from Red Hot Chili Peppers - Return of the Dream Canteen
Tippa My Tongue
Words and Music by Anthony Kiedis, Flea, Chad Smith and John Frusciante
Intro
Moderately slow q = 89
*C5 F5 C5 F5
Gtr. 1 (clean)
w/ vibrato effect
mf
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3
*Chord symbols reflect overall harmony.
C5 F5 C5 F5
X X
X X
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 X X
Verse
Cm9
Voc. Fig. 1 End Voc. Fig. 1
(Yah, yah, yah, yah, yah, yah, yah, yah, yah, yah, yah.)
w/ slapback delay
vibrato off
15 15
15 15
15 15 8
13 8 10 13 8 10
2nd time: Gtr. 1: w/ Fill 2
1. Well, I’m an an - i - mal, some - thing like a can - ni - bal. Uh, ver - y flam - ma - ble and par - tial - ly pro-gram-ma - ble.
3. Well, I be - lieve in love, per - fect - ly re - ceiv - ing love. It’s vo - cif - er - ous and come and get a whiff of this.
Fill 1
End Fill 1
1
X X X 15 X X X 15
X X X 15 X X X 15
X X X 15 X X X 15 8 10 10 8
X X X 13 8 10 X X X 13
Copyright © 2022 SONGS OF UNIVERSAL, INC. and ANTJONFLEESMIF PUBLISHING
All Rights Administered by SONGS OF UNIVERSAL, INC.
All Rights Reserved Used by Permission 1
Abadd9 Fm9 Bb7sus4
Cen - tu - ries of o - ver - use, now I wear it nice and loose.
I’m at the pyr - a - mids, nev - er had a fear of kids.
Rhy. Fig. 1 End Rhy. Fig. 1
18 18 18 18 18 18 18 18 18 18 15 15 15 15 15 16 16 16 16 16
16 16 16 16 16 16 16 16 16 16 16 16 16 16 16 16 16 16 16 16
17 17 17 17 17 17 17 17 17 17 13 13 13 13 13 15 15 15 15 15
18 18 18 18 18 18 18 18 18 18 15 15 15 15 15 15 15 15 15 15
Bkgd. Voc.: w/ Voc. Fig. 1
2nd time: Gtr. 1: w/ Fill 1
Cm9
grad. bend
1/2
15 X X 15
15 X X 15 10
15 X X 15 8
13 8 10 X X 13
2nd time: Gtr. 1: w/ Fill 3
Well, it’s u - biq - ui - tous, tell me can you stick to this? I’m on the brink of this and tell me what you think of this.
I’m on the prec - i - pice, ah, come and make a mess of this. It’s the a - poc - a - lypse so try to get a sock of this.
Rhy. Fig. 2 End Rhy. Fig. 2
grad. bend
1
X X X 15 X 15
X X X 15 X 15
X X X 15 X 15 8 10 10 10 8
X X X 13 8 8 10 X 13
10
Fill 2
Fill 3
X X X 15 X X X 15
X X X 15 X X X 15
X X X 15 X X X 15
X X X 13 8 8 8 10 X X X 13 8 10
10 10
2
To Coda 1
Gtr. 1: w/ Rhy. Fig. 1
Abadd9 Fm9 Bb7sus4
I’m in the Beau - re - gard, slow me down if I get
I’m at the coun - ty fair, hay - stack ride, I’ll pull your
Cm9 F7
hard.
Rhy. Fig. 3 End Rhy. Fig. 3
Gtr. 1
X X X 15 X X 15
X X X 15 X X 15 10
X X X 15 X X 15 8
X X X 13 8 10 X X 13 X
8
Chorus
Gtr. 1 tacet
Ab5 Bb5
We’ve on - ly just be - gun, funk - y monks are on the run.
Gtr. 2
(dist.)
Rhy. Fig. 4
mf
w/ slapback delay
P.M. P.M.
8 7
6 6 6 6 6 6 8 8 8 8 8
6 6 6 6 6 6 8 8 8 8 8
4 4 4 4 4 4 6 6 6 6
μ(C5) Bb5 μ(C5) Eb5
*
Gon - na get you with the tip of my tongue.
End Rhy. Fig. 4
8 8
8 9 10 8 9 10 10 8 10 8 8 8
8 9 10 6 8 6 7 10
8 6 8
*These syllables are preceded by several digital repeats, each increasing in volume.
Repeats set for eighth-note regeneration.
3
Ab5 Bb5
And when you walk a - way, I know what the kiss would say.
P.M. P.M.
6 6 6 6 6 6 8 8 8 8 8 10
6 6 6 6 6 8 8 8 8 10
4 4 4 4 4 6 6 6 6
To Coda 2
μ(C5) Bb5 μ(C5) G9
Voc. Fig. 2 End Voc. Fig. 2
*
(Ah, ah.) Gon - na get you now.
10 10
10 10
10 10
8 9 10 8 9 10 9 9
8 9 10 6 8 6 7 10 10
8 6 8
*As before; w/ sixteenth-note regeneration.
Guitar Solo
Cm
_1 _1
Gtr. 2
3
P.H. w/ bar
_1 _1
(8va)
1 1 1 1 1 1 1
11
10 10 10 10 10 10 10 10 10 8 10 10 10
Verse
Gtr. 2 tacet
Cm9
2. Her per-fume smells like gas - o - line, my girl - friend’s trash is nice ’n’ clean.
Gtr. 1
hold bend
1 1 1
15 X X X 15
11 11 11 15 X X X 15
10 10 10 8 10 8 15 X X X 15 8
13 8 10 X X X 13 10
4
Ac - id land - ing on my tongue. I think you know we’ve just be - gun.
1
X X X 15 X X X 15 X X
X X X 15 X X X 15 X X
X X X 15 X X X 15 X X 8 10 10 10 8
X X X 13 8 8 10 X X X 13
Gtr. 1: w/ Rhy. Fig. 1
Abadd9 Fm9 Bb7sus4
She don’t want the la - dies room, trans - at - lan - tic su - per groom.
Your
Cm9
hair - plane is a mon - u - ment, the sex - y art of con - di - ments. And
Gtr. 1
grad. bend
1/2
15 X X X 15
15 X X X 15 10
15 X X X 15 10 8
13 8 10 X X X 13 8
Gtr. 1: w/ Rhy. Fig. 2 Gtr. 1: w/ Rhy. Fig. 1
Abadd9
now I know you by your scent. Let it bleed, we both get bent. Need a min - ute to pre - pare,
Gtr. 1: w/ Rhy. Fig. 3
Fm7 Bb7sus4 Cm9 F7
Son - ny’s side was al - ways Cher.
5
Chorus
Gtr. 2: w/ Rhy. Fig. 4
Gtr. 1 tacet
Ab5 Bb5
We’ve on - ly just be - gun, funk - y monks are on the run.
μ(C5) Bb5 μ(C5) Eb5
*
Gon - na get you with the tip of my tongue.
*As before; w/ eighth-note regeneration.
Ab5 Bb5
And when you walk a - way, I know what your kiss would say.
Gtr. 2
P.M. P.M.
6 6 6 6 6 6 8 8 8 8 8 10
6 6 6 6 6 8 8 8 8 8
4 4 4 4 4 6 6
Bkgd. Voc.: w/ Voc. Fig. 2
μ(C5) Bb5 μ(C5)
**
Gon - na get you with the tip of my tongue.
Fill 4 End Fill 4
P.M.
8 9 10 8 9 10 10 8 10 8
8 9 10 6 8 6 7 10 8 7 6
8 6 8
**As before; w/ sixteenth-note regeneration.
6
Bridge
Gtr. 2 tacet
C5 F5 C5 F5
Gtr. 3 (clean)
mf ** mf
*w/ tape delay & autopan
1/2
14
15
Gtr. 4 (slight dist.)
mf
*w/ tape delay
P.S.
X
X
XX XX XX XX XX XX XX XX XX
Gtr. 1
Riff A
w/ vibrato effect
slapback delay off
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3
*w/ misc. tape delay oscillation, next 12 meas. Delay time is **Swell w/ vol. knob, next 3 meas.
manipulated throughout, resulting in pitch bends in the oscillation.
C5 F5 C5 F5
Gtr. 3
Gtr. 4
divisi
12
11
8
X
6
Gtrs. 1 & 2
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3
7
Gtr. 3 tacet
Ab5 Bb5/F Bb5
Gtr. 4
8
6
Gtrs. 1 & 2
End Riff A
6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 1 1 1 1 1 1
1 1 1 1 1 1 1 1 1 1
Gtr. 1: w/ Riff A Gtr. 3 tacet
C5 F5 C5 F5 C5 F5
Gtr. 3
Gtr. 4
P.S.
X
16
X
14 X
D.S. al Coda 1
C5 F5 Ab5 Bb5/F Bb5
X
X XX
Coda 1 D.S.S. al Coda 2
Gtr. 1: w/ Rhy. Fig. 3
Cm9 F7
hair.
Gtr. 5
(dist.) 8va
3
f
1 1 1
18 18 16 18 16 18 18 18 18
8
Coda 2
Chorus
Gtr. 2: w/ Fill 4 Gtr. 2: w/ Rhy. Fig. 4
μ(C5) Eb5 Ab5
*
Gon - na get you with the tip of my tongue. We’ve on - ly just be - gun,
*As before; w/ eighth-note regeneration.
Bb5 μ(C5) Bb5 μ(C5) Eb5
*
funk - y monks are on the run. Gon - na get you with the tip of my tongue.
*As before.
Ab5 Bb5
And when you walk a - way, I know what your kiss would say.
Gtr. 2
P.M. P.M. 1 hold bend
11
10 10 10 8
6 6 6 6 6 6 8 8 8 8
6 6 6 6 6 8 8 8 8 8 8 X 8 8
4 4 4 4 4 6 6 6 X 6
Bkgd. Voc.: w/ Voc. Fig. 2
μ(C5) Bb5 μ(C5) G9
**
Gon - na get you now.
10 10
10 10
10 10
8 9 10 8 9 10 9 9
8 9 10 6 8 6 7 10 10
8 6 8
**As before; w/ sixteenth-note regeneration.
9
from Red Hot Chili Peppers - Return of the Dream Canteen
Peace and Love
Words and Music by Anthony Kiedis, Flea, Chad Smith and John Frusciante
Intro
Moderately slow q = 85
μ G5 Bb5
(Drums)
(Bass enters)
C5 Eb5 Bb5 G5 D5 Db5 C5 Bb5 D5
Verse
*Gm Cm9
1. Stick with me dar - ling, I will be your man. Your
Gtr. 1
(clean)
mf
10 10 10 X
11 X X 11 11 11 X 11 X
X X
*Chord symbols reflect overall harmony.
Gm Cm9
com - pa - ny calls the best up out of me.
Rhy. Fig. 1 End Rhy. Fig. 1
10
11 X X 11 X X 11
X X X X 0
10
Copyright © 2022 SONGS OF UNIVERSAL, INC. and ANTJONFLEESMIF PUBLISHING
All Rights Administered by SONGS OF UNIVERSAL, INC.
All Rights Reserved Used by Permission 1
Gm Cm9
Click with me ba - by, I will lay this hand
Rhy. Fig. 2
End Rhy. Fig. 2
10 10 X 10
11 11 X 11 11 11 X 11
X
Gm Cm9
soft as an - y moss up - on your feet.
Rhy. Fig. 3 End Rhy. Fig. 3
10
11 X X 11 X 11
X X X 0
10
16
Gtr. 1: w/ Rhy. Fig. 2
Gm Cm9
Stay - ley, are you out there? I am in your lane.
Gm Cm9
Catch that cup of wa - ter when it falls.
Gtr. 2 (dist.)
mf
w/ wah
1
13 13 11 13 11
12
Gtr. 1
10
11 X X 11 X 11
X X X 0
10
2
Gtr. 1: w/ Rhy. Fig. 2
Gm Cm9
Wait for me, dar - ling, I’ll be on that train.
Gtr. 2
11 11 6 13 11
12 12
Gm Cm9
Cat - man had a mes - sage for us all.
Gtr. 2
steady gliss.
16 5
X
X
Gtr. 1
steady gliss.
10
11 X X 11 X 11 X X
X X X 0 X X
10 X X
12
0 12 10 9 8 5
Chorus
Bb Gm7 Dm
Shout out to my lone - ly friends, mes - sage that I meant to send.
Gtr. 1
Rhy. Fig. 4 End Rhy. Fig. 4
let ring let ring let ring
6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6
5 7 7 7 7 7 7 7 7 5 5 5 7 7 7 7 7 7 7 7 7
3
Bb Gm7 Dm
I got peace and love for you right now. And
Voc. Fig. 1
(I’ve got peace and love for you right now.
let ring let ring let ring let ring
8
6 6 6 6 6 6 6 6 6 6 6 6 6 10 10 10 10 10 10 10 11
5 7 7 7 7 7 7 7 7 5 5 10 10 10 10 10 10 10 10
Bb Gm7 F Eb
when I see my lit - tle sis, a mid - dle west - ern gen - i - us.
let ring let ring let ring
10 11 11 11 11 11 11 11 11 11 11 10 10 10 10 11 11 11 11 11 11 11 11 11 11 11
10 10 10 10 10 10 10 10 10 10 10 10 10 10 12 12 12 12 12 12 12 12 12 12 12 12 12
Bb Gm7 F Eb
She’s got peace and love for you some - how.
End Voc. Fig. 1
She’s got peace and love for you some - how.)
let ring let ring
10 11 11 11 11 11 11 11 11 11 11 11 10 10 10 10 11 11 11 11 11 11 11
10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 12 12 12 12 12 12 12 12
4
Verse
Gm Cm9
2. Git - chi Gum - mi sis - ters play - ing with the wind.
Rhy. Fig. 5 End Rhy. Fig. 5
10 10 X X 10
X 11 11 X X 11 11 X X 11
X X X X X
X X X
Gtr. 1: w/ Rhy. Fig. 3
Gm Cm9
Sem - i - nak - ed flow - ers by my side.
Gtr. 1: w/ Rhy. Fig. 2
Gm Cm9
Git - chi Gum - mi sis - ters with your gold - en skin.
Gtr. 2
12
steady gliss.
1 16
14 15
3
Gm Cm9
What is in your na - ture we can’t hide?
Gtr. 2
1
13 13 10 13 10
13
Gtr. 1
10
11 11 X 11 X 11
X X 0
10
15
5
Gm
Cm9
Well, I’m a lov - er to all my tribes, oh, tell me moth - er - fuck - er, can you feel my vibes?
1/2 1/2
11 11 11 13 13 13 11
12
10 10 10
11 X X 11 11 11 X 11
X X
Gm
Cm9
She’s a lov - er to dance on earth and now I know the mean-ing of, ah, what it’s worth. A
steady gliss.
10 15 15
10 15 15
10 15 15
steady gliss.
10
11 X X 11 X 11 X X
X X X 0 0 X X
10 0 X X
X
17 15 13 10 9 8 6 3
Chorus
Gtr. 1: w/ Rhy. Fig. 4
Gtr. 2 tacet
Bb Gm7 Dm
shout out to my lone - ly friends, mes - sage that I meant to send.
6
Bkgd. Voc.: w/ Voc. Fig. 1
Bb Gm7 Dm
I got peace and love for you right now. And
Gtr. 1
let ring let ring let ring let ring let ring
8
6 6 6 6 6 6 6 6 6 6 6 10 10 10 10 10 13 10 10
5 7 7 7 7 7 7 7 7 5 5 5 10 10 10 10 10 10
Bb Gm7 F Eb
when I see my lit - tle sis, a mid - dle west - ern gen - i - us.
Rhy. Fig. 6 End Rhy. Fig. 6
let ring let ring let ring let ring
10
10 11 11 11 11 11 11 11 11 11 10 10 10 10 11 11 11 11 11 11 11 13 11 10
10 10 10 10 10 10 10 10 10 10 10 10 10 12 12 12 12 12 12 12 12 12 12
Bb Gm7 F Eb
She’s got peace and love for you some - how.
let ring let ring
10 11 11 11 11 11 11 11 11 11 11 10 10 10 10 11 11 11 11 11 11 11 11 11 11 11 11
10 10 10 10 10 10 10 10 10 10 10 10 10 10 12 12 12 12 12 12 12 12 12 12 12 12
Saxophone Solo
Gtr. 1 tacet
G5 Bb5 C5 Eb5 Bb5 G5 D5
7
C5 Bb5 F Gm
Gtr. 2
steady gliss. steady gliss.
3 13 5 10
5 10
14
9
Gtr. 1
X X X 10 X 10 X X 10
X X X 11 X 11 X X 11 X 11 X 11 X X 11
X X X X X X X
steady gliss. steady gliss.
1 15
2 7
13
13
10
11 X X X X 11 11
X X X X 0
10
13
Verse
Gtr. 1: w/ Rhy. Fig. 5 Gtr. 1: w/ Rhy. Fig. 1
Gm7 Cm9 Gm7 Cm9
3. Drift with me Wood - son to an - oth - er side. A streak of vi - o - lence be li - on’s
Gtr. 1: w/ Rhy. Fig. 5
Gm7 Cm9
pride. So - ber se - ño - ri - ta and two hun - dred tears. A
Gtr. 2
grad. bend steady
2 gliss.
1 14
15 15
15 X X
X X
8
Gm7 Cm9
trail of hap - pi - ness and tears have dried.
Gtr. 2
10 12
Gtr. 1
steady gliss.
10
11 X X 11 X 11 X
X X X 0 X
10 X
16 15 13 11 9 8 7 6
Chorus
Gtr. 1: w/ Rhy. Fig. 4
Gtr. 2 tacet
Bb Gm7 Dm
shout out to my lone - ly friends, mes - sage that I meant to send.
Bkgd. Voc.: w/ Voc. Fig. 1
Bb Gm7 Dm
I got peace and love for you right now. And
Gtr. 2
1
13 13 11 13 11
12
Gtr. 1
let ring let ring let ring let ring
8
6 6 6 6 6 6 6 6 6 6 6 6 10 10 10 10 10 10 10
5 7 7 7 7 7 7 7 5 5 10 10 10 10 10 10 10
9
Gtr. 1: w/ Rhy. Fig. 6
Bb Gm7 F Eb
when I see my lit - tle sis, a mid - dle west - ern gen - i - us.
Gtr. 2
3
1 hold bend
13
11 11 13 13 13 11
Gtr. 2 tacet
Bb Gm7 F Eb
She’s got peace and love for you some - how.
Gtr. 1
let ring let ring let ring let ring
10 11 11 11 11 11 11 11 11 11 11 11 10 10 10 10 11 11 11 11 11
10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 12 12 12 12 10 10 10
12 10 12 12 10 12 12
Chorus
Bb Gm7 Dm
Tell me some - thing I don’t know, I’ve got no bet - ter place to go.
let ring let ring let ring let ring
3
5 6 5
6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6
5 7 7 7 7 7 7 7 5 5 5 7 7 7 7 7 7 7
Bkgd. Voc.: w/ Voc. Fig. 1 (1st 2 meas.)
Bb Gm7 Dm
I’ve got peace and love for you right now. And
let ring let ring let ring
8
6 6 6 6 6 6 6 6 6 10 10 10 10 10 10 11 10 10
5 7 7 7 7 7 7 7 5 5 5 10 10 10 10 10 10 10 10 10 10
10
Bb Gm7 F Eb
sure - ly as I jump this bus, noth - ing but the two of us.
let ring let ring let ring
10
10 11 11 11 11 11 11 11 11 10 10 10 11 11 11 11 11 11 11 11
10 10 10 10 10 10 10 10 10 10 10 10 12 12 12 12 12 12 12 12 12 12 12
Bb Gm7 F Eb
molto rit.
We’ve got peace and love for you some - how.
molto rit.
(We’ve got peace and love for you some - how.)
let ring let ring let ring molto rit.
let ring
10 11 11 11 11 11 11 11 10 10 10 11 11 11 11
10 10 10 10 10 10 10 10 10 10 10 10 12 12 12 12 12 10 10
10 12 10 12
Bb
10 10
10 12 12
11
from Red Hot Chili Peppers - Return of the Dream Canteen
Reach Out
Words and Music by Anthony Kiedis, Flea, Chad Smith and John Frusciante
Intro
Moderately q = 122
B5 G B5 G
Gtr. 1 (clean)
mf
w/ fingers
w/ slapback delay
10 10
7 7
0 0
9 9
7 7
Verse
Bm A Em D Asus4 Bsus4 F#/A#
1. Drop an - oth - er snake bomb, it might shake. I con - fused it with an earth - quake.
2. Haz - ard pay for a can - celled bear. By - gone Sal - ly with the greas - y hair.
Rhy. Fig. 1
let ring
10 9 10 9
7 8 7 5
0 7 6 9 7 6
9 7 8
7 5
7 5 7 6
Bm A Em Dsus4 Asus2 Bsus2 G5
Mass con - fu - sion in a ma - son jar, Tex - as blood - flow in a bik - er bar.
Hard as nails but soft to wear. Roof - top crops up, well, and a fold - ing chair.
let ring
10 9 10 12 5 7 5 9 7 10 9
7 8 8
0
9 7
7 5 10
7 5 7
Copyright © 2022 SONGS OF UNIVERSAL, INC. and ANTJONFLEESMIF PUBLISHING
All Rights Administered by SONGS OF UNIVERSAL, INC.
All Rights Reserved Used by Permission 1
Bm A Em D Asus4 Bsus4 F#/A#
Stick to blue - grass guns, we are rid - ing with the fly - ing nuns.
Pay your thug store hench, mug - shot dad - dy with the gold - en wrench.
let ring
10 9 10 9
7 8 7 5 7
0 7 6 9 6
9 7 8
7 5
7 5 7 6
Bm A Em D6 A
Tell me all the dirt - y things you have seen. Are you laced up?
Lo - co - mo - tive smoke to cov - er up what’s broke. Please don’t seize me
let ring
10 9 10 12 7 5 9 7
7 8
0
9 7
7 5
7 5
To Coda 2
Bm G6 F#7
Well, are you real - ly clean?
un - til you get my joke.
End Rhy. Fig. 1
let ring
10 9 12 10 9
11
9
10 9
7
Chorus
B5 A5 B5 D5 A Asus4 A B5 A5 B5 D5 A
Voc. Fig. 1
I’m - a lose it if I do not find a,
(Some - one bet - ter reach out.
Rhy. Fig. 2
Gtr. 2 (dist.)
f
w/ slapback delay
let ring let ring let ring
2 3 3 2 2 2
4 4 7 7 2 2 2 2 2 4 4 7 7 2
4 4 7 7 2 4 4 7 7 2
2 0 2 5 5 0 2 0 2 5 5 0
2
2nd time, Gtr. 2: w/ Fill 2
A6 A5 F#5 E5 F#5 A5 E5 Esus4 E
find a stead - y shine. Get it on the line.
End Voc. Fig. 1
Some - one bet - ter reach out.)
let ring
2
2 2 2 2 1
2 4 4 2 2 4 4 7 7 2 2 2 2 2
0 0 0 0 0 0 4 4 7 7 2 2 2 2 2 0
2 0 2 5 5 0 0 0 0 0 0 0
C#7#9
2nd time, Gtr. 2: w/ Fill 3
End Rhy. Fig. 2
12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12
12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12
10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 4 4
11 11 11 11 11 11 11 11 11 11 11 11 11 11 11 11 11 11 11 11 11 11 11 11 11 11 11 11 11
2nd time, Gtr. 2: w/ Rhy. Fig. 2 (1st meas.) Bkgd. Voc.: w/ Voc. Fig. 1
B5 A5 B5 D5 A Asus4 A B5 A5 B5 D5 A
I’m a bruis - er and I do not mind, oh.
let ring let ring
2 3 3 2 2 2
4 4 7 7 2 2 2 2 2 4 4 7 7 2
4 7 7 2 4 4 7 7 2
2 5 5 0 2 0 2 5 5 0
Fill 2 Fill 3
14 14 14 14 14 14 14 14 14 14 14 14 14 14
14 14 14 14 14 14 14 14 14 14 14 14 14 14
2 2 2 1 10 10 12 12 12 12 12 12 12 12 12 12 12 12 12 12
2 2 2 2 2 13 13 13 13 13 13 13 13 13 13 13 13 13 13
2 2 2 2 2 0 0
0 0 0 0 0 0 0 0
3
To Coda 1
A6 A5 F#5 E5 F#5 A5 E5 Esus4 E
Climb a moun - tain time. Get it on the line.
let ring
2
2 2 2 2 1 2 9
2 4 2 4 2 2 4 4 7 7 2 2 2 2 2
0 0 0 0 0 0 4 4 7 7 2 2 2 2 2
2 0 2 5 5 0 0 0 0 0
Verse
Gtr. 1: w/ Rhy. Fig. 1
Gtr. 2 tacet
C#7#9 Bm
2. Cruis - ing down the hill in a
Riff A
Gtr. 3
(clean)
mp
12 X 14
12 X 12
10 X
11 X
A Em D Asus4 Bsus4 F#/A#
blue street - car. Can’t ref - use it, no mat - ter who you are.
End Riff A
1
12 14 12
14 14 12 11 12 11
14 14 11
Bm A Em Dsus4 Asus2 Bsus2 G5
Fill - ing up your head with a bath - tub rose. We com - posed it, but does it real - ly show?
1
14 12 14 15 10 9 12 10 14 12 15 14
12 15
4
Gtr. 3: w/ Riff A
Bm A Em D Asus4 Bsus4 F#/A#
Slow your don - keys down. This good lord is from a bor - der town.
Bm A Em D6 A Bm G6
I’m a - bout to lose what lit - tle I’ve got. Please don’t treat me like an af - ter -
8va
Gtr. 3
1
14 12 14 15 12 10 14 14 19 15 14 17 15
12 15
D.S. al Coda 1 Coda 1
F#7 Esus4 E
thought. Get it on the line.
8va Fill 4
End Fill 4
Gtr. 2
grad. release
1 1
14 12
15 15 15
2 2 2 1 10
2 2 2 2 2
2 2 2 2 2
0 0 0 0 0 0
C#7#9
12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12
12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12
10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10
11 11 11 11 11 11 11 11 11 11 11 11 11 11 11 11 11 11 11 11 11 11 11 11 11 11 11 11 11
5
Bridge
Half-time feel End half-time feel
D A F#5 E5 F#5 E5 F#5 E5 F#5 E5 F#5 E5 F#5
Feel my call, the lex - i - con makes its own way, own way.
7 7 7 7 5
7 7 7 7 6
7 7 7 7 7 4 4 4 4 4 4 X X
5 5 5 5 7 4 4 4 4 4 4 X X
5 2 0 2 0 2 0 2 0 2 0 2
Half-time feel End half-time feel
D A F#5 E5 F#5
Break this fall, then ex - cel - lence has its own say,
7 7 7 7 5 5 5 5
7 7 7 7 6 6 6 6
7 7 7 7 7 7 7 7 4 4 4 4 4
5 5 5 5 7 7 7 7 4 4 4 4 4
5 5 5 5 0 2 2 0 2 2 2
D.S.S. al Coda 2
E5 F#5 μ F#5 E5 F#5 E5 F#5 μ
own say.
roll vol. knob back
steady gliss.
4 4 4 4 4 4 4
4 4 4 4 4 4 4
0 2 2 2 0 2 2 2 0 2 16
Coda 2
Chorus
Gtr. 2: w/ Rhy. Fig. 2 (1st 3 meas.) Bkgd. Voc.: w/ Voc. Fig. 1
B5 A5 B5 D5 A Asus4 A B5 A5 B5 D5 A
I’m - a lose it if I do not find a,
6
A6 A5 F#5 E5 F#5 A5 E5 Esus4 E
find a stead - y shine. Get it on the line.
Gtr. 2 Fill 5 End Fill 5
let ring
X X
2 X X
2 2 2 2 1 X X
2 4 4 2 2 X 4 4 7 7 2 2 2 2 2 X X
0 0 0 0 0 X 4 4 7 7 2 2 2 2 2
X 2 0 2 5 5 0 0 0 0 0 0
Gtr. 2: Rhy. Fig. 2 (last meas.) Gtr. 2: w/ Fill 3 Gtr. 2: w/ Rhy. Fig. 2 (1st 5 meas.)
C#7#9 D#7#9/C# B5 A5 B5 D5 A Asus4 A
I’m a bruis - er and I do not mind, oh.
Bkgd. Voc.: w/ Voc. Fig. 1 Gtr. 2: w/ Fill 4
B5 A5 B5 D5 A A6 A5 F#5 E5 F#5 A5 E5 Esus4 E
Climb a moun - tain time. Get it on the line.
C#7#9 D#7#9/C# F#7#9/C# G#7#9/C#
Gtr. 2
12 12 12 12 12 12 12 12 14 14 14 14 14 14 14 14 17 17 17 17 17 17 17 17 19 19 19 19 19 19
12 12 12 12 12 12 12 12 14 14 14 14 14 14 14 14 17 17 17 17 17 17 17 17 19 19 19 19 19 19
10 10 10 10 10 10 10 10 12 12 12 12 12 12 12 12 15 15 15 15 15 15 15 15 17 17 17 17 17 17
11 11 11 11 11 11 11 11 13 13 13 13 13 13 13 13 16 16 16 16 16 16 16 16 18 18 18 18 18 18
0
0
7
Chorus
Gtr. 2: w/ Rhy. Fig. 2 (1st 3 meas.) Bkgd. Voc.: w/ Voc. Fig. 1
B5 A5 B5 D5 A Asus4 A B5 A5 B5 D5 A
I’m - a lose it if I do not find a,
Gtr. 4 (dist.)
f
grad. release
1 1 1
10 11 10 10
9 9 9 7 9
Gtr. 2: w/ Fill 5 Gtr. 2: w/ Rhy. Fig. 2 (5th & 6th meas.)
A6 A5 F#5 E5 F#5 A5 E5 Esus4 E
molto rit.
find a stead - y shine. Get it on the line.
1
molto rit.
12 12 10 12 12 12
9
C#7
Gtr. 4
1
12
Gtr. 2
12 12
12 12
10 10
11 11
11 11
8
from Red Hot Chili Peppers - Return of the Dream Canteen
Eddie
Words and Music by Anthony Kiedis, Flea, Chad Smith and John Frusciante
Intro
Moderately fast q = 142
*Am/E
Gtr. 1 (clean)
mf
w/ reverb
10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10
*Chord symbols reflect overall harmony.
Fmaj7 G6 Am
Riff A End Riff A
1/2
12 12 10
12 14 12 10 12 12 14
Fmaj7 G6 Am
1/2
12 12 10 10
9 9
12 14 12 10 12 10
Fmaj7 G6 Am
Riff B End Riff B
1/2
12 12 10 12
12 14
12 14 12 10 12 12 14 14
Copyright © 2022 SONGS OF UNIVERSAL, INC. and ANTJONFLEESMIF PUBLISHING
All Rights Administered by SONGS OF UNIVERSAL, INC.
All Rights Reserved Used by Permission 1
Fmaj7 G6 Am
1. Ah, sail - in’ the Sun -
9
10 10
12 12 10 12 12 12 12 12
Verse
Dm C
- set Strip, I’m a bit of a king. Gran - ny will take
10 10 9 9
12 12 12 12 12 12 12 12 10 10 10 10 10 10 10 10 10
Dm C
a trip, I’ll be bend - ing the string. Got ham- mers in both
10 12 10
12 12 12 12 12 12 12 12 10 10 10 10 10 7 7 7 3 3 3
Dm C
my hands, such a del - i - cate touch. They say I’m from Am -
10 10 9 10 9 9 10 9
12 12 12 12 12 12 12 12 10 10 10 10 10 10 10 10
2
Dm C
- ster - dam, does that make me Dutch?
10 12 10
12 12 12 12 12 12 12 12 10 10 10 10 7 7 14 14 14 14
Chorus
Gtr. 1: w/ Riff A
Fmaj7 G6 Am
Please don’t re - mem - ber me for what I did last night, oh.
Fmaj7 G6 Am
Please don’t re - mem - ber me. Lord and chil - dren.
Gtr. 1
Harm.
1/2
12
12 12 10 10
9
12 14 12 10 12 10
Gtr. 1: w/ Riff B
Fmaj7 G6 Am
Please don’t re - mem - ber me, it’s on - ly nine - teen - eight - y.
Fmaj7 G6 Am
It’s on - ly nine - teen eight - y three. 2. Smok - in’ the reef -
Gtr. 1
9
10 10
12 12 10 12 10 12 12 12 12 12
3
Verse
Dm C
- er, feel - in’ my own life. My broth-er’s a keep -
10 10 9 9
12 12 12 12 12 12 12 12 10 10 10 10 10 10 10 10 10
Dm C
- er, I mar - ried a T V wife. The dev - il’s Ca - mar -
10 12 10
12 12 12 12 12 12 12 12 12 10 10 10 10 10 7 7 7 3 3 3
Dm C
- o, parked in a high school lot. A leath - er som - bre -
10 10 9 10 9
12 12 12 12 12 12 12 12 12 10 10 10 10 10 10 10 10
Dm C
- ro, ’cause teach - er was way too hot.
12 12
12 14 14 12 10 12 14 14 12 10
12 12 12 12 12 12 10 10 10 10 7 7 14 14 14 14
4
Chorus
Gtr. 1: w/ Riff A
Fmaj7 G6 Am
Please don’t re - mem - ber me for what I did last night, oh.
Voc. Fig. 1
(Ah.
Fmaj7 G6 Am
Please don’t re - mem - ber me. Lis - ten, Lord, now.
End Voc. Fig. 1
Ah.)
Gtr. 1
1/2
12
12 12 10 10 10
9
12 14 12 10 12 10
Bkgd. Voc.: w/ Voc. Fig. 1
Fmaj7 G6 Am
Please don’t re - mem - ber me, it’s on - ly nine - teen - eight - y.
1/2
12 12 10 12
12 14
12 14 12 10 12 12 14 14
Fmaj7 G6 Am
It’s on - ly nine - teen eight - y three.
9 12 9
10 10
12 12 10 12 10 12 12 12 12
5
Bridge
Dm[add9] Cadd11
Tell my love but leave me nev - er. Can’t com - plain a - bout the weath - er.
0 0
6 6
7 5
7 5
Bb'#11 Dm/A A
Snow - ing at the Rain - bow, have a ball.
0
3 3 2
3 2 2
3 3 2
Half-time feel
Dm C
Cut my teeth down at the Whis - key. G T Os tried to kiss me.
5
6 8 8 6 8 6 6 6 5 6 5 6 5 5 5 5 3
7 7 7 7 7 7 7 7 7 5 5 5 5 5 5 5 5 3
7 7 7 7 7 7 7 7 7 5 5 5 5 5 5 5 5 3
End half-time feel
Bb Dm/A A
One more song, they have seen it all.
10 10 10 10 10 10 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9
3 5 3 5 3 3 3 X 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10
3 3 3 3 3 3 3 X 10 10 10 10 10 10 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9
3 3 3 3 3 3 3 X
6
Guitar Solo
Fmaj7 G6 Am
Gtr. 2
(dist.)
f 3
P.H.
grad. release
w/ reverb T T (8va)
1 1 1 1
8 10 17 10 17 8 8 5 8
7 7 5 7 5 7
Fmaj7 G6 Am
3
grad. release w/ autopan
fdbk. w/ bar fdbk.
7 7 7 7 7 5 7 7 7 7 7 7 7 7
0
0
-1 -1 -1 -1 -1/2
Fmaj7 G6 Am
autopan off 3
grad. bend
1 hold bend 1 1 T 1 T 1 T 1 T 1 T
8 8
8 8 8 8 8 8 10 8 8 5 10 8 8 5 10 8 8 5 10 8 8 5 10 8
Fmaj7 G6
3 grad. release P.H. fdbk.
(8va) (8va)
1 T 1 1/2 1/2
8 8 5 10 8 8 5 8 5
7 7 7 7 7 7 7
Pitch: G
Chorus
Bkgd. Voc.: w/ Voc. Fig. 1 (2 times)
Am Fmaj7
Please don’t re - mem -
_2 _2 _2 _2
3
steady gliss.
w/ bar string
_2 _2 _2 _2
noise 1/2
12 12 10
5
7 7 7 19 19 19 19 19 19 10 X
X
-1 1/2 -1/2
7
G6 Am
- ber me for what I did last night, oh.
12 0 12 0 0 0 0
15 13 12
14
12 14 12 10 12 12 14
Fmaj7 G6 Am
Please don’t re - mem - ber me. What I say, Lord.
1/2
15 15 12
12 12 10 13 12 10
12 14 12 10 12 10 10 10 10 10 10
8
Fmaj7 G6 Am
Please don’t re - mem - ber me, it’s on - ly nine - teen eight - y.
1/2
1/2
16
15 0 19 0 17 0
12 12 10
16 16 14
12 14 12 10 12 12 14
8
Fmaj7 G6 Am
It’s on - ly nine - teen eight - y three.
_2 _2 _1 _2
3
w/ bar
_2 _2 _1 _2
1 P.S.
X X
XX XX
9 9 14 14 14 14 14 14 14
10 X
12 X
X
8
Outro-Chorus
Fmaj7 G6 Am
Please don’t re - mem - ber me for what I did with Da - vid.
fdbk.
w/ bar
(8va)
7 7 7
Fmaj7 G6 Am
You know I’m talk - in’ Da - vid Lee. Am I read - y?
_1 _1 _1 _1 _1 _1 _1
3
fdbk.
3 3
w/ bar
_1 _1 _1 _1 _1 _1 _1
1
20
19 19 19 17
19 19 19 19 19 19 19 19 19 19
Fmaj7 G6 Am
Please don’t re - mem - ber me for what I did last night, oh.
_ 1/2
3
3 3
fdbk. w/ bar
_ 1/2
17 19 19 19 19 19 17 19 17
19 18 17
20
-1
9
Gtr. 2 tacet
Fmaj7 G6 Am
I guess I played a Fly - ing V.
Gtr. 3 (dist.) 8va
loco
fdbk.
f
0
0 0 0
0 0 0
17 17 17 0 0 0
Gtr. 2
w/ bar
fdbk.
17 17 17 17 17
-1 -1 -1
Outro-Guitar Solo
Fmaj7 G6 Am
/ 0
8va
Gtr. 3
/0 /0
*
1 1/2 hold bend hold bend hold bend hold bend
1
1 1/2 1 1 1 1 1
1/2 1/2 1/2 1/2 1/2 1/2
19 20 20 20 20
20 20 20 20 20 20 20 20
20 20 20 20 20 20 20
*Allow 3rd string to be caught under ring finger.
Fmaj7 G6 Am
8va
loco
/ 0
1 1
*
3
hold bend hold bend hold bend
**
1
1/2 1/2
20 20
20 20 20 20 17 17 20
20 20 20 20 19 19 19 19 17 17 19 17
**Vibrato does not apply to 1st string.
Am
Fmaj7 G6
8va
loco
3 3 3
*
1 1/2
1 1
1 1
17 17 20 20 17 17 17 17 20 20 17 17 17 17
20 20 20 20 20 17
20 19 17
10
Fmaj7 G6 Am
3
3
3 3
w/ autopan
w/ bar
+1/2 +1 1/2
0 0
19 19 19 19 19 18 17 0 0
19 17 0 0
20 17 17 17
-4 1/2 -4 1/2 -4 1/2 -4 1/2 -1/2
Fmaj7 G6
8va
6 5 6 5
autopan off
1 1 1 1/2 1
17 17 20 17 17 17 17 17 17 20 17 17 17 20 17 17 17 17 17 20 17 17 17 17 20 17 17
20 20 20 20 20 20 20 20 20
Am
8va
5 5 6
grad. release
1 1
*
17 17 20 17 17 17 17 17 20 17 17 17 17 20 17 20 20 20
20 20 20 20 20 20 20
*Allow 2nd string to be
caught under ring finger.
Fmaj7 G6
8va
5 6
5 5 hold bend
1/2 1/2 1
17 17 17 17 17 17 17 20 17 17 17 17
20 20 20 20 20 20 20 20 20
19 19 19 19 19 17
Am Fmaj7
8va
loco
5
hold bend
1 1 1/2
1/2 w/ bar 3 1/2 1/2
20 20 8
0 7 7 7 7 5 7 5 7 7 7 5 7
0
0
-1
11
G6 Am _1
-2 1/2 -2 1/2 -3 1/2
3
grad. release
w/ bar
_1 -2 1/2 -2 1/2 -3 1/2 grad.
hold bend
0
T dive
1/2 1/2 1
8
13 7 7 5 7 7 7 7 7 7 7 0 0
-2 1/2
-8 1/2
3
Fmaj7 G6 Am
_1 _1 _1
_1 _1 _1
3
w/ bar
3
fdbk.
grad. release (8va)
w/ bar
_*
0
_1 _1 _1 1 _1 _1
1 1 1 1
13 12 13 13 13 13
14 14 14 14 14 14 14 14 0 0
0 0 0 0 0 0
0 0 0 0 0
0
*4th & 5th strings ring sympathetically.
Fmaj7 G6 Am
8va
7
hold bend w/ autopan
1 1 1 1 1 1 1 1
20 20 20 20 20 20 20 20 20
20 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20
Fmaj7
loco
8va
autopan off
1 hold bend 1 1 1 hold bend hold bend
1/2 1
1/2 1/2
20 20 20 20 20
20 20 20 20 20 20 20
19 19 19 19 19 19 17 19
G6 Am
1/2 P.H. P.H. P.H. P.H.
(8va) (8va) (8va) (8va)
17
19 19 17 19 17 17 17 17
19 17 19 19 17 19 19 17 19 19
0
Pitch: A E G D E G D E G E
12
Fmaj7 G6 Am
_ 1/2 _ 1/2 -4 1/2
-3 1/2 -7 -4
_2
3
w/ bar
grad. release _ 1/2 _2 _ 1/2
-3 1/2 -7 -4 -4 1/2
1 1
19 19 19 19 17 17 17 0 17 17 19 17 17 19 20 17
X
X
-3
Fmaj7 G6
8va loco
&
P.H. w/ bar 1
P.H.
1
Harm.
molto rit. w/ bar
1
(8va) (8va)
8
0 0 8 8 8 8
17 17 0 0 7 7 5 7 5 9
0 0 9 0
Pitch: G
-1/2 -1/2
-2 1/2
-6
Free time
A5
8va
fdbk.
(8va)
w/ bar
1 w/ bar
1/2 Harm. Harm.
+1/2
*
88 7
8 8
7 7 0 5
7 0 7 7 0
0 0 0
-1/2 -2 -7 -2 -1 -2 -1 1/2
*4th string caught under ring finger.
8va
_ 1 1/2
8va
loco loco
w/ autopan Harm. fdbk.
w/ bar
_ 1 1/2
3.2
+1
5 5 3.2 00 0
8 8 X 0
0 8 8 X 0
-2 1/2 -2 -1 1/2 -3 1/2
13
from Red Hot Chili Peppers - Return of the Dream Canteen
Fake as Fuck
Words and Music by Anthony Kiedis, Flea, Chad Smith and John Frusciante
Intro
Moderately fast q = 128
C#m B/D# E F#
Rhy. Fig. 1
Gtr. 1 (clean)
mp
5 5 5 5 7 9 9 9 9 11
6 6 6 6 8 9 9 9 9 11
6 6 6 6 9 9 9 9 9 11
4 4 4 4 6 7 7 7 7 9
G#m F# F#sus4 F#
End Rhy. Fig. 1
12 12 12 12 11 11 11 12 11
13 13 13 13 11 11 11 11 11
13 13 13 13 11 11 11 11 11
11 11 11 11 9 9 9 9 9
Verse
1st time, Gtr. 1: w/ Rhy. Fig. 1
2nd time, Gtr. 1: w/ Rhy. Fig. 1 (1st 5 meas.)
C#m B/D# E F#
1. Lis - ten - ing to the great be - yond where mis - di - rec - tion waves its mag - ic
2. Fri - day af - ter - noon is cool. I lost my faith in Sun - day school. De - liv - er me from Liv - er - pool. I feel just like an A - pril
2nd time, Gtr. 1: w/ Rhy. Fill 1 2nd time, Gtr. 1: w/ Rhy. Fig. 1 (last 2 meas.)
G#m F# F#sus4 F#
wand. Ev - ’ry - bod - y sing that song.
fool. Some - one got - ta break the rule.
Rhy. Fill 1
Gtr. 1
G#sus4 G#m
14 12
X 13
13 13
11 11
Copyright © 2022 SONGS OF UNIVERSAL, INC. and ANTJONFLEESMIF PUBLISHING
All Rights Administered by SONGS OF UNIVERSAL, INC.
All Rights Reserved Used by Permission 1
Half-time feel
C#m B'9 E F#
Tues -day morn-ing comes a - long. I read the news, it’s all gone wrong. The facts of life have left too soon. Serv -ing up doom and
Stick - ing to the script. we built an - oth - er sink - ing ship. She’s so a - lone.
Gtr. 1
4 4 9 7 7 7 7 9
5 5 5 5 7 9 9 9 9 11
6 6 6 6 8 9 9 9 9 11
6 6 6 6 9 9 9 9 11
4 4 4 4
To Coda 1
2nd time, Gtr. 1: w/ Rhy. Fill 2
G#m G#mb6 G#m F# F#7 F#6
gloom, nev - er gon - na leave my room. Black
Nev - er gon - na leave my home.
11 11 12 11 9 9 9 12 11
12 12 12 12 11 11 11 11 11
13 13 13 13 11 11 11 11 11
13 13 13 13 11 11 11 11 11
11
C#m7 C#m6 C#m C#m7 B E F#
Cap - ri - corn will blow the horn for all the love that can’t be born to - day.
let ring
7 7 7 7 9
12 11 9 9 9 12 7 9 9 9 9 11
9 9 9 9 9 8 9 9 9 9 11
11 11 11 11 11 9 9 9 9 9 11
7 7
Rhy. Fill 2
G#m7
G#m
Gtr. 1
14 11
12 12
X 13
13 13
2
End half-time feel
G#m G#m['4] F# F#sus4
Ev -’ry - bod - y walk a - way.
11 11 11 9
12 12 12 12 11 12
13 13 13 13 11 11
13 13 13 13 11 11
9 9
Interlude
C#m7
Rhy. Fig. 2 End Rhy. Fig. 2
mf
5 X X X X 5 X X X X 5 X X 5 X X X X 5 X X X X 5 X X 5 X X X X 5 X X X X 5 X X 5 X X X X 5 X X X X 5 X X
4 X X X X 4 X X X X 4 X X 4 X X X X 4 X X X X 4 X X 4 X X X X 4 X X X X 4 X X 4 X X X X 4 X X X X 4 X X
X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X
4 X X X X 4 X X X X 4 X X 4 X X X X 4 X X X X 4 X X 4 X X X X 4 X X X X 4 X X 4 X X X X 4 X X X X 4 X X
Chorus
1st time, Gtr. 1: w/ Rhy. Fig. 2 (2 times)
2nd time, Gtr. 1: w/ Rhy. Fig. 2 (1st 3 meas.)
C#m7
Set ’em on up to knock ’em all down ’n’ take me to your lead - er where the
2nd time, Gtr. 1: w/ Rhy. Fill 3 2nd time, Gtr. 1: w/ Rhy. Fig. 2
*
make - up is fake as fuck. Strap it on in to map it on out. Spin
*w/ ambient echo, 1st time
**
doc - tors wan - na make you think you’re straight up, just out of luck.
**w/ ambient echo, 1st time
F#sus4 F# F#7
Gtr. 1
7 7 7 7 7 7 7 7 7 7 7 7 7 7 6 6 6 X X 12 12 12 12 12 12 12 12 12 12 12 12 12 12
7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 X X 11 11 11 11 11 11 11 11 11 11 11 11 11 11 X X
6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 X X 11 11 11 11 11 11 11 11 11 11 11 11 11 11 X X
11 11 11 11 11 11 11 11 11 11 11 11 11 11 X X
X X
3
Gtr. 1: w/ Rhy. Fig. 2 (1st 3 meas.)
C#m7
Set ’em on up to knock ’em all down ’n’ take me to your lead - er where the make - up is fake as
*
fuck. Strap it on in to map it on out. Spin doc - tors wan - na make you think you’re
Rhy. Fill 3 End Rhy. Fill 3
Gtr. 1
5 X X X X 5 X X X X 5 5 5 X X X X 5 X X X X 5 X X 5 X X X X 5 X X X X 5 X X
4 X X X X 4 X X X X 4 4 4 X X X X 4 X X X X 4 X X 4 X X X X 4 X X X X 4 X X
X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X
4 X X X X 4 X X X X 4 4 4 X X X X 4 X X X X 4 X X 4 X X X X 4 X X X X 4 X X
*w/ ambient echo, 1st time
To Coda 2 D.S. al Coda 1
*
straight up, just out of luck.
5 X X X X 5 X X X X 5 X X 5 5 5 5 5 5 5 5 5
4 X X X X 4 X X X X 4 X X 4 4 4 4 4 4 4 4 4
X X X X X X X X X X X X X X X X X X X X X X
4 X X X X 4 X X X X 4 X X 4 4 4 4 4 4 4 4 4 4 4
*w/ ambient echo
Coda 1
C#m7 C#m6 C#m B'9 E
Moth - er Na - ture can’t go wrong.The sci - ence God’s for - ev - er strong. A float - ing in a great be - yond.
*Gtr. 2 (clean)
mf
w/ tone control rolled off
w/ vibrato effect
let ring let ring let ring
9 12 9 9 12 9 11 12 16 12
9 9 9 9 9 9 9 9 9 12 12 12 12 12 12 12
9 9 9 9 9 11 11 13 13 13 13 13
11 11 11 11 13 14 14 14
*Two gtrs. arr. for one.
Gtr. 1
let ring
9 7 7
12 11 9 9 9 9 9 7 9 9
9 9 9 9 9 9 8 9 9
11 11 11 11 11 11 9 9
7 7
4
D.S.S. al Coda 2
End half-time feel
F# G#m G#mb6 G#m F# F#sus4
Ev -’ry - bod - y sing a - long, Ev -’ry-bod - y rock that song.
8va
let ring let ring let ring
12 16 12 14 16 19 16 16 19 16 14 14
12 12 12 12 14 14 16 16 16 16 16 16 16 16 16 16 14 14
13 13 15 15 16 16 16 16 16 16 16 16 16 16 16 16 15 16
14 14 16 18 18 18 18 18 18 16 16
7 7 9 11 11 12 11
9 9 11 12 12 12 12 11 12
9 9 11 13 13 13 13 11 11
9 9 11 13 13 13 13 11 11
9 9
Coda 2
luck.
Gtr. 1
5 5 5 5 5 5 5 5 5
4 4 4 4 4 4 4 4 4 4 4
X X X X X X X X X X X
4 4 4 4 4 4 4 4 4 4 4
Gtr. 2 (heavy dist.)
f
0
0 0
5
Bridge
Half-time feel
F#5 A5 C#5
*
I’m a lone - ly, lone - ly lord, search - ing all night for the wrong re - ward.
Gtr. 2
4 4 4 4 7 7 7 7 11 11 11
2 2 2 2 5 5 5 5 9 9 9
*w/ ambient echo, till end
C5 D5 C#5
An ap - pe - tite that’s run - ning on all fours.
1/2
10 10 10 12 12 11 11 11 2 0
8 8 8 10 10 9 9 9 0 20 20 0 0
F#5 A5 C#5
Mis - di - rec - tion waves its wand, turn-ing my head from black to blonde.
1/2
9 11 11 11 9
4 4 4 4 7 7 7 7 11 11 11 11
2 2 2 2 5 5 5 5 9 9 9 9
C5
D5 C#5
Like a queen will now be - come the pawn.
1 1
9 9
9 12 9
11
10 10 10 12 12 11 11
8 8 8 10 10 9 9
6
F#5 A5 C#5
Bust - ed on a ship, gon’ take me home. Moth - er named faith made light - ning chrome.
1 1/4
9 11 9 9 11 11 11 9
0
4 4 4 4 7 7 7 0 14 11 11 11 11 11
2 2 2 2 5 5 5 14 9 9 9 9 9
3
C5 D5 C#5
Bust - ed on a ship that’s sail-ing through the foam.
1 1
1
9 12 12 12
9 9 12 12
11
10 10 10 12 12 12 11 11 11 11
8 8 8 10 10 10 9 9 9 9
F#5 A5 C#5
I’m a lone - ly, lone - ly lord. Pick a - noth - er day to be re - stored.
11 11 9 11 11 9 11 0
0
4 4 4 4 7 7 7 7 7 11 11 11 11
2 2 2 2 5 5 5 5 5 9 9 9 9
C5 D5 C#5
rit.
Just a - noth - er fate that’s go - ing o - ver - board.
rit.
10 10 12 12 11
8 8 10 10 9
7
from Red Hot Chili Peppers - Return of the Dream Canteen
Bella
Words and Music by Anthony Kiedis, Flea, Chad Smith and John Frusciante
Intro
Moderately slow q = 85
Gm9 C7 C7sus4 C7
Gtr. 1 Rhy. Fig. 1
(clean)
mf
10 X 10 X X 10 X X 12 X X X 13 13 X X 12
10 X 10 X X 10 X X 11 X X X 11 11 X X 11
10 X 10 X X 10 X X 12 X X X 12 12 X X 12
Gm9 C7 C7sus4 C7
End Rhy. Fig. 1
10 X 10 X X 10 10 X X X X 12 12 X X 13 13 13 13 X X 12
10 X 10 X X 10 10 X X X X 11 11 X X 11 11 11 11 X X 11
10 X 10 X X 10 10 X X X X 12 12 X X 12 12 12 12 X X 12
Verse
Gtr. 1: w/ Rhy. Fig. 1 (3 1/2 times)
Gm9 C7 C7sus4 C7 Gm9 C7 C7sus4 C7
1. She wants to live in L. A. Come put your ash in my tray.
2. She wants to live in L. A., where ev - ’ry dog has her day.
Gm9 C7 C7sus4 C7 Gm9
Once up - on a funk - y crime, we were stand - ing in the line and now we’re walk - ing Mel -
Flip - flops in the toast - er now. Scotch tape on this bro - ken vow and, wow, it’s time to
C7 C7sus4 C7 Gm9
- rose down to Vine. Well, I was ask - ing her to live on my farm
live with - out my pup - py’s chow. I was ask - ing her to live in the sticks
Copyright © 2022 SONGS OF UNIVERSAL, INC. and ANTJONFLEESMIF PUBLISHING
All Rights Administered by SONGS OF UNIVERSAL, INC.
All Rights Reserved Used by Permission 1
C7 C7sus4 C7 Gm9
3
and she was tell - ing me, “No, not to - day.” I was tell - ing her to do no harm
and she was tell - ing me there is no way. The cheek - y mon - key was an an - ar - chist
C7 C7sus4 C7 Gm9 C7 C7sus4 C7
and she was tell - ing me she could not stay. She’d rath - er live in L. A.,
Gm9 C7
down in Ma - ri - na Del Rey.
8va
Gtr. 1
*
10 X 10 X X 10 10 X X X X 12 12 X 18 18 18
10 X 10 X X 10 10 X X X X 11 11 X 17 17 17
10 X X X 10 10 X X X X 12 12 X 17 17 17
*Pick in sixteenth-note rhythm while sliding down.
Pre-Chorus
** Eb5 Bb/D D/F# Gm Eb5 Bb/D
I love her, I need her. Can’t stop un - til I feed her. I want her so bad - ly.
Gtrs. 2 & 3
f
w/ fuzz, phaser & ***delay
3 3 2 3 3 3
0 0 5
6 6 5 5 6 6 5 5
2 3
Gtr. 1
loco
let ring let ring let ring let ring
3 3 2 0 3 3 3
0 0 5
6 6 5 5 6 6 5 5
2 3 3
**Chord symbols reflect implied harmony.
***Delay set for eighth-note regeneration with 4 repeats.
2
To Coda 1
2nd time, Gtrs. 2 & 3: w/ Fill 1
2nd time, Gtr. 1: w/ Fill 1A
F/C Eb5 Bb/D D/F# Gm
Hell no, my name ain’t Brad - ley. I’d wash her and clean her. Please tell me, have you seen her?
2 2 3 3 2 3
3 3 3 0 0 5
3 3 6 6 5 5
2 3
let ring let ring let ring let ring
2 2 3 3 2 0 3
3 3 3 0 0 5
3 3 3 6 6 5 5
2 3 3
Eb5 Bb/D F7/C
Out - last her, drive past her, Mar - ga - ri - ta gon - na be my mas - ter.
Fill 1 End Fill 1
4
3 3 2 2
3 3
6 6 5 5 3 3
Fill 1A End Fill 1A
let ring let ring
4 X
3 3 2 2 X
3 3 X
6 6 5 5 3 3 X
Chorus
Gtrs. 2 & 3 tacet
Eb Bb/D F Fsus4 G5
Bel - la cries and that’s al - right. She’s weep - ing on my shoul - der a - gain. Well,
Gtr. 1
let ring
11 11 11 11 11 11 11 11 11 X 10 10 10 10 10 11
12 12 12 12 12 12 10 10 10 X 10 10 10 10 10 10 10 12 12 12 X
13 13 13 13 13 12 12 12 X 10 10 10 10 10 10 10 12 12 12 X
13 13 13 13 13 13 X 8 8 8 8 8 8 8 10 10 10 X
11 11 10 10 X
3
Eb Bb/D F Gm
Bel - la lies and that’s my type. I wish that I could hold her.
Rhy. Fig. 2
let ring let ring
11 11 11 11 11 X 10 10 10 X 8 8 X 10 10 10 X
11 11 11 11 11 11 X 11 11 11 X 10 10 X 11 11 11 X
12 12 12 12 12 12 12 X 10 10 10 X 10 10 X 12 12 12 X
13 13 13 13 13 13 13 X 12 12 12 X 10 10 X 12 12 12 X
13 13 13 13 13 X 8 8 X 10 10 X
Eb Eb6 Bb/D F Gm
Bel - la cries and that’s al - right. She’s leak - ing on my shoul - der a - gain. Well,
let ring let ring
*T
13 13 13 13 X
11 11 13 13 13 13 11 11 11 10 10 10 10 10 X X 11 11 X
12 12 12 12 12 12 10 10 10 10 10 10 10 10 10 10 X X 12 12 X
13 13 13 13 13 13 12 12 12 10 10 10 10 10 10 10 X X 12 12 X
X X 13 13 8 8 X 10 10 X
11 11 10
*T=Thumb on 6th string.
D.S. al Coda 1
Eb Bb/D F/C D
Bel - la lies and that’s my type. I wish that I could hold...
End Rhy. Fig. 2
let ring
T T
11 11 11 11 11 11 10 10 8 2
11 11 11 11 11 11 11 X X 11 11 X 10 3
12 12 12 12 12 12 12 X X 10 10 X 10 2
13 13 13 13 13 X X 12 12 X 10 0
X 13 13 X 8 0
11 10 2
Coda 1
Chorus
Eb Bb/D F Fsus4 Gm
Bel - la cries and that’s al - right. She’s weep-ing on my shoul-der a - gain. Well,
Gtr. 1 Rhy. Fig. 3 End Rhy. Fig. 3
let ring
11 11 11 11 11 11 11 11 11 X 10 10 10 10 11 11 11 11
12 12 12 12 12 12 10 10 10 X 10 10 10 10 10 10 10 12 12 12 X X
13 13 13 13 13 12 12 12 X 10 10 10 10 10 10 10 12 12 12 X X
13 13 13 13 13 13 X 8 8 8 8 8 10 10 10 X X
11 11 10 10 X
4
Gtr. 1: w/ Rhy. Fig. 2
Eb Bb/D F Gm Eb Eb6 Bb/D
Bel - la lies and that’s my type. I wish that I could hold her. Bel - la cries and that’s al - right. She’s
To Coda 2
F Gm Eb Bb/D
leak - ing on my shoul - der a - gain. Well, Bel - la lies and that’s my type. I
F/C D
wish that I could hold her.
Gtr. 1
let ring let ring
T
8 8 8 2 2 2 2 2 X X
10 10 10 10 10 X 3 3 3 3 3 3 3 3 3 X X
10 10 10 10 10 10 X 2 2 2 2 2 2 2 2 X X
10 10 10 10 10 10 X 0 0 0 0 0 0 0 X
8 8 8 X 0 0 0 0
2 0
Bridge
Eb Bb/D F Gm Eb
Out on the coun - try road, I sold my for - ty. This come - back ep - i - sode,
Rhy. Fig. 4
let ring let ring
10 8 6
8 8 8 8 8 8 8 8 11 10 8 8 8 8 8 8 8 8
8 8 8 8 8 8 8 8 8 8 10 10 7 8 8 8 8 8 8 8 8 8
8 8 8 8 8 8 8 8 8 12 10 8 8 8 8 8 8 8 8 8
6 6 6 6 6 6 6 6 6 6 6 6 6 6 6
5
Bb/D F C/E Eb/G Ebadd9/G Eb/G Bb/F Bbsus4/F Bb/F
hold on, short - y. Yes, Frank Si - na - tra knows. The sum - mer wind will blow
EndRhy. Fig. 4
let ring let ring
10 8 8 11 11 11 11 13 13 11 X X 10 10 10 10 10 10 10 11 11 11 11 10 X X
8 11 10 8 11 11 11 11 11 11 11 X X 11 11 11 11 11 11 11 11 11 11 11 11 X X
8 10 10 9 12 12 12 12 12 12 12 12 12 X X 10 10 10 10 10 10 10 10 10 10 X X
8 12 10 10 13 13 13 13 13 13 X X 12 12 12
6
C/E
and skin - ny morn - ings drop be - low.
Gtr. 2
Gtr. 3
divisi w/ slide
11
13
Gtr. 1
let ring let ring
8 8 8 8 8 10 10 8 10 8 8
8 8 8 8 8 8 8 8 11 8 8 8 8 11 8 8 8 X X
9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 X X
10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 X X
X X
Gtr. 1: w/ Rhy. Fig. 4
Eb Bb/D F Gm Eb Bb/D F C/E
Sold my for - ty to North - ern Jor - die.
Gtr. 2
Gtr. 3
divisi
8 11 8
10 13 10
6
Gtrs. 2 & 3 tacet
Eb/G Ebadd9/G Eb/G Bb/F Bbsus4/F Bb/F
I’ll tell you when I move to hell and then I’ll prove
C/E
the vi - o - lin, oh, said, “Oh, whoa, whoa.”
Gtr. 1
let ring
12 12 12 12 12 12 12 X
13 13 13 13 13 13 13 15 13 13 15 13 13 X
12 12 12 12 12 12 12 12 12 12 12 15 12 12 12 12 12 15 12 12 12 X
14 14 14 14 14 14 14 14 14 14 14 14 14 14 14 14 14 14 14 14 14 X
D/F# Eb/G F/A
Eb Bb/D
And now the mo - ment, the one we no - tice. (Ah, ah, ah, ah,
loco
8va
p
14 14 14 14 14 14 14 X 15 15 15 15 15 X 17 17 17 20 X
15 15 15 15 15 15 15 15 X 16 16 16 16 16 X 18 18 18 18 18 X 4 4 3 3
14 14 14 14 14 14 14 14 14 X 15 15 15 15 15 X 17 17 17 X 3 3 3 3
16 16 16 16 16 16 16 X 17 17 X 19 19 X 5 5 3 3
6 6 5 5
D.S.S. al Coda 2
D5/F Gm Eb Bb/D F7/C F9/C
ah, ah. Ah, ah, ah ah.)
mf
let ring
*
let ring
3 3 3 3 3 3
3 X 3 4 4 3 3 4 4 4 4 4 4 4 4
2 X 3 3 3 3 3 2 2 2 2 2 2 2 2 2 2 2 2 X
0 X 5 5 5 3 3 3 3 3 3 3 3 3 3 3 3 X
0 X 5 6 6 5 5 3 3 3 3 3 3 3 3 3 X
*4th & 5th strings fretted with middle finger.
7
Coda 2
Outro-Chorus
Gtr. 1: w/ Rhy. Fig. 3
F/C Eb Bb/D F Fsus4 Gm
wish that I could hold Bel - la, leak-ing on my shoul - der a - gain. That’s
8va
Gtr. 4 (dist.)
Gtr. 1
let ring f 1
1
*fdbk.
8 8 8 8 8 8 X
10 10 10 10 10 10 10 X 10 11 11 11 10 11 11 X
10 10 10 10 10 10 10 10 10 X
10 10 10 10 10 10 10 X
8 8 8 8
*Microphonic fdbk., not
caused by string vibration.
Gtr. 1: w/ Rhy. Fig. 2 (1st 3 meas.)
Eb Bb/D F Gm Eb Eb6 Bb/D
Bel - la, lit - tle girl, I love my dear. Now Bel - la,
loco _ 1/2 _1 _1 _1
rake
w/ bar
1/2 _ 1/2 _1 _1 _1
1 rake
10 10
13 13 13 11
12 X 12 12 12 12 12
X X
X
F Gm Eb Bb/D F/C
rit.
weep-ing on my shoul-der a - gain. Well, Bel - la.
_1 _1
Gtr. 4
fdbk. w/ bar w/ bar grad. release rit. w/ bar
_1 _1 1/2
10 10
13
12 12 12 12
-1 1/2
Gtr. 1
let ring let ring
T rit.
13 13 13 13 11 11 11 11 11 11 X X 10 10 8
10 10 10 10 10 10 X 11 11 11 X 11 11 11 11 11 11 11 X X 11 11 X 10
10 10 10 10 10 10 10 X 12 12 12 X 12 12 12 12 12 12 12 X X 10 10 X 10
10 10 10 10 10 10 X 12 12 12 X 13 13 13 13 13 13 13 X X 12 12 X 10
8 8 8 8 X 10 10 X X X 13 13 8
11 11 10
8
from Red Hot Chili Peppers - Return of the Dream Canteen
Roulette
Words and Music by Anthony Kiedis, Flea, Chad Smith and John Frusciante
Intro
Moderately q = 100
μ *F#m7 E G/F# D A E
Gtr. 1 (elec.) Rhy. Fig. 1 End Rhy. Fig. 1
mf
w/ clean tone &
stereo doubler effect
5 X 4 X 3 X 2 0 0
5 X 5 X 3 X 3 2 0
6 X 4 X 4 X 2 2 1
*Chord symbols reflect overall harmony.
F#
Gtr. 2 (elec.)
mf
w/ clean tone & reverb
1 1 1 1
17 17 17 17
Gtr. 1 3
let ring 1
1/2 1/2
2 2
2 2
3 4 4 2 2 4 4 4 4 4 4 4 2
4 4 4 4
Gtr. 2 tacet
F#m7 E G Gadd9 D A E7
Gtr. 1
5 X 4 X 3 5 X 2 0 0
5 X 5 X 3 3 X 3 2 0
6 X 4 X 4 4 X 2 2 1
0
Copyright © 2022 SONGS OF UNIVERSAL, INC. and ANTJONFLEESMIF PUBLISHING
All Rights Administered by SONGS OF UNIVERSAL, INC.
All Rights Reserved Used by Permission 1
Gtr. 2 tacet
F#
Gtr. 2
1 1 1
12 12 12
Gtr. 1
3
let ring let ring
2
2
3
4 4 X X 4
4 4 X X 2 4 4 2 0
2 X
Verse
F#m7 E G/F# D A E F#
1. The col-lege years were lean, well, com - in’ out but may - be not so clean, my love.
Gtr. 1
5 X 4 X 3 X 2 0 0 2 X
5 X 5 X 3 X 3 2 0 2 X
6 X 4 X 4 X 2 2 1 3 X
4 X 4
4
2
F#m7 E Esus2 E5 G Gadd9 D A E
And if I stay much long - er my feel - ings for you, they might
Gtr. 2
steady gliss.
X X
X X
X X 15
Rhy. Fig. 2
Gtr. 1
5 7 4 3 5 X 2 0 0
5 5 7 5 3 3 X 3 2 0
6 4 4 4 4 4 X 2 2 1
4 X X
4 X X
2 X X
2
F# F#m7 E
get much strong - er, now. A Mo - to - ro - la co - ma,
let ring
1 1 1
14
14
16 16 16
End Rhy. Fig. 2
2 X 5 7 4 X X
2 X X X X 10 X 10 10 5 5 X X
3 X X X X 9 X 9 9 6 4 X X
4 X 4 4 X X X X
4 4 X X X X 9 9
2 2
G D A E F#
sleep your way in - to a deep di - plo - ma, girl.
1 1 1 1 1
17 17 17 17 17 17
3 5 2 0 0 2 X
3 3 2 0 2 X X X X 14 14 14 14
4 2 2 1 3 X X X X 14 14 14 14
4 X 4 4 X X X 16 16
4 4
2 2
Gtr. 1: w/ Rhy. Fig. 2
F#m7 E Esus2 E5 G Gadd9 D A E F#
At the dor - mi - to - ry you come to pour me one of your best sto - ries, girl.
Gtr. 2
17
14
16
3
Chorus
Gtrs. 1 & 2 tacet
B F#
And I feel your face get - tin’ wet, like the col -
16
Rhy. Fig. 3
*Gtr. 3
(acous.)
let ring mf
let ring throughout
4 4 4 2 2
3 X 4 4 4 3 3 3 3
4 4 4 X 4 4 4 4 4 4 4 4 4 4
4 4 4 4 4 X 2 2 2 2 4 4 4 4 4 4 4
2 2 2 X 2 2 2 2 2 2
*Two gtrs. arr. for one.
B F# G
- or red of rou - lette, and I place my los - ing bet
Gtr. 3
3 3 3 3
4 4 4 2 2 2 0 0 0 0
4 4 4 3 3 3 3 0 0 0 0 0
4 4 4 4 4 4 4 4 4 0 0 0 0
2 2 2 2 4 4 4 4 4 X X X X
2 2 2 2 2 3 3 3 3
D/A E
on your side. And I see
Gtr. 2
9 9
9 9
9 11 9 11 11 9 7
End Rhy. Fig. 3
Gtr. 3
2 2 2 X 0 0 0 0 0 0 0
3 3 3 X 0 0 0 0 0 0 0 0
2 2 2 2 X 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1
0 0 0 0 X 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2
0 0 0 0 X 2 2 2 2 2 2 2 2 2 2 2 2 2 2
0 0 0 0 0 0 0 0 0 0 0 0 0 0
4
Gtr. 3: w/ Rhy. Fig. 3 (1st 3 meas.)
B F# B
your eyes of re - gret, but you gave as good as you get.
Gtr. 2
steady gliss.
11 11 11
11 13 11 11
11 11 11
F# A E
Like the Mas - sa - chu - setts threat, run - nin’ wild.
Gtr. 2
let ring
14 14 14
14 14 14 11 11
13 15 15 15 13 11 11 11
11 11
Gtr. 3 Rhy. Fig. 4
0 0 0 0 0 0
2 2 2 2 2 2 0 0 0 0
3 3 3 3 3 2 2 2 X 1 1 1 1 X
4 4 4 4 4 2 2 2 2 2 X 2 2 2 2 2 X
4 4 4 4 4 0 0 0 0 0 X 2 2 2 2 2 X
2 2 2 2 2 0 0 0 0 0 X
F#
X X 14 14
11 11 11 X X 15 15
11 11 13 11 X X 12 14 14 14
7 13 13 13 11
14 14
End Rhy. Fig. 4
2 2 2 2 2 2 2
3 3 3 3 3 3 3 3
4 4 4 4 4 4 4 4
4 4 4 4 4 4 4 4 4 4
2 2 2 2 2 2 2 2 2 2
5
Verse
Gtr. 1: w/ Rhy. Fig. 1
Gtrs. 2 & 3 tacet
F#m7 E G/F# D A E
2. A pair of dirt - y jeans, well, you would wash in - side my
Riff A
Gtr. 4 (elec.)
mf
w/ clean tone & flanger
P.M.
12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12
F#
brass ma - chine, that’s good.
Gtr. 2
1 1
17 17 14 17
Gtr. 4
End Riff A
P.M.
14 14 14 14 14 14 14 14 14 14 14 14 14 14 14 14 14 14 14 14 14 14 14 14 14
Gtr. 1
2 X
2 X 10 10 10
3 X 9 9 9
4 X 4
4 4 9 9 9 9 9
2
Gtr. 1: w/ Rhy. Fig. 2
Gtr. 4: w/ Riff A (3 times)
F#m7 E Esus2 E5 G Gadd9 D A E F#
Lay - ing on your mat - tress, a thing of beau - ty. We would need more prac - tice now.
Gtr. 2
let ring
14
13 15
6
F#m7 E
Hall and Oates were sing - ing
Gtr. 2
let ring
14
Gtr. 1 3
1 1/2 1
5 X 4 X
5 X 5 X
2 4 4 4 4 4 4 2 6 X 4 X
4 4 4
4
2
G/F# D A E F#
the fun-ny notes that you were al - ways bring - ing, girl.
1 1 1 1 1 1
9 9 9 9 9 9 9
3 X 2 0 0 2 X
3 X 3 2 0 2 X X X X 14 14 14
4 X 2 2 1 3 X X X X 14 14 14
4 X 4 4 X X X 16 16
4
2
Gtr. 1: w/ Rhy. Fig. 2
F#m7 E Esus2 E5 G Gadd9 D A E F#
An el - e - va - tor’s clos - ing, hard to hide when love is so ex - pos - ing.
Gtr. 2
14 14
14 16 14
7
Chorus
Gtrs. 1 & 2 tacet
B F#
And I feel your face get - tin’ wet, like the col -
Gtr. 2
3
let ring let ring
14
13 15 13 14
16 16 16 14
14 16
Gtr. 5 (elec.) Rhy. Fig. 5
mf steady gliss.
w/ dist.
4
4 4
5 14 2 4
14 2
Gtr. 1 Gtr. 3
4 4 4 2 2
3 3 3 4 4 4 3 3 3
4 4 4 4 4 4 4 4 4 4 4 4
4 4 4 4 2 2 2 2 4 4 4 4
2 2 2 2 2 2 2 2
Gtr. 3: w/ Rhy. Fig. 3 (last 6 meas.)
B F# G
- or red of rou - lette, and I place my los - ing bet
Gtr. 5
End Rhy. Fig. 5
P.M.
4
4 4 5
2 4 5
2 3 3
8
D/A E
on your side. And I see
Gtr. 2
let ring
12 12
9 9 12 12
9 9 9 9 9 13 13
9 9 9 9 9
7 11 7 11 11 9 7
Gtr. 5
7 X 9
7 X 9
5 X 7
Gtr. 3: w/ Rhy. Fig. 3 (1st 3 meas.)
Gtr. 5: w/ Rhy. Fig. 5
B F# B
your eyes of re - gret, but you gave as good as you get.
Gtr. 2
steady
gliss.
11 11 11
11 13 11 11
Gtr. 3: w/ Rhy. Fig. 4
F#
A E
Like the Mas - sa - chu - setts threat, run - nin’ wild.
Gtr. 2
14 14 14
14 14 14
13 15 13 15 15
Gtr. 5
4 7 2
4 7 2
2 5 0
9
F#
3
14 14 14
11 11 14 14 14
11 11 11 11 11 11 15 15 15 15
11 11 11 13 11 11 11
11 13 11 13 13 11 9
4 4 4
4 4 4
2 2 2
Bridge
Gtr. 2 tacet
D C#sus4 D C#sus4
Uh, when I drove her to Vil - la - no - va.
Rhy. Fig. 6
Gtr. 3
11 11 11 X X 11 11 X X 11 11 11 X X 11 11 X X
12 12 12 X X 11 11 X X 12 12 12 X X 11 11 X X
12 12 12 12 X X 11 11 X X 12 12 12 12 X X 11 11 X X
10 10 10 10 X X 9 9 X X 10 10 10 10 X X 9 9 X X
Rhy. Fig. 6A
Gtr. 5
12 11 12 11
10 9 10 9
10
D C#sus4 F#m Bsus4/D#
Light me up when you de - cide.
End Rhy. Fig. 6
10 10 X X
11 11 11 X X 11 11 X X 11 11 X X 9 9
12 12 12 X X 11 11 X X 11 11 X X 9 9
12 12 12 12 X X 11 11 X X 9 9 X X 9 9
10 10 10 10 X X 9 9 X X 11 11
End Rhy. Fig. 6A
11 11
11 11 9 9
12 11 9 9 9 9
10 9 11 11
Gtrs. 3 & 5: w/ Rhy. Figs. 6 & 6A (3 times)
D C#sus4 D C#sus4 D C#sus4
Stark a - ro - ma of your Ta - co - ma. A ti - ny box where we re -
F#m Bsus4/D# D C#sus4 D C#sus4
side. I’m bat - tle test - ed, a life in - vest - ed.
8va
Gtr. 6 (elec.)
loco
mf steady gliss.
let ring
w/ dist. 1 1
20
7 7 7
9 9 9
11
D C#sus4 F#m Bsus4/D# D C#sus4
Du - ly not - ed and de - nied. Uh, ful - ly load - ed,
Gtr. 7 (elec.)
mf
w/ dist.
hold bend
1 1 1
17 17
16 16 16 14
16 16
Gtr. 6
let ring
1 1 1 1
12 9 7
9 14 11 9
D C#sus4 D C#sus4 F#m Bsus4/D#
space en - cod - ed. A qui - et night out in the sky.
grad. bend
1 1 1/2 1/2
17 17
18 18 16 18 18 16 16
let ring
1 1 1 1
14 14
7 7 12 17 17
9 9 14
Verse
Gtr. 1: w/ Rhy. Fig. 1
Gtr. 6 tacet
F#m7 E G/F# D A E
3. Your stack of lies was daunt - ing, a trib - ute to your mind but
*Riff B
Gtr. 7
Gtr. 4
Gtr. 4
divisi P.M.
16
12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12
*Riff B refers to Gtr. 4 only.
12
F#
way more haunt - ing now.
Gtr. 4
End Riff B
P.M.
14 14 14 14 14 14 14 14 14 14 14 14 14 14 14 14 14 14 14 14 14 14 14 14 14
Gtr. 1
3
let ring let ring
1/2
2 X 2 5
2 X 2
3 X 4 4 2 2 2 4 4 6 6 4 2
4 X 4 4 4
Gtr. 4: w/ Riff B (3 times)
F#m7 E Esus2 E5 G Gadd9 D A E F#
*
A talk-ing psy - cho kill - er be - trayed the heads of e - ven Hen - ry Mill - er, now.
Gtr. 1
let ring
5 7 4 3 5 X 2 0 0 2
5 5 7 5 3 3 X 3 2 0 2 2
6 4 4 4 4 4 X 2 2 1 3 3
4 4 2 4
2 4
*w/ delay set for quarter-note
regeneration and 4 repeats.
F#m7 E Esus2 E5 G D A E
Con - spir - a - cy’s a theo - ry. I won - der, Tim, if this could
let ring
**T
2 5 X 4 3 X 2 0 0
2 5 X 5 7 5 3 X 3 2 0
3 3 3 3 6 X 4 4 4 4 X 2 2 1
4 4 4 4 4 4
X X X X X
2 2 2 2 2 2 2
**T=Thumb on 6th string.
13
F# F#m7 E Esus2 E5 G
be your Lear - y, love. Ah. She acts like Mar - lon Bran - do.
let ring
2 X 5 7 4 3
2 X X 10 10 10 5 5 7 5 3
3 X 3 X 9 9 9 6 4 4 4 4
4 X 4 4 X
4 4 4 X 9 9 9 9 9
2 2
Gadd9 D A E7 F#
*
Born on - line in - side the San Fer - nan - do.
1
3 5 3 2 0 0 2 13 14 14 14 14 14
3 3 3 2 0 2 2 2 14 14 14 14 14 5
4 4 2 2 1 3 3 3 3 3 16 16 16 16 16 16 16 6 6
0 4 4 4 4 4 4
4 4 4 4 4
2 2
*As before.
Guitar Solo
Gtr. 4: w/ Riff B (2 times)
F#m7 E Esus2 E5 G D A E
Gtr. 2
3
1
3/4
1 1/4 1/2
14 16 16 16 14 14 14 16 16 16 16 16 16
16 16
Gtr. 1
5 7 4 3 5 2 0 0
5 5 7 5 3 3 2 0
6 4 4 4 4 2 2 1
14
"
F#
1 P.H.
3/4
1/2 1/4
14
16 16 16 16 16 16 16 16 16 14 14
16 16
X
Pitch: F#
2 X
2 X
3 X 3 3 3 3 X
4 X 4 4 4 4 4 X
4 4 4 4 X
2 2 2 2 X
F#m7 E Esus2 E5 G Gadd9 D A E
/ 0
rake 1
grad. release hold bend
1 1 1 1
14
17 17 17 17 17
16 16 14 16 16 16 16
X X
X X
5 7 4 3 5 2 0 0
5 5 7 5 3 3 3 2 0
6 4 4 4 4 4 2 2 1
F#
loco
8va
mp mf
12
1
steady gliss.
18
17 17 10 19
7
2 X
2 X 10 10 10 10
3 X 3 3 9 9 9 9
4 X 4 4
4 4 9 9 9 9
2 2
Outro Begin fade Fade out
Gtrs. 1 & 2 tacet
μ[F#5]
15
from Red Hot Chili Peppers - Return of the Dream Canteen
My Cigarette
Words and Music by Anthony Kiedis, Flea, Chad Smith and John Frusciante
Intro Chorus
Moderately slow q = 89
μ
(Drum machine)
My, my, my, my, my, my, my,
my cig - a - rette. My, my, my, my, my, my, my, my cig - a - rette.
One min - ute, please, while I sit back and re - flect. My, my, my, my, my, my, my,
Verse
*Gm
my cig - a - rette. 1. Sip from this glass of ho - urs, we pass like fault - y tow - ers.
*Chord symbols reflect basic implied harmony.
Chorus
Aº Cm Gm Gm
My sweet - ness, it’s not weak - ness. Black holes wink, but she de - vo - urs. My, my, my, my, my, my, my,
Aº Cm Gm
my cig - a - rette. My, my, my, my, my, my, my, my cig - a - rette.
Copyright © 2022 SONGS OF UNIVERSAL, INC. and ANTJONFLEESMIF PUBLISHING
All Rights Administered by SONGS OF UNIVERSAL, INC.
All Rights Reserved Used by Permission 1
Verse
Gm Aº
2. Greek to me, I don’t speak Lat - in. Is - land call - ing, must be Stat - en. Nat King Cole and Dick Van Pat - ten,
Riff A
*Gtr. 1
mp
6 10 8 11
8 X X X X
7 X 3 7 5 8
X 5
5
*Synth arr. for gtr.
Chorus
Gtr. 1 tacet
Cm Gm Gm
New York Dolls all dressed in sat - in. My, my, my, my, my, my, my, my cig - a - rette.
End Riff A Riff B
Gtr. 2 (clean)
mp
let ring let ring
10 6
X X
7 3 12 12
10 12 10 12
Aº Cm Gm
My, my, my, my, my, my, my, my cig - a - rette. Just one pos - ses - sion in the
End Riff B
let ring let ring let ring let ring
8 12 12 15 12
8 10 10 13 10 12 12 15 10 12
Aº Cm Gm
life that we get. My, my, my, my, my, my, my, my cig - a - rette.
let ring let ring let ring let ring
12 8 12 12 12
10 12 8 10 12 13 10 12 12
2
Verse
Gtr. 2 tacet
Gm
3. Jump - ing Jim - i - ny, the cat is in the chim - n - ey. Cur - tain call and I need some an - o - nym - i - ty.
Rhy. Fig. 1
*Gtr. 3
mf
10 10 10 10 8 10 10 10 10
11 11 11 11 10 11 11 11 11
12 12 12 12 10 12 12 12 12
*Synth arr. for gtr.
Aº Cm Gm
Trip my balls beat, lost on Wall Street. We all fall, that’s my cross street.
End Rhy. Fig. 1
10 10 10 10 11 11 10 13 11 10
13 13 13 13 13 13 11 11 11 11
14 14 14 14 12 12 12 12 12 12
Chorus
Gtr. 3: w/ Rhy. Fig. 1
Gm Aº
My, my, my, my, my, my, my, my cig - a - rette. My, my, my, my, my, my, my,
Gtr. 2
let ring let ring
10
12
10 12 8 10
Verse
Gtr. 2 tacet
Cm Gm Gm
my cig - a - rette. 4. This busi - ness of for - give - ness. Free your mind and we bear wit - ness.
Rhy. Fig. 2
Gtr. 3
let ring let ring
10 10 10 10 10 10 10 10
13 11 11 11 11 11 11 11 11 11 11
12 12 12 12 12 12 12 12
10 13 10 12 12
3
Chorus
Gtr. 3: w/ Rhy. Fig. 2
Aº Cm Gm Gm
Bring me wind-shield wip - er flu - id. Clean my slate so I’m not clue - less. My, my, my, my, my, my, my,
End Rhy. Fig. 2
Gtr. 2
let ring
10 10 10 10 11 11 10 13 11 10
13 13 13 13 13 13 11 11 11 11 11
14 14 14 14 12 12 12 12 12 12 12
10 12
Aº Cm Gm
my cig - a - rette. My, my, my, my, my, my, my, my cig - a - rette.
let ring let ring let ring let ring
11 10 13 11 11
12 8 12 12 12
10 12 8 10 10 13 10 12 12
Verse
1st time, Gtr. 1: w/ Riff A
Gtr. 2 tacet
Gtr. 3: w/ Rhy. Fig. 2
Gm
5. Charm - ing mis - ter, dead - pan laugh - ter, walk - ing towards the things we’re af - ter.
6. Jump -ing Jim - i - ny, the cat is in the chim - n - ey. A cur - tain call and I need some an - o - nym - i - ty.
Aº Cm Gm
Danc - ing Da - vid Lee, toast - mast - er. Take some chanc - es, that’s my rap - per.
Smok - ey de - fect, time to re - flect. My game and now we e - ject.
Chorus
1st time, Gtr. 3: w/ Rhy. Fig. 2 (1 1/2 times)
2nd time, Gtr. 2: w/ Riff B
2nd time, Gtr. 3: w/ Rhy. Fig. 1
Gm Aº
My, my, my, my, my, my, my, my cig - a - rette. My, my, my, my, my, my, my,
Gtr. 2
let ring let ring
12 8
10 12 8 10
4
1.
Cm Gm
my cig - a - rette. So man - y day - dreams that I tend to for - get.
let ring let ring
12 12
12 13 13 12 10 12
2.
Aº Cm Gm
My, my, my, my, my, my, my, my cig - a - rette. One min - ute, please, while I sit
Gtr. 3
Gtr. 3
10 10 10 10 11 13 15 13 11 10 10 10 10 10 8
13 13 13 13 13 13 13 11 11 11 11 11 11 11 10
14 14 14 14 12 12 12 12 12 12 12 12 12 12 10
Gtr. 2
Gtr. 2
let ring let ring let ring
8 10
8
12 13
12
13 12 10 12
12
Aº Cm Gm
back and re - flect. My, my, my, my, my, my, my, my cig - a - rette.
10 10 10 10 10 10 10 10 11 11 10 11 10 8
11 11 11 11 13 13 13 13 13 13 11 11 11 11
12 12 12 12 14 14 14 14 12 12 12 12 12 12
3
let ring let ring let ring let ring
11 13 11
12 8 12 12 12
10 12 8 10 10 13 10 12
5
Chorus
Gtr. 3: w/ Rhy. Fig. 2 (2 times)
Gm Aº
My, my, my, my, my, my, my, my cig - a - rette. My, my, my, my, my, my, my,
Gtr. 2
let ring let ring let ring
11 11 10
12 12 8
10 12 10 12 8 10
Cm Gm
my cig - a - rette. Don’t know how hap - py that a per - son can get.
3
let ring let ring let ring let ring
13 11 13 11 11 11
12 12 12 12 12
10 13 10 12 10 12 10 12
Outro-Sax Solo
Gtr. 3: w/ Rhy. Fig. 2 (4 times)
Aº Cm Gm Gm Aº
My, my, my, my, my, my, my, my cig - a - rette.
8va
let ring let ring let ring Harm.
10 8 8
8 8 7 5
8 10 8 10 5 8 5
Pitches: G
D
Gtr. 2 tacet
Cm Gm μ
6
from Red Hot Chili Peppers - Return of the Dream Canteen
Afterlife
Words and Music by Anthony Kiedis, Flea, Chad Smith and John Frusciante
Intro
Moderately q = 94
μ *Dm
**
3
3
3
3 3
Ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha. Long live the
Riff A End Riff A
Gtr. 1 (clean)
mf
w/ slapback delay
Harm.
7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7
7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7
*Chord symbols reflect overall harmony.
**w/ slapback delay, pitched up a perfect 5th and run through a Leslie speaker cabinet.
Gtr. 1: w/ Riff A
**
king. The young grows old with his buf - fa - lo spring. 1. I got a
Verse
Gtr. 1: w/ Riff A
2nd time, Gtr. 2 tacet
Dm
Tu - pe - lo and we’re read - y to go. We gon - na hit it all night with the rock and a roll, and if I’m
get it up for the broth - er - ly cup, and when I bring it on down with the Ja - mis - on Brown. Well, on a
2nd time, Gtr. 1: w/ Fill 1
feel - in’ up - tight, gon - na leave it a - lone. We’re gon - na board up on the flight to the great un - known, well.
cold, cold night round a Bat - on a Rouge, we gon - na make it al - right with Ig - gy the Stooge,
well.
Gtr. 1
Harm.
X X X 15
X X X 15
7 7 7 7 7 7 7 7 7 7 7 7 7 7
7 7 7 7 7 7 7 7 7 7 7 7 7 7
Fill 1
Harm.
15
15
7 7 7 7 7 7
7 7 7 7 7 7
Copyright © 2022 SONGS OF UNIVERSAL, INC. and ANTJONFLEESMIF PUBLISHING
All Rights Administered by SONGS OF UNIVERSAL, INC.
All Rights Reserved Used by Permission 1
Pre-Chorus
D5 C5 A/C# D5 C5 A/C# G5
That’s all I’m say - ing now. Hear what I’m play - ing, yes.
Pull on my lev - er, it’s my guilt - y pleas - ure, yes.
Rhy. Fig. 1 End Rhy. Fig. 1
15
15 15 15 X X 13 X 14 X X 14 15 15 15 X X 13 X 14 X X X 15
14 14 14 X X 12 X 12 X X 12 14 14 14 X X 12 X 12 X X X
0 0 0 0 0
D5 C5 A/C# D5 C5 A/C# G5
High on a light from a - bove. You’re
Born to live life on the run.
15
15 15 15 X X 13 X 14 X 14 X 14 15 15 15 X X 13 X 14 X X X 15
14 14 14 X X 12 X 12 X 12 X 12 14 14 14 X X 12 X 12 X X X
0 0 0 0 0 0
Gtr. 1: w/ Rhy. Fig. 1 2nd time, Gtr. 1: w/ Rhy. Fig. 1 (last meas.)
2nd time, Gtr. 1: w/ Fill 2
D5 C5 A/C# D5 C5 A/C# G5
some - bod - y spe - cial. Well, some - one to wres - tle, now.
Take from this riv - er and give to the o - cean, yeah.
To Coda 1
D5 C5 A/C# D5
Take on the lake of your love.
They gave us more than e - nough.
Gtr. 1
15 15 15 X X 13 X 14 X 14 X 14 15 15 15 15 15 15 15 15 15 15 X X
14 14 14 X X 12 X 12 X 12 X 12 14 14 14 14 14 14 14 14 14 14 14 X X
0 0 0 0 0 0 0
Fill 2
15 15 15 15 X X 13 X 14 X X 14
14 14 14 14 X X 12 X 12 X X 12
2
Chorus
F Fsus4 F C Eb Eb#11 Eb Bb F Fsus4 F C Csus4 C
Long af - ter we have been gone from this song, well, the af - ter - life sings one for
Rhy. Fig. 2
let ring let ring let ring let ring
*T T T
10 10 11 10 8 8 10 8 10 10 11 10
X 9 X 7 X 9 9 10 9
X X X X X X
8 X 6 X 8 X
8 6 8
*T=Thumb on 6th string.
Bb F Fsus4 F C Eb Eb#11 Eb Bb
me. Lost in the length of those warm ass ho - ri - zons, the
End Rhy. Fig. 2
let ring
let ring let ring
T
8 10
10 10 11 10 8 8 10 8
7 X X
X X
8 6
6
D.S. al Coda 1
F Fsus4 F C Csus4 C Bb
af - ter - life knows where I’ll be. 2. We’re gon - na
Gtr. 2 (dist.)
3
f
1
10
12 12 10 12 10 12 10
12
Gtr. 1
let ring let ring
T
10 10 11 10 8 11 X 10 X 8 X 6
X 9 10 7
X X X
8 X X
8 6 6 6
3
Coda 1
Chorus
Gtr. 1: w/ Rhy. Fig. 2
F Fsus4 F C Eb Eb#11 Eb Bb
Long af - ter we have been gone from this song, well, the
Voc. Fig. 1
(Ah. Ah. Ah. Ah.
F Fsus4 F C Csus4 C Bb
af - ter - life sings one for me.
End Voc. Fig. 1
Ah. Ah. Ah.)
To Coda 2
Bkgd. Voc.: w/ Voc. Fig. 1
F Fsus4 F C Eb Eb#11 Eb Bb
Lost in the length of those warm ass ho - ri - zons, the
F Fsus4 F C Csus4 C Bb μ
af - ter - life knows where I’ll be.
Gtr. 2
* f
1 1/2
7 7
Gtr. 1
let ring let ring
T
6 6
10 10 11 10 8 6 6
X 9 10 7 7 7
X X X 8 8
8 X X 8 8
8 6 6 6
*Swell w/ vol. knob.
4
Bridge
Gtr. 2 tacet
Gm[add9] Am[add9]
Ba da ba ba ba. Ba da da ba ba ba ba doo dun
Gtr. 1
5 5 5 5 5 5 5 5 5 X 7 7 7 7 7 7 7 7 7 7 7 7 7 X
3 3 3 3 3 3 3 3 3 X 5 5 5 5 5 5 5 5 5 5 5 5 5 X
3 3 3 3 3 3 3 3 3 X 5 5 5 5 5 5 5 5 5 5 5 5 5 X
5 5 5 5 5 5 5 5 5 X 7 7 7 7 7 7 7 7 7 7 7 7 7 X
Gm[add9] E7#9
doo beh da da ba do bo ba doo dun dee do dun. Bo beh do do do ba da be bo.
5 5 5 5 5 5 5 5 5 5 5 5 5 5 X 3 3 3 3 3 3 3 3 3 3 3 3 3 3 X 5
3 3 3 3 3 3 3 3 3 3 3 3 3 3 X 3 3 3 3 3 3 3 3 3 3 3 3 3 3 X
3 3 3 3 3 3 3 3 3 3 3 3 3 3 X 1 1 1 1 1 1 1 1 1 1 1 1 1 1 X
5 5 5 5 5 5 5 5 5 5 5 5 5 5 X 2 2 2 2 2 2 2 2 2 2 2 2 2 2 X
Gm[add9] Am[add9]
A boo do beh ba ba. A ba da ba ba ba ba do dun
5 5 5 5 5 5 5 5 5 5 5 5 5 5 X 7 7 7 7 7 7 7 7 7 7 7 7 7 7 X
3 3 3 3 3 3 3 3 3 3 3 3 3 3 X 5 5 5 5 5 5 5 5 5 5 5 5 5 5 X
3 3 3 3 3 3 3 3 3 3 3 3 3 3 X 5 5 5 5 5 5 5 5 5 5 5 5 5 5 X
5 5 5 5 5 5 5 5 5 5 5 5 5 5 X 7 7 7 7 7 7 7 7 7 7 7 7 7 7 X
Gm[add9] E7#9 A7
da da. Wa do doo woo ba doo deh do do.
5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 X 3 3 3 3 3 X X X 15 15
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 X 3 3 3 3 3 X X X 14 14
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 X 1 1 1 1 1 X X X 14 14
5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 X 2 2 2 2 2
5
Interlude
Dm
X X X X X X X X X X
X X X X X X X X X X
X X X X X X X X X X
X X X X X X X X X X X
X X X X X X X X X X X
X X X X X X X X X X X
D.S.S. al Coda 2
X X X X X 10 10 10 10 10 10 10 10 10 10 10 10 10 X X
X X X X X X X X X X X X X X X X X X X X
X X X X X 7 7 7 7 7 7 7 7 7 7 7 7 7 X X
X X X X
X X X X
X X X X
Coda 2
F Fsus4 F C Csus4 C Bb
af - ter - life knows where I’ll be.
Gtr. 2
1
17 17 15 15
Gtr. 1
let ring let ring
let ring
T
10 10 11 10 8 6
X 9 10 7 7 7
X X X 8 8
8 X X
8 6
Chorus
Gtr. 1: w/ Rhy. Fig. 2
Bkgd. Voc.: w/ Voc. Fig. 1
F Fsus4 F C Eb Eb#11 Eb Bb F Fsus4 F C Csus4 C
Long af - ter we have been gone from this song, there will be some - thing to
14 14
6
Gtr. 2 tacet
Bb F Fsus4 F C Eb Eb#11 Eb Bb
see. My moth - er said there will be some sur - pris - es. The
Outro-Guitar Solo
F Fsus4 F C Csus4 C Bb μ[Dm]
3
af - ter - life shows them to me. Show me!
15ma
Gtr. 1 loco
let ring
f
let ring w/ dist. * fdbk.
T
10 10 11 10 8 6
X 9 10 X X X 10 10 10 10
X X X 10 12 12 12 12
8 X X
8 6
*Microphonic feedback, not caused by string vibration.
grad. release
1/4 1 1
10 10 10 10 10 10 10 12 12 10 10 12 12 10 10
12 12 12 12 12 12 10 12 12
10 8 10 8
3
fdbk.
3/4 1/2 1 1 1
10 10 12
10 12 12 11 10 10 10 10 10 10
loco
8va
_ 1/2
15ma
/
0
3
w/ bar
3
1 1 w/ bar _ 1/2
fdbk. fdbk. 1/2 fdbk.
**
17 17 18 19 19 19 19
17 17 18 19 19 19 19 0
10 10 10 8 8 8 0
**4th & 5th strings ring sympathetically.
7
8va
_1 _1 8va
loco
w/ bar w/ bar grad. release
_1 _1
1
20 20
19 19 19 18 19 19 19 16 17 17
-1 -1 -1 -1
8va
_1 _1
_1
w/ bar
_1 _1 _1
1/2 1/2 fdbk. fdbk.
17
20 20 20 20 20 20 20 20 20 20 18
-1 -1
8va
_ 1/2
3
3
w/ bar hold bend grad. release
_ 1/2
1 1/2 2
20
18 20 20 20 20 18 18 18
19 19 19 19 17 19
0
8va
3
P.M. molto rit.
w/ bar 1/2
1 1/2 1/2 1
15 15 15
18 18 18 18 18 18
19 19 0
Free time
8va
-3 1/2 -3 1/2
fdbk. fdbk. fdbk. fdbk.
fdbk. fdbk.
w/ bar
-3 1/2 -3 1/2
15 15
12
15 15 15 15 15 15 15 15 15 15 15 15 15 10
0
-1/2 -1/2 -1 1/2 -2 -1
-2 -2 -2
-8
8
from Red Hot Chili Peppers - Return of the Dream Canteen
Shoot Me a Smile
Words and Music by Anthony Kiedis, Flea, Chad Smith and John Frusciante
Intro
Moderately fast q = 146
*G
Gtr. 1 (slight dist.)
(Drums)
mp
w/ slapback delay
let ring throughout
7 7
8 8
7 7 7 7 7 7 7 7 7 7 7 7
*Chord symbols reflect basic harmony.
Verse
G F
1. Swim-ming a - round, there’s some- thing new to be found. It’s such a beau - ti - ful sound, bare na - ked feet on the ground.
Riff A End Riff A
7 7 5
8 8 6 6
7 7 7 7 7 7 7 7 7 7 7 7 5 5 5 5 5 5 5 5 5 5 5 5
Am G
Swim-ming a - round and I will sing you a song al - ways. A
8 7
10 10 8 8
9 9 9 9 9 9 9 9 9 9 9 9 7 7 7 7 7 7 7 7 7 7 7 7
F Am
nau - ti - cal mile, you be the sun to my dial. I’ll be the rank in your file, just come with me for a while. A
Riff B End Riff B
5 8
6 6 10 10
5 5 5 5 5 5 5 5 5 5 5 5 9 9 9 9 9 9 9 9 9 9 9 9
Copyright © 2022 SONGS OF UNIVERSAL, INC. and ANTJONFLEESMIF PUBLISHING
All Rights Administered by SONGS OF UNIVERSAL, INC.
All Rights Reserved Used by Permission 1
G F
nau - ti - cal mile and I will shoot you the breeze al - ways.
7 5
8 8 6 6
7 7 7 7 7 7 7 7 7 7 7 7 5 5 5 5 5 5 5 5 5 5 5 5
Am G
Flow - ers in bloom, I get ’em off on the moon. To make my ba - by go boom, I put my grease in your spoon.
Riff C
8 7
10 10 8 8
9 9 9 9 9 9 9 9 9 9 9 9 7 7 7 7 7 7 7 7 7 7 7 7
F Am
Flow-ers in bloom, and you’re the col - ors of June some days.
End Riff C
*Gtrs. 1 & 2 (slight dist.)
mf
5 8 8 8 8 8 8 8 8 8 8 8 8 8 8
6 6 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10
5 5 5 5 5 5 5 5 5 5 5 5 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9
*Composite arrangement
Chorus
Dm F Am F Dm
Here we come, we’re not far a - way and I’ll tell you more when I come to stay.
Rhy. Fig. 3
*
6 6 6 10 10 10 10 10 6 6 6 X X
7 7 7 10 10 10 9 10 7 7 7 X X
7 7 7 10 10 10 10 10 7 7 7 X X
5 5 5 8 8 8 5 5 5 X X
*2nd time, w/ modulation effect.
2
C Em7 Am Em Dm
Shoot me a smile and I will show you the love al - ways.
End Rhy. Fig. 1
*
5 5 5 8 8 8 10 8 6 6 6 6 6 6
5 5 5 7 7 7 9 9 7 7 7 7 7 7 7
5 5 5 9 9 9 10 9 7 7 7 7 7 7 7
3 3 3 7 7 7 5 5 5 5 5 5 5
*2nd time, w/ modulation effect.
Gtrs. 1 & 2: w/ Rhy. Fig. 1 (1st 4 meas.)
F Am F Dm
Here we come and we’re ver - y close and I’ll give you more with this mi - cro - dose.
To Coda
C Em7 Am Em Dm
Shoot me a smile and I will show you the love al - ways.
Gtrs. 1 & 2
**
5 5 5 5 X X 8 8 8 10 8 6 6
5 5 5 5 X X 7 7 7 9 9 7 7
5 5 5 5 X X 9 9 9 10 9 7 7
3 3 3 3 X X 7 7 7 5 5
**2nd time, w/ modulation effect.
Verse
Gtr. 1: w/ Riff A
Gtr. 2 tacet
G F
2. Out on the road, I’ve got some cas - es to load, some oth - er plac - es to go, some oth - er fac - es to know.
Am G
Out on the road, where I will show you the love pa - rade. A
Gtr. 1
8 7 10 8 7 8
10 10 8
9 9 9 9 9 9 9 9 9 9 9 9 7 7 7 7 7 7 7 7 7
3
Gtr. 1: w/ Riff B
F Am
lat - er - al move with noth - ing bet - ter to prove. Just hang-ing out with the crew, I’ll put the wop in your doo. A
G F
lat - er - al move with noth-ing bet - ter to prove some days.
Gtr. 1
1
7 5
8 8 6 10 10
7 7 7 7 7 7 7 7 7 7 7 7 5 5 5 5 5 5 5 5 5
Am G
Give me a home; I can - not make it a - lone. I need to share what I own, I’ll be the cream in your cone.
8 7 8 7
10 10 8 8 8 6
9 9 9 9 9 9 9 9 9 9 9 9 7 7 7 7 7 7 7 7 7
D.S. al Coda
Gtr. 1: w/ Riff C (last 4 meas.) Gtr. 2: w/ Riff C (last meas.)
F Am
Give me a home and I will show you the love al - ways.
Coda
Bridge
Dm C
I don’t ev - er wan - na lose my head,
Gtrs. 1 & 2
6 6 6 6 X X 5 5
7 7 7 7 7 X X 5 5
7 7 7 7 7 X X 5 5
5 5 5 5 5 X X 3 3
4
Dm C
last name’s Hot and my first name’s Red. I don’t ev - er wan - na
6 6 5
7 7 5
7 7 5
5 5 3
Dm μ
get so tight, wear - ing it loose, ah, like a sum - mer’s night.
5 5 6
5 5 7
5 5 7
3 3 5
Verse
Gtr. 1: w/ Riff A
Gtr. 2 tacet
G F
3. Strap - pin’ for cash, I’m eat - ing bang - ers and mash and I re - mem-ber The Clash and I re - mem-ber The Clash.
Am G
Strap - pin’ for cash, but I will make you feel safe al - ways.
Gtr. 1
8 7 8 7
10 10 8 8 6
9 9 9 9 9 9 9 9 9 9 9 9 7 7 7 7 7 7 7 7 7
5
F Am
Bring it a - round just like the fox and the hound, be- cause it’s o - pen - ly crowned; I’m on a mer - ry - go - round.
5 8 10 8
6 6 10
5 5 5 5 5 5 5 5 5 5 5 5 9 9 9 9 9 9 9 9 9 9 9
G F
Bring it a - round and I will sleep with a smile al - ways. I
1
7 8 7 5
8 8 6 10 10 8 10
7 7 7 7 7 7 7 7 7 7 5 5 5 5 5 5
Gtr. 1: w/ Riff C
Am G
nev - er be - gan be - cause I’m nev - er to end. I’m gon - na buck ev - ’ry trend, I’m gon - na make you my friend. I
Gtr. 2: w/ Riff C (last meas.)
F Am
nev - er be - gan, but I will give you a start al - ways.
Chorus
Gtrs. 1 & 2: w/ Rhy. Fig. 1 (1 1/2 times)
Dm F Am F Dm
Here we come, we’re not far a - way and I’ll tell you more when I come to stay.
Gtr. 3 (slight dist.)
mf
*w/ delay let ring
12 12 13 12
13 13 13 13 10 10 10 10
12 14 12 14
*Set for dotted eighth-note regeneration w/ 1 repeat.
6
C Em7 Am Em Dm
Shoot me a smile and I will show you the love al - ways.
3
let ring let ring
1
8 12
8 8 8 12 12 15 15 13
14 14 12
F Am F Dm
Here we come and we’re ver - y close and I’ll give you more with this mi - cro - dose.
let ring
1
12 12 13 12 8
13 13 13 13 13 10 10
14 14 12 14
C Em7 Am Em Dm
rit.
Shoot me a smile and I will show you the love al - ways.
Gtr. 3
rit.
8 8 8 8 8 8 10 8 10
9 9 9 9
Gtrs. 1 & 2
rit.
5 5 5 8 8 8 10 8 6
5 5 5 7 7 7 9 9 7
5 5 5 9 9 9 10 9 7
3 3 3 7 7 7 5
7
from Red Hot Chili Peppers - Return of the Dream Canteen
Handful
Words and Music by Anthony Kiedis, Flea, Chad Smith and John Frusciante
Intro
Moderately slow q. = 94
**Bm
*Gtr. 1 (clean)
mp Harm.
w/ slight tremolo
let ring throughout
7
7
9
7
*Doubled throughout
**Chord symbols reflect basic harmony.
8va
loco
Harm.
7
7 7 7
7 7
9 9
8va
Harm. Harm.
*
7 7 7 7 5
7 7 3.1
7 9
Pitch: B D
*Harmonic located one-tenth
the distance between the
3rd & 4th frets.
Verse
Bm A
1. I wan - na splash some wa - ter all o - ver my face.
Riff A
loco
7 5
7 6
9 7
Copyright © 2022 SONGS OF UNIVERSAL, INC. and ANTJONFLEESMIF PUBLISHING
All Rights Administered by SONGS OF UNIVERSAL, INC.
All Rights Reserved Used by Permission 1
Bm F#m
4
I’ll stick and move, you know, I don’t feel no dis - grace.
End Riff A
9
7 10
7 9 11
9
Bm A
I’ll take it all off so ev - ’ry - one can see
7 5
7 6
9 7
Bm F#m
the dam - age that I am, all the trou - bles that I be.
Fill 1 End Fill 1
9 9
7 10 10
7 9 11 9 11
9
Pre-Chorus
G D Em
Some - one to roll me right o - ver,
Fill 2 End Fill 2
1
10 7
12 10 8 12 12
12 11 9
12
2
G D A A#º
hand - ful of love when it’s time to get old - er, and...
10 9 9
12 10 10 11
12 11 9 9
12 11 11
Verse
Gtr. 1: w/ Riff A
Bm A
2. There’s a chap - ter in my book that I don’t want you to read.
3. I need to see you com - in’ ’round my front door.
Bm F#m
There’s a chap - ter in my life where I failed to suc - ceed.
It don’t mat - ter why; nah - nah - nah - nah - nah - nah, no, it don’t mat - ter what for.
2nd time, Gtr. 1: w/ Fill 3
Bm A
2
I wan - na take your smell in - side my dirt - y mind.
Let’s turn your bod - y in - to a drive - in mov - ie screen.
1/2
7 5 7 7
7 6 6
9 7
Fill 3
Gtr. 1
1/2
6 6
7
3
2nd time, Gtr. 1: w/ Fill 1
Bm F#m
You put a spell on me, no I’m not the dy - ing kind.
You can shoot ’em all down so they won’t steal my dream.
End Riff B
Riff B
9 9 10 9
7 10 10 10
7 9 11 9 11
9
Pre-Chorus
2nd time, Gtr. 1: w/ Fill 2
G D Em
Some - one to roll me right o - ver.
1
10 7 12 12
12 10 8
12 11 9
12
G D A
hand - ful of love when it’s time to get old - er.
10 9 9
12 10 10 10
12 11 9 9
12 11 11
Chorus To Coda
C G D
Some - one to love for the rest of your days
8 7 5
8 8 7 7 8 7
9 7 7 9 7
10 9 7 9
4
C G D
out on the road.
8 7 5
8 8 7
9 7 7 7 9 7
10 9 7 7 9 9
C G D
Sky turns to wa - ter and night in - to days,
8 7 5
8 8 7
9 7 7 7 9 7
10 9 7 9 7
9
D.S. al Coda
C G A A#º
some - one to hold.
Rhy. Fig. 1 End Rhy. Fig. 1
8 7 9 9
8 8 10 11
9 7 9 9
10 9 11 11
Coda
C G D
days out on the road.
8 7 5
8 8 7
7 9 7 7
7 9 7 10 9 7
9
5
C G D
Sky turns to wa - ter and night in - to days,
10 8 7 5
10 8 8 7
7 11 9 7 7 7 9 7
10 9 7 7 9 9
Gtr. 1: w/ Rhy. Fig. 1
C G A A#º
some - one to hold.
Guitar Solo
* Bm C#º Em
Gtr. 2
(slight dist.)
4
mf
1
7 10 7 7
10 7
9 9
Gtr. 1
7 5 8
7 X X X
X 7 5 9
9
*Chord symbols reflect overall harmony.
D F#m G A#º
4
4
1/4 1
9 7 6 9 9 9 9 7 6
7 9 7
7 10 12
X X X 6
7 11 12 X
7
6
Bm D C#º Em
1
1
7 8
6 7 9 9 10 10
7 5 8
7 X X X
X 7 5 9
9
D F#m G A#º
1
9 10 9
7
11 9 7 9
tremolo off
7 10 12 12 14 14
X X X X X
7 11 12 12 14 14
Bm D C#º A/E
1/2 1/2 1
7
6 6 4 6 6 6 7 7 7 6
w/ dist.
7 9 7 5 5 7 5 4
7 5
7
D F# G A#º
1
1 1
7 9
7 10 12
7 9
5 4 5 5 7 5 4 4
6
Bm D C#º A/E
1
hold bend
1 1/2
17
17 17 17 15 17 15 14 15 17
7 9 7 5 5 7 9 7 5 4
7 5
D F# G A#º
loco
8va
grad release
let ring
1/2
19
15 17 17 14
dist. off
tremolo on
4 5 4 5 5 16 16
6
8
Verse
Gtr. 1: w/ Riff A Gtr. 2 tacet
Bm A
4. I wan - na splash a lit - tle love on your face.
Gtr. 2
mp
1
17
Bm F#m
You fill me right up; oh you put me in my place.
Bm A
God on - ly knows what she’s got up her sleeve.
Gtr. 1
1/2
7 5 7 7
7 6
9 7
Gtr. 1: w/ Riff B
Bm F#m
God on - ly goes to the plac - es that we need.
Pre-Chorus
G D Em
Some - one to roll me right o - ver.
Gtr. 1
1
10 7 12 12 10 12
12 10 8
12 11 9
12
9
G D A
hand - ful of love when it’s time to get
10 9
12 10 10
12 11 9
12 11
G D Em
old - er. Some - one to roll me right
9 10 7
10 12 10 8
9 12 11 9
11 12
G D
o - ver. hand - ful of love when it’s
1
10
8 8 12 10
12 11
12
A
time...
9
10
9
11
10
from Red Hot Chili Peppers - Return of the Dream Canteen
The Drummer
Words and Music by Anthony Kiedis, Flea, Chad Smith and John Frusciante
Intro
Very fast q = 175
**Am Dm/A C/A E/A Am F/A G/A Am
Rhy. Fig. 1
*Gtr. 1
(Drums)
mf
w/ fingers
1 3 1 0 1 0 1
2 2 0 1 2 2 0 2
2 3 2 2 2 3 0 2
3
*Synth arr. for gtr. **Chord symbols reflect overall harmony.
Dm/A Am C/A G/A F/A C/A Dm/A Am
End Rhy. Fig. 1
1 0 0 1
3 1 1 0 1 3 1
2 2 0 0 2 0 2 2
2 0 3 2
3
Verse
Gtr. 1: w/ Rhy. Fig. 1
Am Dm/A C/A E/A Am F/A G/A Am
1. Stay a - wake. Fall a - sleep.
Dm/A Am C/A G/A F/A C/A Dm/A Am
Take a look at what you think and what you real - ly need to keep. My at - oms are in - di - vis - i - ble.
Verse
Am Dm/A C/A E/A Am F/A G/A Am
2. Shut it up. Run it down.
Gtr. 2 Riff A
(clean)
mp
12 X 12 X X 12 X 12 X 12 X 12 X 12 X X 12 X 12 X 12 X
13 X 13 X X 13 X 13 X 13 X 13 X 13 X X 13 X 13 X 13 X
Gtr. 1
0 1 0 0 0 0
1 3 1 0 1 1 3 1
2 2 0 1 2 2 4 2
3 5
Copyright © 2022 SONGS OF UNIVERSAL, INC. and ANTJONFLEESMIF PUBLISHING
All Rights Administered by SONGS OF UNIVERSAL, INC.
All Rights Reserved Used by Permission 1
Dm/A Am C/A G/A F/A E/A
Live a life that’s un - der -ground, a heat - ed love that’s not al-lowed. A Dum Dum Club is in - ad - mis - si - ble.
End Riff A
12 X 12 X X 12 X 12 X 12 X 12 X 12 X X 12 X 12 X 12
13 X 13 X X 13 X 13 X 13 X 13 X 13 X X 13 X 13 X 13
Rhy. Fig. 2 End Rhy. Fig. 2
1 0
3 1 1 0 1 0
2 2 0 0 2 1
2 0 3 2
Chorus
Gtr. 2 tacet
D5 Dmaj7 E E6 E7
Let’s make a wish as we en - ter the lift, ’cause the
Gtr. 1 Rhy. Fig. 3
3 2 0 0 2 3
2 2 1 1 1 1
0 0 2 2 2 2
A E Esus4 F#m
sys - tem’s a rel - a - tive bore. The
2 0 0 2
2 1 2 2
2 2 2 4
2
D5 Dmaj7 E E6 E7
drum - mer is lean - ing with - out an - y mean - ing out -
3 2 0 0 2 3
2 2 1 1 1 1
0 0 2 2 2 2
A G#º F#m
side of the Club Trou - ba - dour.
5 3 2
6 4 2
7 6 4
To Coda
D D6 E Esus4 E
I don’t know you and I don’t know what’s true an - y -
End Rhy. Fig. 3
0 0
2 4 1 2 1
4 4 2 2 2
5 5 2
Interlude
Gtr. 1: w/ Rhy. Fig. 1 (1st 4 meas.)
Am Dm/A C/A E/A Am F/A G/A Am
more. Whispered: Yeah, yeah.
3
Dm/A G#º/A C/A Bm/A F/A E/A
Gtr. 1
6 3 5 3 1 0
7 4 5 4 2 1
7 6 5 4 3 2
Verse
Gtr. 2: w/ Riff A
Am E7/A Am E/A Am F/A G/A Am
3. Walk it back. Get the knack.
0 0
1 3 1 0 1 1 3 1
2 4 2 1 2 2 4 2
2 2 2 3 5 2
D.S. al Coda
Gtr. 1: w/ Rhy. Fig. 2
Dm/A Am C/A G/A F/A E/A
In - for - ma - tion to un - pack a gui - tar in a gun - ny sack. And my best move is in the crim - i - nal.
Coda
Bridge
Esus4 E Fm Cm G Ab
Let’s move like the Chap - a -
true an - y - more.
Gtr. 2
mf
w/ dist.
1
18 18 15 15 15 15 15 16
17
Gtr. 1
3
0 0 1 4 3 4
2 1 1 5 4 5
2 2 3 5 6
4
Eb F
tu - la do. I’d be down to wal - low in New Or - leans.
1
16 16 16 16 11 11 13 13 11 13
4 1
5 3 2
6 5 3
6
Fm Cm G Ab
See - through sun - rise on the
w/ bar
grad. ascent 1 1
11 13 18 18 15 15 15 15 16
0 0
-1
-2 1/2
3
1 1 4 3 4
2 1 5 4 5
3 3 5 6
5
Ebmaj7 F
Wa - ter - loo. Slits are rath - er fan - cy when they’re form - ing.
1 1/2
16 16 16 16 11 13 13 15 15 13 13
let ring
4 3 1
5 3 2
6 5 3
6
Interlude
Ab Bb Am Dm/A C/A G#º/A Am F/A
I do.
steady gliss. dist. off
1/2 1
15 15 16 16 15 17 17 10
4 3 1 6 5 3 5 1
5 3 2 7 5 4 5 2
6 3 2 7 5 6 7 3
Gtr. 2 tacet
G/A Am Dm/A G#º/A C/A Bm/A F/A E/A
Gtr. 1
3 5 6 3 5 3 1 0
4 5 7 4 5 4 2 1
5 7 7 6 5 4 3 2
Verse
Gtr. 1: w/ Rhy. Fig. 1 (1st 4 meas.)
Gtr. 2: w/ Riff A (1st 4 meas.)
Am Dm/A C/A E/A Am F/A G/A Am
4. Bet - ter days on the way.
6
Gtr. 1: w/ Rhy. Fig. 2
Dm/A Am C/A G/A F/A E/A
Flow-ing like a man - ta ray, the Dod-gers made a dou - ble play. My dance moves are sub sub - lim - i - nal.
Gtr. 2
12 X 12 X X 12 X 12 X 12 X 12 X 12 X X 12 X 12 12 12
13 X 13 X X 13 X 13 X 13 X 13 X 13 X X 13 X 13 13 13
Chorus
Gtr. 1: w/ Rhy. Fig. 3
D5 Dmaj7 E E6 E7
Let’s make a wish as we en - ter the lift, ’cause the
mf
w/ dist. 1/2
13 13 13 14 16
16
A E Esus4 F#m
sys - tem’s a rel - a - tive bore. The
1
1/2
16 16 14 13 13 14
D5 Dmaj7 E E6 E7
drum - mer is lean - ing with - out an - y mean - ing out -
1
14 15
14 14 16 16 16 16
7
A G#º F#m
side of the Club Trou - ba - dour.
8va
16 17
17 15 14 17
D D6 E Esus4 E
I don’t know you and I don’t know what’s true an - y -
loco
1 1/2
15 17 17 12 14 14
Outro
A E/G# F#m C#m
more. Oh. Lis - ten to my one re - quest.
Gtr. 2
1
14 13 16 16 13
Gtr. 1
2 0 2
2 1 2 1
2 2 4 2
4
8
Dm
rit.
I don’t know you and I don’t know what’s true an - y -
15ma
fdbk. rit.
don’t pick
15 15
rit.
2
3
5
Free time
A μ
more.
loco
*fdbk.
w/ bar
grad. dive 1/2
14
14 14 14
-1
*Microphonic fdbk., not caused by string vibration.
2
2
4
5
9
from Red Hot Chili Peppers - Return of the Dream Canteen
Bag of Grins
Words and Music by Anthony Kiedis, Flea, Chad Smith and John Frusciante
Intro
Moderately q = 113
E5 Em
*Gtr. 1 (clean)
mp
P.M.
0
0
0
2
2 2 2 2 2 2 2 2 2
0 0 0 0 0 0 0 0 0
*Two gtrs. arr. for one.
0 0
0 0
0 0
2 2
2 2
0 0
Verse
Em Gm Bbm Em
1. In my day, I could hear them say Mis - ter K was aw - f’ly close.
Rhy. Fig. 1
let ring throughout
0 0 0 3 3 3 6 6 6 0 0 0
0 0 0 3 3 3 6 6 6 0 0 0
0 0 0 0 0 3 3 3 3 3 6 6 6 6 6 0 0 0 0 0
2 2 2 2 2 5 5 5 5 5 8 8 8 8 8 2 2 2 2 2
2 2 2 2 2 5 5 5 5 5 8 8 8 8 8 2 2 2 2 2
0 0 0 0 0 0 0 0 0 0
Gm Bbm Em
Now we take that bow, you know, cuz it’s time to meet your ghost. And I don’t
End Rhy. Fig. 1
0 0 0 3 3 3 6 6 6 0 0 0
0 0 0 3 3 3 6 6 6 6 0 0 0
0 0 0 0 0 3 3 3 3 3 6 6 6 6 6 0 0 0 0 0
2 2 2 2 2 5 5 5 5 5 8 8 8 8 8 2 2 2 2 2
2 2 2 2 2 5 5 5 5 5 8 8 8 8 8 2 2 2 2 2
0 0 0 0 0 0 0 0 0 0
Copyright © 2022 SONGS OF UNIVERSAL, INC. and ANTJONFLEESMIF PUBLISHING
All Rights Administered by SONGS OF UNIVERSAL, INC.
All Rights Reserved Used by Permission 1
Bbm Em
un - der - stand.
6 6 6 0 0 0 0 0
6 6 6 0 0 0 0 0 0 0 0
6 6 6 6 6 0 0 0 0 0 0 0 0 0 0 0
8 8 8 8 8 2 2 2 2 2 2 2 2 2 2 2
8 8 8 8 8 2 2 2 2 2 2 2 2 2 2 2
0 0 0 0 0 0 0 0 0 0 0
Verse
Gtr. 1: w/ Rhy. Fig. 1
Em Gm Bbm Em
2. Mi - no - taurs and jag - u - ars are at my fin - ger’s tip.
Gm Bbm Em
Fall - ing up through the mus - tard gates and I think I broke my hip. And I don't
Bbm Em
un - der - stand. I do not un - der - stand.
Rhy. Fig. 2 End Rhy. Fig. 2
Gtr. 1
6 6 6 0 0 0 0 0 0
6 6 6 0 0 0 0 0 0 0 0
6 6 6 6 6 0 0 0 0 0 0 0 0 0 0 0
8 8 8 8 8 2 2 2 2 2 2 2 2 2 2 2
8 8 8 8 8 2 2 2 2 2 2 2 2 2 2 2
0 0 0 0 0 0 0 0 0 0 0
Gtr. 2 (dist.) Fill 1 End Fill 1
mf
7 19
2
Chorus
Gtr. 1 tacet
B5 Bb5 A5 Ab5 F5 E5 F5 F#5 F5 E5
Nine o’ - clock, I turn my heels and sigh for one last time.
Rhy. Fig. 3 End Rhy. Fig. 3
*Gtrs. 2 & 3
0
0
9 9 8 8 7 7 6 6 3 2 3 4 3
9 9 8 8 7 7 6 6 3 2 3 4 3
7 7 6 6 5 5 4 4 1 0 0 1 2 1
*Gtr. 3 (dist.), played mf
Composite arrangement
B5 Bb5 A5 Ab5 F5 E5 F5 F#addb13
Ten thir - ty, I tied my chi and died up on the vine.
let ring
**T
3 3 3 3 3
3 3 3 3 3
9 9 8 8 7 7 6 6 3 2 3 4 4 4 4 4 4
9 9 8 8 7 7 6 6 3 2 3 4 4 4 4 4 4
7 7 6 6 5 5 4 4 1 0 0 1 2 2
**T = Thumb on 6th string.
Verse
Gtr. 1: w/ Rhy. Fig. 1
Gtrs. 2 & 3 tacet
Em Gm Bbm Em
3. Send me out to the pas - ture, love, with a clos - et full of whips. The
Gm Bbm Em
cor - o - ner spins with his bag of grins as he’s sew - ing up my lips. And I don’t
Gtr. 1: w/ Rhy. Fig. 2
Gtr. 2: w/ Fill 1
Bbm Em
un - der - stand.
w/ slide
mf
Gtr. 4 (slight dist.)
Gtr. 5 (slight dist.) mf
divisi steady gliss. steady gliss.
w/ slide
3 12
5 14
steady gliss. steady gliss.
3
Chorus
Gtrs. 2 & 3: w/ Rhy. Fig. 3
Gtrs. 4 & 5 tacet
B5 Bb5 A5 Ab5 F5 E5 F5 F#5 F5 E5
Voc. Fig. 1 End Voc. Fig. 1
Nine o’ - clock, I turn my heels and sigh for one last time.
(Ah.)
Bkgd. Voc.: w/ Voc. Fig. 1
B5 Bb5 A5 Ab5 F5 E5 F5 F#addb13
Ten thir - ty, I tied my chi and died up on the vine. I
Gtrs. 2 & 3
let ring
T
3 3 3
3 3 3
9 9 8 8 7 7 6 6 3 2 3 4 4 4 4
9 9 8 8 7 7 6 6 3 2 3 4 4 4 4
7 7 6 6 5 5 4 4 1 0 0 1 2 2 0
F5 E5 F5 F#addb13
died up on the vine.
let ring
T T
3 3 3 3 3 3 3
3 3 3 3 3 3 3
3 2 3 4 4 4 4 4 4 4 4
3 2 3 4 4 4 4 4 4 4 4
1 0 0 1 2 2 2
Bridge
Gtrs. 2 & 3 tacet
F# Bm
Sud - den - ly when the mo - ment comes and it’s har -
Rhy. Fig. 4 End Rhy. Fig. 4
Gtr. 1
11 11 11 7 7 7
11 11 11 11 11 7 7 7 7 7
11 11 11 11 11 9 9 9 9 9
9 9 9 9 9 9 9 9 9 9
7 7 7 7 7
4
Gtr. 1: w/ Rhy. Fig. 4 (2 times)
F# Bm F# Bm
- mo - ny or rage, flow - ers cry on the corpse of love and it’s
Gtr. 1 tacet
G5 F#5 F F#5
time to turn your page.
Gtr. 2
5 5 4 4 3 3 3 3 X X 4 4
5 5 4 4 3 3 3 3 X X 4 4
3 3 2 2 1 1 1 1 X X 2 2 14
Rhy. Fig. 5 End Rhy. Fig. 5
Gtr. 3
let ring
1
2 2
5 5 4 4 3 3 X X 4 4 4 4 X X
5 5 4 4 3 3 X X 4 4 4 4 X X
3 3 2 2 1 1 X X 2 2 2 2 X X
Guitar Solo
Gtr. 3: w/ Rhy. Fig. 5 (3 times)
F F#5 F
Gtr. 2
f
1 1
7 7 8 8 8 8 8 10 10 10 10 11 11
F#5 F F#5
2
2
1 1/2
11 11 11 11 11 15 15 15 15 16 16 16 16 16 18 19
5
Verse
Gtr. 1: w/ Rhy. Fig. 1
Gtrs. 2 & 3 tacet
F F#5 Em
4. Mis - ter and Mis - ses Au
Gtr. 2
w/ bar
grad. ascent
+1
+1/2
12 12
12 12
0
19 19 19 19 19 19 20 0
Gtr. 3
let ring
1 1
2 2 2 2
3 3 3 3 X X 4
3 3 3 X X 4
1 1 1 X X 2
Gm Bbm Em
Con - traire, I think they’ll soon ar - rive. All the trea - sures you
Gtr. 1: w/ Rhy. Fig. 2 (1st meas.)
Gm Bbm Em Bbm
have saved, your chil - dren now di - vide. And I don‘t un - der - stand.
Chorus
Gtr. 2: w/ Fill 1 Gtr. 1 tacet
Em B5 Bb5
I do not un - der - stand. Nine o’ - clock, I
(Ah.)
Gtr. 1 Gtrs. 2 & 3
0 0 0 0 0 0 0 0 0
0 0 0 0 0 0 0 0 0
0 0 0 0 0 0 0 0 0
2 2 2 2 2 2 2 2 2 9 9 8 8
2 2 2 2 2 2 2 2 2 9 9 8 8
0 0 0 0 0 0 0 0 0 7 7 6 6
6
Bridge
A5 Bb5 F# B5
turn my heels and... Sud - den - ly when the mo - ment comes and it’s har -
let ring
X X 11 11 11 X X
X X 11 11 11 X X
7 7 8 8 X X 11 11 11 11 11 X X 9 9 9 9 9 X X
7 7 8 8 X X 9 9 9 9 9 X X 9 9 9 9 9 X X
5 5 6 6 X X 7 7 7 7 7
F# B5 F#
- mo - ny or rage, flow - ers cry on the corpse
let ring let ring
11 11 11 11 X X 11 11 11 11
11 11 11 11 X X 11 11 11 11
11 11 11 11 11 X X 9 9 X X 11 11 11 11 11 X X
9 9 9 9 9 X X 9 9 X X 9 9 9 9 9 X X
X X 7 7 X X
B5 G5 F#5 F5
of love and it’s time to turn your page.
9 9 9 9 9 X X 5 5 4 4 X X 3 3 3 3 3 3 3
9 9 9 9 9 X X 5 5 4 4 X X 3 3 3 3 3 3 3
7 7 7 7 7 X X 3 3 2 2 X X 1 1 1 1 1 1 1
7
F#addb13
let ring
T
X X
3 3 3 3 3 3 3 3 X X
3 3 3 3 3 3 3 3 X X
3 3 3 3 3 3 3 X X 4 4 4 4 4 4 4 4 4 4 4 4 4 4 X X
3 3 3 3 3 3 3 X X 4 4 4 4 4 4 4 4 4 4 4 4 4 4 X X
1 1 1 1 1 1 1 X X 2 2 2 2 2 2 X X
Outro
Em C5 G
I am some - where else, my love, and I think you‘ll know just where
Voc. Fig. 2
(Oh.
Rhy. Fig. 6
let ring
let ring
T
0 0 0 3 3 3 3 3
0 0 0 3 3 3 3 3 X X
0 0 0 X X 5 5 5 5 5 X X 4 4 4 4 4 X X
2 2 2 2 2 X X 5 5 5 5 5 X X 5 5 5 5 5 X X
2 2 2 2 2 X X 3 3 3 3 3 X X 5 5 5 5 5 X X
0 0 0 0 0 X X 3 3 3 3 3
B Em C5
to find me. Out in an in - ter - stel - lar place and there’s noth -
Oh.)
let ring let ring
X X 0 0 0
4 4 4 4 4 X X 0 0 0
4 4 4 4 4 X X 0 0 0 X X 5 5 5 5 5 X X
4 4 4 4 4 X X 2 2 2 2 2 X X 5 5 5 5 5 X X
2 2 2 2 2 X X 2 2 2 2 2 X X 3 3 3 3 3 X X
X X 0 0 0 0 0 X X
8
G B
- ing left here to de - fine me.
End Voc. Fig. 2
End Rhy. Fig. 6
T
3 3 3 3 3 X X
3 3 3 3 3 X X 4 4 4 4 4 4 4 4 4 4 4 X X
4 4 4 4 4 X X 4 4 4 4 4 4 4 4 4 4 4 X X
5 5 5 5 5 X X 4 4 4 4 4 4 4 4 4 4 4 X X
5 5 5 5 5 X X 2 2 2 2 2 2 2 2 2 2 2 X X
3 3 3 3 3 X X
1st time, Gtrs. 2 & 3: w/ Rhy. Fig. 6
2nd time, Gtrs. 2 & 3: w/ Rhy. Fig. 6 (1st 8 meas.)
Bkgd. Voc.: w/ Voc. Fig. 2
Em C5 G
You are some - where else good, love, and this life of crime, that’s all
B Em C5
be - hind me. We are all just space and love, and I think
1. 2.
G B
B
you’ll know that’s who de - signed me. Yeah! de - signed
Free time
E5
rit.
me.
Gtr. 2
6
6
rit. *
4 4 4 4 4 4 4
4 4 4 4 4 4 4
4 4 4 4 4 4 4 2 2
2 2 2 2 2 2 2 2 2 3 3 4 4 5 5 5 5 6 6 6 2
0 0 0 0
*Tap edge of pick against string to sound notes.
Gtr. 3
rit.
P.S.
4 4 4 4
X X X
4 4 4 4
4 4 4 4 2
2 2 2 2 2
0 X
9
from Red Hot Chili Peppers - Return of the Dream Canteen
La La La La La La La La
Words and Music by Anthony Kiedis, Flea, Chad Smith and John Frusciante
Intro Verse
Slow q = 65
Am9 Am7 Fmaj7 Am9 Fmaj7
3 3
1. I wan-na spend my life with you, mess a - round with things to do.
3. I wan-na spin my wheels with you, win and lose some deals with you.
5. In - do - ne - sia, that’s my groove; it does-n’t mat - ter where we move.
Rhy. Fig. 1
*Gtr. 1
mp
**T T
3 0 7 0
1 1 8 1
4 2 2 9 2
5 2 3 10 3
3 0 X 0 X
5 1 1
*Kybds. arr. for gtr. **T = Thumb on 6th string
G6 Fadd9 G6 Fadd9
3
We could start a fam - i - ly feud, laugh so hard they’ll think we’re rude.
Tell me how it feels for you to or - der Hap - py Meals for two.
I lost you at the Ve - gas Louvre, but we don’t need no rings to prove.
End Rhy. Fig. 1
T T
0 3 0 3
3 1 3 1
0 2 0 2
0 3 0 3
2 X 2 X
3 1 3 1
Verse
Gtr. 1: w/ Rhy. Fig. 1
Am7 Fmaj7 Am9 Fmaj7
2. I’ll fuck up and get so mad, act just like my bro - ken dad.
4. And when it all seems out of reach, we’ll clean up plas - tic off the beach.
6. Crip - pled by some loop - ing fears, the rip - ples of a lost ca - reer.
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All Rights Administered by SONGS OF UNIVERSAL, INC.
All Rights Reserved Used by Permission 1
G6 Fadd9 G6 Fadd9
Chris Co - lum - bus sol - i - taire, whis - tle when you want me there.
Your fig - ure is a per - fect speech, you’ll be Chong and I’ll be Cheech.
Phone call from a fi - nan - cier, and no one lives like Nor - man Lear.
Pre-Chorus
Csus4 C Am Em
Give me your hon - ey. Well,
Gtr. 1
0 0
6 5 1 0
5 5 2 0
5 5 2 2
3 3 0 2
0
Dm F
I won’t spend it in one place, bend - ed knee to get a taste.
T
1 1 1
3 3 1
2 2 2
0 0 3
X
1
Chorus
Fmaj7 G6
La, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la.
Rhy. Fig. 2
T
0 0 0 0 0 0
1 1 1 3 3 3
2 2 2 0 0 0
3 3 3 0 0 0
X X X 2 2 2
1 1 1 3 3 3
2
Bb Dm
Pull back the cur - tain.
End Rhy. Fig. 2
1 1 1 1
3 3 3 3
3 3 3 2
3 3 3 0
1 1 1
Gtr. 1: w/ Rhy. Fig. 2
Fmaj7 G6
La, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la.
D.S.
(no repeat)
Bb Dm
You are that per - son.
Outro-Verse
Am9 Fmaj7 Am9 Fmaj7
3
3 3
7. I wan - na spend my life with you, stare at space be - fore it’s through.
Gtr. 1
T T
7 0 7 0
8 1 8 1
9 2 9 2
10 3 10 3
0 X 0 X
1 1
G6 Fadd9 G6 Fadd9
Ev - ’ry day’s the same, but new. E - ven when it’s old, that’s cool.
T T
0 3 0 3
3 1 3 1
0 2 0 2
0 3 0 3
2 X 2 X
3 1 3 1
3
from Red Hot Chili Peppers - Return of the Dream Canteen
Copperbelly
Words and Music by Anthony Kiedis, Flea, Chad Smith and John Frusciante
Intro
Moderately q = 130
μ * Dm Dm/C# C A
Gtr. 1 (clean) Riff A
mf
let ring throughout
10 10 8 10 11
10 10 9 9
12 12 11 11 10 10 11 11 11
*Chord symbols reflect overall harmony.
Dm Dm/C# C A
End Riff A
10 10 8 5
10 10 9 6
12 12 11 11 10 7
Verse
Gtr. 1: w/ Riff A (1st 4 meas.)
Dm Dm/C# C A
1. An - y - one can see clear - ly you’re made for this king - dom.
2. Cop - per - bel - ly wan - na tell you there’s no - bod - y out there.
Dm Dm/C# C A
Danc - ing on the cold roof while your lem - on tree cries.
Take it on the chin as you look for the win.
Gtr. 1
End Riff B
Riff B
12 9
10 10 13 10
10 10 12 9
12 12 11 11 14 11
15 12
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All Rights Administered by SONGS OF UNIVERSAL, INC.
All Rights Reserved Used by Permission 1
Dm Dm/C# C A
An - y - one can see dear - ly that you’ve got to bring them, oh.
Cop - per - bel - ly wan - na tell you that you bet - ter not dare.
9
10 10 8 10
10 10 9 9
12 12 11 11 10 10 11 11 11
Dm Dm/C# C A
Nev - er make an - oth - er bed where your en - e - my lies.
Cop - per - bel - ly wan - na sell you a tub full of gin.
8 9
10 10 8 10
10 10 9 9
12 12 11 11 10 11
10 12
Gtr. 1: w/ Riff A (1st 4 meas.)
Dm Dm/C# C A
Tread not a - way from your heart.
We all suf - fer our loss - es.
Gtr. 1: w/ Riff B
Dm Dm/C# C A
Sweat not right from the start.
We all know the bad breaks.
Gtr. 1: w/ Riff A (1st 4 meas.)
Dm Dm/C# C A
Cop - per - bel - ly hid - in’ out there in ev - er - y mir - ror.
Sleep - ing on the sled of this old west - ern de - cline.
2
Dm C/E F Bb A
Cop - per - bel - ly try to fill you with mean - ing - less fear.
Liv - ing in your head tak - ing way too much time.
Gtr. 1
10 9
10 8 10 11 10
10 9 10 10 9
12 12 10 10 10
Chorus
Gtr. 1 tacet
F6sus2 Fsus2 Csus2 Csus4 G5 Gsus4 G5 Gm7
Some - one’s in love with e - mo - tion - al pain.
*Gtrs. 2 & 3
End Rhy. Fig. 1
(dist.) Rhy. Fig. 1
6 6 6
8 8 8 8 8 8 8 8 8 6 6 6 8 8 8 8 8 8 8 8 8 6 6 6
7 7 7 5 5 5 7 7 7 5 5 5 7 7 7 5 5 5 7 7 7
*Composite arrangement.
2nd time, Gtrs. 2 & 3: w/ Fill 1
Ebmaj7 Eb6 Bb6 Bbsus2 Csus2 C5 Cm μ
Keys to this king - dom that come with your name.
steady gliss.
8 20 20 20 20 18 17 14 13 11 9
8 8 8 8 8 8 8 8 8 6 6 6 8 8 8 8 8 8 20 20 20 20 18 17 14 13 11 9
7 7 7 5 5 5 7 7 7 5 5 5 7 7 7 5 5 8 20 20 20 20 18 17 14 13 11 9 7 7
Fill 1
6 6 8 8 10 10
8 8 8 8 8 8 6 6 8 8 10 10
7 7 7 5 5 5
3
Gtrs. 2 & 3: w/ Rhy. Fig. 1
F6sus2 Fsus2 Csus2 Csus4 G5 Gsus4 G5 Gm7
I
I don’t wan - na go, she don’t wan - na know, they don’t want to so, so, so, so.
don’t wan - na go, she don’t wan - na know, and they don’t wan - na go, so, so, so.
To Coda 1 D.S. al Coda 1
Ebmaj7 Eb6 Bb6 Bbsus2 Csus2 C5 μ
Eas - y to need when it all reads the same.
Gtr. 2
8 8 8 8 8 8 8 8 8 6 6 6 8 8 8 8 8 8
7 7 7 5 5 5 7 7 7 5 5 5 7 7 7 5 5 5
21 21
Gtr. 3
1/2
8 8 8 8 8 8 8 8 8 6 6 6 8 8 8 8 8 8
7 7 7 5 5 5 7 7 7 5 5 5 7 7 7 5 5 5
21 21
Coda 1 Interlude
Gtrs. 2 & 3 tacet
Csus2 C5 μ D5 F5 D5 F5 G5
all reads the same.
Gtr. 2
steady gliss.
8 8 8 8 8 X X
7 7 7 5 5 X X
20 20 20 20 20 18 17 14 12 10 8
Gtr. 3
steady gliss.
7 8 8 8 8 8
7 7 7 5 5 5
18 19 19 20 20 20 18 15 13
4
Ab5 G5 F5 G5 F5 D5 F5 D5 F5 G5 Ab5 G5 F5
Guitar Solo
D5 F5 D5 F5 G5 Ab5 G5 F5 G5 F5
" "
Gtr. 4
(dist.)
6
3 3
f 1
hold bends
1/2 1/2 *fdbk.
1/2
14 14 14 14 14 14 14 14 14
14 14 14 14 14 14 14 14 14
X
*Microphonic feedback, not caused by string vibration.
D5 F5 D5 F5 G5 Ab5 G5 F5 D5 F5 D5 F5 G5
8va
loco
/0
** fdbk. fdbk.
P.H.
(15ma)
1/2 1 1/2
X
13 13 12 5 5
13 13 5
X X 10 10 10 17
X
0
**As before.
Ab5 G5 F5 G5 F5 D5 F5 D5 F5 G5 Ab5 G5 F5
/ 0
3 grad. bend grad. bend 1 1/2 steady
1/2 gliss.
1
15 15 15 15
15 14 14 14 16
18 15 2 2
17 14
17 18 16 17
17 17 18
D5 F5 D5 F5 G5 Ab5 G5 F5 G5 F5 D5 F5 D5 F5 G5
/ 0 /0 / 0
† hold bends
*** 1
1
1/2 1/2 1/2
1/2
17 17 17 20 20 20 20 20 20 20
19 19 19 19 20 20 20 20
19 19 0
17 17
***4th string caught on ring finger. †3rd string caught on ring finger.
5
Ab5 G5 F5 D5 F5 D5 F5 G5 Ab5 G5 F5 G5 F5
/ 0
8va
5 A
1 1/2
1/2
1/2
1/2 1 1/2
19 16
20 18 16
20 20 20 19 19
X
17 17 20
18 0
Interlude
Gtr. 1: w/ Riff A
D5 F5 D5 F5 G5 Ab5 G5 F5 Dm
loco
15ma
1/2 1 1/2 P.S. fdbk.
15
15 16 16
X
X X 0
16 X 0
X
Gtr. 4 tacet
Dm/C# C A
Dm Dm/C# C A
Verse
Gtr. 1: w/ Riff A (1st 4 meas.)
Dm Dm/C# C A
3. Clock - work is Or - ange and built for com - pres - sion.
Voc. Fig. 1
(Ah.
6
Gtr. 1: w/ Riff B
Dm Dm/C# C A
Stum - bl - ing up - stairs, am I some - bod - y who?
End Voc. Fig. 1
Ah.)
Gtr. 1: w/ Riff A
Bkdg. Voc.: w/ Voc. Fig. 1
Dm C#+ C A
Start work is free and so full of im - pres - sions.
Dm Dm/C# C A
Ab - strac - tion face and I look just like you.
Outro
Slower q = 121
E F#m E/G# A
Take me by my warm hand and I’ll be there.
Gtr. 1
9
9 11 9 6
11 9 7
C# D
molto rit.
I’ll be in your eve - ning chair.
molto rit.
6
6 7
9
7
from Red Hot Chili Peppers - Return of the Dream Canteen
Carry Me Home
Words and Music by Anthony Kiedis, Flea, Chad Smith and John Frusciante
Intro
3
Slowly q. = 44 =
* C#m E
Gtr. 1 (dist.)
f
3 3
1 1 1
12 12
11 9 11 9 11
9 9 11 9 9 11
*Chord symbols reflect implied harmony.
B F# C#m
3 3
3
1/2 1 hold bend 1 1 hold bend
9
12 12
9 11 11 11 9 11 11 11 11 9 11
11
loco
E B F#
8va 8va
3
3
P.H. P.H.
1/2 1 1 1 1
11 11 9 9 9
11 9 11 11 9 9
11 9 9 7 9 7 9 7 9 7 9 11 9 7
Verse
Gtr. 1 tacet
C#m E B
1. Cel - lu - loid sol - diers come in from the rain. Mur - der my smile, but, please
3. Kick down the doors that you don’t un - der - stand. Please, don’t lose sight of this
**Gtr. 2 (clean)
let ring
mf
let ring let ring let ring let ring
9 7 7 9 7 7 9 9 11
9 9 9 9 9 9 9 7 7 7 X
9 9 9 9 9 9 8 8 8 8 8
11 11 9 9 9 9 9 9
11 11
**Two gtrs. arr. for one.
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All Rights Administered by SONGS OF UNIVERSAL, INC.
All Rights Reserved Used by Permission 1
F# C#m E
leave me my pain. All those good peo - ple, they don’t e - ven try,
gen - er - ous plan. Blind - ed by pri - sms, we wind up in court.
let ring let ring let ring let ring let ring
7 9
9 11 11 11 12 11 9 9 7 9 9 7
9 11 11 11 11 11 9 9 11 9 9 9 9 9
11 11 11 11 11 11 11 9 9 9
11
B B6 *F#/B A
steal - ing the truth while they pay for your lie.
I’m fold - ing chairs while you sold your - self short.
let ring
3
let ring let ring
7
7 9 7 5 5 7 5
8 8 8 8 6 6 6 6 6
9 9 9 9 8 7 6
9
*Bass plays B.
Verse
C#m E
2. I’m a - bout to lose the things I nev - er saw be - fore. You want - ed me to know the ups and downs. A -
4. She`s a - bout to re - de - fine the way, re - mind - ed me to say the oth - er way was right. She’s in a
let ring let ring
9 7 7 9
9 9 12 9 9
9 9 9 9 9
11 11 11 9 9 9
11
B F#
way we go to get a - noth - er hit, the it, the blood that she’s a - bout to spit.
place to pray for me and now she got - ta flat to flash the funk - y light, ah.
let ring let ring let ring let ring
7 7 9 9 11 7 9 12
7 7 7 X 9 11 11 12 12
8 8 8 8 9 11 11 11
9 9 9 11 11
2
T o Coda
C#m E B F#/B
You go your way and I guess I’ll go mine. We’ll both ar - rive at the
You’ve got your way and it seems I’ve got mine.
3
let ring let ring
9 9 9 9 7 7 7
9 9 9 11 9 9 9 9 9 8 6
11 11 11 11 9 9 9 9 9 8
11 11
Chorus
A G© E B C©m
ver - y same time. Please give me your tired, give me your poor.
mp
5 4
6 5
7 6 2
2 2 4 4
0 0 2 3
E B C©m
Please lift up your lamp, walk through this door. loco
Gtr. 1
3
Gtr. 2 *fdbk.
divisi 1
14
X
2 4 2
2 2 4 4 2 4
0 0 2 3 1 2 4 4
*Microphonic fdbk.,
not caused by string
vibration.
Guitar Solo
Gtr. 2 tacet
C#m E B
Gtr. 1
3
3
**fdbk. grad. release
1
1/2
1
12 X 14 12 14 14 12
12 12 14 12 14 12
**Micorphonic fdbk. as before
3
F# C#m
3
3
1
1 1/2 1
14 12 14 12 14 12 14 12 12 14 12 12 14 12
14 14 17 17
16
D.S. al Coda
E B F#
8va loco
3
3
let ring
1 1 hold bend 1 *T 1
16 18
14 14 16 16 14 14 16 14 16 16 16 16 14
16 15
14 14
X
14
*T = Thumb on 6th string
Coda
B F#/B A G©
Both gon - na die at the ver - y same time.
7 7 5 4
8 6 6 5
9 8 7 6
Interlude
Gtr. 2 tacet
E B C©m
Riff A End Riff A
Gtr. 1
1/4
2
2 2 4 4 4 2 4 4
0 0 2 3 1 2 4 1 4 3
E B C©m
3
1 1
11 11 11 9
2 4 2
2 2 4 4 4
0 0 2 3 1 2 4 9 12
4
Outro
Gtr. 1: w/ Riff A
E B C©m
Mar - ry me, ma - ma, that’s some - one to car - ry me home.
E B C©m
Stick with me, girl - friend, I don’t want to be here a - lone.
Gtr. 1
**
*fdbk. 1
1 1/2
1/4 1/2
14 14 14 12
X 14 14
2
2 2 4 4 4 X 14
0 0 2 3 1 2 4
*Microphonic fdbk., not caused by string vibration.
Gtr. 1: w/ Riff A **2nd string caught
under bend finger.
E B C©m
Mar - ry me, ma - ma, that’s some - one to car - ry me home.
E B C©m
Stick with me, girl- friend, I don’t want to be here a - lone.
Gtr. 1
3
2 4 2
2 2 4 4 4 2 4 4
0 0 2 3 1 2 4 1 4 3
Gtr. 1 tacet
E B C©m
Gtr. 2
mp 1/4
2
2 2 4 4 2 4
0 0 2 3 1 2 4 1 4 3
E B C©m
2
2 2 4 4 2 4
0 0 2 3 1 2 4
5
from Red Hot Chili Peppers - Return of the Dream Canteen
In the Snow
Words and Music by Anthony Kiedis, Flea, Chad Smith and John Frusciante
Intro
Moderately slow q = 86
*E E,7 E E,7 G#5 G#5/F# G#5 G#5/F#
Riff A End Riff A
4 2
Gtr. 1 (clean) (Drum machine)
**
3
mp
w/ phaser
let ring throughout
9 9 9 9 9 9 9 9
9 9 9 8 9 9 9 8 8 8 8 8 8 8 8 8
6 6 6 6 6 6
9 9
*Chord symbols reflect basic harmony.
**Numbers on staff are fret-hand fingerings.
E E,7 E E,7 G#5 G#5/F# G#5 G#5/F#
1. My
Riff B End Riff B
9 9 9 9 9 9 9 9
9 9 9 8 9 9 9 8 8 8 8 8 8 8
6 6 6 6 6
9
Verse
1st time, Gtr. 1: w/ Riff A
2nd & 3rd time, Gtr. 1: w/ Riff A (1st 3 meas.)
E E,7 E E,7
mates have all gone mar-ried now; off liv - ing in a kin - dred cloud (I’m)
check my stu - pid phone a - gain, no mat - ter that it’s four A - M; it
ev - ’ry - thing that feels so nice come with an in - vert - ed price? I
Copyright © 2022 SONGS OF UNIVERSAL, INC. and ANTJONFLEESMIF PUBLISHING
All Rights Administered by SONGS OF UNIVERSAL, INC.
All Rights Reserved Used by Permission 1
2nd & 3rd time, Gtr. 1: w/ Fill 1 1st & 2nd time, Gtr. 1: w/ Riff B
3rd time, Gtr. 1: w/ Riff A
G#5 G#5/F# G#5 G#5/F# E E,7
not that kind. They cud - dle up with kit - ten’s bone, (they)
burns my eyes. A spot - light born to shine at night,
still don’t know. The ball is clear - ly in my court and
To Coda
E E,7 G#5 G#5/F# G#5 G#5/F#
pud - dle in their bed at home, I still can’t find.
come what may it al - ways might burn so bright.
I am hap - py to re - port it’s mov - ing slow.
1.
Pre-Chorus
Esus2 Esus2/D# Esus2 Esus2/D# B'9
Tell me what you want to see. Tell me what you want and I’ll take my time and I’ll
Riff C
Gtr. 1
*T
7 7
9 9 9 9 6 8 8
9 9 9 9 9 9 9
7 6 7 6 9 11
7
*T = Thumb on 6th string.
C#5 Esus2 Esus2/D# Esus2 Esus2/D#
move it for - ward, now. Do you want to come with me? Do you want to come? And I’ll
End Riff C
w/ pick
& finger
7 7
7 7
9 9 9 9 9
9 9 9 9 9
11 7 6 7 6
9
Fill 1
Gtr. 1
9
8 8 8 8
6 6
9
2
2.
B Bsus4 C#5 B5 C#5
take my time and I’ll move it clos - er, now. 2. I take my time and I’ll
T
9
9
8 9
11
9 9 11
7 9 7 7 9
Esus2 Esus2/D# Esus2 Esus2/D#
move it for - ward, now. Do you wan- na come with me? Do you wan-na come? And I’ll
7 7
9 9 9 9
9 9 9 9 9 9
11 7 6 7 6
9
B5 C#5 B5 G#m
take my time and I’ll move it clos - er now.
4
6
9 9 11 11 11 9 6
7 7 9 9 7 4
Chorus
B5 C#5 B5 G#5 G#sus4
Slow ro - de - o. Roll o - ver, roll o - ver.
6
9 9 11 11 9 6
7 7 9 7 4
3
B5 C#5 B5 G#5 G#sus4 G#m G#sus2
Slow ro - de - o in the snow.
13 11
9 9 11 9 11 11 11 14 13
7 7 9 7 11 11 11 11 11
B5 C#5 B5 G#5 G#sus4
Slow ro - de - o. Hold o - ver, roll o - ver.
4
6
9 9 11 11 9 6
7 7 9 7 4
B5 C#5 B5 G#5
Slow ro - de - o in the snow.
9 9 11 11 9 11 11
7 7 9 7 11
1. 2.
Interlude D.S. al Coda
Ld. Voc.: w/ *Recitation 1
Asus2 G#sus2 G#
3. Does
T T T T T
4
4 4 3 5 3
7 7 7 7 6 6 6 6
7 7 7 7 6 6 6 6
5 5 5 5 4 4 4
*See additional lyrics
4
Coda
Pre-Chorus
Gtr. 1: w/ Riff C
Esus2 Esus2/D# Esus2 Esus2/D# B
Tell me what you want to see. Tell me what you want and I’ll take my time and I’ll
C#5 Esus2 Esus2/D# Esus2 Esus2/D#
move it for - ward, now. Do you want to come with me? Do you want to come? And I’ll
B C#5 B5 G#5 G#sus4 G#5
take my time and I’ll move it clos - er now.
Gtr. 1
T
4
8 9 11 6
6
9 11 9 6
7 9 7 4 4 4
Chorus
B5 C#5 B5 G#5
Slow ro - de - o. Roll o - ver, roll o - ver.
4
4
9 9 11 11 9 6
7 7 9 7 4
B5 C#5 B5 G#5 G#sus4
Slow ro - de - o in the snow.
6
6
9 9 11 11 11 9 6
7 7 9 7 4
5
B5 C#5 B5 G#5
Slow ro - de - o. Hold o - ver, roll o - ver.
11
13
13 13 13
9 9 13 11 9 11 11 11
7 7 9 7 11
Interlude
Ld. Voc.: w/ *Recitation 2
G#sus2
11 11 11
13 13 11 13 13 13 13 13
13 13 13 13 13 13 13 13 13 13 13
*See additional lyrics
14 11
11 11 11 14
13 13 13 13 13 13
13 13 13 13 13 13 13 13 13
14 11
11 11 11 11 14
13 13 13 13 13 13 13 13
13 13 13 13 13 13 13 13 13 13 13 13
11
11 12 11 11 11
13 13 13 13 13 13
13 13 13 13 13 13 13 13
6
14 11
11 14 11 11 14
13 13 13 13 13 13 11 13
13 13 13 13 13 13 13 13 13 13 13 13 13
11
11 11 11
13 13 11 13 13 13 11 13 13 13 13
13 13 13 13 13 13 13 13 13 13
μ
11
13
13
Additional Lyrics
Recitation 1. High waisted, she tasted
Like a salacious confrontation salvation
From the salivating demarcation
Of Columbian incarnation
Of the patron saint of palliation.
Her milk framed and rose satin
Untamed by the silk
That framed her Manhattan trap door
Which became duly unbattened.
She’s Latin,
Out cattin’.
Recitation 2. Of a humbling Columbian,
Two socks and a tumble in her slumber skin.
The summer wind, we crumble some,
The rock and rumble of a tumbling bubble gum.
Some other umbrella trellis forgot to tell us
The mellow tangelo is jealous.
For the various and not necessarily contrary shell show,
She said, “Hell, no.”
The cock bottom temple varies like Autumn,
Lights soft the cost,
The Fibonacci lost her sauce
Into the last remaining hostage boss, sweet toss,
Now I lay me down to reap
The sleep of your selective sedative.
Repetitive, an uncredited she comes,
Well vetted, gracefully and studied.
Blue steadiness, the wrath, the math,
The not yet fractured tabernacle of the Basil Rathbone.
And the last disaster casting
Impassible laughter blocks my path.
Blue chaff,
Blue chaff,
Blue chaff.
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