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The 6 Essential Chords in Every Key
The 6 Essential Chords in Every Key
In this free PDF you'll be able to quickly reference and see which 6
chords will fit most naturally in any given key for any given song
that you write.
*If you're ever stuck on what a chord means or looks like on your
instrument, remember your good old faithful friend, Google :)
6 Essential Chords in the Key:
Major Chords are RED C Major
Minor Chords are BLUE
Relative key: A minor
1 2 3 4 5 6
C Dm Em F G Am
Variations: Variations: Variations: Variations: Variations: Variations:
C/E Dm7 Em7 Fadd2 G7 Am7
C/G Fsus2 Gsus4
FMaj7
C# Major
Relative key: A# minor
1 2 3 4 5 6
C# D#m Fm Gb Ab Bbm
Variations: Variations: Variations: Variations: Variations: Variations:
C#/F D#m7 Fm7 Gbadd2 Ab7 Bbm7
C#/G# Gbsus2 Absus4
GbMaj7
D Major
Relative key: B minor
1 2 3 4 5 6
D Em F#m G A Bm
Variations: Variations: Variations: Variations: Variations: Variations:
D/F# Em7 F#m7 Gadd2 A7 Bm7
D/A Gsus2 Asus4
GMaj7
D# Major
Relative key: C minor
1 2 3 4 5 6
D# Fm Gm Ab Bb Cm
Variations: Variations: Variations: Variations: Variations: Variations:
D#/G Fm7 Gm7 Abadd2 Bb7 Cm7
D#/A# Absus2 Bbsus4
AbMaj7
E Major
Relative key: C# minor
1 2 3 4 5 6
E F#m G#m A B C#m
Variations: Variations: Variations: Variations: Variations: Variations:
E/G# F#m7 G#m7 Aadd2 B7 C#m7
E/B Asus2 Bsus4
AMaj7
F Major
Relative key: D minor
1 2 3 4 5 6
F Gm Am Bb C Dm
Variations: Variations: Variations: Variations: Variations: Variations:
F/A Gm7 Am7 Bbadd2 C7 Dm7
F/C Bbsus2 Csus4
BbMaj7
F# Major
Relative key: D# minor
1 2 3 4 5 6
F# G#m A#m B C# D#m
Variations: Variations: Variations: Variations: Variations: Variations:
F#/A# G#m7 A#m7 Badd2 C#7 D#m7
F#/C# Bsus2 C#sus4
BMaj7
G Major
Relative key: E minor
1 2 3 4 5 6
G Am Bm C D Em
Variations: Variations: Variations: Variations: Variations: Variations:
G/B Am7 Bm7 Cadd2 D7 Em7
G/D Csus2 Dsus4
CMaj7
G# Major
Relative key: F minor
1 2 3 4 5 6
G# A#m Cm Db Eb Fm
Variations: Variations: Variations: Variations: Variations: Variations:
G#/C A#m7 Cm7 Dbadd2 Eb7 Fm7
G#/D# Dbsus2 Ebsus4
DbMaj7
A Major
Relative key: F# minor
1 2 3 4 5 6
A Bm C#m D E F#m
Variations: Variations: Variations: Variations: Variations: Variations:
A/C# Bm7 C#m7 Dadd2 E7 F#m7
A/E Dsus2 Esus4
DMaj7
A# Major
Relative key: G minor
1 2 3 4 5 6
A# Cm Dm Eb F Gm
Variations: Variations: Variations: Variations: Variations: Variations:
A#/D Cm7 Dm7 Ebadd2 F7 Gm7
A#/F Ebsus2 Fsus4
EbMaj7
B Major
Relative key: G# minor
1 2 3 4 5 6
B C#m D#m E F# G#m
Variations: Variations: Variations: Variations: Variations: Variations:
B/D# C#m7 D#m7 Eadd2 F#7 G#m7
B/F# Esus2 F#sus4
EMaj7
Here are a couple important things to keep in mind with this chart:
Notice how I put the relative minor key next to every major key. This
will be useful for you because if you want to play something in the key
of A minor, you'll use the exact same chords as you would in C major.
(That's why they're called “relative” major and minor scales).
If you want more of a happy “major” sound, make the majority of your
chords in your progression the 1, 4, and 5.
If you want more of a sad and melancholy “minor” sound, use the 2, 3,
and 6 chords the majority of the time.
The lowercase “m” (like in “A#m”) stands for “Minor”. So whenever you
see an “m” right after a chord, that means it's a minor chord.
Major chords don't require anything to prove that they are major
chords. If all you see is the letter (Like G or F#) then it is implied that it's
a Major chord. Only when a chord is minor do you need to mark it as
such. (by using a lowercase “m”)
A lowercase “b” like in “Ab” stands for what's called a “flat.” Meaning,
it's the very next note LOWER in pitch. (Ab = 1 pitch lower than A)
The # symbol stands for what's called a “sharp.” Meaning it's the very
next note HIGHER in pitch. (A# = 1 pitch higher than A)
Flats and sharps come from the way a piano keyboard is laid out
with black and white keys.
What's important for you to know is that the note between F and G
is F# (F sharp) because it's the next note higher (sharp) than the F.
But that exact note is ALSO a Gb (G flat) because it's the very next
note lower (flat) than the G.
That's why in this chart, you will see that I sometimes use the flat
version of the sharp version of a chord. Just know that every chord
like this has two names: The # version and the b version.
Thank you for downloading this free guide! I hope you found it
deeply helpful. If you would like to dive even deeper, go check out
our premium courses here:
https://www.theindiemusiclab.com/store