Professional Documents
Culture Documents
Agamas and South Indian Vaishnavism
Agamas and South Indian Vaishnavism
Dr. V. Varadachari, 1982. Agamas and South Indian Vaishnavism. Chapter X pages
407-426.
Every society has codes for ethics helpful to its well being. The standard of
good conduct and moral behavior enjoined by them vary from individual to
individual and from one stratum of society to another. All such codes and
standards among the Hindus derive from the Vedas.
The Vaisnava traditon enjoins the vertical variety, on the authority of the
Vedas.
The urdhva-pundra is claimed to keep away evil spirits, 1426. It must be worn to
ensure purity, while offering sandhya prayers, doing homa, worshipping God,
studying the Vedas and such other religious activities, 1427. Otherwise, they
will be futile, 1428.
The material used for the pundra is white mud; 1429 sandal and some other
things, recommended in different contexis, are held apply to only particular
persons 1430. The white mud should be taken from only select spots like
Sriangam, Venkatadri, Srimusnanm, Tirunarayanapuram, Vrsabhadri
(Tirumalirunsolai), banks of rivers, ant hills, the areas where tulasi grows and
holy places, 1431.
The urdhva-pundra has to start at the tip of the nose and rise upwards in
parallel columns with some space in between them, where a red or yellow vertical
line is drawn with the help of a powder made of turmeric and other ingredients
1432 and called “Sricurna”.
Several opinions are recorded about the shape of the urdhva-pundra. It may be of
the form of flame, the leaf of the bamboo, a flower bud and Visnu’s foot or feet
and so on, 1433 and each form is said to achieve a specific purpose. But the
practice among Srivasnavas is to have it in the form of the divine foot or feet,
1434. However, the two sects, Vadakalai and Tenkalai, have chosen to adopt
slightly different forms of pundra. As a rule, red-colored Sricurna is worn by
both, but some of the former use the yellow color.
Vedantadesika discusses an interesting question about the form of pundra. On the
idols of God in temples, the pundra is in the form of a flame. He says that the
same form should not be used by men, for whom the form is that of Hari-pada. If
they try to imitate the Lord in this, they will seek to follow His example in
other matters as well?
3
The number must be twelve including on in the forehead, 1435. The others are to
be put on specific parts of the body.1436.
There appears to be a somewhat weaker sanction for wearing only four, 1437. The
Pancaratra enjoins the uttering of the twelve names of Visnu, when putting them
on, while the Vaikhanasa prescribes specific mantras instead. 1438
Putting the urdhva pundra on the idols in the temples is authorised, as well as
on wells, mantapas, horses, elephants and vehicles, on the vessels used for
worship, flags and other objects belonging to the temple, 1439. At the entrance
to houses, the pundra used to be carved on doors or painted on plank figures –
of the discuss on the right, the conch on the left, Garuda to the right of the
discuss and Hanuman to the left of the conch. In modern days, wearing of the
urdhva-pundra has practically disappeared among the younger generations.
The practice of wearing the urdhva-pundra seems to be very ancient.
Vedanta-desika in his Saccaritra-raska gives profuse citations from Vedic texts
like Katha-sakha and Baudhayana Kalpasiitras like the Matsya, Brahamanda,
Markandeya, Varistha and Skanda, and Smrtis like Visnu-smrti and Smrticandrika.
The two Agamas also advocate it. Vedanta-desika quotes from the Paramesvara,
Paramesthi, and Sanatkumara Samhitas, though many passages cited from the
Crahma-ratra section of the last mentioned text are from three chapters which
are now lost.
A fivefold inditiation known as the panca-samskara is enjoined on all the
Srivaisnavas without distinction of caste or sex. This sacriment is intended to
fit one to discharge one’s duties to God and man. It consists of tapa, pundra
naman, mantra and ijya, 1440. It is also known as samasrayana or resorting to
(the preceptor as refuge).
Tapa (heating) refers to the marking of the left and right shoulder blades of
the initiate with small heated pieces of metal of the form of the conch and the
discus respectively. Vedanta-desika quotes texts from the Vedas, the Pancaratra
and the puranas as authority for tapa. Two Vedic passages cited by him are given
below…
(Those who have realized Brahman declare that the Brahmin must bear the discus
on the right arm and the conch on the left.)
(O Visnu, the learned have on the upper part of their arms the sanctifying conch
and discus in order to cross over the ocean of worldly existence).
Another Vedic text cited by Vedanta-desika declares :”He who bears on his body
the mark of the heated discus of the omnipresent Visnu which gives security to
the army of the gods, goes to the place which is devoid of misery, shaking off
the sins – the place which the recluses who are without attachment attain.”
The word translated, as ‘on his body’ is ‘vapusa’, the instrumental form of
‘vapus’ meaning ‘body’, There is nothing against taking it to mean “the upper
part of the right arm” which will all be in consonance with other texts and
hoary traditions. Those who do not have their bodies marked by the heated
discuss cannot exhaust the karmas (i.e., effects of their past actions): which
condition is a necessary preliminary to salvation, 1441.
Another Vedic passage testifies to ancient sages bearing on their bodies the
marks of the divine weapons:
The marks (lingas) mentioned here refer to those of discus, conch, mace, sword
and bow, the five weapons of Visnu. They are believed to have been worn on the
4
right and left arms, the forehead, the head and the heart respectively. Now only
the first two are worn.
Instead of marking the shoulders by tapa with the marks of discus and conch, mud
and sandal paste are used for the purpose by Vaisnavas belonging to schools
other than that of Ramanuja, 1442. The scriptural text from the Rgeveda-khila
mentioned above states: bibiharti vapuse abhitaptam. This clearly envisages
tapa.
Obviously, this sacrament is intended to purify the human body and render it fit
for service to God. Fire is regarded as a more effective purifier than
water,1443 – particularly, ‘fire’ in the heated symbols of Visnu or His weapons.
Such marks on the body render it fit for any religious act that the Vaisnava has
to do for pleasing God.
The acarya officiating in this sacrament has been accused of cruelty. He hurts
the body of the disciple only for a noble purpose. He must be likened to the
surgeons who use sharp instruments to operate on the patients. Parents again
punish their children severely to induce them to be good, studious and
industrious: this is done out of love, 1444. Again, in certain regions branding
is a remedy for evil or means of winning good luck. Certain diseases are treated
in Saurastra by branding with a heated iron rod below the affected part of body.
In Mithila, the mother in law and others apply the flame of a lamp to the knee
of the newly wedded bride to ensure good fortune for her.
The law-books of Vrddha Harita, Sandilya and Vasistha and the Visnudharmottara
enjoin this practice. Sandilya says that one’s utensils and cattle are to be
given the marks of the conch and the discus. 1447.
Those who oppose the sacrament of tapa rely on a passage in S’rauta-sutra which
frowns on scars from wounds in the body caused in three ways. The three
ways,1448 are taken to be through the bow-string, engaging in battles or
involvement in scuffles in gambling. Such activities must be regarded as
forbidden or allowed only to the extent at which no scars are received or given.
But they are claimed to refer to wearing the emblems of Brahma, Visnu or Rudra
so as to cause scars. Such interpretation is untenable: it goes against the
authority of the Vedas, epics, Agamas and the bulk of the Smrtis. The few Smrti
texts quoted against the sacrament 1449 cannot avail against this formidable
corpus of authority. It should be remembered that there are references also, as
already mentioned, to be practice of wearing the emblems of all five weapons of
Visnu (the conch, discus, mace, sword and bow) to get freedom from samsara,
1450.
There is no decisive evidence to show how old the rituals of tapa as also the
panca-samskara generally is. It might have been originally intended as a
protection against evil spirits. The new-born child used to be given a garland
containing the emblems. Earrings of the form of the conch and discus used to be
worn by devotees of Visnu. In course of time, probably by 700 A.D 1451, it
became essential for a Vaisnava to have the samskara. In Nathamuni’s days, it
must have been in vogue, though not every Vaisnava of the times observed it.
(Wearing urdhva-pundra might have become widespread earlier.) After Nathamuni,
tradition records some instances of tapa being administrated. Tirumalai Nambi
adminsitrated it to his two son in laws 1452, and Periya Nambi to Ramanuja,
5
1453. After Ramanuja the sacrament of panca-samskara became obligatory for all
Srivaisnavas, irrepective of caste or sex. In a passage from the Mahabharata
quoted earlier in this book, 1454, it is declared that Bhramins, Ksatriyas,
Vaisyas and Sudras can engage in (ritualistic) worship of God if they are always
devoted to their duties and are krta-laksanas, persons who have obtained marks
of identity, that is, have undergone some kind of initiation. Attempts were made
to interpret laksana as referring to the wearing of the sacred thread
(yajnopavita) by Brahmins and the branding of shoulder blades in the case of
Sundras and women 1455. This is untenable as the word ‘laksana’ which qualifies
jointly and simultaneously four or five groups of persons, is made to bear one
meaning when applied to one to one group and another meaning when applied to
other groups. Though the Kalpasturas do not refer to the sacrament of tapa,
there is Vedic sanction for Brahmins being marked by heated metal with the forms
of the conch and the discus on their arms. 1456
Though the sacrament of panca-samskara makes men and women of all castes
qualified to perform formal worship of the icons of God, not every one can do so
in the temple. The right is restricted to those who get initiation, 1457. At
home also, not all perform the worship: it is usually done by the eldest male
member of the family. Though women are eligible, normally they do not do it, in
spite of tantrika mautras being avaliable to them in the place of Vedic mantras.