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  • Polonez Oginski

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    Natia Kurtanidze
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    This document is a musical score for the Polonaise "Farewell to the Fatherland" composed by M. Ogiński. The piece is written for piano and is marked Moderato. It consists of musical notation across 23 lines indicating the melody, harmony, and rhythm of the polonaise.

    Original Description:

    for Piano

    Original Title

    Polonez_Oginski

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    This document is a musical score for the Polonaise "Farewell to the Fatherland" composed by M. Ogiński. The piece is written for piano and is marked Moderato. It consists of musical notation across 23 lines indicating the melody, harmony, and rhythm of the polonaise.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    50 views2 pages

    Polonez Oginski

    Uploaded by

    Natia Kurtanidze
    This document is a musical score for the Polonaise "Farewell to the Fatherland" composed by M. Ogiński. The piece is written for piano and is marked Moderato. It consists of musical notation across 23 lines indicating the melody, harmony, and rhythm of the polonaise.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    of 2

    Полонез

    Pożegnanie ojczyzny
    М. Огинский
    M. Ogiński

    
    Умеренно (Moderato)
                       
    3
    4 
      
    p
    М
         М
         М
        7     
    М

    3      
    4       


      
       
      
    5
                      

                


         
    7 М М
      
    7

       
      

                         
     
         
    8


    f
      
    sf
           
     
    М Б 7
      
    М М


       
         
     

      

       
      
           
    11
       
    7
     М
     7

                    
          
            
               

    (c) Dmitrich, e-Formatting, 2015



                           
    14
      
           
     Б
    М

          


          
      

              


    замедл. в темпе

                   

    17

           


         
    Б М Б М

       
          
     

              
         

    20

     
    М
         М
         
    М
       
        
    7
        
     

       
      
      
    23
                      

               


    7 М М М 7

           
          
     

                          
    26
          

      
    f sf Конец
          
       
    М М М Б 7
      
    М

            
        

    (c) Dmitrich, e-Formatting, 2015


    2

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