‭Lauren Lee‬

Caroline Goodwin

‭Influences‬

‭Annotated Bibliography‬

‭Arcangeli, Margherita, et al. “Awe and the Experience of the Sublime: A Complex‬

‭Relationship.”‬‭Frontiers‬‭, Frontiers, 20 May 2020,‬

‭www.frontiersin.org/articles/10.3389/fpsyg.2020.01340/full.‬

‭This is a psychology dissertation about awe as a mixture of positive and negative‬

‭emotions and how the complexity is reflected in how other languages describe awe, often using‬

‭words that combine fear and admiration. I can use this info to describe what is happening on one‬

‭of the panels I’m analyzing.‬

‭Francisco de Goya, Los Desastres de la Guerra, 1st edition, plate 1, Tristes‬

‭presentimientos de lo que ha de acontecer (Sad forebodings of what is going to happen), 1863.‬

‭Etching and drypoint on paper. 5 3/4 x 7 7/16 in. (14.61 x 18.89 cm). Gift of Norton Simon.‬

‭P74.72.‬

‭This is a Francisco Goya Etching. I can use it to analyze Oshimi’s cross-hatching and‬

‭hatching work as the work from his influence.‬

‭Oshimi, Shuzo. "Blood on the Tracks." Vol1, Issue1, Kodansha Comics, 2018.‬

‭This is a manga by Shuzo Oshimi. This is the primary visual I will analyze and reference‬

‭throughout my research.‬
‭Goya , Francisco.‬‭Fuerte Cosa Es!‬‭1810, National Gallery of Art.‬

‭This is a Francisco Goya Etching. I can use it to analyze Oshimi’s cross-hatching and‬

‭hatching work as the work from his influence.‬

‭Mitchell, Aidan. “Reimaging Desire: Queer Time, Liminal Space, and Narrative Anxiety.”‬

‭STARS‬‭, stars.library.ucf.edu/honorstheses1990-2015/608/. Accessed 10‬‭Dec. 2023.‬

‭This is a dissertation that includes characters and themes in media that fail to conform to‬

‭conventional narration and identities. I can use this to explain Oshimi’s recurring themes in his‬

‭manga.‬

‭Nummenmaa, Lauri.‬‭Psychology and Neurobiology of Horror Movies‬‭, 2021,‬

‭https://doi.org/10.31234/osf.io/b8tgs.‬

‭A journal article discussing the techniques used in horror visuals, particularly in movies.‬

‭One of them mentions the uncanny valley which can help me describe how this character is‬

‭presented compositionally and paced to introduce her in the manga.‬

‭Oshimi, The Flowers of Evil Vol. 1, p. 140‬

‭This is a personal segment from his other manga. It mentions his influence which I can‬

‭use to refer and dive deeper into to his artwork.‬

‭Oshimi, The Flowers of Evil Vol. 2, p. 34‬

‭This is a personal segment from his other manga. It mentions his influence which I can‬

‭use to refer and dive deeper into to his artwork.‬

 ‭Super Eyepatch Wolf, director. The Manga That Breaks People. YouTube, YouTube, 31‬

‭May 2020,‬

‭https://www.youtube.com/watch?v=hVYzc2Xpup0&t=1s&ab_channel=SuperEyepatc‬

‭hWolf. Accessed 10 Dec. 2023.‬

‭A video and fan analysis and perspective of Shūzō Oshimi’s Blood on the Tracks facial‬

‭expressions and the psychological explanations to the sensitivities of the face. I can refer to this‬

‭essay when talking about‬