*** CHORD : EXTENDED ***

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.
R maj7
= [ 1 , 3 , 5 , 7 ]
= [ 9 , #11 , 13 ]
.
R maj+7
= [ 1 , 3 , #5 , 7 ]
= [ 9 , #11 , b13 ]
.
R 6
= [ 1 , 3 , 5 , 6 ]
= [ 9 , #11 , 13 ]
X [ NO 7 : dissonant ]
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Rm7
= [ 1 , b3 , 5 , b7 ]
= [ 9 , 11 , x13 ]
.
RmM7
= [ 1 , b3 , 5 , 7 ]
= [ 9 , 11 , 13 ]
.
R 7sus4
= [ 1 , 4 , 5 , b7 ]
= [ 9 , 11 , 13 ]
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.
Rm7b5
= [ 1 , b3 , b5 , b7 ]
= [ 9 , 11 , b13 ]
.
R dim7
= [ 1 , b3 , b5 , bb7 ]
= [ 7 , 9 , 11 , b13 ]
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.
R 7
= [ 1 , 3 , 5 , b7 ]
= [ 9 , b9 , #9 ]
= [ #11 , 13 ]
.
R aug7
= [ 1 , 3 , #5 , b7 ]
= [ 9 , b9 , #9 ]
= [ #11 , b13 ]
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*** ABLETON : SCALE ***
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---------- MAJOR ----------
.
* R 6 / 9
= major pentatonic
= 1 2 3 5 6
.
* R maj7 ( 9 , 11 , 13 )
= major scale
= 1 2 3 4 5 6 7
.
* R maj7 ( 9 , 11 , b13 )
= harmonic major
= 1 2 3 4 5 b6 7
.
* R maj7 ( 9 , #11 , 13 )
= lydian
= 1 2 3 #4 5 6 7
.
* R maj7+5 ( 9 , #11 , 13 )
= lydian augmented
= 1 2 3 #4 #5 6 7
.
* R mM7 ( 9 , 11 , b13 )
= harmonic minor
= 1 2 b3 4 5 b6 7
.
* R mM7 ( 9 , 11 , 13 )
= melodic minor
= 1 2 b3 4 5 6 7
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.
MAJOR PENTATONIC
= 1 2 (b3) 3 5 6
major [ omit 4 , 7 ]
= C 6 / 9
.
MAJOR
= 1 2 3 4 5 6 7
major [ 2 , 4 , 6 ]
= Cmaj7 ( 9 , 11 , 13 )
.
HARMONIC MAJOR
= 1 2 3 4 5 b6 7
major [ 2 , 4 , b6 ]
= Cmaj7 ( 9 , 11 , b13 )
.
LYDIAN
= 1 2 3 #4 5 6 7
major [ 2 , #4 , 6 ]
= Cmaj7 ( 9 , #11 , 13 )
.
LYDIAN AUGMENTED
= 1 2 3 #4 #5 6 7
major [ 2 , #4 , (#5)* , 6 ]
= Cmaj7+5 ( 9 , #11 , 13 )
.
HARMONIC MINOR
= 1 2 b3 4 5 b6 7
min-maj [ 2 , 4 , b6 ]
= CmM7 ( 9 , 11 , b13 )
.
MELODIC MINOR
= 1 2 b3 4 5 6 7
min-maj [ 2 , 4 , 6 ]
= CmM7 ( 9 , 11 , 13 )
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.
---------- MINOR ----------
.
* R m7 (add 11)
= minor pentatonic
= 1 b3 4 (b5) 5 b7
.
* R m7 ( 9 , 11 , b13 )
= minor
= 1 2 b3 4 5 b6 b7
.
* R m7 ( b9 , 11 , b13 )
= phrygian
= 1 b2 b3 4 5 b6 b7
.
* R m7 ( 9 , 11 , 13 )
* R 7sus4 ( 9 , 13 )
= dorian
= 1 2 b3 4 5 6 b7
.
* R m7 ( 9 , #11 , 13 )
= dorian #4
= 1 2 b3 #4 5 6 b7
.
* R m7-5 ( b9 , 11 , b13 )
= locrian
= 1 b2 b3 4 b5 b6 b7
.
* R dim7 ( 9 , 11 , b13 , 7 )
= whole-half diminish
= 1 2 b3 4 b5 b6 bb7 7
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MINOR PENTATONIC
= 1 b3 4 (b5) 5 b7
minor [ omit 2 , b6 ]
= Cm7 / 11
.
MINOR
= 1 2 b3 4 5 b6 b7
minor [ 2 , 4 , b6 ]
= Cm7 ( 9 , 11 , b13 )
.
PHRYGIAN
= 1 b2 b3 4 5 b6 b7
minor [ b2 , 4 , b6 ]
= Cm7 ( b9 , 11 , b13 )
.
DORIAN
= 1 2 b3 4 5 6 b7
minor [ 2 , 4 , 6 ]
= Cm7 ( 9 , 11 , 13 )
= C7sus4 ( 9 , 13 )
.
DORIAN #4
= 1 2 b3 #4 5 6 b7
minor [ 2 , #4 , 6 ]
= Cm7 ( 9 , #11 , 13 )
.
LOCRIAN
= 1 b2 b3 4 b5 b6 b7
half-dim [ b2 , 4 , b6 ]
= Cm7-5 ( b9 , 11 , b13 )
.
WHOLE-HALF DIMINISH
= 1 2 b3 4 b5 b6 bb7 7
full-dim [ 2 , 4 , b6 , 7 ]
= Cdim7 ( 9 , 11 , b13 , 7 )
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.
---------- DOMINANT ----------
.
* R 7 ( 9 , 11 , 13 )
* R 7sus4 ( 9 , 13 )
= mixolydian
= 1 2 3 4 5 6 b7
.
* R 7 ( 9 , #11 , 13 )
= lydian dominant
= 1 2 3 #4 5 6 b7
.
* R 7 ( b9 , 11 , b13 )
= phrygian dominant
= 1 b2 3 4 5 b6 b7
.
* R 7 ( b9 , #9 , #11 , 13 )
= half-whole diminish
= 1 b2 #2 3 #4 5 6 b7
.
* R 7+5 ( 9 , #11 , b13 )
= whole tone
= 1 2 3 #4 #5 b7
.
* R 7+5 ( b9 , #9 , #11 , b13 )
= super locrian
= 1 b2 #2 3 #4 #5 b7
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.
MIXOLYDIAN
= 1 2 3 4 5 6 b7
dom [ 2 , 4 , 6 ]
= C7 ( 9 , 11 , 13 )
= C7sus4 ( 9 , 13 )
.
LYDIAN DOMINANT
= 1 2 3 #4 5 6 b7
dom [ 2 , #4 , 6 ]
= C7 ( 9 , #11 , 13 )
.
PHRYGIAN DOMINANT
= 1 b2 3 4 5 b6 b7
dom [ b2 , 4 , b6 ]
= C7 ( b9 , 11 , b13 )
.
HALF-WHOLE DIMINISH
= 1 b2 #2 3 #4 5 6 b7
dom [ b2 , #2 , #4 , 6 ]
= C7 ( b9 , #9 , #11 , 13 )
.
WHOLE TONE
= 1 2 3 #4 #5 b7
aug [ 2 , #4 , b6 ]
= C7+5 ( 9 , #11 , b13 )
.
SUPER LOCRIAN
[ Altered = # Melodic minor ]
[ C alt = C# ( Db ) melodic minor ]
= 1 b2 #2 3 #4 #5 b7
aug [ b2 , #2 , #4 , b6 ]
= C7+5 ( b9 , #9 , #11 , b13 )
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*** MODE : CHORD KEYS ***
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.
Scale = Notes in scale
Key = Chords in key
.
* Relative key :
- A minor vs C major
.
* Parallel key :
- A minor vs A major
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.
1. Ionian
scale : 1 2 3 4 5 6 7
key : 1M 2m 3m 4M [5V] 6m (7)
.
2. Dorian
scale : 1 2 b3 4 5 6 b7
key : 1m 2m b3M [4V] 5m (6) b7M
.
3. Phrygian
scale : 1 b2 b3 4 5 b6 b7
key : 1m b2M [b3V] 4m (5) b6M b7m
.
4. Lydian
scale : 1 2 3 #4 5 6 7
key : 1M [2V] 3m (#4) 5M 6m 7m
.
5. Mixolydian
scale : 1 2 3 4 5 6 b7
key : [1V] 2m (3) 4M 5m 6m b7M
.
6. Aeolian
scale : 1 2 b3 4 5 b6 b7
key : 1m (2) b3M 4m 5m b6M [b7V]
.
7. Locrian
scale : 1 b2 b3 4 b5 b6 b7
key : (1) b2M b3m 4m b5M [b6V] b7m
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* C major : mode -> Substitution
.
[F] = 4M -> [Fm] = 4m : parallel minor
[G7] = 5V -> [G] = 5M : lydian
[G7] = 5V -> [Gm] = 5m : mixolydian
[Am] = 6m
[B*] = 7hd -> [Bb] = b7M : mixolydian
.
[C] = 1M
[Dm] = 2m -> [D7] = 2V : lydian
[Em] = 3m
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* A minor : mode -> Substitution
.
[F] = b6M
[G7] = b7V -> [Gm] = b7m : phrygian
[Am] = 1m
[B*] = 2hd -> [Bb] = b2M : phrygian
[B*] = 2hd -> [Bm] = 2m : dorian
.
[C] = b3M
[Dm] = 4m -> [D7] = 4V : dorian
[Em] = 5m -> [E7] = 5V : harmonic minor
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