim mayim mayim mayim |ho mayim b'sason./
Hey/ hey/ hey/ hey/
C. Mayim mayim mayim mayim mayim mayim b'sason./

Mayim mayim mayim mayim mayim mayim b'sason.j
Misirlou J-13
Greek/Jewish Circle Dance
J=116 Greek Rhythm HORA Rhythm

J? Ja —St V V Sf y y y (Si y y^
i^r 4 iM p ^ 1 1 1 1 —r f f
5 3cr
§
m w
fc
71
m
r..
1—
r
w «•
m
t3 #
L—m
r^~ m ' —J —J
11"^ «»
— 3 1
' 3 T
ri-&—1
-Ae—^ V « J
#
# J J O
Gm
3x:
•— ^3
W m~
t=id
5^ •
3 '
3X xc
P
^r- 3 —
1^ P
NM
• ^ • ^
» m - 'fl J m
m ji>
Gm
Tf- 72
$
—
^^—f— o
—h 11
U 1
w
^=B
J-14 My Yiddische Momma
4/4 Doleful ballad c. Yellen, Pollack
J,112 Gm Cm Gm D7
4 —w
D7
XT
D7 Gm
i 32
Cm E^- F9 Gm D7 Gm
p p p -e-
Adim E^7 Gm
* !•
Gm Cm Gm D7 A7 D7Cm D7
XT-
5
D7 Cm G7
if
Cm Gm Cm Gm D7
• m
m cji r r r [j
Cm Gm Cm Gm D7 Gm Q»
jr d
4: S
(My Yiddishe) Mom-/me,/ I need her more than ever
now./// /My Yiddishe
Mom-/me,/ I'd love to kiss that wrinkled brow./// /i long to
Hold her hands once more as in days gone by/// /and ask her
To forgive me for things I did to make her cry./// /How few were her
I
Pieas-/ures,/ she didn't care for fashion's styles./// /Her jewels and
Treas-/ures/ she found them in her baby's smiles./// //Oh I
Know that I owe what i am today to that

dear little lady so old and gray to that
Wonderful Yiddishe mom-/me/ |of// mine.//|
^
I
Never On Sunday J-15
Cha Cha J = 116
Jewish /Greek Circle dance J=122 1961 movie theme
1^ " ^ m
r cj r c/
BI'7 eI'
rLrrLT'rcj
BI'7 eI"
i " r [r r cj
BI'7 B^
ii^dinq
eI'
0—0- i i f rni
B
0
& "—r~"—
—LJ—
P e
•
r Li '
•—0
Fm BI'7 eI' b1>7

3CE
s -O-
eI* b!'7
0
Jr ** «—
f—
• P— e
• p— 0 —
• 0—
b=y r • • '
r=r
• =r- f
L-J
m ^ m
m • i
'« 0 ^
e —0
ROUTINE: A BAad busto-da-chopseum.
r^.
J-16 Ose Shalom
J=260 p-i Circle dance
J=286 Dn^ D7
l|i ''i j J4=^ m m JOC
TT 3X
I
"kri
1
1 • -
e # *»
'
I-JLl 1
1^ ^ —J j- el L
Gm C7 F
—,1—• p 1 e
1 ^^ .? M S— *»
A "T
r-
—or—
/ ? m
J
-
• 0 •
CT a .JM —^ M M •
D7 Gm C7
3r
A7 Dm
D
a m
OT • m
1 i' —G m m
m
J o
Am
9 o 9
P
fl —L-* • '1—
a a
Dm E7 Am
E
F=l XE
"iVt 9 f^
p'
e
m
•
r=^ •
r r ^
Dm £7 Am
if jrr
ROUTINE: ABC repeat...

Shibolet Basade J-17
Hora 2-beat Circle dance
/*^f268 Dm Gm Dm Gm
rj m 32
Dm Dm
* d
i "cr TT
Dm Gm Dm Gm
Dm Dm
t
TT 32
rj m
m u
Tm— S m m m
Gm bI' Gm
< ~m—;
Dm
IF •XT
Shlbo-/let basade/ kor'-a/ba- ru-/ach/

Meo/-mes garinim ki rav./// //||
Uv'-/mer- shav ha-rim/ yom k'var/ ya fu-/ach/
l-la-she-/mesh ketem v'zahav./// //||
Uru/ hoy u-/ru/ shu-/ru/ b'ne kfarim ka-

Ma hen/ bash- la/ k'var/ al/ pne/ hakarim/
KItz'ru/ shil- chumagal/ |et/ ro- sheet/ ha-ka-
r^ Tzir./// nil nil n\\
J-18 Shalom Alaichem
Fast Circle dance
B7 Em
m—
o •
T'" & •
—m
—m • S •
^ J
Am E7 Am
I: 3X
B7 Em C6
nH— >•
T
m
m • —•
M S
M
5^ » a
#
A
#
J
Em B7 Em
Am E7 Am
I: TT
i B7 Em C6
Em B7 Em
m
ie
(Hevejnu) Sho-lll lorn// a- laichem.// /hevenu

Sho-lif lom//a- laichem.// /hevenu
She-/// lom//a- laichem.// /hevenu
Sho-/lom/ sho-/lom/ shoiom alaichem. Hevenu
She-/// lom//a- laichem.// /hevenu

She-/// iom//a- iaichem.// /hevenu
She-/// iom//a- iaichem.// /hevenu
Sho-/ôm/ sho-/iom/ shoiom alaichem.
Siman Tov and Mazal Tov J-19
Fast Recessional
1P4 Fm
TTP m m m 9 9 9
rT:]ii.rTJin
m Fm sl'm _ A^m
(•—
§
Fm
9 9 9 9~9 rm 9 9 9
jn a^'jni
m Fm m Fm E^7
* 0- 9 9 m m 9 n
9—9
s :5
aI' Ek aI' m
l2±
ft 9 9 9
r r (' I r ^ i l f
Al* eI'^ aI' Bl'm A^
ft • I* r r B
# (T
r I r p ULi ¥
Fm Bhm Fm B^ m Fm
m 9 9
w 7
Fm Bi'm Fm B^m Fm
m m m m 0 fj
m
Siman tov u-mazai tov u- mazal tov v'-slman tov

Siman tov u-mazal tov u- mazai tov v'-siman tov
Siman tov u-mazal tov u- mazai tov v'-siman tov
Y'-hela-/ nu.//|
(Repeat)
Y'-he ianu y'- he ia-nu/ u-i'-chol Yisra- ei.//|

Y'-heianuy'- he ia-nu/ u-i'-chol Yisra- ei.//|
(Repeat)
J-20 Sunrise. Sunset
Popular father-daughtor dance
Verse
j=116 From "Fiddler on the roof, 1964
Gm D7 Gm
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To Life (Le-Chaim) J-21
Fast
Circle dance
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J-22 Tzena, Tzena, Tzena
Hora 1950 pop hit
J=258 0 eI' Ak
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Wedding Samba J-23
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ABA eachX
J-24 Yerushalayim Shel Zahav
Slow Waltz (Jerusalem The Gold)
C7 Fm C7
5
r *ii
C7 Fm Cm Gm Cm
C7 Fm C7
5
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ez:
(A-) Vir ha-rim tsalul ka- ya-yin v'- reach o-ra- nim./ Ni-
Sa b'ruachjha-ar- bayim im kol pa- a-/mo- nim/uv-
Tardemat i|an va- even sh'vu- ha-bachalo- ma/ ha
ir asher badad yo- she-vet u-b'-ll- ba/cho- maY'-rusha-
Laylm shel zahav v'-shel n'- choshet v'-shel or halo 1'-
Chol/ Shi- * rayich a- ni/ ki nor./|
*Last time: rayich a- ni/ kl- nor// //ki- nor.ll
Zamar Noded J-25
Bright, moderate
''Circle Dance
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J-26 Per Stiler Bulgar
J=120 Became "And the angels sing", Benny Goodman/Ziggy Elman classic.
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To A
America the Beautiful p-1
J=100 G7 G+
s s_
b J
—J— m
w —J
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—m —# G
—# fl
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D7 G7
• pi
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(Oh) Beautiful for spacious skies, for amber waves of grain,//for

Purple mountain majesties, a- bove the fruited plain.//A-
Merica, A- merica, God shed his grace on thee,//And
Crown thy good with brotherhood from sea to shining sea.//|
America (My country 'tis of thee)

0^ 1^ s F=4=i 0
^—
CT 4 a a —J— —J M • • •
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07
bI' F E1^ F
rh-^ •—a a
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/i. 11
My country, tis of thee, sweet land of liberty

Of thee I sing.//
Land where my fathers died, land of the Pilgrim's pride.
Fromev'ry mountainside, let freedom ring.//
P-2 Auld Lang Syne
To jazz it up, double vsilue
of notes, play atJ = 212
4/4
J=s104 F C7 bI'
^ 0
m
5 m
m
•w • . , ^ s—
r
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w—y
(Should) Auld acciMaintance be forgot, and

never brought to mind?// Should
Auld acquaintance be forgot, and days of Auld Lang Syne?// For
Auld/ Lang/ Syne/ my dear, for Auld/ lang/ syne,// We'll

Take a cup of kindness yet, for Auld/Lang/ Syne.//|
After crowd Is through singing. To keep things going while folks are up
and at It, go Into p Jazzy version of ALS, then
"When the Saints Go Marching In"; If they get Into a line, then set up a
conga beat, seque Into a Conga (eg. "Hindustan"), then
"New second line".
Before they sit down, do a nostalgic slow tune like
"Some enchanted evening" or "As time goes by".
Weddings, Reunions, etc., anytime many guests know each other, the
second It looks like the party's about done, have them gather In front of
the band (hand-ln-hand) and sing It. "It's not New Year's Eve, but a new
year Is coming up..."
Easter Parade P-3
Square 2-beat c. Beriin, 1933
9— M
4LJ
m
p
P
• • J ^^
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^
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F7 b!' C7 Cm7 F
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In your Easter bonnet,/with all the frills upon It,/you'll

Be the grandest lady in the East/ parade.///
I'll be all in clover/ and when they look you over/ I'll
Be the proudest fellow In the Easter/ parade.//On the
Avenue// |||Flfth Avenue,// |||the pho-
Tographers/ will snap us,/ and
you'll find that you're in the rotogravure. Oh
I could write a sonnet/ a- bout your Easter bonnet, and
Of the girl I'm taking to the Easter/parade.//|
P-4 God Bless America
Not dirge slow. With due 0. Berlin, 1938
reverent patriotic spirit
J=202 F Fdim 07
XE
0 , ^
haH"- —! ' o
s m
bI* Gm7(i'5) F Dm7
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HI i ''S
Hail To the Chief P-5
r^quare, very stately! J=98

J=114C F C
Dm7G7 C
i
Am Dm Dm7 G7
Dm £7 DmG7 C
B acifi -'[j I ui ^ Lg
The President's tune. Mostly you'll use It at convention receptions to
Introduce the CEO, or a President's look-alike. Usually you'll only get to
play up to 8 bars, often less, but the look-alike might take a long route
among the tables. For the real President, play at 98.
P-6 H^ppy Days Are Here Again
Democratic Party theme song
Happy 20s 2-beat. C.1929
J = 230
S 41 • ^
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Hap-|py days /are// herejagain, /The// * Skies| above /are// clearj again, /Let/ us
SingI a song /of// cheer| again /hap-/py " Days/ are/ here/ a-/ gain./// /|||
Al-| togeth- /er// shout] it now /there's// * nojone who /can// doubt] it now /So/
let's
Tell] the world /a-// bout] it now /hap-/py * days/are/ here/a-/ gain./// /]Your/
——_____________——_
Cares/and/ trouble^/are gone./// //There'll be/no/ more from/now on./// /]]]

Hap-]py days /are// herejagain, /The// * Skies] above /are// clear] again, /Let/ us
Sing] a song /of// (pheer] again /hap-/py * Days/ are/ here/ a-/ gain./// /]]]
Hindustan P-7
Fast 2-beat; can be played as 1917
''âmba or Conga
Jf230 F+ bI'
tr-A ^ ^
3X
Fdim
w
XL
XI
• ^ . =—M
—• = €
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F+ bI>
XE
riH ^ 71
A*
*
#
A Dixieland sUindard that has one of the "universal" Latin chord

patterns. It's a goodConga or Samba, just play it with a syncopated Latin
horn style; actual melody Is incidental.
P-8 Military - Army
(Caissons Go Rolling Aiong)
Military Service medley in this order:
2-beat march ARMY, MARINES, AIR FORCE, COAST GUARD, NAVY.
J = 204 Gdim
G7
iw i
Gdim
i
—
,
J ^^ m
—
m A
s:
Am D7 G7
iw
o V
1 M
Gt
M m
G?
m
w
(Over) Hill,/over dale/ as we hit the dusty trail/ and the
Caissons/ go rolling/ a- long./// //In and
Out,/ hear them shout/ "counter march and right a- bout!"/ and the
Caissons/ go rolling/ a- long./// //Then It's
HI!/ HI!/ Hee!/ Iii the field artlller- y,///

Shout out/ your numbers loud and strong./// //For where
E're/ you/ go,/// you will always knnow/ that the

Caissons/go rolling/a- long./// /|||
Military - Marines P-9
(From the Hails Of Montezuma)
'^^trong, square 2-beat
J = 220 G7
G7
•
•
^
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*
(From the) Halls/ of/ tlion-lte-l zu-lll mat to the
Shores/ of/ Tripo-/// li./// //We/
Fight/ our/ coun-/try's/ bat-Ill ties// on the
Land/as/ on/the/ sea./// //First to
Fight/for/ right/and/ free-Ill dom,/andto

Keep/ our/ honor// clean./// //We are
Proud/to/ claim/the/ tl-/// tie/of U-

Ni-/ted/ States Ma-// rines./// Ill\
P-10 Military - Air Force
(Wild Blue Yonder)
J ll'll s k
L—m
\1
•
• J m L J •
L>L J
bI' Bdim Cm7 P
n
¥ J2
bI' eI" B^dim B^

* *
C7 F7 Gm Fdim P
i bI'
P
p bI' Cm Bi'dim
32
bI'
eI' D7 bI'^
i 0^ ijl
G7 Cm Bi'dim
0^ 0
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f f P
bI' Gni^ C7 bI' eI'
f f! ^ U
Off we go/ /into the wild blue yonder
Ciimbidg high/ /into the sun.// Ill
Here they come, /seeming to meet our thunder,
At 'em boys, /give 'er the gun.// Ill
Down we dive, /spouting our flame from under,

Offonpne, /helluva ourse.// /We
Live/in fame or go down/in flame//
Nothing'ii stop the U.S. Air Force.// Ill
Military--Coast Guard P-11
(Semper Paratus)
^=120
5/ 5
us at a < M *
XE
sr
& ^ J —J —
G7 c C7
f} ^
So/ here's the Coast guard marching song,/// //we/

Sing//on iand/or/ sea.// //Through/
Surf//and storm/and/ howl-//ing gaie./High/
Shail/ our/ pur-/pose/ be./// /|||
Sem-/per Pa- ratus is our guide,/// //Our/

Fame,// our gio-/ry/ too,/// II to/
Fight//to save/or/ fight/and/ diei/Ayel/
Coast Guard/we are/for/ you.///
P-12 Milita^ry - Navy (Anchors A-Weigh)
Playthis LAST 'm the medley. It most consistently gets
Strong 2'beat the! best response
y 4 —
gj u
g? g ^ —^ ^ 0 #
G7
e:
i TT XE
—cy •
y A
-wk — tft fj cJ
G7
:
P 1
Lfe— 1
Am
0 c J.
J j ^
«J O- i
rt C G7 c
Jf gj p . —__
Cf
• 1
—-y
2^ j |0
A
•J
f) 4-
G7
—m — 1
c
uj
•f «/ C9 m
l-r-#
m
—^—#
—ilJ —J —^ 1
stand/// Na-/vy/ out// to sea,///

Fightôur bat-/tle/ cry./// ////
We'll/// nev-/er/ change/our/ course,/so/
VI-/cious/ foe/steer/ shy./// ////
Roll/// out/the/ T./N./ T.///

An-/// chors/ a-/ weigh./// ////
Sail/// on/to/ vic-/to-/ ry/and/
Sink fheir bones to Davy Jones hoo- ray.///
Small World (Ifs A Small World) P-13
Llively 2-beat~sing-along, polka tempo Disney Kiddy Theme, 1963
'^J =216 ra F C7
C7 Fdim
-0- —•
:ma
1 -
• # J m ^
^ J cJ
iJ^ L J
1
F C7
<0 J 0^ J
xn
Gm
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$ C7
9^
Back to A each X
I -o- jr
Verse: 1. (Ifs a) World/of/ laugh-/ter, a world/of/ tears;/ifs a

World/of/ hopes/and a world/of/ fears,/there's so
Much/that we share/that Ifs time/we're a- ware,/Ifs a
Small/ world/ af-/ter/ all./// Ill\
Chorus: It's// a small/ world/ af-//ter all,///

It's// a small/ world/ af-//ter all.///
It's// a small/ world/ af-//ter all,/ Ifs a
Small,/// small/// world./// /||(There's)
Verse: 2. Just/ one/ moon/ and one gold-/en/ sun,/ and a

Smile/means/ friend-/shlp to ev'-/ry-/ one./Though the
MounJtains dl- vide/and the o-/ceansare wide,/Ifs a
Small/world/ af-/ter/ all./// Ill\ {Chorus)
P-14 Star Spangled Banner
J=92 F Gm D7 Gm C7
bI'
f bI?
W
B^ Gm D7 Gm C7
9 9
bI' Bb
S 0 0
f
bI' B^
t
bI' bI' Gm C7 F
s ^ '
bI" eI' G7 Cm Bt 0
Bi' F7 1B Gm7 07 ei* F7 bI'

iw m 1
(Oh) Say can you see/by the dawn's early light,/What so
Proudly we hailed/at the twilights'last gleaming! Whose broad
Stripes and bright stars/through the perilous fight,/o'er the
Ramparts we watch,/were so galiantly streaming; and the
Rockets red giare,/ bombs bursting in air,/ gave

Proof through the night/that our flag was still there./Oh
Say does that star spangled banner yet wave,/ o'er the
Land/ofthe |ree,/andthe home ofthe brave.//
Yankee Doodle Dandy P-15
2-beat
c. George M. Cohan, 1904
^J= 192 C7
XE
m—
^ M cf €
« m 9
^
G7 Cm G7 Cm
/••I
•—
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w
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^
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bI> C7
XE
P=¥
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f 4 J M
o' i
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—
F^=fct=== •— #
•—h- •—
1^5 r 1
p m
—J—
m # F
L4 ^
J
Tm// a Yankee Doodle dan-/// dy,// a

Yan-//kee doodle do or die./// IllA
Real/live/ nephew of my Un-/cle- Sam's,///
Born on/the Fourth of/Jul- yJII /Hl've
Got// a yankee doodle sweet-/// heart,///

She's// my yankee doodle joy./// ///[
Yankee Doodle came to London, Just to ride the pon-/ies./
I am/ a yankee doodle boy.///
P-16 You're A Grand Old Flag
c. George M. Cohan
2-beat
J=214 Fi bI }
F C-r F C7 F
r
1 1•
—-.4 • 1—
a
J S-
J—1- —i J -i
C7 E(dim C7
4 ^ C7 Ddim
1
C7
J -W- J
A7
1- t
Dm
^ d
-6^
—i— •
rj
m
fj
o Z0 —^—
bI' C7 C7
i:)
LL
D7 Gm C7
iti d d
J j d
/I
C7 F
3X
(You're a) Grand/ old/ flag,/ you're a high fly-/ing flag,/ and for-
Ev-/erin peace/may you v/aveJII //You're the
Emb-/lem/ of//the land/I/ love,//the
Home/of the frêand/the brave./// //Ev'ry
Heart/beats/ trpe/'neath the red, white/and blue./Where there's
Nev-/era boasbor/ brag./// //But should
Auld//ac- quain-/tance/ be//forgot,/keep your
Eye on/ the Grsjnd/ Old/ Flag.///
Here Comes the Bride (Processional) W-1
(Lohengrin)
i^tately
J = 92 bI'
B^ eI' bI* c7 F7
B^ bI'
m
bI' Dm Gm Cm F7 bI'
P S
Cm
m m
, Cm
m
Traditional Order of Procession:
Father/Mother
Flower bearer
Ring bearer
Brides maids
Maid (Matron) of honor
Bride
r^
W-2 wadding March (Recessional)
J=116
#
#— •
•— •-
P •
^ —j r
a
Am B7 Em Dm C G7
^ 0-
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1 a
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i
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Am - B7 Em Dm C G7
i a
Trumpet Voluntary (Processional) W-3
(Prince of Denmark's March)
stately
JrlOOc G CG^CG CGC G7
C G' C G C G G'
if m
or G G7 C
I m #
5
D7 g G7 0
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is i I
TT
m
Processional used at Princess Di's wedding. This Is a
Truncated version (omits 3 strains.) There usually Isnt time to dc
more. Just repeat It If necessary.
W-4 Because
Mario Lanza, '51;
Caruso, '13, Como '48
Light4/4. Expressively.
F9 G Cm
5 5 m m ^
Cm7 R Fm7 bI'7 eI' bI' f

i
bI' F9 BI'7
-p— 0 m
w
C7 Fm D7
if nf- gifa
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Z£
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bI' F Cm
p ! (# 72
Cm7 R Fm7 bI'7 bI' r

I 5
P
bI' Gm Ei'm Dm7 R bI>
IE
SI
(Be-) Cauê/ you come to me/with naught save
love//an^ hold my hand and life mine
Eyes above. A wider world of hope and joy I see//. Be
cause yop come to me/// //// HI Be
cause/ you speak to me In accents sweet,//1
find the roses waking 'round my feet,// and
I am led through tears and joy to thee.// Be
cause/ you speak to me/// III! Hi Be
cause/ God made thee mine/I'll cherish

thee//Thru' light and darkness, through all
Time to te. And pray his love may make our love di
vine.// Be cause God made thee mine,///
Daddy's Little Girl W-5
Traditional FATHER-DAUGHTOR dance. Too hokey
for many brides, so only play it with permission
^^merican Waltz c. 1949
J?112 D7
r r' f
Gm D7
t i
el' el'dim F7 bI?
1
C9 C7 F7 Cm7
s:
bI' D7
i p p w
Gm D7
¥ Bi'dim b'' Gm Gm
eI'
I C7 bI'
m
(You're the) End of the rainbow, my put/of gold./You're

Daddy's lltUe girl/ in have/ and hold;/ a
Precious/ gem/is what/you are,/you're
Mommy's/ bright/and shin-/ing star./You're the
1. Spirit of Christmas, my star on the tree./ You're the

East-/er bunny to mommy and me./You're
Sugar, you're spice,/ you're ev'rything nice, and your
Daddy's,/ iit-/tie girl.// Il\
2. Treasure i cherish, so sparkling and bright,/ you were

Touched/by holy and beautiful light;/like
Angels that sing,/a heavenly thing./And you're
Daddy's/ lit-/tie girl.// Il\
W-6 Hawaiian Wedding Song
Andy Williams hit, 1958;
^108 C G7
Expressive 4/4
C7 F G7
C.1926
I
C E7 Am G7
J ^m
G7
l-y >7 rj «9 —
-Jr ZJ
oW 0 M
•T- •
•V 1
G9 G7 G+
'J ^
f
G7
7 • ©
©
~L
r 1
1
T #
G9 G7 C6
32 •777
C7 D7 G7
i XE
$ Last X to
C A7 D7 G7 C Ending
:nding
A7 D7 G7
1
?y. •7.
1 •
r
L® 1 L— • w
1
Love And Marriage W-7
4/4 Bright swingy Sinatra hit, 1955
^^5132 c G7 C C7 F Fm
[) J. I i r ¥
E7 F Cdim C7 D7 G7
G7 C C7 Fm
• \\0
E7 F Cdim C
f • A
p r ^
a ^ M •f s 1
1 1 j ^ ^—^ —
HI-J— u •
G7
i!? r I'
^5 -o-
G7 0 07 Fm
iw 5 J- I i ^ I J0 0
1
P
E7 F Cdim 0 Cdim C
f
Cdim C D7 G7 C
I
IE
W-8 Makin' Whoopee
Eddie Cantor hit;
c. Donaldson, 1928
Vocal not fast: J=124
j=138 Q G G7 C Cm
G G' C Cm
Bdim
MBdim,
ff m' H
D7 G G7 C Cm
i
Ek D7
I#—0
r'
iif I I*
Pretty Girl Is Like A Melody, A W-9
Garter song—usually a band whimsy
c. Berlin, 1919
^=120 b!'9A7aI'7 G7 C7
& * e-5:
i xc
E F Fdim F Fmaj7
222
¥ t
m
BI>9 A7 aI'^
3
i
D~ Gm
•#[ U ^ A A A— i - 111
(A pretty) Girl/// /Is like a melody/ //that/

Haunts/you/ night/and/ day./// Ill\
Just like/the strain//of a haunting/re- train,//she'll
Start upon/ a marathon, and run around/ your brain. You can't es
Cape/// /she's in your memory,/ II by/
Morn-/ing/ night/ and/ day/// //She will
Leave you/ and then/// come back/ a- gain,// A
Pretty girl is just like a pretty tune./// Ill\
W-10 Stolut-hearted Men (Garter Toss)
*CAUTIONn Read
4/4 March note before playing
1927
J=112 F C9
'—^
Gm7 C7 Gm7 C7 Gm7 C7 C7
m
D7 Cdim Gm
^^5
-iti— ^ i^
—# • « —M TtJ fl
# —m T-#
i J • fl
-49
FASTI!
J = 252 Gm7 C7 Cdim
JSH
07 Gm7 Cdim C7
if P
XE
P
• •
• 0 o •
^ ^
^ L o r > - II
—^ 1
* CAUTION!! CHECK with LEADER or BRIDE before playing.

Many Brides DO NOT WANT this "HOKEY" traditional stuff,
and have s(j> instructed the band leader.
stripper, The (Garter off and on legs) W-11
*CAUTION!! Read
note before playing
J = 108 bI' F7 E7 D7
V -
—
s
) ; m'
m
—j » }r
hJ
^ Ki
N i •
« fl •
G9 C9 Gm7 C7
5 5
r t rr r" PI r c?
JP u 1 s—
7 • —J T t •
«
-4.
•
F F7 FdimSl'm F
C7 Gm7 Cdim C7
1
i F7 E7 eI'7 D7
^ s— . . .
S V— V— • L-
l?jN
-7
7 —•
« • • • ' # •
C9 Fdim C7 Gm7C7
I? J "y J' J 7 JM J 7 J' J 7 i i
^Coda
d1>7 Gm7 C7
* CAUTION!! CHECK with LEADER or BRIDE before playing.

Many Brides DO NOT WANT this traditional "HOKEY" stuff,
and may have so instructed the band leader.
W-12 Thank Heaven For Little Girls
Moderate 2/beat Maurice Chevalier;
c. Lowe, 1957
J=130
5
W
1-6-1 ^—
—i—i—
' m fl
—0 0 0 0 a *» a
Am Am Ddim Am7
if i'
-O-
t
C D7 D+ G D7
# 0
m m
G7
* *
Em7 A7 Am7 D7
I
G7 Em Cm
I:
;»
B Em7 Am^ Cm
0 0 0 0
iim
7 G D7
-O- i
D7
t
^C/
°
i
D7 Am7 D7 G
t
i
22
p
All I Want For Christmas Is My X-1
Two Front Teeth
^4/4, slight bounce Spike Jones classic.
s f-
1—J —J —J
M
# •
•
J J -L-J
Dm^ Cdim
Am E7 Am D7 Gl
0—#
5 g
"i"
D7 G7
$ m J J. 5
m—9
Cl Cdim, C G7
£
All I want for Christmas Is my two front teeth, my
two front teeth, my two front teeth.
Gee, if I could only have my two front teeth, then
I could wish you merrry Christmas.| It
Seems so long since I could say:

"Sister Susie sitting on a thistle." ||
Gosh, oh gee, how happy I'd be if I could only whistle./|
All I want for Christmas is my two front teeth, see my
two front teeth, my two front teeth.j
Gee, If I could only have my two front teeth, then
I could wish you merry Chrlstmas.||
X-2 Blue Christmas
c. B. Hayes, 1948
2-beat or 4/4; plaintively
J=120 C7 F C7 F C7
3£
Gm7 C7
i -O-
Cms D7 Cms D7 Gm
G9 C7 C7(''5) C7 F C7
« ^ ©
•
—# #
J - -
4
A
# «
•
^6 m
^ Cms D7 Cms D7 Ciim Fdim
1
^
1 1
1^ ' J # i —© & —J ri •
i 1
(I'll Have a) Blue/// Christmas/ without you.// /I'll be so
Blue/// thinking/a- bout you.// //Deco
ra-/ tions of red / on a green/ Christmas tree///
Won't / mean a thing,// if
you're not h^re with me. I'ii have a
Biue/// Christmas / that's certain// /And when that
Biue ill heartache / starts hurtin' 11 11 You'ii be
Do-/in'aii right,/with your Christ-/mas of white,//But
I'ii/have a biê,/biue/ Christmas.// ili\
Christmas in Kiilarney X-3
^.ight shuffle, almost 6/8 feel Bing Crosby hit
J=108
Dm. G7 C 4 C F^3
Dm. G7 C 8 Am Am^
5 5 V-#-
i ^ i
Am D7 G7
I
C7 4 Cdim C Am Dm , G^ C
s
s
# #
P
(The) Holly green, the ivy green, the
prettiest picture you've ever seen. Is
Christmas In Klllarny, with all of the folks at home. It's
Nice you know to kiss your beau, while cuddling under mistletoe, and
Santa Glaus, you know of course, Is one of the boys from home. The
Door Is always open, the neighbors pay a call/ and
Father John, before he's gone, will bless the house and all. How
Grand It feels, to click your heels, and

join In the fun of the jigs and reels. I'm
Handing you no blarney, the likes you've never known,
Is Christmas In Kiilarney, with all of the folks at home./
Christmas Song
Nat King Cole, Mel Torme
hit, c. Torme, 1946
4/4 expressively
J T88 ^ b\>^7 aI' Eh el'm^ e1^ h G+
m -o-
Cm^ A^'m® eI' - Am^ G A^'iri G^

I2— ' ^
01T f m fir r r ii f
eI' 8^7 E^ aI' el'm^ E^s aI' G+
i P -o-
I Ctn^ Ai'm®
It ^
eI*°=^ Am^ Gm^ Fih^bI'^ E^
9 rp N r r f I?
B^m^ Bl'm^ E^^ Bl'm^ eI« A^®
-j^-
Uj[ji r 7^
Al>m7 dI*® gI* Cm7 3—I

bI'?
ik
rj m 3 9 m JZ
eI* bI^^ eI' aI' bI^® eI' 8^1117 E^® aI' g+

s ^5
p
Cm7 Al'inT eI' Cm^ aI' eI' Cm^ 8^7 eI'®
cj r [j n
Christmas Waltz X-5
/^Viennese Waltz
J=140 C+^ F D7 Gm7 C7
i
Z-
D7 Gm C7
F • f * ^
5
Gm7 C7
•CT
Fmaj7 Dm7 G9 G7^5) C7 C+
Gm7 C7
JL p • • p P • —
M
•
-#
—y— 1
rLm. > •
•
m—
•
3— 'fl
P
CT J ZZ7- o
Gm7 C9
\i 1 J ^—
•
C ^
l7(i'5) D7 G9 C9
^^
V f F
r r 1 •
D7 G7 Cm7 CJ7
A F
zz: zz: \?J ln<
Din7 Gm7 C9
S3
X-6 Deck the Hall
J7138 F C 07 07
3 i W- i
C F c F 07 07 F
£
07 Dm C G7 0 07
5
^ r 07 F
F C
' • A
i %
Deck the hall with boughs of holly, Fa la la la la/ la la la la/
TIs the season to be jolly Fa la la la la/ la la la la/
Don we now Qur gay apparel, Fa la la la la la la la la/
Troll the ancient Yuletide carol. Fa la la la la/ la la la la|
See the blazirig yule before us Fa la la la la/ la la la la/

Strike the harp and Join the chorus. Fa la la la la/ la la la la/
Follow me in merry measure. Fa la la la la la la la la/
While I tell of Yuletide carol, Fa la la la la/ la la la laj
Here Comes Santa Glaus

Cdim 07
0—0
07 ^ F Fdim F F7
TT
0—0 %
bI>
it k- p
0 •
0— • 0 »—
0
• » ^—
•— €•
TO — r
^—1
Fdim D7 Gm7 07
m m
TT
5
Here comes| Santa Claus, here comes Santa Claus
right down Santa Claus lane.///
Vixen and Blltzen and all his reindeer are pulling on the
rein.///
Bells are ririging, children singing, all is merry and bright.///
Hang your stockings and say your pray'rs, 'cause
Santa Cla^s comes tonight.///
Frosty the Snowman X-7
4/4 bouncy c. Nelson, Rollins, 1950
'^j5l54 C C7 c
p 0
m
G7 G7
F 0 s t
i #—^
C7
§
i §
Am A7
i ' 0
0 0
Dm7 G7
•
C
-€i-*
• *
i
Ddim Am7 D7 G7
m 0 i
m
C7
m
0 m
m
c Am G7 C ❖
% . . n. • F—gp— ••
0
Y- F S
—W—*— —
J bL #-
i^ :
-i d'
0Ên(ding G7
C
m—A pl 0 J —m
=R= J •J =t=
—^—d—< —d -« 4
—• o
G7
#—# # 0 S 1 i
Can use the Ending as intro.
X-8 Happy Holiday
c. Berlin, 1941
2-beat
ifl. Fm7
•
9—9
eI* Cm^ Fm^ e!'

e:
m m m
JLJi—^ w
m • 0^ "J* -
vj15—
bI>7 eI* Cm^ Fm^ bI'7 e!* F7
m ** I flj* »
Cm7
0 0 -0^ •0^ B -0^ -0^
F7 Cm7 bI' Gm7 Cm7 F7 bI*® r^
0 0
V
m
el' Cm7 F7
m m 0 0
FL- Cm7 bI* Gm7 Cm7 R 8^®

B w m
(Happy) Holiday^/ ///happy holiday// ///while the
Merry bells/ keep ringing,/ may your ev'ry wish/ come true.//Happy
Holiday,// ///happy holiday// ///may the
Calendar/ keep bringing/ happy holidays/ to you.//Happy
Holiday,// ///happy holiday// ///while the

Merry bells/ keep ringing,/ may your ev'ry wish/ come true.//Happy
Holiday,// ///happy holiday// ///may the
Calendar/ keep bringing/ happy holidays/ to you.//|
Have Yourself A Merry Little Christmas X-9
Judy Garland, 1944
Lilting 4/4 or 2-beat
J?104 C Am^ Dm7 G7 Am^ G7
0 M
Am^ Dm^ £7 A7 D7 G7
%
AmT" G7
m— 1—
m
0 0
J • [ • 0
0
MM G 1
C7
rv w A
-JSc • 0 0 B •
-TO i —0 r p 1i#
•V •
Cdm G+ Em
3
Am7 Dm7
I
youself a merry little Christmas, let your heart be brlght.//|
From now on our troubles wll be out of sight./// Ill\
youself a merry little Christmas, let your heart be gay.//|
From now on our troubles wll be miles a- way./// ////
Here we are as In olden days,/happy golden days/of yore,//|

Faithful friends who are dear to us/ gather near to us/ once more.//|
Through the years we all will be together. If the fates al- low,//|
Hang a shining star upon the highest bow./// ///and
Have yourself a metty little Christmas now./// Ul\
X-10 Holly, Jolly Christmas, A
J=152 Gdim G7
• »
1
Gdim G7
A A A * \ 1
w w w- m •
—m m J •
—m — # •
—m —•L-
m —m —&
Gdim G7
f P —•! • 1
Gdim G7
Ml ^
w
^
w
^ •
h —# —j — #— # •
—m #
• d
Em
# &
1 1 rL...
> •
1
—e
1
J •
M
Hr'—^ • d d • h
Gdim G7
if m m
f Xf
f 1 1
—y r
^ A A A p p 5. > 1
w w w
4 L-J
—# —J &
5-i
(Have a) Holly Jplly Christmas/ It's the best time of the êatJH
I dont know If there'll be snow but Have a cup of cheer/| Have a
Holly jolly Christmas/and when you walk down the street///
Say Hello to friends you know and everyone you meet.///
Oh/ ho./The mistletoe/ hung where you can see.///

Some-/body waits for you,/ kiss her once for me./1 Have a
Holly jolly Christmas,/ and in case you didnt hear,///

Oh by golly, have a Holly jolly Christ-/mas/ //this/ year./// ///|
Home For the Holidays X-11
C.R. Allen, 1954
2-beat
1-7—5— ^ -
•
——t
4 w
m
—y
-isL m
ilJ • # 0^ 0 J •
G7 ❖
1
•
4 En bing 1 G7 C
XE
Dm7 G7
Gdm
(Oh there's) No/ place like home/ for the holidays/ //'cause no
Mat-/terhow far away you roam./// //When you
Pine/for the sunshine of a friendly gaze,/ //for the
Holidays you can't beat home sweet home./// /I met a
Man who lives in Tennessee and he was headed for/Pennsyl-

Vania/ and some home made pumpkin pie;/// /from Pennsyl
vania folks are trav'ling down to Dixie's sunny shore;/ from
At-
Lantic to Pa- cific gee the gtraffic is ter- rific/ Oh there's
No/place like home/for the holidays/ /rcauseno

Mat-/ter how far away you roam./// //if you
Want/ to be ghappy in a million ways,/ //for the
Holidays you can't beat home sweet home./// Il\\
X-12 I Saw Mommy Kissing Santa Claus
Spike Jones hit, 1953
J=140 c G7 Em Am
i i
!
1 i
m
•m
—• m
#
UP XJ •C
G7 Gdim G7 G+ Cdim
i
f
—i— •
^
1 J ttJ ^M —»—0—*
n-
ff* J—
&
i J—
=lt= wi
i
L_^ [• J #
J
©
f -
A7 Dm
i 3X 5=
1
Q • * • 0— f^=1^
—m—m
•
# i
—
cJ m
Fm G7
xs
I//saw Mommy kissing San-//ta Claus//1

Underneath thf mistletoe last night./// //jshe
Didn't see me creep// down the stairs to have a peep;/1 she
Thought that i was tucked up in my bedroom fast a- sleep./1 Then
^
I//saw Momipy tickle San-//ta Glaus//1
Underneath his beard so snowy white/// //Oh what a
Laugh it would have been,//if Daddy had only seen/ Mommy
Kissing Santa Glaus/ last/ night. Ill ///|
I'll Be Home For Christmas X-13
2-beat c. Gannon, Kent, 1943
G7
> 4 p- 0 P
4 s o
C6 Gm A7 Dm
9^
G7 Am
_JJ..
o
•
,
JJ
w—
m
•V ciL J 0
D7 D6 G® Gl'dim Dm^
i 9^ XE i
Cdim Dm G7
F#1 m ^ P— — 0
m r r 0 1
C6 Gm A7 Dm
t
IT
Dm
I'll//be home//for ChrisWrnas/ ////

You//can plan//on me./// Ill\
Please// have snow// and mis-//tle- toe// and
Pres-/ents/ on//lhe tree./// ///|
Christ-//mas eve//will find/me/ ////

Where//the love-//light gleams/// //|
I'll//be home//for Christ/// mas//if
On-/ ly/ in/ my/ dreams./// ////
X-14 It's Beginning To Look A Lot
Like Christmas
c. Meredith Wilson, 1951
414 r^
a!' dI' aI* C7 •i' F7
»=i 13 j ^1 r f 2Z
BI>7
bI> m Ek A^
ti
# ^ •
# •#
aI' ^ dI* , A^ C7
—37~ir
s) ^ # P P
b!' F bW Ai'dim a'' B^m eI'7
iI a
El'dim Ei'7
m
— ss
m
B'vnJ E^7 aI'
cck
Jingle Bell Rock X-15
m Bobby Helms hit, 1957
^=146 c Dm' G7
LT r CJ fi B
Din7 G7 Dm7 G? Dm7 G+
f &
Dm7 G7
0 0-
17
Dm7 G7 Dm7 G7 D7 G7 0+
5 s
Cdim 0+
F r F r cj IF r p T' p -6^
H=l-
P
=tj 1 t pJ
A7
1^1 LT r
-P P •
p • • m " m'
0-
6 0
F Fn1 D7 G7 C
2K t
f
Jingle bell, jingle bell jingle bell rock,/ jingle bell swing and jingle bells
ring
SnowinV and blowin' up bushels of fun,/ |now the jingle hop has
begun./
Jingle bell, jingle bell jingle bell rock,/ jingle bells chime in jingle bell
time,/
Dancin' and prancin' in Jingle Bell Square,/ in the frosty air.// What a
Bright/ time, ifs the right/ time to rock the night a- way.// Jingle
Bell/time Is a swell/time/ |to go glidin* in a one-horse sleigh.|
Giddyap jingle horse pick up your feet,/ jingle around the clock.///
Mix and mingle in a jinglin'beat/ Jthafs the jingle bell **rock.///
Ending: That's the jingle bell, 3 times
X-16 Jingle Bells
^—
• • J « 4
—db J
J cJ d d
Am D7
I:
XT"
t
~m— m
W
Am D7
(• #
A7 D7
* p #
3
I: 5
D7
*
if #—I*
(• #
Dashing through the snow// In a one horse open sleigh.///

O'er the fields we go,/// laughing ail the way.///
Bells on bobtail ring,/// making spirits bright,// what
Fun It Is to tide and sing a sleighing son tonight.//|
Jingle bells,/ jingle bells,/ jingle all the way! Ill

Oh what fun It Is to ride In a one horse open sleigh/ Oh!/
Jingle bells,/ jingle bells,/ jingle all the way!///
Oh what fun |t Is to ride In a one horse open sleigh.///
Jolly Old St. Nicholas X-17
J=172 ^ P Gm Dm7
Al.
0 0 0 0
Gm Dm7
0 0 0 s: -O-
0 0
P bI"
1. Jolly old Saint Nicholas/ Lean your ear this way.///

Don't you tell a single soul/ what I'm going to say.///
Christmas Eve is coming soon./ Now you dear old man, III
Whisper what you'll bring to me,/ tell me If you can.///
2. When the clock is striking twelve,/ when I'm fast a- sleep,///

Down the chimney broad and black,/ with your pack you'll creep. Ill
All the stockings you will find/ hanging In a row.///
Mine will be the shortest one,/ you'll be sure to know.///
3. Johnny wants a pair of skates,/ Susie wants a dolly.//

Nellie wants a story book,/ she thinks dolls are folly.//
As for me, my little brain/ Isntvery bright.///
Choose for me, old Santa Claus,/ what you think is right.///
X-18 Let It Snow
c.Styne, 1945
J=144 C7 Fdim C7
i
t Gm Gm Ai'dim
i
1 m
f C7 Fdim C7 D7
m J- J) J- J) i
Gm Df Gm AFd Im C7
i> r r p i m 1
0 1 «•
—
—J IK ^
0
M
G
•
0
m
-—0 J A —e L J . 0~
A7 D7 C7
iZi
S»=3
iC7 -o-
Fdim C7 07
^HI [_
Gm A^^dlm C7
m
(Oh the) Weather oi^tside is frightful/, but the fire is so de- iightfui, and
Since we've no place to go,// let it snow/ let it snow, let it snow.// it
Doesnt show signs of stopping,/ and I
brought some com for popping.// The
Lights are turned way down low,// Let it
snow, let it snow, let it snow.// When we
Finally kiss good- night,.// how I'll hate going out in the storm,// but if
You'll really hold me tight,/// Ail the way home I'll be warm.// The
Fire is siowiy dying, and my dear we're still good- byeing/ but as
Long as you love me so,II Let it snow, let it snow, let it snow!//|
Marshmallow World, It's A X-19
c. de Rose, 1950
138 G7
m
•• •
•ST"
Dm7 G7 Am^ D7 G7
#—#
nj [j pi rjcj r
G7
-0—* • 0
Dm7 G7 C Aiti7 D7 Dm7 G7 C6
nJ rj P
Gm7 C7 Dm7 Gnril C7
i5IIU r
r J J J- s
Am7 D7 Gnnaj7 Em^ Am^ Dm7 G7
cj f r f I a '^
G7
#—#
m J
Dm7 G7 Am7 D7 Dm7G7 C6
n J [J* m
X-20 Rockin' Around the Christmas Tree
c. Johnny Marks, 1958
J=144 G7
#—#—m E=3i # 0
s 0—0
XT
G7
0 0 0 0—0 m i
G7
0 0 0 '0 0 0
e 0 d
0?_
i S 0 i
Em
i
Am E+ Am7 D7 G7
G7
•0-
% !Qf
G7
" r r m *
• \\0 t
iding q? G7('^) G9 G7
mr
Rockin' around the Christmas tree at the Christmas party hop,///

Mistletoe hung where you can see ev'ry coupie tries to stop.///
Rockin' around the Christmas tree, iet the Christmas spirit ring.///
Later we'll have some punkin pie and we'll do some caroii ing.///
You will get a sentimental feeling when you hear///

Voices singing, "Let's be joliy. Deck the halls with boughs of holly.
Rockin' around the Christmas tree, have a happy hoii- day.///

Ev'ryone dancing merrily in the new old fashioned way.///
Rudolph the Red Nosed Reindeer X-21
J=162 Gene Autrey classic; c. Johnny Marks, 1949
Verse Ad Lib Dm^ Em G® C Dm7 Em

5 5
5 J b
G® C 4 Am E^ Am Am'^ D® G7
Z2l
m 0
s #—0
Of' m
p -o-
m s—
J —* —J -f
s—
0
m
m
G
•
—J * m —«FH m
0 O
G7 G+
^=5 •O-
rz— s— S 1 p P 3
-t—a
—0 —J
-t
1 0
•
—0 * J —m J
0
G7 C7
331
^^5 0 *—0
C7 Dm G7
i m
A^'dim Am^ G^
i
V—m ^ P J 1—0—«—0FM
0
•>
J •i 0
^ —«—0
s— ^—
i w—
J J * R=1
p —«—• i —\1
±==0 «
p 0^
d
•0^ Ending G7
XE
m
X-22 Santa Claus Is Coming To Town
J?164 C7 C7 F
7^
5 b:
S
Am Dm G7 G7
7 î m
^=
L
X
~ • L- p
C7 C7 F
S
Am Dm G7
J ""W
• m d
\ \ 1 p
C7 C7
D7 D7 G+
•z
3 t
§
- I*
fl — # —J —J—J — m —«—^
—J —J «
1 -i— m—
m
J
cJ —^ 1
(Yom Better watch out, you better not cry,/
better not pout, I'm telling you why,/
Santa Claus is coming/ to town./// /IIHe's
Making a list, and checking it twice,/
gonna find out who's naughty and nice,/
Sanitt Claus is coming/ to town./// ///He
See's you when you're sleeping,/ He

knpws when you're a- wake//He
Knows if you've been bad or good, so
be good for goodness sake./ Oh! You
Better watch out, you better not cry,/

better not pout I'm telling you why.//
Santa Claus Is coming/ to town. Ill
Silver Bells X-23
American waltz
-^*100 eI' bI' Dm
%
H
m
F bI' Ei'
5
b1>7 eI*
§
bI' Dm
§
iIlI^ I p
—J m *
r I
B^ eI'
i¥ m
1
I
B^
S 9^
ijp 1 m e , 1 1 f- n>- i 11
L-+ ^
(City) Sidewalks, busy sidewalks, dressed In holiday style./ In the

Air there's a feeling of Christmas./ //Children
Laughing, people passing, meeting smile after smile./ And on
Every street corner you hear.// Ill
Silver bells/ III Silver bells/ III

It's Christmas time/ In the City.// Ill
RIng-aMng/ III Hear them ring/ III
Soon It will be Christmas day.// /| |
X-24 Sleigh Ride
! Leroy Anderson, 1950
2-beat
G Am^ DL G Am^ ^
1 i i (»—d g o
Am7 bI' D7
i» 0 0-
Am^ Am^ D7
It •»
ir r r Lj "OT
Am7 D7
Muzm -«r j=f

I'
Ctlm7 F#7 B Bmap B^
^ I riiJ"'J rJJI
t
Cttm7
r "r i*r f
Bm
I: f*r B
I TV
w w
Bm7 £7 A Arnaj^ A6
i ^ jim 1
•F n 'Ti
XE
f
Am7 D7 Am7 D7
I:
if -0 0 0
s -0 0-
Am7 DZ: Am^

i: T—0 0 J,
m 3C
Am7 D7 T D?
f4-. 0 0
I*—p-i
•0
2- G
*
Bitig Crosby hit; c. Berlin, 1940
y A
rrh ^ U- •
o M
J ^ J •»
F G7
P • ^
' & •*-
Cmaj7 C7 Fm
-€»- -O-
Dm7 D7 Dm7 G7
iw -o- xr
Dm C B7 Dm7 G7
xc
-O-
f
G7 G7
P m
22 -O-
i
Fm
t»
J
e —# : m
Gdim Dm^ G7
*
I'm/// dreaming of a white/// Christmas,//
Just/ iike the ones i used to know./// //Where the
Tree/tops/ giisten,/and chiid-/ren/ iisten/to
hear/// sieighbeils in the snow./// ////
i'm/// dreaming of a white/// Christmas,//

With/every Christmas card i write./// //Mayyour
Days/ be/ merry,/ and bright/// // and may
Ali/your/ Christ-/mases be white./// /|||
X-26 Winter Wonderland
2-beator4/4 Como hit, 1952; c. 1934
j,i« eI* 7^
p 7
m [j* I r" LJ f
^7 F? bW eI*
crrr f I !• rr r Z2
-6^
eI' Bb7
B1>7 F? Bb7 eI'

if
D7 D7
m
m 0
C7 BI'7
^ 0-
I r •*
sp b1>7
P *1
m M f
BI'7 R BI'7 eI*
N f r r r
(Sleighbells) Ring,// are you listening?/ in the
Lane II snow is glistening, a
Beautiful sight, we're happy tonight,/
waikin' iri a winter wonderland.// Gone a-
Way// is the bluebird,/ here to stay// is a new bird,// he
Sings a love song,/ as we go along,//
waikin' in a winter wonder- iand.//|
in the meadow we can build a snowman,//
then pretend that he is Parson Brown.///
He'll say "Are you married?" We'll say "No, man."/ But
You c|in do the job when you're in town./" Later
On//we'll conspire,/as we dream//by the fire,///to
Face unafraid,/ the plans that we made,/
waikin' in a winter wonder- iand.//|
You're All I Want For Christmas X-27
Frankie Laine, '48; Eddie Fisher, '53
2-beat;4/4 J=150 c. Seger Ellis, Moore, 1948?
''Jr 134 c+ Gm7 C7

Jf L 4 —« ^
•
o • •
—e
D7
M 4ft ,w
? r
•"tTTT O' ^ .... .
Dm Dm7
=—
w rJ m
hH
—J A1
1^,^^ 1 1 •
m
0 1
fa ^ 6; •
eJ •
&
d
f—S j—r
^
g -a
e
Gm^ C7
X!_
i
bI' m Dm
*
(You're) Ail///1 want// for Christmas// //Aii i
Want// my whole/ life/ through./// Ill Each
Day//is just//like Christmas// //Any
Time//that I'm//with you./// ///You're
Aii// i want// for Christmas.// //And if

Aii//my dreams/come/ true/// ///then
I'll// a- wake// on Christ-/ mas/ moming and find
My/ stocking fiiied// with you./// Ill\
We recommend that you have the COVERS laminated as soon as
you get this book. This wiii proiong its iife for many years of
intensive use.
To order copies:
Send check br money order made out to American Music
Caravan for US$45.00 (Add $3.00 for Priority Mail)
to
American Music Caravan

6809 5*^ Street, NW
Washington DC 20012-1905
USA
The books are comb-bound. You can order them unbound-not punched-so you
can punch holes fo|i(' ring binders, to interleaf additional tunes or lyrics.
Separate lyric sheets are available, for free, if we can eMail .zip files. We can
transpose tunes fo|^ vocalists and Bb horns, using ENCORE ver. 4.21 (32-bit) (PC)
We welcome corrections and suggestions. Make sure we have your latest
postal or eMail address for announcements. Bb versions of the fake books
are planned for 2001.
Includes the basic tunes, classics from the records, 20s pop tunes.
3€s-4€s Fake Ccck

(Swing, Jazz, Big Band, 2-beat, Porter, Gershwin, Astaire, etc.)
Ask about our series of pocket-sized

Chord Books
Match, 2001
r\

Gig Book C

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I

After the lovin' 1 Bunny hop 17

Alice blue gown 2 Caissons go rolling along P-8

Anniversary waltz 8 Cha cha-Melodie d'amour 28

April in Paris 10 Cha cha-Por favor 29

Army song (Caissons go roiling P.8 Cha cha-Quien sera 30

Bashana Habaa J-2 Chicago 36

Because W-4 Chicken song 37

Because of you 12 Christmas in Kiliamey X-3

Beer barrel polka 121 Christmas song X-4

Bei mir bist du schoen J-3 Christmas waltz X-5

Berlin waltz medley 13 Clancy lowered the boom lr-1

Besame mucho 14 Clarinet polka 122

Bewitched 15 Coast Guard song (Semper paratu) P11

Blue Christmas X-2 Colonel Bogey 38

J^Blue Tango 154 Come back to Sorrento lt-6

Brazil 134 Come prima lt.7

Breeze and 1 16 Come rain or come shine 39

Day-o (Banana boat song) 19 Heat Wave 59

Days of wine and roses i 44 Helena polka 123

Deck the halls X-6 Here comes Santa Claus X-6

Desafinado (Slightly out bf tune) 45 Here's that rainy day 61

Early Autumn 1 46 Hindustan P-7

Eh, cumpari lt-8 Holly, jolly Christmas, A x-ior^

Erev shel shoshanim J-6 place like)

Falling in love again 48 How are things in Glocca Morra lr-6

Falling in love with love i 49 Hucklebuck 63

Fascination 50 1left my heart in San Francisco 64

Five foot two 51 1wish you love 65

Flamingo 52 If ever 1would leave you 66

Frenesi 55 Irish washerwoman lr-8

From the halls of Montez^ma P-9 Island in the sun 20

Frosty the snowman X-7 Isle of Capri 190

Jingle bells X.16 Mambo-Patricia 91

Jolly old St. Nicholas X-17 Mambo-Tequila 92

Jump jive and wail 67 Mame 93

Just a gigolo/l ain't got nobody 68 Mardi Gras mambo 90

Just in time 69 Marshmallow world. It's a X-19

Kansas city 70 Mayim, mayim J-12

Kiss of fire (El Chocio) 156 Meditation 94

Kritzel dance (Die Mezinka) J-10 Melodie d'amour 28

La Cumparsita 158 Melody of love 95

La paloma 159 Merengue-La Cruz 96

La vie en rose 71 Merengue-Tropical merengue 97

Lady in red (Rhumba) 72 Merengue-Universal Merengue 98

Laura 73 Miami Beach rhumba 99

Leamin' the blues 74 Military-Anchors aweigh P-12

Lech lamidbar J-11 Military-Caissons go rolling along P-8

Leroy Brown (Bad, Bad) 75 Military-From the halls of Montezu P-9

Let me call you sweetheart 76 Military-Wild blue yonder P-10

Liechtensteiner polka 126 Misirlou J-13

Like someone in love 77 Misty 100

Li'l darlin' (Hefti) 78 Molly Malone lr-11

Little things mean a lot 79 Mona Lisa 101

Long ago and far away 80 Moon river 102

Lot of livin' to do, A 81 More 103

LOVE (L-O-V-E) 82 More 1see you 104

Love and marriage W-7 Mr. Sandman 105

Love letters in the sand 83 My foolish heart 106

Loveliest night of the year 84 My way 107

Lullaby of birdland 85 My wild Irish rose lr-12

Mack the knife 86 My Yiddische momme J-14

MacNamara's Band lr-10 Navy song (Anchors aweigh) P-12