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A desolate and grand hotel incite violent thoughts into a father’s mind. A young man
fights for his life while meeting his girlfriend’s parents. Modern horror films and books have
taken many themes from traditional Gothic literature. Elements that were token to writers during
the Victorian era and beyond still exist in contemporary texts and films. Films such as “The
Shining” and “Get Out” are films that have incorporated Gothic elements by putting a focus on
Stephen King’s novel “The Shining” and subsequent film adaptation sets a Gothic tone by
emphasizing a foreboding setting. The introduction of the film shows vast, mountainous
landscapes and playing in the background is a mix of foreboding music. The camera angle is
downcast as it follows the small car around the twists and turns of the mountains. As the car
creeps into tunnels, it creates the feeling of distance and isolation. The panoramic and wide
angles emphasize the space to the point where the tiny car seems almost comical. Mr. Torrance
later announces he made the trip in 3 and a half hours. Later on, the manager of the Outlook
hotel admits the site was chosen for its seclusion. The tremendous sense of isolation is what the
manager warns of in his interview with Mr. Torrance, who is insistent the solitude and isolation
won’t be a problem, in fact for him it will be motivating for his writing. The manager also warns
of the “claustrophobic reaction” people have in places like The Overlook, and it’s blamed for the
tragedy of a the previous care taker killing his family. “The air feels so different. We must really
be high up” exclaims the mother as they make the drive up. The grand hotel, built on an Indian
burial ground, even features a 13 feet high hedge maze. All of these details adds to the isolated
Another element of the Gothic theme that plays a role in “The Shining” is the element of
nature. The Torrance family is spending time at the hotel during the winter, as Mr. Torrance
takes the position of winter caretaker. For this mountainous hotel, winter would be the off season
when it closes down to visitors completely. The family is warned that they will have to endure
“fantastically cruel” winters, where heavy snow covers the main road. The elements take a toll
on the hotel’s functions and keeps people shut in for long periods of time. The mental breakdown
of the previous caretaker who later killed his family occurred during this time of year. The power
of winter and its brought-on isolation is emphasized in the recalling of the Donner party and how
they resorted to cannibalism to survive. The oncoming and unyielding power of winter adds to
The film also explores a disruption of borders. In this case, the novel and film pit illusion
against reality. The son, Danny, has an imaginary friend Tony (who lives in his mouth), who tells
him disturbing visions of the future. The imaginary friend is rationalized by the psychologist as a
“self-induced trance” brought on by emotional stress likely from adjusting to school. At the
hotel, the son continues to have visions of ghostly apparitions of the murdered Grady twin girls
in an iconic scene from the film. The “shining” telepathic gift of interacting with the nonliving is
a trait that’s shared between not only the son but the hotel’s chef. A quite literal example of the
illusion versus reality border disruption is the hedge maze on the hotel’s grounds that disorients
the family and guests as they walk along the massive labyrinth of walls.
Most importantly is the novel and film’s depiction of the family breakdown, a difficult to
express issue. From the very beginning, Mrs. Torrance downplays her husband’s anger
management and drinking problems. She admits in the beginning of the film her husband had
dislocated her son’s shoulder in a drunken fit. Throughout the film Mr. Torrance lashes out at his
Jessica Stimely
ENG 329: The Gothic Tradition
Final Essay
wife while he makes attempts at writing, exhibiting a loss of self-control. The mental
deterioration and possession of Mr. Torrance continues to unfold throughout the novel and film,
culminating into a suspenseful murderous chase of his wife and son. It’s up to the audience to
determine if the Overlook hotel had special, paranormal-like powers over its caretakers or if the
murderous rampage of the father is the result of his own mental breakdown. Either way, “The
Shining” features a husband and father who cannot be trusted, and instead of taking care of his
Jordan Peele’s 2017 film “Get Out” similarly uses setting to set a foreboding tone that’s
typical of Gothic films and literature. The film’s main character, Chris, is invited to the house of
his girlfriend’s wealthy parents’. The drive out to the house is plagued by a strange occurrence in
which a deer jumps out at the car. The foreshadowing event gives a sense of unease. Early on in
the film Chris is immediately portrayed as an outsider to his girlfriend’s family, as he’s the first
African American that she has dated. Even though the film’s primary location doesn’t take place
in a castle that’s typical to a traditional Gothic setting, Peele uses the modern equivalent; a
wealthy, upscale house that is the opposite of inviting for a character like Chris.
Similar to how Mary Shelley portrays science in Frankenstein, Peele plays with the
manipulation of scientific intervention. In the film’s climax, the girlfriend’s parents use their
medical knowledge to manipulate the thoughts of Chris in order to change his internal
programming. Chris is treated as if he’s not human, and the mother tries to manipulate him with
hypnosis. Peele is pushing the boundaries in terms of how medical knowledge should be used
and performed, and the ethical implications of home practice. The ill intentions of the parents
toward Chris adds a layer of maliciousness and horror. The wicked scientific experiments the
Jessica Stimely
ENG 329: The Gothic Tradition
Final Essay
parents attempt to perform on Chris are done because of racial differences and tension, which
showcases another element of the Gothic that Peele incorporates into the film.
The film is acclaimed by contemporary audiences because of it’s difficult to express topic
of racial tensions. The film critiques biracial couples but tells the story of a biracial couple
through the lens of the African American boyfriend. The beginning of the film sets the scene by
showing the anxieties of an African American male walking in a neighborhood where he doesn’t
feel comfortable or welcome. The film portrays the boyfriend as if he’s being “hunted” by the
malicious parents. Although the peculiarities and difficulties of biracial couples have been the
depicted in films before, Peele’s film uniquely portrays Chris’s point of view.
anxieties and displaying them to audiences. As changes in social structure have changed, so have
these anxieties. There are new boundaries being made and what society tolerates is consistently
changing. For example, women’s rights and women’s abilities to express their sexuality was a
taboo topic and presented a change in society. This is where the novel Dracula gets its inspiration
and attempts to push a boundary. The fear of female sexual expression is thus a theme expressed
in Dracula. Similarly, “The Shining” is written during a time when there’s a breakdown of the
traditional, nuclear family unit. Women were increasingly welcome to climb career ladders and
the traditional roles of husband and wife had to adapt. “The Shining” presents the case of a father
who struggles to protect his family, whether it be from external or internal threats. Similarly,
“Get Out” addresses the fears and concerns of contemporary audiences by making a statement
about racial tension. Civil rights and social equality is an evolving process, and in the 21st
century there is still ways to go before everyone can truly feel equal. “Get Out” attempts to
further the race discussion by offering the fears and anxieties of an African American male who
Jessica Stimely
ENG 329: The Gothic Tradition
Final Essay
doesn’t feel welcome or comfortable in a romantic relationship. In this way, both of these
contemporary films use the Gothic to display these modern social anxieties and fears.
The Gothic genre has played a pivotal role in inspiring the contemporary horror genre.
Modern productions borrow key elements of Gothic texts. Films such as ““The Shining”” and
““Get Out”” use the Gothic elements of setting, nature, disruption of borders, and difficult to