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  • Adelita

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    Karl-Georg Gieseking
    5 views2 pages
    The document contains musical notation for two basslines - one in B and one in C. The basslines are notated using symbols like dots and greater/less than signs with numbers to represent note durations and pitches. The basslines contain repeated rhythmic and melodic patterns and motifs across multiple lines of musical staff notation.

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    The document contains musical notation for two basslines - one in B and one in C. The basslines are notated using symbols like dots and greater/less than signs with numbers to represent note durations and pitches. The basslines contain repeated rhythmic and melodic patterns and motifs across multiple lines of musical staff notation.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    5 views2 pages

    Adelita

    Uploaded by

    Karl-Georg Gieseking
    The document contains musical notation for two basslines - one in B and one in C. The basslines are notated using symbols like dots and greater/less than signs with numbers to represent note durations and pitches. The basslines contain repeated rhythmic and melodic patterns and motifs across multiple lines of musical staff notation.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    of 2

    ADELITA

    Bass in B
    É H5 4
    :J + .>> 5 5 .>> 5 5 .>> 5 5 .>> 5 5 .>> 5 5 .>> 5 5 .>> 5 5 .>> 5 5 .>> 5 5 .>> 5 5
    Ê( .>> .>> .>> .>> .>> .>> .>> .>> .>> .>>
    É12
    ( : .>> 5 5 .>> 5 5 .>> 5 5 .>> 5 5 .>> 5 5 .>> 5 5 .>> 5 5 .>> 5 5 .>> 5 5 .>> 5 5 .>> 5 5
    Ê .>> .>> .>> .>> .>> .>> .>> .>> .>> .>> .>>
    É23
    ( : .>> 5 5 .>> 5 5 .>> 5 5 .>> 5 5 .>> 5 5 .>> 5 5 .>> 5 5 .>> 5 5 .>> 5 5 .>> 5 5 .>> 5 5
    Ê .>> .>> .>> .>> .>> .>> .>> .>> .>> .>> .>>
    É34
    ( : .>> 5 5 5 5
    .>> .>>
    5 5
    .>> .>>
    5 5
    .>> .>>
    5 5
    .>> .>>
    5 5
    .>> .>>
    5 5
    .>> .>>
    5 5
    .>> .>>
    5 5
    .>> .>>
    5 5
    .>> .>>
    Ê .>>
    É44 G› H›
    ( : .>> 5 5 5 5
    .>> .>>
    5 5
    .>> .>>
    5 5
    .>> .>>
    5 5
    .>> .>> .>>
    5 4 + 5 5
    .>> .>> .>>
    5 4 5 5
    .>> .>>
    5 5
    .>> .>>
    Ê .>>
    É54 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5
    :
    Ê( .>> .>> .>> .>> .>> .>> .>> .>> .>> .>> .>> .>> .>> .>> .>> .>> .>> .>> .>> .>> .>> .>>

    É65 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5
    :
    Ê( .>> .>> .>> .>> .>> .>> .>> .>> .>> .>> .>> .>> .>> .>> .>> .>> .>> .>> .>>
    ADELITA
    Bässe in C
    É
    ) : : JH 5 4 + .>> 5 .>> 5 .>> 5 .>> 5 .>> 5 .>> 5 .>> 5 .>> 5 .>> 5 .>> 5 .>> 5 .>> 5 .>> 5 .>> 5 .>> 5 .>> 5 .>> 5 .>> 5 .>> 5 .>> 5
    Ê : . . . . . . . . . . . . . . . . . . . .

    É12
    ) : : .>> 5 .>> 5 .>> 5 .>> 5 .>> 5 .>> 5 .>> 5 .>> 5 .>> 5 .>> 5 .>> 5 .>> 5 .>> 5 .>> 5 .>> 5 .>> 5 .>> 5 .>> 5 .>> 5 .>> 5 .>> 5 5
    Ê : . . . . . . . . . . . . . . . . . . . . . ..>>
    É23
    ) : : .>> 5 5 .>> 5 .>> 5 .>> 5 .>> 5 .>> 5 .>> 5 .>> 5 .>> 5 .>> 5 .>> 5 .>> 5 .>> 5 .>> 5 .>> 5 .>> 5 .>> 5 .>> 5 .>> 5 .>> 5 .>> 5
    Ê : . .>> . . . . . . . . . . . . . . . . . . . .
    .
    É34
    ) : : . 5 .>> 5 . 5 .>> 5 . 5 .>> 5 . 5 .>> 5 . 5 .>> 5 . 5 .>> 5 . 5 .>> 5 . 5 .>> 5 . 5 .>> 5 . 5 .>> 5
    Ê : .? . .? . .? . .? . .? . .? . .? . .? . .? . .? .
    É44 G› H›
    ) :: . 5 5 . 5 .>> 5 . 5 .>> 5 . 5 .>> 5 . 5 .>> 5 . 5 4 + .>> 5 .>> 5 .>> 5 4 .>> 5 .>> 5 .>> 5 .>> 5
    Ê : .? .>> .? . .? . .? . .? . .? . . . . . . .
    .
    É54
    ) : : .>> 5 .>> 5 .>> 5 .>> 5 .>> 5 5 .>> 5 5 .>> 5 .>> 5 .>> 5 .>> 5 .>> 5 .>> 5 .>> 5 .>> 5 .>> 5 .>> 5 .>> 5 .>> 5 .>> 5 .>> 5
    Ê : . . . . . ..>> . ..>> . . . . . . . . . . . . . .
    É65
    ) : : .>> 5 .>> 5 .>> 5 .>> 5 .>> 5 .>> 5 .>> 5 .>> 5 .>> 5 .>> 5 .>> 5 .>> 5 .>> 5 .>> 5 .>> 5 .>> 5 .>> 5 .>> 5 .>>
    Ê : . . . . . . . . . . . . . . . . . . .

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