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THE LIBRARIES
MUSIC LIBRARY
V
GRADUALE SARISBURIENSE
WITH A
BY
LONDON:
PUBLISHED BY B E R N A R D Q U A R I T C H , 15, PICCADILLY, W.
1894
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PREFACE.
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T^HE introductory matter which precedes the facsimile falls under three
heads:—
No one can be more conscious than the Editor of the insufficiency of the
materials on which the introductory matter is based: few early texts of the
Antiphonale are accessible in print, while of those in MS. there is not even a
list of any sort available. It is, perhaps, some consolation to reflect that eve
had all the existing MSS. been available it is probable (if one may argue
from the analogy of the Sacramentaries) that they would only have given
a disappointing mass of evidence of a date far subsequent to the original
compilation: but be that as it may, it must be frankly acknowledged that in
the present state of knowledge all argument as to the Antiphonale must be
tentative and the best reasoned conclusions merely provisional.
It is only hoped that this Introduction and Index may in some way be a
step towards more knowledge on the subject of the early history and develop-
ment of the Latin Mass.
LIST OF ABBREVIATIONS.
1866.
Berno Tonal of Berno of Reichenau in Gerbert's Scriptores de Musica, ii. St. Blaise,
1784.
G Gradual. C Communion
Tr Tract. y Verse.
For list of MSS. and other abbreviations relating specially to the Index see pp. l-liv.
GRADUALE SARISBURIENSE
PART I
THE SARUM GRADUAL A N D T H E GREGORIAN ANTIPHONALE
MISSARUM
IN any attempt to trace, however imperfectly, the development of the Sarum Gradual
from the Gregorian Antiphonale Missarum, obviously the first thing to be done
is to arrive at some sort of estimate of what the latter was like in its original
shape. This problem divides itself naturally into two parts — the growth of the
Temporale and the growth of the Sanctorale and C o m m u n e Sanctorum : for though
these two constituents are closely connected, and especially so in the earliest available
authorities, their conditions of existence and of growth differ considerably, and they must
therefore be dealt with separately.
T h e original Gregorian Antiphonale seems to have been a magnetic nucleus which
soon attracted to itself additions from outside, but it does not seem to have suffered much
from losses.
(i)—New festivals were added, and at times, when a powerful claimant took possession
of a day already occupied, the old festival disappeared, as, e.g., SS. Juvenal etc. did before
T h e Invention of the Cross {see pp. xxiii, xxviii) : but even so it survived in a shrunken
form as a Memorial : and at other times it was able to make better terms for itself, and
either coalesce with the new claimant (as, e.g., St. Basilides did with SS. Cyrinus etc.),
or even exist side by side with it (as, e.g., St. Sabina did with the Beheading of St. John
Baptist). Even Masses that became entirely disused—as did the second Masses of
St. John Baptist and St. Lawrence, or the morning Mass of St. John Evan.—were not
lost, but perpetuated in the Commune.
(ii)—So, too, with regard to the separate elements of each Mass : there was some
growth, for the Alleluia perhaps acquired a Verse and then went on to develop the
X G R A D U A L E SARISBURIENSE
Sequence, but no complete loss; for the five component elements of each Mass—Office,
Gradual, Alleluia or Tract, Offertory and Communion—remained constant, though in process
of time most of them underwent considerable curtailment. In short, the whole history
seems to be a record of acquisitions rather than of losses.
If this is true, w e may expect that, on the whole, the original Gregorian nucleus
remains imbedded in the later Service-books, and w e may hope to arrive more or less
accurately at that nucleus by a careful stripping off of accretions.
N o w w e have a certain amount of external information as to these accretions; we
have no difficulty in separating, e.g., the Masses for Thursdays in Lent, originated by
Gregory II. (715-731) or those for the four festivals of Our Lady, introduced before
the end of the Vllth Century.
But we must use also internal evidence to check, confirm, or supplement this, and
here two principles will guide us.
1. It is probably fair to consider those Masses which are included in all early M S S .
as having the first claim to be recognized as part of the original nucleus: others of
less widespread use have a claim in proportion to the antiquity and geographical range
of the testimonials they can produce for themselves.
2. Again, in detail those Masses whose component elements remain the same and are
unvaried in M S S . have a similar first claim : and in general, where we find variation
w e must suspect the hand of a "redactor," butfixitymeans antiquity.
T w o facts stand out most clearly as the result of a comparison of M S S . : (1) T h e
permanence of the original Gregorian scheme—it seems to have penetrated everywhere,
and to have experienced extremely little modification in its main outline ; but also (2) the
great variation in all things which were not part of the original scheme.
For example, the variations in the whole series of Offices are exceedingly few; but in
the Sequences, being late additions, variation is the rule.
These results seem to justify the principles which we have laid down to guide us in
stripping off the accretions and working back to the original of the Antiphonale. We
may, therefore, proceed to apply them in detail.
Before going through the Temporale there is one fact of general application to be
dealt with.
T h e Verses of the Alleluia, as distinct from the Alleluia itself, vary so much and so
universally that at once the question arises whether they were at all part of the original
scheme.
The Alleluia itself undoubtedly was in use in R o m e in early times—at first only on
Easter Day, and then more frequently, till St. Gregory extended its use to all Sundays and
GRADUALE SARISBURIENSE xi
Festivals*;1 but it is possible that the words were a later addition, due to the same
tendency to provide words for the jubilus which afterwards produced the Sequences: and
so the diversity would be intelligible.
But there is another way of accounting for the same thing: in early times the
Alleluias and their Verses were not assigned to separate Masses, but grouped together
in collections for the different seasons—Easter, Whitsuntide, Trinitytide: any one out
of the appropriate collection might be chosen for any particular occasion, and so, of
course, great diversity would arise.
But this is not enough to account for all the variation that there is: it would
account for great differences in the use of a common stock of materials, but it does
not account for the stock of Alleluias in one M S . being quite unlike the stock in
another : and this kind of difference is quite as noticeable as the other.
Again, new Verses are fitted to the old Alleluias, and even new Alleluias written
continuously down to the end of the X V t h Century with a freedom for which there is no
parallel in the case of Office, Gradual, Offertory, or Communion; and in general this
component of a Mass seems to have none of the fixity which is so characteristic of the
other parts.
This is still far from proving the Verses post-Gregorian, though it perhaps raises the
presumption that they may be so :2 at any rate it makes it clear that they stand on a
different footing to the rest: and having said thus much about them w e must henceforward
leave them out of account in our enquiry into the Original State and the Development of
the Antiphonale Missarum.
1
Gregory, Ep. ix. 12. P. L. lxxvii. 956. See Morin, pp. 43 and 47.
2
T h e alternative is to argue that the rest of the Antiphonale was a fixed scheme before St. Gregory's date :
for as it is well known that he extended the use of Alleluia, it is quite possible to argue that in this diversity
of Alleluias w e have the result of his making an addition to a scheme already fixed and widespread.
xii GRADUALE SARISBURIENSE
the Votive Mass de Trinitate.1 In September the gap wasfilledby the same process
which was applied to the other Sundays after Trinity {see p. xiv and (5) below).
(2) T w o Masses in close proximity to Christmas have changed their place: {a) T h e
morning M a s s of St. John's D a y , which disappeared from that day but went to form the
M a s s of the Vigil of an Apostle in the C o m m u n e {see p. xxi); [b) the old R o m a n festival
of O u r L a d y o n the Octave of Christmas 2 fell into insignificance after the introduction of
the four great festivals of Candlemas, L a d y D a y , the Assumption, and the Nativity in
the Vllth Century, and w a s finally superseded by the festival of the Circumcision, for
which a great variety of Masses were provided, mainly compiled from Christmas sources,
though s o m e M S S . have elements peculiar to this festival {see M S S . A and O ) .
But the old M a s s survives in an altered form in the C o m m u n e for Virgins, and in
the Votive Masses of O u r Lady. 3
(3) T h e original scheme did not contain the Vigils of Epiphany, and of Ascension.
In m a n y M S S . the former is not mentioned, and the various Masses provided for it all
are m a d e u p out of Christmas sources. T h e latter is in most M S S . but not all, and the
various Masses provided for it are mainly borrowed from other places, but s o m e elements
are peculiar to this Vigil.
The other Rogation days also are of late date: they were imported from Gaul b y
L e o III. at the end of the Vlllth Century, and the Services for them are either taken
direct from the old R o m a n Litania Major of April 25th, or are borrowed from elsewhere.
T h e Masses after Epiphany were all used a w e e k earlier until the introduction of the
custom of keeping the S u n d a y in the Octave as the Festival.
(4) Septuagesima takes its place in the scheme beside Sexagesima and Quinquagesima,
and the development of the Lent Services seems to have reached the following stage at
the settlement of the scheme. All the complete w e e k s had Masses for every weekday
except Thursdays, with one exception,4 but the half w e e k beginning on A s h W e d n e s d a y
still shewed traces of an earlier stage (the stage of the Fulda Lectionary of 546) 5 , and
had Masses only for W e d n e s d a y and Friday.
;„. . . ,..«r)
1
This use seems to have come in gradually : it was in force at Winchester and at Eynsham at the Xth Century.
See St. Ethelwold's Regularis Concordia in Reyner's "Apostolatus Benedictinorum " (Douai, 1626), App. p. 91, or
^Elfric's version of it for Eynsham, in Hampshire Record Soc. vol. for 1892, p. 19T. Cp. M S S . Eth and Corp
and Brit. M u s . Harl. 2961, Leofric's Exeter Collectarius of the Xlth Century. T h e Benedictines in Italy in the Xlth
Century used this Mass for the Transfiguration {see M S . M.iv).
2
Origines, p. 262.
3
T h e custom of having a festival of Our Lady on January 1, survived in England in M S . H e , which gives here
not the ancient Mass, but the one later in use for the Vigil of the Assumption. Thomasius gives only the old Mass,
but adds two variants without specifying their source. Cp. Micrologus 39.
4
T h e E v e of Palm Sunday, which keeps the heading " Vacat. Papa eleemosynam [or Fermentum, Bodl: Laud.
Lat: 26] dat." T h e various Masses supplied tofillthe gap are mainly made up of borrowed elements, but some are
peculiar {see p. xx).
5
See Morin Liber Comicus p. 436 (Maredsous, 1893).
GRADUALE SARISBURIENSE xiii
The Thursday stational Masses were instituted by Gregory II. (715-731)2 and the
Services for them probably were compiled then: they are closely connected with the
Masses of the Sundays after Trinity, and will be discussed with them below (p. xvi).
(5) Each of the four Ember Saturdays is headed " Sabbato in xii lectionibus," and this
group exhibits peculiarities of its own.
T h e Service in Advent is appropriate to the season and shews but little variation,
but the others vary exceedingly.
These four fasts were originally the jejunia primi, quarti, septimi, decimi mensis
fixed by the civil and not by the ecclesiastical year :3 later they were made to coincide
with definite weeks of the ecclesiastical year and became fixed as now in Advent, Lent,
Whitweek and September, but the date of this adjustment is uncertain.4 The jejunium
quarti mensis was the last to be fixed and some Thomasius M S S . of the Xlth Century
make provision for it out of Whitweek. Even when it was fixed down to Whitweek
confusion did not end, for Whitweek was already provided with festival Masses for every
day but Thursday, and in consequence there ensued a war of extermination between rival
claimants for the services of Wednesday, Friday, and Saturday, which ended very differently
in different places, but generally in some form of compromise.
T h e other two Ember seasons settled down more comfortably in Lent and September,
but even here considerable variation is found in the Graduals of the Saturday Mass and
the same is also true of Whitweek wherever Graduals and not Alleluias have survived
in the contest between the rival festival and fast Masses.
If w e compare the various M S S . for these three Saturdays we find that the four
Graduals required for each seem to be chosen at will from a common stock.
It seems probable that originally on these days of twelve Lessons more than four
Graduals were sung, and that there was a series of perhaps eight5 which served probably
for all, or at any rate for these three, Ember Seasons : but later the number of Graduals
was reduced (as was in many places the number of Lessons) and then different sets were
selected and retained.
1
See this well worked out in U n mot sur l'Antiphonale Missarum (Solesmes, 1890), a valuable brochure.
2
L. P. i. 402, 412. 3 Except perhaps the Lenten one. L. P. i. r4i.
4
St. Gregory is said to have fixed them for England (H. & S. iii. 52), and even if this is an error it was
believed in England in the middle of the 8th Century and represents the English use of that date
(H. & S. iii. 411).
3
There is a block of eight Graduals, which covers the variations of nearly every M S . — Propitius, Protector,
Dirigatur, Salvurn fac, Convertere, Jacta, A b occultis, A d Dominum.
xiv GRADUALE SARISBURIENSE
Whether this be so or not it seems clear that the variation at these points is
probably to be explained as the legacy of some previous state of things that had come to
an end rather than taken as a sign of recent date.
(6) In another case which seems parallel probably the opposite is the truth: both
on Easter Eve and Whitsun Eve there were twelve Lessons with Tracts at intervals.
There is no variation in the four Tracts of Easter Eve, but for Whitsun Eve often only
three are found, and M S S . do not agree as to which three out of the four of Easter
Eve shall be used.
Here the variation seems to shew, what is otherwise probable, that the Whitsun Eve
Service is only a later reproduction of that of Easter Eve.
(7) W e must now go on to the most intricate point w e shall have to discuss, viz. :
the history of the Masses of the Sundays after Trinity as they stand in the Sarum books.
Before examining their separate component parts w e notice that in some M S S . a
certain amount of dislocation has taken place in the order in which the Masses come.
This dislocation connects itself with two points, the seventh Sunday and the
eighteenth Sunday. For each of these Sundays there was formerly no special Mass
provided: the former was the Sunday after SS. Peter and Paul, and the latter the
Sunday after the Ember days : and it is the various methods offillingthese gaps that
has caused the dislocation.
It seems clear to start with that there has been no transposition in the order of the
first seventeen Masses, for the psalms of the Offices, Alleluias (as Sarum has them) and
Offertories and Communions in the main are in numerical order, and the same is true
of the alternative (non-Sarum) series of Graduals {see below, p. xviii).
But they were originally differently distributed, thus :—Nos. 1-6 : " Dominica vacat; "
Nos. 7-17: "Dominica vacat;" N o . 18—that is, they extended over twenty Sundays.
T h e proof of this is simple.
No. 18 (Da pacem) is the Dedication Mass of the Basilica of St. Michael and All
Angels (Morin, p. 68) used on the Sunday in the Michaelmas Octave: No. 6 (Dominus
fortitudo), as w e have seen, was the Sunday preceding the festival of SS. Peter and Paul :
there ought, then, to be thirteen Masses between these two for the thirteen Sundays
between June 30th and September 30th ; but actually w e have only eleven, that is to say1
' T h e main objection to this contention is, that in M S S . which retain the old method of grouping the
Sundays not after Pentecost or Trinity, but after the festivals of the Apostles, St. Lawrence and St. Michael,
the grouping as there given does not tally with the above, for it makes, e.g., N o . 4 (Dominus illuminatio) the
Sunday next before the festival of the Apostles. But the grouping has clearly been altered (for this scheme
provides only twelve Masses for the thirteen, or possibly fourteen, Sundays between June 30th and September 29th),
and been altered, no doubt, since the Dominicse vacantes became obsolete and disregarding the fact that they
ever existed: moreover this method of enumeration differs enormously in different M S S .
GRADUALE SARISBURIENSE xv
the two "vacat" gaps must still be reckoned in, or in other words these gaps have not
beenfilledup by the importation of a Mass from outside, but merely by moving up
the succeeding Masses.
Such at any rate has been the method of most M S S . including those of Sarum.
A group of Italian M S S . pursued a different policy : for some reason they took out
the Mass " O m n e s gentes " (Sarum7) from its place in numerical order and put it last or
last but one in the series: and then they moved up tofillthe gaps: consequently they
have Masses 8-22, 7, 23, where Sarum has 7-23. The two St. Gall. M S S . insert this
Mass in both places and move up.
The Rheinau MS. seems to have moved up to fill the first gap, but dealt
differently with the second: for its 1-12 = Sarum 1-12, but after a lacuna it has Masses
17-22 where Sarum has 18-23.
These are the main variations,1 but not by any means all : the whole question requires
much more investigation, and ought to be studied conjointly with the corresponding
dislocations in the Sacramentary and Lectionaries, and the still more complex dislocation
that has come about in the combining of these three books in the full Missal.
W e must now be content to disregard these dislocations, and examine the series of
masses independently, {see the table on p. xviii.).
1
T h e following table shews the various expedients, taking the Sarum numbering of Sundays and Masses as
the standard of comparison.
( Adv1
L. v Trin10 Trin5 or X L . 2 iii Trinro or -J Trin10
{ X L . 2 iv
XL.1 v 2
Laurentii Trin1" Trin14 Trin14
f X L . 1 vii
XL.2 v Trin" Trin4 or < Trin12 Trin13
I M e n s . sept, vii
and seventeen of these occur nowhere else, and so the question rises as to which is
their original position.
1
Setting aside the points of contact with Thursdays in Lent and the eccentricities of single M S S . , only two.
2
Statio ad S. Laurentium: for the connexion between the Station and the Mass cp. X L 4 .
3
Sarum has a different offertory here, " D o m i n e ad adjuvandum," and others have it too: it does not seem
to occur in any other Mass.
GRADUALE SARISBURIENSE xvii
T h e date of the Thursday Masses is known: there was no stational Mass on the
Thursdays in Lent till the time of Gregory II. This may have been due to the old
R o m a n prejudice against fasting on Thursdays,1 or may have been a commemoration of the
Institution of the Holy Eucharist; but anyhow Gregory II. filled up the blank spaces.
If these seventeen pieces were original compositions of his time, it would imply
that almost the whole series of Trinity Masses must be of later date, for the Masses
from N o . 3 to No. 20 are implicated, and w e have seen that the series hangs together
consistently in two sections.
This does not seem credible in itself, and two other considerations come in and tend
to make it still more clearly incredible.
1. W e shall see later on reason to believe, from the evidence of the rest of the
Antiphonale, that musical composition for the Mass decayed and ceased during the course
of the Vllth Century. If this is true it is impossible to believe that in the early part of
the Vlllth Century there was written, not only the Music for the Thursday Masses
between 715 and 731, but later still the music for the greater part of the Trinity series.
2. If there is any question as to which of two parties is the borrower, it is well to
see which of the two is most in the habit of borrowing.
T h e above table shews that the Thursday Masses have nothing at all peculiar to
themselves,2 and if w e now proceed to examine in detail the Trinity series, though we
find much that occurs elsewhere, w e also find much that is peculiar.
A .—THE SERIES OF OFFICES. Here there are only two that occur elsewhere (except
3
for Lent Thursdays ), and those only for Ascension Eve and Candlemas, both of them
subsequent additions to the original scheme; and if in some Thomasius M S S . some are
used for Rogation Day Masses', these again are also an innovation at Rome.
B.—THE GRADUALS. The problem presented by the Graduals is complicated by the fact
that at first sight the variations seem perpetual in the M S S . But by making allowance
for the dislocations noticed above these variations can be reduced to order, and there
emerge simply two parallel series of Graduals: most M S S . favour the series as it is in
Sarum, but one M S . (1R) has only the rival (given in ionic in the table) and one M S .
(Bl) has both. Each of these has much in common with other Masses—thefirstfifteen
out of twenty-three and the second nineteen out of twenty-three—but only the first has
any connexion with the Lent Thursday Masses: it seems to be the original R o m a n one
(note its correspondence with the I. at Trin13) and the other, a rival one, perhaps due to
a desire to have the Graduals in the numerical order of their psalms ; the two series
have many Graduals in common, and after the end of the first portion of the Trinity-
Masses they coalesce almost completely {see the figures in brackets).
1 2
L.P. i. 168. Except the O of XL. 4 v. in some uses (see above). 3
Distinguished by *
c
xviii GRADUALE SARISBURIENSE
C.—THE ALLELUIAS. These are given in the table only to shew that the Sarum
arrangement follows the numerical order of the psalms: the M S S . differ indefinitely and
some give merely a block of Alleluias to select from at will.
E.—THE COMMUNIONS. These are in order as far as No. 8, and from that point
forward are very miscellaneous: apart from the Thursdays in Lent only one is found
elsewhere.
III Respice . 2
xxiv liv* X L . iii viii LXX xvii ix X L . iii5
xvi
XII Deus in adj. . lxix* xxxiii 1 ii1fc,5 XL.Ui&vii > xciv Ex. xxxii* X L . v ciii 2
ixxxin(5)j Menggepivii
XIII Respice . X..11 lxxiii* lxxxix(6){ Me ^ ; ;™_ v . / xciii xxx X L . 1 iii Wisd. xvi
X V I Miserere 2
Ixxxv ci (15)(23)Ep. 3
evi Ep cxiv xxxix* X L . 2 vi Ixx
XVIII D a pacem Ecclus. xxxvi. e x x i — exxi (18) X L . 4 = exxi (18) XL 4 exxi E x . xxiv xcv
X X I In voluntate . Esth. xiii cxviii lxxxix (21) = lxxxix (21) cxlv Jobi cxviii
X X I I Si iniquitates . exxix exxxii (2) Mrr = oxxxii (22) M r r cxlvi Esth. xiv L u . xv
XXIII Dicit Dominus Jer. xxix lxxxiv xliii (8) oi (16) (15) E p 3
cxlvi exxix M k . xi
1
It seems possible that the two Offertories from Daniel may, like the whole of N o . 18, b e survivals, the
first connected with the festival of SS. Peter and Paul, and the second with St. Michael a n d All Angels
(Morin, p. 68).
GRADUALE SARISBURIENSE xix
W e must now consider how the results of this analysis bear upon the question at
issue.
So far as Graduals and Offertories go there is not much to choose between the
Trinity series and the Thursdays in respect of borrowing. But the Offices and
Communions put the matter in another light. Here the Trinity series borrows practically
nothing and the Thursdays everything. T h e presumption is, then, that the Thursdays
borrowed from the Trinity series.
W e conclude, then, that when the Thursday Masses were instituted the whole of the
ioth and 20th, and the greater part of the 19th, Masses of the Trinity series (besides
one or more elements of others) were taken over for the new services.1
Before w e leave this Trinity series there are one or two other points to be noticed.
A . — T h e distinction between the two sections of the series already alluded to must be
more insisted on ; the last five Masses seem to have a character of their own, only two
elements are found elsewhere, and the two series of Graduals almost entirely coincide
(p. xvii) : the Offices are, as a rule, not taken from the Psalms, and the Offertories
present some unusual features.
It seems just possible that these five may have been at one time the only " Missae
Dominicales," or may have formed with the three Epiphany ones a set of eight analogous
to the Gelasian set of sixteen. That subsequently the others, Nos. 1-17, were prefixed,2
and the two fused with the addition of the Dedication Mass of St. Michael (No. 18)
into the existing series.
B . — T h e section Nos. 1 —17 seem to be later than the main part of the scheme and
to belong to a period when it was no longer advisable or no longer possible to compose
new Graduals or Offertories, though there was not the same difficulty about the simpler
music of the Offices and Communions.
C.—But the series seems to have been in its present state when the Thursday Masses
of Lent were instituted, so that it was as easy to borrow from one section as from the
other. Moreover, as the Office of No. 8 is borrowed for Candlemas, the first section
must be older than that festival, that is (see below, p. xxiii) it cannot well be later than
the middle of the Vllth Century and probably must be considerably earlier.
(8) The Dedication service is simply the Dedication Mass of S. Maria ad Martyres
in R o m e (608),3 and figures as such for M a y 13th in most early M S S . , but later it came
1
T h e main argument that tells the other way lies in the fact that in some cases the various elements
seem to have more significance in their place in Lent than in the Trinity series, e.g. the Communions from
St. John vi.
2
T h e Traditional custom of putting the E m b e r Masses after N o . 17 would fall in with this.
3 L.P. i. 317.
XX GRADUALE SARISBURIENSE
to be used exclusively for the local Dedication festival and was in consequence appended
to the Temporale.
Reversing now the order of proceedings we can by way of summary see what
additions were made to the Temporale—
i. All the "vacat" gaps werefilledup, that is: (a) the four Sundays after Ember
days ; (b) the Saturday before Palm Sunday, Thursday in Whitweek.
2. T h e Circumcision displaced the old festival of St. Mary.
3. T h e Vigils of Epiphany and of Ascension acquired special Masses.
4. T h e Thursdays in Lent were similarly provided for.
5. Trinity Sunday came in and later Corpus Christi.
6. T h e Dedication Festival took the Dedication Mass of S. Maria ad Martyres.
But these additions did not imply much in the way of new music ; at first the gaps
were filled up by borrowing from other places, but later it became common to adapt
old music to new words.
(1) T h e Dedication Mass is new, and only a few years subsequent to St. Gregory.
(2) T h e Thursdays in Lent and the Thursday in Whitweek, the Vigil of Epiphany
and the Circumcision, also, except for two M S S . , A O , 1 borrowed all that was required
from elsewhere, both words and music.
(3) T n e
fourth Sunday in Advent, and the second in Lent mainly pursue the same
policy ; but the former has the I. Memento nostri which does not seem to occur
elsewhere and O has the C. Emitte agnum : the latter has also in some M S S . elements
peculiar to itself, and in one group of M S S . a whole Mass 3 which occurs nowhere else
2
On the whole, apart from the first section of Trinity Masses, which may be
suspected to be later than the main scheme, though their date is wrapped in obscurity,
1
These have I. Consummati sunt: G. Notum fecit: A. Natus est Dominus.
2
C. Domine firmamentum M . S : also I. Dirige : G. Qui confidunt: C. Redimet: A Cas.
3
I. Sperent: G. Justus es : O. Domine deus meus : C. Custodi.
4
I. Initio A I. Deus deus meus Tot. I. Narrabo. 1R A and C. Pater manifestavi A.
GRADUALE SARISBURIENSE xxi
there is very little additional matter added to the original scheme, and even such
additions as have been noticed above may turn out to be only new words adapted
to old music.
In the early M S S . of the Antiphonale the Temporale and Sanctorale are not
yet differentiated, and a C o m m u n e Sanctorum is unknown; but with the multiplication
of Saints' Days in the Xth and Xlth Centuries the already existing materials were
adopted for the new festivals, and in process of time it was seen to be convenient to
group together the materials available for common use under certain well defined
heads.
T h e Mass of an Evangelist comes from St. Matthew, except the Gradual. The
nucleus of the Services for a Martyr is made up of the night Mass of St. John
Baptist with the Masses of SS. Vincent, Valentine, and Vitalis complete; the Services
of St. George and St. Gorgonius may be added to these, though each contributes
only two new elements to the C o m m u n e , while single items drawn from the Masses
of SS. John Baptist, Hermes, Lawrence, and either Pope Stephen or St. Caesarius,
complete the list according to Sarum use, as shewn by this M S . 1
T h e C o m m u n e Martyrum is more complicated, but its main sources are the Masses
of the Holy Innocents, SS. Felix and Adauctus, Fabian and Sebastian, Hippolytus etc.,
Cyriac etc, John and Paul, Gervasius and Protasius, Nereus and Achilles, with
probably SS. Cyrinus etc., Processus and Martinianus, Marcellinus and Peter, Timothy
and Symphorian.
Similarly the services of SS. Silvester, Marcellus, and Sixtus will be seen to supply
the main bulk of the Commune unius Confessoris & Pontificis, and those of
St. Eusebius the main bulk of the C o m m u n e Confessoris & Abbatis, while the Services of
Virgins are mainly drawn from the Masses of St. Mary on January ist, SS. Potentiana,
Sabina, Agnes, and Cecilia.
1
This MS., however, differs from the ordinary Sarum type in having some elements in the C o m m u n e which
elsewhere are given for a special Saint's D a y : the Offertory of St. Vitalis, "Repleti," is a case in point, and
others are noted in the Index.
xxii GRADUALE SARISBURIENSE
This list is one based mainly1 on the consensus of the M S S . : but it will be
found to fall in with the theory of the formation of the C o m m u n e which was hazarded
above, since the best attested festivals are also those which contributed the whole or
part of their services to form the Commune.
This list, moreover, which has been thus reached from the inner study of
the Antiphonale along two different lines of argument, will be found to correspond
very closely with the results obtained by Probst2 from the study of Calendars and
Sacramentaries, and by Batiffol in his attempt to reconstruct the R o m a n Calendar of
the IXth Century from the Gregorian Sacramentary and the A d a Comes.3
It is, as the latter has shewn, a purely R o m a n Sanctorale, and the presence of
almost every festival can be justified by some local R o m a n interest : e.g. the saint's
grave was in some Roman cemetery, or there was a basilica dedicated to him in
R o m e , or he gave his name to a cemetery.3
In the above list a " T " or " t " is placed against those names which appear
in connexion with the list of R o m a n tituli at the time of Symmachus (499) or
St. Gregory 594/ and some references are given to the L.P which further illustrate
the special local connexion of the festival with Rome.
This original Gregorian Sanctorale could not remain unchanged, and when the
Council of Cloveshoo in 747 adopted the Martyrologium Romanae Ecclesiaes it was a
fuller thing than what St. Augustine had brought with him a century and a half before.
1
T h e festivals enclosed in brackets owe their place in the list to external historical evidence rather
than to the internal evidence of M S S .
a
Die altesten Romischen Sacramentarien, 1892, pp. 40-45.
3
Histoire du Breviaire Romain, r8o3, pp. 124-135, a most important passage, from which I have borrowed
freely.
4 8
Gregorovius Gesch. der Stadt R o m . 1. 258-273. Origines, p. 270
5 9
H . & S. iii. 367. Origines, p. 259
6
L.P. i. 381. Origines, p. 261. '" Hampson. ii. 149
7
L.P. i. 378. Origines, p. 263.
xxiv GRADUALE SARISBURIENSE
Other less prominent festivals had also come in probably in connexion with local
occurrences in R o m e — S t . Nicomede through the dedication of a Church to him, by
Boniface V. (619-625) ;2 St. Lucy, St. Apollinaris,3 and St. Hadrian,4 through the build-
ings erected in their honour by Honorius (625-638); SS. Primus and Felician through
the translation of their relics under Theodore (642-649);* St. Euphemia through the
dedication of a Church to her by Donus (676-678).6
In other cases it is less easy to account for the addition, but it seems clear that
SS. Alexander, Eventus, and Theodulus had joined St. Juvenal.7 St. Basilides the
Egyptian had taken his place side by side with SS. Cyrinus, Nabor+g; and Nazarius;
St. Felix with SS. Simplicius, Faustinus, and Beatrice; SS. Felicissimus and Agapitus,
with their master and fellow martyr, St. Sixtus.
Other festivals, whose dates are less clear, seem also to belong to this period
(600-747)—SS. Benet, Austin, Jerome, Protus and Hyacinth, Agapetus, Callixtus,
Gorgonius, though some may possibly be of earlier date,8 and the two last may not
have found their way into the Calendar till after the translation of relics of each of them
under Gregory IV. (827-844).9
But though the Council adopted such a Calendar as this from current Roman
usage, it was not contented with it as it stood: it added at once the names of
10
St. Gregory and St. Augustine of Canterbury, and further additions soon followed.
Immediately on receipt of the news of the death of St. Boniface his festival
TI
was decreed by an English Council (755): still events in Rome continued to
influence the Calendar, and w e may trace the entry of St. Pernell to the re-awakening
of interest in her under Gregory III. and Stephen II. (731-757),I2 of St. Felix13
to the re-building of his basilica on Monte Pincio, and of St. John Portlatin14 to
the dedication of a Church to him near the Latin Gate, both under Hadrian (772-795):
while English influence is traceable in the spread of the festival of St. Alban,
which naturally connects itself with a revival of interest in him at the end of
the Vlllth Century.15
1 9
Thorpe Ancient Laws ii 457 (London, 1840). L.P. ii. 80, 83.
2
L.P. i. 321. "> H. & S. iii. 367.
3
L.P. i. 323. « H. & S. iii. 390.
4
L.P. i. 326, 517. " P.L. i. 420, 424, 46T, 466.
s
L.P. i. 334. « P.L. i. 500, 517.
6
L.P. i. 200, 348. '* P.L. i. 508, 521.
7
L.P. i. 127. '5 H. & S. iii. 469.
8
E.g. Agapetus, see L.P. i. 252.
GRADUALE SARISBURIENSE XXV
A Winchester Calendar of the early part of the I Xth Century * attests the following
festivals as being then already recognized in England:—SS. Hilary, Bride, Vedast and
Amandus, Juliana, Perpetua and Felicitas,2 Cuthbert, Ambrose (April 4th, according to
English use), German of Paris (May 28th), Vitus, Magnus, Rufus, Bertin, Lambert,
Remigius, Ledger, Crispin and Crispinian, Brice, with the Translations of St. Martin and
of St. Benet.
Hitherto local interest had in the main determined the Sanctorale, but now
a movement for commemorating the Saints of the New Testament brought in
SS. Matthias, Barnabas, Mary Magdalene, James,3 Bartholomew, Luke, and Thomas.
About a century later we have the evidence of two English Calendars, Bodleian
MS. Junius 27 (circ. 940), and the Calendar in the Leofric Missal (circ. 970), and
these add to our list SS. Scholastica Nicomede (June 1st) Medard, Audrey, Sampson,'
German of Auxerre (July 31st), Eustace, and the Invention of St. Stephen.
In another hundred years' time, towards the end of the Xlth Century, evidence
becomes more ample from Calendars4 and Service-books,5 as well as from records of
Canonizations, both local and papal: the papal Canonizations do not begin till 993 with
St. Odalric, and only gradually supersede the older method of local Canonization.
T h e series of translations of the Relics of St. Cuthbert which began in 698 (hence
the entry of his festival in the Xlth Century Calendar) ended in 995, and thenceforward
the festival is of c o m m o n occurrence. Similarly the attempted translation of St. Swithun
in 971 left its mark upon the Winchester Calendars of the middle of the Xlth Century,
and the festival became more general after his final deposition in 1093; similarly final
repose of the body of St. E d m u n d K. and M . in 1013 is the starting-point of the festival
of November 20th. Ethelred's Witan in 10086 decreed the festival of his brother King
and Martyr St. Edward, and Canute's law in 10337 the festival of St. Dunstan.
St. Alphege was by common consent commemorated very soon after his martyrdom
in 1012. The festival of the Conception was perhaps introduced into England by
8
St. Anselm, and at any rate probably popularized by him : to these must be added
the following festivals, which are now common in Calendars of this date: SS. Maur,
1
Bodleian MS., Digby 63.
* This festival is entered in the Bucherian Calendar (circ. 350), and is in the Gelasian Sacramentary, but
seems to have dropped out.
3
Probably after the translation of his relics to Compostella (circ. 816). Stadl.
4
See those printed in Hampson, pp. 421 and 434, and others in Warren's Leofric Missal, pp. 271, 210, 294;
also Bodleian M S . Douce 296, M S . Hatton 113 olim Junius 99.
5
See Brit. M u s . M S . Harl. 2961, Exeter Collectarius: Cambridge Corpus Chr. Coll. M S . 361, Worcester
Breviary.
6 7
Thorpe: i. 309. Thorpe i. 37r.
8
Its origin is very obscure, see Hampson, ii. 56 ; Martene : " D e Antiquis Eccl. Rit." (Venice, 1783), iii. 199.
D
xxvi GRADUALE SARISBURIENSE
Batildis, Aldhelm, Basil, Cyric and Julitta, Kenelm, Christina, the Seven Sleepers,
Oswald (already in the IXth Century Calendar), Donatus, Lambert, Faith, Machutus,
Katherine Linus (canonized in 1080)1, and Nicholas after the translation of his relics to
Bari (1087).2
A century and more still intervenes between this date and the date of our M S .
(circ. 1210), and during this interval the following additions are m a d e : — SS. Julian,
Blaise, Arnulph (canonized 1121), Margaret, Giles, Gereon, Nichasius Wulfrann,
Michael in M.T., xi thousand Virgins, Romanus, Leonard, with St. Thomas of Canterbury
(1173)3, St. Edward the Confessor (1163)% and the Translation of St. Edward King and
Martyr, and the Canonization of St. Wulstan in 1203s.
In 1220 was the Translation of St. Thomas of Canterbury, and the festival of the
7th of July enters the Calendar;7 and in 1252 the establishment of the Octave of
the Nat. B.V.M.8 caused the Sarum Feast of Relics to be altered from September 15th9
to the Sunday after St. Thomas. St. H u g h was canonized in the same year,10 and in
1222 the Synod of Oxford ordered a certain list of festivals, which is our earliest
11
authority for All Souls Day, and for the obligation to keep the Translation of
Edward King and Confessor.
In 1246 the festival of St. E d m u n d of Canterbury was ordered,12 and the translation
of his relics in the following year brought in the festival of June 9th. Then followed
St. Richard of Chichester (1260),13 April 3rd and June 16th ; Corpus Christi (1264)
and probably St. Sulpicius and St. Cuthburga.
T h e Vigil of the Nativity of the B.V.M. was not appointed until 1375, and about
the same time St. Edward the Confessor's festival received papal sanction (1360) and
St. Anne was introduced (1383).1
T h e X V t h Century saw the introduction of SS. David, Chad, Winifred in 1415,
2
and St. John of Beverley, 1416 (but already in earlier Calendars from the IXth Century),
the Transfiguration, 1457, and the Holy N a m e ; and finally in 1480 the festivals of
St. Etheldreda, on October 17th, and St. Frideswide were established, and two others
which had already received papal authority—the Visitation (1431) and the Trans-
3 4
figuration (1457) —were then adopted in England.
This sketch of the Development of the Sanctorale would be one-sided without some
note of the losses and disappearances which went on side by side with the additions.
O f the old Gregorian nucleus the Invention of the Cross displaced SS. Juvenal etc. ;
and the Exaltation of the Cross, SS. Cornelius and Cyprian. St. Potentiana gave place
to St. Dunstan ; St. Urban to St. Aldhelm; SS. Primus and Felician to St. E d m u n d ;s
St. Eusebius to the Vigil, and SS. Agapetus, Timothy, and Symphorian to the octave,
of the Assumption, on its establishment by Leo IV. (847—855);6 St. Hadrian to the
Nativity of the B.V.M. and SS.'Gorgonius, Protus and Jacinth, Nicomede to its Octave
on its establishment in 1252 by Innocent IV.;7 St. Euphemia to St. Edith; St. Caesarius
to All Saints ; St. Mennas to St. Martin—while other festivals only appeared to disappear
again before Vigils or more important rivals, e.g. SS. Lucian, Hilary, Anthony, Praejectus,
Cyric and Julitta, Quintin, Eustace, Anianus,5 Saturninus.
T h e new festivals of the X V t h Century did not oust the existing occupants from
their day, but like the Beheading of St. John and St. Sabina in earlier days consented to
live and let live; and the Translation of St. John of Beverley never claimed more than a
subordinate place on St. Crispin's Day.
T h e following pages present these results in tabular form; it is the Kalendar of the
printed Sarum Graduale with the festivals dated so far as possible. Four strata of
festivals are distinguished by differences of type. The old Roman Festivals are in
CAPITALS ; additions to the end of the Xlth Century in antique type; those between
1100 and circ. 1210, the date of our M S , in roman type; additions subsequent to our
M S. in italic type; and some few which appear in the Calendar only, and not in the
Sanctorale, in smaller italic.
1 2
Wilk. iii. 145, 47, 178. Wilk. iii. 375, 379.
3
This was a revival of an old Festival and of an old Mass borrowed mainly from Christmas.
4
Wilk. iii. 613.
5
See pp. 187, 200 of our M S * , where later M S S . have St. Edmund, St. Richard, and St. Hugh.
0 7
L. P. ii. IT2. • -' Hampson ii. r34.
xxvm GRADUALE SARISBURIENSE
JANUARY. MAY.
5 Vig. Ep. Edward K. & Cf. (i 163) 1 PHILIP & JAMES
6 3 Invention of the Cross displace JUVENAL
8 Oct. Ep. Lucian Alexander, etc.
13 Hilary (IX) displaced by Oct. Ep. 6 John Portlatin (^.790)
14 Felix (772-795) 7 John of Beverley (1416)
15 M a u r (XI) 9 Nicholas
J ULY—continued. OCTOBER.
26 Anne (1383) i Remigius etc. (IX) Melorus
27 Seven Sleepers (XI) 2 Ledger (IX) Thomas Herf (1310)
28 Sampson (X) or Pantaleon 6 Faith (XI)
29 SIMPLICIUS etc., & Felix 7 MARCUS, Marcellus & Apuleius
30 A B D O N & SENNE 9 Denys etc.
.31 German (X) 10 Gereon etc. (XII)
11 Nichasius etc. (XII)
AUGUST. 13 Tr. Edward K. els'Cf (1222)
14 Calixtus (VII)
r PETER'S CHAINS Machabees (VIII) 15 Wulfrann (XII)
2 STEPHEN 16 Michael in M.T. (XII)
3 Inv. of Stephen (X) 17 Audrey (1480)
5 Oswald (XI) 18 Luke (IX) Justus
6 Transfiguration (1457) (1480) 19 Frideswide (1480)
SIXTUS & Felicissimus & Agapitus 21 Eleven thousand VV. (XII)
7 Holy Name (1457) 23 Romanus (XII)
Donatus (XI) 25 Crispin & Crispinian (IX) John Beverl. (1416)
8 CYRIAC etc. 28 SIMON & JUDE
Romanus & Vigil 31 Vigil & Quintin
10 LAWRENCE
11 TIBURTIUS
13 HIPPOLYTUS NOVEMBER.
14 "Vigil displ. EUSEBIUS
15 Assumption (VII) 1 All Saints (IX) displace C^ESARIUS
17 Oct displ. Agapetus (VII) 2 All Souls (1222) displace Eustace (X)
18 „ „ Magnus (VIII) 3 Winifred (1415)
23 Oct (847) displ. TIMOTHY & SYMPHORIAN 6 Leonard (XII)
24 Bartholomew (IX) Audoe 8 F O U R C R O W N E D MARTYRS
27 Rufus (IX) 9 THEODORE
28 Justin (VIII) displ. H E R M E S II Martin (VII) displace M E N N A S
29 Beheading of John Baptist 13 Erkenwald
SABINA 14 Brice (IX)
30 FELIX & ADAUCTUS 15 Machutus (XI)
31 Cuthburga (XIII) 16 Edmund Archbp. (1246)
17 Hugh (1220) displ. Anianus
20 Edmund K. & M . (1013)
SEPTEMBER. 22 CECILIA
23 CLEMENT Felicitas
1 Giles (XII) displace Priscus (VIII)
24 CHRYSOGONUS
4 Tr. Cuthbert (XI)
25 Katherine (XI)
5 Bertin (VIII)
26 Linus (c. 1080)
8 Nativity B.V.M. (VII) displ. Hadrian (VII)
29 Vig. Saturninus & Sisinnius
9 Oct. displace Gorgonius (VII)
30 ANDREW
11 Oct. displace Protus & Jacinth (VII)
14 Exaltation of Cross (VII) displ. CORNELIUS
& CYPRIAN DECEMBER.
15 Oct. Nat. (1252) displace Nicomede (VII)
16 Edith ? displace Euphemia 4 Osmund 1456
17 Lambert (XI) 6 Nicholas (XI)
21 MATTHEW 8 Conception (XI)
22 Maurice etc. (VIII) 13 Lucy (VIII)
23 Thecla (conf. 1329) 21 Thomas (IX)
25 Firmin ? 26 STEPHEN
26 Cyprian &> Justina 27 JOHN
27 COSMAS & DAMIAN 28 INNOCENTS
29 MICHAEL 29 Thomas Cant. (1173)
30 Jerome (VIII) 31 SILVESTER
xxx GRADUALE SARISBURIENSE
But in spite of these losses and in spite of being outnumbered by new festivals the
old R o m a n Saints' days did not really lose their prominence, for all the new festivals
brought no new Masses with them, or next to none, but were content to borrow from
the existing sources. Sometimes Masses were taken whole, as St. Vincent's was for
St. Nicomede, St. Potentiana's for St. Lucy; but more often the various elements were
taken from different Masses, and after the formation of the C o m m u n e , when there was a
c o m m o n stock made, the process of providing for new festivals became an exceedingly
simple one.
It may be convenient to draw up, as was done above for the Temporale, a list of
additions made later to the Sanctorale.
(a) In the Vllth Century—
For the Conversion of St. Paul—I. Lsetemur: G. Qui operatus: Tr. T u es vas:
C. A m e n dico . . quod uni.1
For Candlemas 2 —G. Suscepimus: Tr Nunc Dimittis : C. Responsum.3
For the Annunciation — A has a peculiar Mass but most M S S . have Masses which
are entirely borrowed from elsewhere.
For the Holy Cross days—several Offertories and Communions that seem to be
peculiar, viz. : O. Protege : O. Veniens vir : O. Nos autem gloriari: O. Salva presentem.
C. Redemptor mundi : C. Crux Jesu.4
For the Assumption—originally the Mass provided was different from the later ones,
and all but the G. Propter veritatem borrowed from elsewhere ; later the M S S . give other
Masses for the festival and its Vigil largely borrowed or with words adapted to old
music,5 but I have so far not been able to identify the following as borrowed or
adaptations: O. Felix namque ; C. Alma dei; C. Dilexisti; C. Beata viscera, and A has
a Mass of its own.
For the Nativity of Our Lady —the same materials are used as for the Assumption.
W e have also to reckon here with some festivals which we were not able to assign
as part of the original scheme, but which all the same contributed some element peculiar
to themselves to the Commune. W e must, therefore, assign to this period the C. Semel
1
But Tol has here and for the Beheading of St. John masses which seem peculiar.
2
Morin (p. 38) dees not agree with Duchesne (Origines, p. 261) in putting the Purification on a par with
the other three great festivals of Our Lady as importations dating from the end of the Vllth Century, but
thinks it m a y have existed in St. Gregory's time.
3
T h e alternative, Tr. Diffusa, is of the ordinary 2nd M o d e type, not a new composition; and the third,
Tr. Audifilia,is also of a known type.
4
T w o others are adaptations, viz., N o s autem of Dico autem vobis (Morin, p. 61), and Per lignum of
A b occultis.
5
T h e I. Salve sancta = Ecce advenit; G. Benedicta = Constitues. T h e I. Gaudeamus is modelled on the
I. for St. Agatha, which is the archetype of a large number of Gaudeamus Offices.
GRADUALE SARISBURIENSE XXXI
dixi, which only appears for St. Apollinaris; the I. Gloria et honore and O. Posuisti,
which appear only for St. Basilides or St. Gorgonius; and possibly other items in the
C o m m u n e ought to be included in the same category.
After this activity in composition seems mainly to have ceased ;T some new Alleluias
may have been written and some individual M S S . have novelties of their own,2 but on
the whole Masses were normally provided for the new festivals by drawing on materials
already existing and mainly in the Commune.
(b) But at a later period activity revived, if only to a very limited extent, and the
XlVth -an* X V t h Centur&s- produced a new Alleluia for the Visitation and a Mass for
the Holy N a m e , which, except for the Alleluias, was completely new.
After this discussion of the Sanctorale we must now enter on the question of the
date of the original Antiphonale. The compositions either in the Temporale or the
Sanctorale that can be definitely dated after the death of St. Gregory are very few
and offer no serious bar to calling the Antiphonale, in a very real sense, Gregorian,
and besides this there is much evidence that new music for the Mass ceased gradually
to be written in the course of the Vllth Century.
This was not because of any cessation of musical activity for new music for the
Hour Services was not by any means so rare; it must have been due to a general
recognition that the Antiphonale was a closed and complete book to which it would be
unwise, and perhaps presumptuous to add. Such a feeling argues that there had been a
real revision backed by some great authority which could be looked upon as final: and
so once again the Gregorian origin comes up as the natural explanation of the facts.
The Sarum Gradual is then in its contents marvellously the same as the first
Antiphonale, which came with St. Gregory's mission to England; and St. Augustine,
could he have come to life in the XVIth Century, and been given the latest Sarum
Gradual from the Paris press, would probably have had some difficulty in finding his
place, and greater difficulty in following the Guidonian notation, but he would have
known almost every piece in the book.
In the method of performance however he would have found much altered, so a word.
must now be said on this point as to each of the various elements that go to make
up a Mass. T h e six elements fall into three heads. Three are Antiphons, viz., the
Office and Communion which have psalms, and the Offertory which has Verses : one
1
It is even possible that the above music was not new but borrowed, at any rate in part, as were the festivals
themselves, by the R o m a n Church from outside.
2
Eg. Tbl has a peculiar Mass for St. John Portlatin, A and M have a series of peculiar Votive Masses,
M . iv. has a peculiar C o m m u n i o n for St. Bartholomew and b a series of music of its own de B. V.. M .
xxxii GRADUALE SARISBURIENSE
is definitely a Respond, viz., the Gradual, and probably the Alleluia and ¥ may be
classed with it; while the Tract is the psalm sung without "repeat," in directum. In
form the Offertory is more like the Gradual than either the Office or Communion;
but the classification rests not on form, but on use. Antiphons are essentially duets
between choir and choir, or choir and people; Responds, duets between soloist and
choir; while the third class is not a duet at all.
2.—Closely allied is the case of the Communion; it started from the same point
as the Office as a psalm with Antiphon, but it has been still more ruthlessly cut
down till in most M S S . only the Antiphon survives; some few, however, still give the
cue of the psalm, or intermediate stages like those of the Office. It was naturally,
whenever possible, the psalm from which the Antiphon was taken, but when the
' See Thomasius V. pp. vi-xv. O n e important intermediary stage is that in which Tropes were sung,
which, in a sense, took the place of the psalm-verses. T h e oldest method survived in some services, e. g. at
the Maundy, and the Adoration of the Cross.
2
Ordo R o m a n u s 1. P.L. Ixxviii. 942.
3
E.g. for i. and iii., Advent.3 for ii., XL. 4 for i., Trin.'8
GRADUALE SARISBURIENSE XXXIII
Antiphon was not taken from a psalm^ it was "psalmus ut supra"—that is, the Office
psalm was continued from the point at which the singing of it had ceased, because
the Celebrant was ready to begin Mass.1
T h e series of Communions in the Temporale, though not so rigidly preserved, as
that of the Offices, yet shews but very few variants in the original scheme.
The English books are divided between " Pater cum essem" and " Non vos
relinquam" for the Sunday after Ascension Day, and two Italian M S S . give the former
at Easter3 instead of Cantate Domino. But there is no other variation that has the
support of more than one M S . , and only six cases of such variation.2
3-—The Gradual seems to have suffered no change—at any rate since Gregorian
times. T h e Alleluia and ¥ we have spoken of above; but the Offertory has been much
curtailed: as the Index shews, it once had two, or even three, verses and so must
have taken five or six times as long in performance, but as the ceremony of the
Offering of the people dwindled and faded almost entirely away, the music was
curtailed; the Verses entirely disappeared from some texts of the Sarum Gradual, while
others kept one of them in use at certain seasons (see p. xxxvi) : but they survive
universally in the Offertory of the Mass of the Dead.
4.—Lastly, the Tract seems to have kept its old form: nearly all the Tracts
can be reduced to one or other of two types either IInd M o d e or VIIIth M o d e ; but
notable exceptions are the two Benedictus of Embertides, which properly speaking are
not Tracts at all. But while the form remained the same the method of execution
altered, and what was originally a solo came to be sung by the whole Choir.
All the above suffered from the Xth to the Xlth Centuries from the rage for
Tropes, but apparently only among the Benedictines—at any rate the Sarum books
shew no sign of these intercalations except in the Ordinary of the Mass.
Here, too, changes took place between the Vllth and the XVIth Centuries.
(1) T h e Kyrie was farsed ; and, moreover, it was here that the results of the operation
mainly survived, for the Sarum books kept nine farsed Kyries till the Reformation.3
(2) T h e Gloria in Excelsis, which originally could only be used when a Bishop
celebrated, except on Easter Day, gradually became general, but not at R o m e until the
end of the Xlth Century.4 It, too, was often farsed, but as a rule only one farsing
survived in the Sarum books.
1
But one M S . (Tol.) in these cases gives a verse not from a psalm but appropriate to the Antiphon, thus
exhibiting the same tendency as has been noticed in the Office.
2
See Index : Adiutor meus ; A m e n dico ; Circuibo ; Dico vobis ; Nos autem gloriari; Puer Jesus.
3
See facsimile plates 1-6 and below, p. xlix.
4
Berno of Reichenau, " D e quibusdam rebus etc." II. Hittorp 699. Micrologus X L V L , Hittorp 758. Ralph
of Tongres, " D e C a n o n u m Observantia" XIII., Hittorp 1125.
E
xxxiv GRADUALE SARISBURIENSE
(3) The Nicene Creed came into the Liturgy from the East, was adopted by the
Council of Toledo 589, and spread throughout the West mainly in the IXth Century,
though it was not adopted in R o m e till the beginning of the Xlth.1
(4) T h e Sanctus has from the earliest times been an integral part of the Liturgy ;
the Agnus Dei was atfirstonly an ad libitum hymn sung by clergy and people, but was
taken up and ordered by Sergius (687-701) and finally found its way into the prayers
of the Celebrant as well,2 & in regular triple form with the. variation, Dona nobis pacem,
at the close, which however was not original.3
Both the above were "farsed" extensively, but no trace of it survives in Sarum
books.
1
Walafrid Strabo " de Rebus Ecclesiasticis," XXII., Hittorp 682. Berno ut sup. I. Hittorp 698 and II. Hittorp
700, but see the question discussed in Kraz'er, " D e Liturgiis," §§ 244-246.
2
Amalarius III. 33, Hittorp 433 etc.
3
Innocent III. in vi. 4 quoted by Krazer ut sup. and Thalhofer " Handbuch der Katholischen Liturgik "
(Freiburg, 1890), ii. 277.
GRADUALE SARISBURIENSE XXXV
PART II
T H E British M u s e u m M S . Add. 12,194 consisted originally of sixteen quires of twelve
leaves each, written at the beginning of the Xlllth Century: the third quire had
added to it an additional leaf to supply some omissions (it is pp. 61, 62) : but in the
course of years some portions of the M S . have been lost.
T h efirsteleven quires contained the Gradual proper, and this is the part reproduced
here: the four quires which followed contained the Sequences and the Ordinary, but of
them only two quires and two leaves are left (XIV, X V , and two leaves of X V I ) .
T h e Gradual itself has also suffered the loss of some leaves, viz. the following,
fifteen in number : —
I. 1 before p. 1 : I. 9 after p. 14: I. 12 after p. 18:
VI. 1 after p. 116: VI. 12 after p. 136:
VII. 3 after p. 140: VIII. 5 after p. 166 & VIII. n & 12 after p. 176:
IX. 3 & 4 after p. 180: IX. 9 after p. 188:
X. 1 after p. 194 : X. 3 after p. 196 : X. 7 after p. 202.
Their place is supplied by pages reproduced from Brit. Mus. M S . Add. 17,001,
numbered plates A — M (these are somewhat reduced in size : the M S . measures 16^
by n # inches) and from Bodl. M S . Rawl. Liturg. d 3, numbered plates a—z.
The Ordinary is reproduced from Brit. Mus. Lansd: 462 on plates 1—19, but
considerably smaller: the M S . measures 20 by ip/i i ncnes -
T h e Sequences are not included in this publication except incidentally on plates
F and M.
This M S . is the earliest of the_known^Sarum Graduals, and differs in several respects
from those of a later type. T h e date of it is fixed within a few years, for the M S . has the
festival of St. Machutus (1203) but not that of the Translation of St. Thomas (1219) and
the entry on p. 184 leaves no doubt that it represents the Sarum use of that time.
T h e main details in which it differs from later Sarum Graduals are pointed out
of the
below (see the annotations to pp. 34, 118, 120, 136, 144 facsimile), but it differs
also in certain general features :
(1) In having the outline and in many cases the full music for the processions before
Mass. The Processional did not yet exist as a separate book: the ordinary procession
consisted in the main of Responds or Antiphons taken from Mattins or Evensong: for
these it was only necessary to refer (as this M S . does) to the Antiphonal: the remaining
Antiphons, H y m n s , etc., which are peculiar to the processions, are as a rule given
in full in this M S . , so that it formed the complement to the Antiphonal so far as
xxxvi GRADUALE SARISBURIENSE
the Morning processions were concerned, though it differs in some respects from the
later Sarum Processionals (see the notes, pp. xlvii, viii and cp. J, which also has the
Processions).
(2) O n the other hand it wants the long series of Votive etc. Masses of the later
books and has after the C o m m u n e Sanctorum only the Mass of the Dead and Masses of
the Holy Spirit and of Holy Cross: while—
Among other things that are wanting are the farsed Lesson at Christmas, the
Genealogies at Christmas and Epiphany, and a certain number of subsequent festivals, of
which by far the most important is Corpus Christi (see p. xxvi).
Note also that the Verses of the Offertory in general are wanting here, though one
of them survives for the weekdays in Advent, L X X , L X , L, and Lent in Gr. and in
B.A.L. and l,1 and even in this M S . they are found in the Requiem Mass. From this and
other circumstances it is probable that the M S . was written for a Parish Church.
T h e Graduals, Tracts, and the Alleluiatic Verses are often left incomplete: the first
two ended as a rule with certain well known jubili and the latter generally with a repeat
of the Alleluia Melody, so that it was not necessary to write out the full ending.
For the Graduals first mode ending may be found on {e.g.) p. 27 : it is wanted at
pp. 41, 42, and plate d. The second mode ending (p. 7) is wanted at p. 34. T h e third
mode ending is at p. 55 and is wanted at pp. 75, 221. The fifth mode has at least
two endings: thefirst(p. 6) is wanted at pp. 18, 39, 53; the second (p. 15) is wanted
at pp. 33, 47, 52, 77, 147, 156, 178, 181, 235. T h e seventh mode has two endings:
the one (p. 4) is wanted at p. 5 0 ; the other (p. 44) at pp. 51, 154. The eighth mode
ending (p. 73) is wanted at pp. 56, 226. Sometimes a ¥ has the ending of a mode
other than that of the G., e.g. p. 141, a second mode ending transposed is combined with
afifthmode G. also, plate f and p. 213 the secondfifthmode ending is combined with a
seventh mode G. Verses are also left unfinished sometimes when they end as the G.
(see pp. 6, 75, 213, 215, 221).
In the course of the M S . occasionally the D clef or G clef is used (see pp. 141, 223
and p. 80): thefc]is not uncommon (e.g. 72), and there are occasionally five lines in the
stave : it is a well written and accurate M S . , not unworthy to represent the English
Tradition as to the Gregorian music.
A careful comparison with Sol. would shew many little ways in which the English
Tradition differed uniformly from the foreign, e.g. (i) in the avoidance of the quilisma
and the various alternatives adopted in its place ; (ii) regular variant interpretations of the
same pneum, e.g., a pes sub-bipunctis resupinus beginning a.c.b.a in England returns
1
In 1 the first few leaves of the original M S . have been lost and supplied in a later hand and without
the Verses of the Offertory.
GRADUALE SARISBURIENSE xxxvii
to c but in Sol and most French books to b. (see P.M. ii., facsimiles of "Justus
ut palma," where both customs are represented). But in the following notes no attempt
has been made at this minute criticism, but only at indicating the major points in which
our M S . differs from some other Graduals.
Similarly with regard to the Collects, Epistles, Gospels, etc., there are constant
minute differences between this M S . and the later books, e.g., p. 12, " Exultafilia"for
" Exultatefiliae,"but only the more important variants are noticed.
In most cases, unless the contrary is stated, the Sarum M S S . seem to agree with
one another even when they differ from other Graduals.
N O T E S ON T H E MASSES
P. 14.—In the Verse of the A. the C clef should be placed on the second line from
the top, before the last nine notes (cp. the same melody, p. 1). Last line: The Clivis on
" utero " is repeated here by mistake (cp. pi. E ) .
Pp. 14, 15.—A leaf (1.9) is missing (see plates E , F, G, H ) . PL E . — T h e last note
of the G. should be f; so Gr. B. L. N. D. and Sol.
P. 17.—Notice the correction in a later hand : the mistake probably arose from a
confusion with the Office. I. " E x ore infantium," the word " deus" is omitted by
mistake. T h e music for it is given.
P. 18.—According to the old rubric (Mig. T h o m . 1R cp. Amalarius I. xii., Micro-
logus 36), there was no Alleluia on this day, but in some places " Laus tibi Christe "
was substituted for it (see G. 1R & P.M. i pi. xviii. and pp. 114, 115). It survived at
York (see E ) . The Offertory is often not transposed : the writer at first forgot that
here it "was transposed, and put a b on the space above the line, and then remem-
bering himself erased it. St. Thomas's name is erased, and there had been a correction
made of the psalm of the Office and of the Collect. H . and E. vary much from Sarum ;
He. has an earlier Mass and the Sarum one in a later hand.
Pp. 18, 19.—A leaf (I. 12) is missing, containing—
(1) T h e rest of this Mass, i.e. G. " Speciosus forma" (see " Exurge D o m i n e " p. 65,
which has the same melody). A. "Dominus regnavit" (see pi. E ) . O. and C. (see pi. H.).
(2) The Circumcision (see p. xii). All is taken from Nat.(3), except A " Multiphariam "
(see pll. H.J). This is more or less the same melody as " Sancti et justi," p. 215 : here from
" vobis " all is a note too low, but when the Alleluia melody is taken up at "filio" it is
transposed a fourth higher. (In pi. J the changing of the b from the second to the first
space in the middle of " suo" after the climacus is almost erased, but it should be there.)
This peculiarity seems to be characteristic of Sarum, for B. N. L. D. He. are the same
as this M S .
(3) The Vigil of the Epiphany (see p. xii). All is taken from Nat.(2), except the
1
C. " Tolle puerum " (pi. H ) which is from Nat . In L. 1. A. Gr. the Genealogy follows
with full music.
(4) The Epiphany (see pi. J, whichfitson to p. 19 of the M S . ) .
P. 20.—O. T h e repeat of the first four words is omitted in Sol. D o m . Herm. (cp.
p. 22) but it is in G.2
P. 23 L. 1 :—These Gospels are transposed in Miss.
P. 24.—G. 2 gives a much simpler setting of the C. (cf. Reg., and see it in full in
Herm. 107). Gr. B.L.N. He. give the later form of the tone of the Office, adding a
final g. A. perhaps also had it once and it has been erased.
P. 25.—The C. is transposed to avoid descending to the note b : in Sol. it is in
its original seat, but does not descend below c.
GRADUALE SARISBURIENSE XXXIX
P- 26.—The Epistle " Libenter (suffertis) " is inserted in a late hand and very faint.
P. 41.—For thefirstfour words of the G. " Salvum fac " the music is different from
Sol. It begins a fourth lower and then hesitates, but the corrected notes on the top of
p. 42 bring the two versions into line. Herm. agrees with Sarum after the first two
words, and D o m . agrees from the beginning.
P. 47.—In the C. the omission of "in te" is supplied in the margin, but only a
fragment appears in the reproduction.
P- 51..—The I. here is eighth mode transposed (cp. Reg.), but in Sol. and D o m . it
descends on thefinalword " m e a m " to g, and is treated as seventh mode. D o m . also
begins a fourth below Sarum.
P. 53.—The O. as it stands must be reckoned seventh mode, but Sol. has all a fifth
lower, and repeats at the end "Domine in auxilium m e u m respice" (cp. G.2), thus ending
in the sixth mode. D o m . is also afifthlower, but ends in the second mode.
P. 55.—The O. ends in Sol. in sixth mode, but Gr. B. b. L. & N . A.D. He. and
Herm. agree with this, though probably they are wrong.
P. 56.—L. 3: T h e C clef should be put upon the second line from the top, six
notes from the end, before the syllable " dahxivX." It is afirstmode melody transposed
(cp. Sol. D o m . Herm). In the G. the first two lines of the ¥. are a note higher in
Sol. ; this is probably right: in Sarum they have been transposed a note down, but
with only one b : hence when an e occurs, as on " belhwzs," the faultiness of the
transposition becomes obvious and is rectified at the beginning of "tribulavit" (cp. notes
on pp. 65, 73).
xl GRADUALE SARISBURIENSE
P. 58.—The C has a longer ending in G.2 D o m . Sol. Sarum has probably lost
some notes.
P. 59.—Reg. and T h o m . agree with Sarum in ascribing this C. to the fourth
mode: Sol. and Dom. differ not a little from one another, but agree in having all
but the last two words a fifth higher, and then descending so as to end in the seventh
mode. Berno & Guido ascribe it to thefirstmode.
P. 60.—This-C. in Sol. is in the main a note lower and in thefifthmode; so Berno
Reg. & Guido ; but D o m . agrees with Sarum.
P. 61.—This C. in Sol. is quite different and ends in the third mode. In D o m .
(cp. G.2) it is much the same as here, mainly a fifth higher, but descending to end in
the seventh mode (cp. Berno): in Reg. it is ascribed to the fifth mode, in T h o m to
the fourth. T h e words also differ. The I. differs from Sol., which incorporates the words
"rex meus et deus m e u s " into the Office, and has for ps. " Quoniam ad te orabo."
P. 63.—The C. is quite different in Sol. (cp. Reg. Berno G.2) and in the eighth
mode, but D o m . agrees with Sarum.
P. 6 4 . — T o the I. Sol. adds " Auribus percipe verba oris mei: " not D o m . or G2.
P. 65.—The G. " E x u r g e " — a s also " Speciosus forma" (above, p. xxxviii), which is
the same melody—has in Sarum books gone through a curious change. It is really a
third mode melody transposed a note lower, but with only one b in the signature: the
result is, that when an e occurs on " nomen," " diebus" and " eorum," the faultiness of
the transposition becomes clear and there follows a relapse into the normal pitch. Sol.
avoids f at the point altogether. Similarly in line 1 of p. 66, where the C clef
appears, there is a relapse into the normal pitch, in this case appearing soon enough
to evade the e which would have come but for the relapse. Herm. mainly agrees with
Sol., but D o m . is different and more like Sarum.
P. 67.—The ¥ of the G. " Beata" ends wrongly (cp. pp. 161, 234); but on
the other hand at p. 161 the G. itself is curtailed.
P. 6 8 . — O differs much from Sol. and D o m . in words and melody ; they both
2
end in the sixth mode; G. ends "adversantes mihi" without the closing words.
P. 70.— L. 3: " Quadrianus" by mistake for " quadriduanus." Last line: In the
space over the erasure Sol. has an additional torculus g.a.g. (cp. D o m . G 2 .).
P. 72.—The words of O. differ. Miss, has " ut vivam" instead of " vitam:"
He. "vivam."
P- 73-—The G. " Deus exaudi" should probably end as the ¥ does ; in that
case some notes have been lost. He. is incomplete. The ¥ is all transposed a
note lower as far as the word "judica," but with only one b in the signature;
from that point onward it is the counterpart of the G. from " cc verba". . . ; the
occurrence just before of the note e reveals the faultiness of the transposition and
GRADUALE SARISBURIENSE xii
makes a return to the original pitch imperative (cp. the notes to pp. 56, 65) ; but
both these points seem regular Sarum peculiarities.
P. 75.—The end of the ¥ of the G. is given on the lower margin : the full ending
is not given, but enough to shew that the ¥ ends in the same way as the last three
words of the G.
P. 76.—The porrectus on "eius" in the ¥ of the G. is repeated in Sol.
P. 77-—Sol. and G.2 have not "deus m e u s " words or music in the ¥ of the G.
but D o m . has them as also He. T h e C. has two words repeated by mistake.
P. 7^-—Under the long series of repeated groups on the word " ab " of O. the
M S . B. has " Idem Offertorium in choro Sarum discantari solet." T h e series is' curtailed
in Sol. (p. 526).
P. 82.—L. 2 : " Curribus " by mistake for "turribus."
P. 88.—Gr. has here notation for the Passion.
P. 8 9 . — T h e I. Judica in Sol. is all a fifth lower till the last word, when it varies
from Sarum and ends in the fourth mode on e (cp. Berno, Reg., and Dom.) but Guido
agrees with Sarum.
P. 9 0 . — T h e O. in Sol. ends in the third mode. Should there be the F clef inserted
on the second line from the top after the porrectus on the word "meus," this would bring
the Sarum version into agreement. But D o m . rises to C after the porrectus as here
2
(cp. G. ), though it afterwards falls again, and ends as Sol. though ascribed to the fourth
mode.
P. 91.—The ending of the O. varies in Sol. & D o m . : neither have the word
"domine," and Sol. ends the music on the d half-way through the syllable "afomine."
G.2 is like Sarum.
P. 93-—Sol. and D o m . incorporate with the O. the ¥ " N e avertas," which survives
as ¥ in many Sarum books.
P. 95.—L. 8: O Redemptor is given in full in Gr. A. B, L. 1., and so are the Anti-
phons of Evensong below in Gr. D. N . A. B. L. 1.
P. 102.—The A. " Crucem tuam " should have ps. " D e u s misereatur;" so Proc. D.
L. A. N. There is a mistake in the music of the last line of "Crux fidelis." It should
end exactly as the former line does.
P. 103.—L. 10: In Proc. a ¥ begins at " aperto ergo" and this ¥ is repeated after
the ¥ " O admirabile."
P. 104. — L. 13: N . L. D. havefirstR " Estimatus s u m " with music : the others are
given in full in D.
xlii GRADUALE SARISBURIENSE
P. 113.—Miss, and Proc. omit "S. Paule " in the first column and insert
" S. Johannes Baptista," " O m n e s Sancti Patriarchae et Prophetae."
Pp. 116, 117.—A leaf (VI. 1.) is wanting, see pi. K for the Easter I.
P. 118.—The later Sarum books have the Sequences of Easter week thus:—
M o n . " Z y m a vetus;" Tu. " Prome casta;" W e d . " Concinat orbis ;" Thurs. "Die
nobis;" Fri. " Victimae paschali;" Sat. " M a n e prima." The alterations are no doubt
due to the adoption for Monday of the recently composed " Z y m a vetus" of A d a m
of St. Victor; but it was the Friday Sequence that was ousted, the four preceding
ones were merely thrown a day later.
P. 120.—In the C. Miss, has " dextera dei sedens " instead of "gloria dei patris."
For the I. this ps. is found in no other M S .
P. 121.—In the A. the C clef should be altered to the top line before the last
eight notes at the end of the last line but one (see the repeat overleaf).
P. 122.—The O. is first mode transposed: in Sol. it is not transposed, and all the
passage here under the b signature is relatively a note lower than in Sol. D o m =Sol
except at the close where it ends in the fourth mode.
P- 123.—The I. in Sol ends in the seventh mode (cp. D o m . T h o m . ) , but Reg.
agrees with Sarum.
P. 124.—In the I. note the f to call attention to the omission of " infantes."
P. 136.—Last line: Other Sarum books have Alleluia Regnabit Dominus (pi. K ) .
Pp. 136, 137.—A leaf (VI. 12) is missing here; its place is supplied by plates K,L,M.
P. 139.—The I. is longer in Sol. (not.Dom. or G.2) and ends in the third mode; so
Berno and Guido, but D o m . Reg. agree with Sarum.
Pp. 140, 141.—A leaf (VII. 3) is missing here, see plates a, b, c. T h e last three
syllables of the C. " a m s u a m " are not included.
P. 142.—The jubilus on " m e " at the end of G. is curtailed here (cp. p. 53).
P. 144.—Sol. has a different version of the C.; thefirstthree words have the music
a fifth lower: then after a little hesitation on the word "exaudisti" the rest of the music is
a fourth lower than here, thus ending in the eighth mode (cp. Berno) : D o m . agrees
with Sarum but is not transposed.
T h e G. of this Sunday and the next Sunday have probably been interchanged by
mistake: not a single other M S . favours this order (cp. a similar transposition, Trin.14
and Trin.15 which has, however, more to support it).
GRADUALE SARISBURIENSE xliii
P. 147.—The C. in Dom. (not Sol. Guido) is in the main a fourth lower than
Sol., so belonging to the eighth mode (cp. Berno T h o m ) : Reg. ascribes it to the second
mode.
p. JJ4.—The end of the G. must be incomplete: the ¥ shews it to belong to the
seventh mode. Sol. agrees with the M S . Dom. ends in the seventh mode, though it
ends the ¥ differently.
P. 155.—The C. in Dom. varies considerably and is in thefirstmode (cp, Guido).
Reg. ascribes it to the third mode. Sol. is as Sarum, but not transposed.
Pp. 157, 158.—For the G G . see note to p. 144.
P. 161.—The Epistle and Gospel of Trin.17 iv. = Trin.23 iv.
P. 162.—To the A. Miss, and Gr. A. 1. add a second ¥ Stantes.
P. 164.—For the C see note to p. 60.
Pp. 166,167.—A leaf (VIII. 5) is missing (see plates d, e, f).
P. 167.—Sol. adds to O. a repeat of thefirstsix words: this is not in D o m or G.2
P. 173.—The C. in Dom. is mainly a fifth lower and differs on the last word, ending
in the second mode (cp. T h o m . ) . Reg. ascribes it to thefifthmode.
P. 175.—The Tr. should be " Quam dilecta." The Sq. " Quam dilecta" in the later
books is assigned to the Octave Day; another, " Laetabundus," is added for the Sunday
in the Octave, and two additional Alleluias. The O. is here curtailed: it is in the sixth
mode, and should repeat the two opening words (cp. G.2). Sol. has " Alleluia" instead,
and Dom. adds the notes to the word " voluntatem."
P. 176—Gr. L. A. B. 1. add the Reconciliation of a Church = Egbert's Pontifical
(Surtees Soc, vol. xxvii., p. 57).
Pp. 176 177.—The leaves (VIII. 11, 12) on which the Sanctorale began are wanting.
The special pieces of St. Andrew and St. Thomas are supplied by plates g, h. The
other festivals which are missing had Masses drawn entirely from the Commune except
the Sequences.
P. 177.—L. 1: For the rest of this rubric see Miss. col. 675. LI. 13, 14: Gr. by
mistake interchanges the Gradual and Offertory. L. 14: St. Sulpicius comes in here in
later books. L. 17: This is usually given after the Commune. L. 21 : Add St. Wulstan.
L. 27 : Gr. omits Tr. Qui seminant.
P. 1 7 9 — L . 7 from bottom: Gr. has a rubric prescribing the omission of Alleluia
in L X X .
P. 180.—L. 3: "Cantata hora sexta," Gr. and some M S S .
P. 180, 181.—Two leaves (IX. 3, 4) are missing (see plates i, j, k; see note to
p. 184).
P. 181—Gr. has Tr. "Diffusa0."
xliv GRADUALE SARISBURIENSE
P. 182.—L. 4 from bottom: The Tr. is "Diffusa" in later books (see Gr.).
P. 183.—After St. Matthias, St. David & St. Chad appear in later books, and in
Miss, only St. Patrick after SS. Perpetua and Felicitas. The G. for St. Cuthbert in Gr.
is " Ecce sacerdos."
P. 192.—L. 3: Gr. and Miss, have C. " Fidelis servus." Miss, adds a Mass of
St. Pantaleon "contra febrem." L. 6: Gr. and Miss, have O. Exultabunt. . L. 7 from
bottom : The Transfiguration and Holy N a m e appear here in later books.
P. 193.—L. 1: This C. in Reg. Bern, is ascribed to thefifthmode. For the Alleluia
later books prescribe " Levita Laurentius " (p. 194).
P. 194.—The G. ends wrongly: it should have the regular ending as on,-e.g., p. 6.
Pp. 194, 195.—A leaf (X. 1) is wanting (see plates q, r, s). At the end of plate s
six notes fga cag are required to lead up to the regularfifthmode Verse-ending No. 1
(see above, p. xxxvi). PI. v : The G should end in thefirstmode.
P. 196.—L. 3: "Veritate" is a mistake for "virtute." L. 3: Most Sarum books give
the I. and C. of St. Sabina in full here and not in the C o m m u n e , and the same applies
to the C. of SS. Felix and Adauctus at 1. 17 (see plate t). L. 17: St. Cuthburga
appears here in later books. L. 18: Gr. and Miss, have Collect, " D e u s qui hodierna."
L. 24: Later books have Vig. Nat. = Vig. Assumpt.
Pp. 196, 197.—A leaf (X. 3) is wanting. -The missing music of the Nat. B.V.M.
and Michaelmas is supplied by plates t, u v, except the end of the I. "ejus" fgfe e
and the ps. " Benedic anima" to the third Tone. T h e other festivals all drew upon the
C o m m u n e , except the Exaltation of the Cross, which had I.A.O. and C , as at the
Invention of the Cross, with the G. of Maundy Thursday and the Sequence " Laudes
Crucis.*' The Festivals of SS. Edith, Thecla, Firmin, Cyprian, and Justina are probably
of later date than this M S .
P. 198.—L. 6: The name of St. Vedast has been erased. L. 18: Notice "Justi
ep." is a correction in a later hand. L. 21 : Gr. and Miss, have Alleluia " Fulgebunt."
L. 22: T h e Translation of St. Edward the Confessor appears here in later books.
L. 24: Gr. has Alleluia "Justus germinabit," but Miss. "Elegit."
P. 199.—L. 4: St. Etheldreda and 1. 8 St. Frideswide appear in later books.
L. 15: "Si coram" is a mistake for " Et si coram."
P. 200.—L. 1: The " Commemoratio omnium fidelium defunctorum " and
St. Winifred appear here in a later book. L. 3: Gr. adds another Gospel, " C u m audi
eritis" at the end of St. Leonard. L. 14: Notice " H o m o quidam" is a correction in a
later hand. L. 15: Gr has "Martini" by mistake for " Machuti." L. 17: In later
books St. Edmund, Abp. displaced St. Anianus, and St. H u g h was added. L. 3 from
bottom. In all other Sarum books the C. " Confundantur" is given in- full here and
not in the C o m m u n e .
Pp. 202, 2 0 3 , — A leaf (X. 7) is wanting (see plates w, x, y, z).
P. 203.—The Gospel, " H o c est pre," is not in Gr. Miss.
P. 205.—The I. "Justus ut palma" has had an erasure at the end, and the result is
that it now has the closing phrase twice over by mistake.
xlvi GRADUALE SARISBURIENSE
NOTES O N T H E PROCESSIONS
N O T E O N T H E O R D I N A R I U M MISS/E
The various Sarum Graduals agree in the main in the contents of the Ordinary. All
have the same selection of farsed Kyries, but b gives the Kyrie without words after the
farsing line by line, no doubt because in early times each petition was sung twice over,
without the farsing as well as with it: cp. the method of singing the proses of the
Responds at Mattins or processions.
PI. it— T h e first plain Kyrie is known as Rex clemens, and is so entitled in A.
PI. 8^-b has no " Kyrie deus sempiterne," but has " Omnipotens" here ; and in
other respects this M S . and A.N.B. 1: vary in their selection of plain Kyries; some
have more and some less than are here.
PI. i r^—b has a farsing to this Gloria, viz. " R e g n u m tuum solidum," which is
common in early Graduals, but there is pitched a fifth too high (cp. IV. Eth., Cat.
Corp), but Dub. has it to the second Gloria in Excelsis on pi. 12, and at the right
pitch.
T h e rest of the Ordinary is in the main the same : but H e . gives only the cues of
Gloria in Excelsis; N . is not so full as this; in M S . Add. 12,194 au* is wanting except the
Sanctuses and Agnuses; on the other hand A. has two extra Agnuses and B. an extra
Benedicamus.
1 GRADUALE SARISBURIENSE
PART III
THE following Index serves a double purpose. It is an analysis of the contents
of the facsimile Gradual to which it is prefixed and refers to its pages. It is also
a general index to the contents of all the M S S . cited below, so far as they have to do
with the Gregorian music of the Mass, inasmuch as it catalogues everything in them
which differs from the facsimile Gradual and with each item gives a reference to the
occasion or occasions of its use.1
With the Offices and Communions are given the Psalms or substitutes for psalms
found in connexion with them, and with the Graduals and Offertories their Verse or
Verses. Every biblical reference remains in force until contradicted by another or by a ? :
where no book of the Bible is specified the reference is to T h e Psalms.
T h e roman numeral prefixed to an entry indicates the M o d e to which the music
belongs. W h e r e different words are adapted to a single melody or type of melody an
attempt has been made to call attention to the fact by placing a small letter against
this numeral so as to connect together all pieces of the same type : e.g. in the Alleluias,
VII Ia stands against all those of the type " Haec dies:" in the Graduals, I Ia stands against
all those of the type "Justus ut palma." But the degree of similarity so indicated varies
considerably: in Alleluias the similarity, is very close, in Tracts it is more general.
The symbols employed to express the M S S . will all be found explained below, and
it will be noticed that the Thomasius M S S . are expressed in a fount of type peculiar to
themselves.
As to the abbreviations employed to refer to the mass in which any piece occurs
it is enough to say that a superior arabic figure represents a Sunday with the week
following it: e.g. X L 1 = thefirstSunday in Lent and in general the first week in Lent:
but if any single week day is to be specified a roman numeral is added: eg. L. iv =feria
quarta in Quinquagesima i.e. Ash Wednesday. T h e rest of the nomenclature is Latin
and will be intelligible without explanation.
It has not been thought necessary to index cues in the Sanctorale which merely
refer to the C o m m u n e but other cues are indexed and distinguished by a c: a few of
1
M a n y Alleluias in early M S S . are assigned not to a special day but to a season : they are therefore here
indexed merely as " Paschalis," " Pentecostalis," etc.: for even though later they were locally assigned to various
days the local uses vary to such an extent that it is useless to index them in detail. A t the same time a
synoptic table of Alleluias is by far the best test by which to discriminate between varying uses,
GRADUALE SARISBURIENSE li
these occurred on pages of the M S . which are n o w lost and do not appear on the plates
provided tofillthese gaps : in their case a ? is put in place of a reference to the page
of the M S .
In Votive Masses which are not in the facsimile only such elements have been
indexed as do not occur in any other connexion.
N.B.—* Denotes "not Sarum." f Denotes "Sarum but not found in the facsimile."
I
Thom—Thomasius Opera t. v (ed. Vezzosi Rome 1750): cp. his less complete Antiqui Libri Missarum
Romance Ecclesia ( R o m e 1691), published under the pseudonym of J M Carus. This represents
the following MSS. 1
M. Vallicellian B. viii Missal. X t h or XI t h cent. Probably from the Convent of St. Euthicius, Nursia.
R. Vatican Ottobon 2, Sacramentary. IX"1 cent. Marginal cues. In Muratori Liturgia Romana Vetus
(Venice 1748).
B Treasury of Monza Book of the Graduals. First half of the VIII th cent. Also given in full
pp. 257-266.3
M.iii Barberini 326 Missal. XII th cent. Marginal cues for the Sundays in Advent only.
Cas Monte Cassino 505 Benedictine Gradual. XI t h cent. Separate collation only pp. 289-292.
L Barberini 1863 Lyons Missal: and with it the printed edition of 1510 and the Monastic Missal of
Ainay, printed 1531.
1
See E. Ranke Das Kirchliche Pericopensystem p. 117 (Berlin 1847).
2
Facsimiles in P.M. ii pll. 33A, 10.
3
See Morin p. 25 note Cagin Un mot sur VAntiphonale Missarum p. ii (Solesmes 1890).
4
Very inadequately represented in Thomasius and now collated afresh. Ranke I.e. p. 122.
Iii GRADUALE SARISBURIENSE
Car. Chartres Gradual. X th cent. Also separate collation, pp. 267-288. ? P.M. ii. pi. xxi
G Some St Gall M S S .
II
Mig Opera S. Gregorii. Migne P.L lxxxviii 637-726.'
(a) Text from Pamelius Liturgicon ii. p. 101 (Cologne 1571) represents the following MSS—
Bl ? ? Codex Blandinensis. IXth cent. From St. Peter's Abbey near Ghent.
Th Rheims M S S 320-272 and 418-432 : (formerly Theod. 63 and 62) T w o Sacramentaries IX th cent, and
XI t h cent. Marginal cues. From St Thierry dioc. Rheims.2
Ill
TR Zurich, Fonds Rheinau 30 Gradual without music. VIIIth cent. From N. France, but formerly at
Rheinau. Only a selection of Masses. In Gerbert, Monumenta Vet. Liturg. Alemann,^. 353-408.3
(St. Blaise 1777.)
G1 St. Gall M S . 359. Gradual circ. 900. F r o m St Gall. Giaduals Alleluias and Tracts in full, the rest
cues only. Facsimile ed. Lambillotte (Paris 1851).4
G2 St. Gall M S 339. Gradual. E n d of X t h cent. From St Gall. From the facsimile in P.M. i.
(Solesmes 1889).
Leof. Oxford Bodleian Bodl. 579. Sacramentary. Early X t h cent. Marginal cues (probably later). From
Arras. In Warren The Leofric Missal (Oxford 1883).
Aq. Bodleian Misc. Liturg. 319 Sacramentary. XI t h cent. Table of cues. From the province of Aquileia.5
Bol. London Brit. M u s . Add. 14,793 Missal. XI t h cent. From Bologna. Only a selection of masses.
1
Ranke, p. 116 Cagin, p. 3.
2
See Delisle Me'moire sur danciens Sacramentaires, pp 116, 285. (Acaddmie des Inscriptions et Belles-
lettres xxxii. 1. Paris 1886.)
3
Ranke, p. 123 Delisle, p. 83.
4
\ P. M. i pi. xvi. iii pi. 108.
5
For a fuller description see the forthcoming publication of the Plainsong and Mediaeval Music Society for
1893, Bibliotheca Musico-Liturgica.
GRADUALE SARISBURIENSE hn
Tol Brit. Mus. Harl. 4951 Gradual XI t h cent. F r o m St. Stephen, Toulouse.3
Cal. Brit. Mus. Cal. A xiv English Benedictine Troper XI t h and XII th cent.4
Eth. Bodleian Bodl. 775 Winchester Troper (called Ethelred's). E n d of the X t h cent.3a
Of these Leof. Cal. Eth. and Corp. form in some sense a bridge between the Antiphonale
Missarum of the IX th -XI th centuries and the Sarum Graduals of the XII[ t h -XV t h centuries.
b Bodleian Rawl. Liturg. d 3 Gradual. Early XIII th cent. All the Temporale up to Easter is wanting :
in the Sanctorale cues are not given, but only the music which is required in full: it has only a
few sequences (f. 68 b ): in other respects it is particularly complete.7
J Birmingham Art Gallery Missal with music. Middle of XIII th cent. Very incomplete: Advent-
Epiphany, the second half of Lent, the C o m m u n e Sanctorum are almost entirely wanting, and
other smaller bits including the Calendar are gone : ff 54, wrongly bound t h u s —
I X 4-9: IP 2 : V I 2, 4-9, 11: VII 4-9: VIII 5-8 with X I 5, 8 inserted in the middle:
V 4, 5 and 8, 9 : X 2, 4 and 9, n : III 1-3, 5 and 8, 10-12.
A Brit. M u s . Add. 17001 Gradual. E n d of XIV t h cent. ff. 176. a-y3. 4 1 8 x 2 8 6 mm. 1 0
L Brit. M u s . Lansd. 462 Gradual. Middle of the X V t h cent.5 ff. 152. a-x8. 504x351 mm. 1 0
N Brit. M u s . Nero E viii Gradual. E n d of X V t h cent. Only for Sundays and principal days.
ff 83. a8 b 8 c6 d8 e9 f8 gs | h 8 f k 4 1 8 incomplete : also a 1, 3, 5, 8 are wanting. 431 x 332 m m .
1
Facsimile page in Musical Notation of the Middle Ages, pi. viii. (London 1890). P. M. iii pi. 158.
2 3
lb. pi. vii. Jb. pi. v. and P. M. ii. pi. 85.
4
P. M. iii pi. 180.
5 6
Musical Notation, pi. xiv. P. M. iii pi. 179.
7
For a fuller description see the forthcoming publication of the Plainsong and Mediaeval Music Society
for 1893, Bibliotheca Musico-Liturgica.
8
See the forthcoming publication of the Henry Bradshaw Society, The Winchester Troper.
9
P. M. iii pi. 201. -10 p. M. iii pll. 206, 209.
liv GRADUALE SARISBURIENSE
He. Cambridge Univ. Libr. Kk. ii 6 Missal with music. XIIIth cent. From Hanley Castle, Worcestershire.
Very similar in character to Sarum Gradual but with affinities also to Hereford use.1
Dub Cambridge Univ. Libr. A d d 710 Dublin Troper XIIIth cent. Only Ordinariuni Missae and Sequences.1
h Brit. Mus. Harl. 3965 Hereford Gradual. XIV th cent. From St. Peter, Hereford.
IV. Brit. Mus. Royal 2 B iv Benedictine Gradual. XII* cent. From St Albans.2
IV
IV. PRINTED SERVICE BOOKS.
Gr. Graduale ad U s u m Sarum. Editions of 1527 and 1532. (Bodleian Gough Missals 35 and 34.)
W. Missale ad usum Ecclesie Westmonasteriensis i, ii. (Henry Bradshaw Society voll. 1, 5.)4
1
For a fuller description see the forthcoming publication of the Plainsong and Mediaeval Music Society for
1893, Bibliotheca Musico-Liturgica.
2
P. M. iii. pi. 196. Musical Notation, pi. ix.
3
And with it a collation made by Dr. Henderson of a M S . Hereford Missal now in the possession of the
Rev. E. S. Dewick.
4
I a m indebted to Dr. Wickham Legg for his kindness in letting m e see the proof-sheets of vol. ii.
Iv
OFFICIA
OFFICIUM PSALMUS DIES p
Mrr W
I Lex Domini xviii Caeli enarrant XL. 2 vii
Pent, iv S
III Liberator meus xvii
Diligam te XL. 5 iv
Eripe m e exxxix 1R XL. 5 vii M S
V Loquebar cxviii Beati immaculati V
olim S S Prisca : Praxedis : Caecilia.
III Loquetur Dominus lxxxiv Benedixisti Mrr
tGerv. & Prot.
VIII Lux fulgebit Is. ix Dominus regnavit xcii Nat (2)
Vig. Ep.
I Meditatio cordis xviii Caeli enarrant XL. 4 vi
II M e expectaverunt cxviii Beati immaculati
olim S Agnes : (ita H e )
I Memento nostri cv Peccavimus Adv 4
Confitemini T h o m C a s
Tol Aq G 2 E IV & c
II Mihi autem exxxviii Domine probasti Ap
Pro patribus Tol V
olim SS. A n d r ; Sim & J.
VIII Miserere . ad te lxxxv Inclina Trin"6
Ill Miserere . conculc: lv Conculcaverunt XL. 5 ii
A b altitudine Leof
V Miserere . trib xxx In te Domine speravi XL.5 vi
X L . 5 vii
Ix OFFICIA
GRADVALIA
GRADUALE VERSUS DIES p
I
lxvi GRADVALIA
c
V
Exiit sermo Jo. xxi Sed sic eum J. Ev 16
V E x Syon xlix Congrega Adv2 3
IP Exultabunt cxlviii Cantate Mrr 214
olim. SS Primus & Fel Processus & Mart. VV 23IC
Commem. Reliqq W
III Exurge...et int 6
xxxiv Effunde XL. ii 89
XL. 6 iii M.ii
p Exurge...fer opem xliii Deus auribus XL. 4 iii 65
III Exurgc.non prsevaleat viii In convertendo XL3 54
Trin4 1R Mig
VI, V Fuit h o m o Jo. i & Lu. i Ut testimonium Vig. J. Bapt 188
VI, V *Gloria & honore viii Et constituisti Mennas Bl
Mr W
II, I Gloriosus deus Ex. xv Dextera Mrr 212
VV 231°
Dlim SS. Fab. & Seb. : Juvenalis & c : Gerv. & Prot. : A b d & S.
IP Haec dies cxvii Confitemini Pasch 117
Dicat nunc Israel Pasch. ii 118
Dicant nunc qui Pasch. iii 119
Dextera Pasch. iv 120
Lapidem Pasch. v 121
Benedictus Pasch. vi 122
apud H e transponuntur Versiculi feriae vi et v
*Herodes enim Mar. vi Propter Herodiadem Decoll J. Bapt W
IP Hodie scietis Exod. xvi Qui regis, lxxix Vig. Nat 12
VERSUS ALLELUIATICI
DIES p
DIES p
DIES p
DIES p
DIES p
DIES p
DIES p
DIES p
DIES p
DIES p
DIES P
DIES p
L
lxxxii
TRACTVS
OFFERTORIA
OFFERTOR1UM VERSUS DIES p
'? pl.q
Cantate et benedicite Mr W
IVb Confirma hoc lxvii Cantate In ecclesiis Pent 137
Regna Pent, v 140°
Com. S. Spiritus 2 34
tConfitebimur ? Gabriel Miss
VI Confitebor D o m i n o cviii
Adjuva Qui insurgunt Rog 132
I Confitebor tibi cxviii
Beati immaculati Viam veritatis XL5 72
Inclina cor XL5, vii G
VII Confitebuntur celi lxxxviii Misericordias Quoniam quis Mr 209
olim SS. Georgius : Phil. & Jae.: Nereus & Achilles. Mrr 2l8c
IV Confortamini Is. xxxv Tunc aperientur Audite itaque "Adv 4
12
Adv3 R M G
Mens. dec. iv T h o m
Mens. dec. vi L
IIP Constitues eos xliv Eruetuavit Lingua mea Ap
Propterea
olim SS. Pet & P
I Custodi m e exxxix Qui cogitaverunt Eripe me XL6 9i
Dixit Dominus Deus XL.6 ii M.iv
II D e profundi's exxix Fiantaures Si iniquitates Trin23 i67&pl.f
Trin24 Trinult 167°
Rog. iv T h o m
VI Desiderium XXVitam Lastificabis Cf & Ab 224
Inveniatur
olim SS. Eusebius>: Mennas
II D e u s deus m e u s lxii Sitivit In matutinis Pasch2 128
Vig. Asc. 1R
VIII D e u s enim firmavit xcii Dominus regnavit Mirabilis Nat (2) pl.F
Nat' pl.H
Vig. Ep ?
tTransfig. & M
Inv Cruc A
Exalt. Cruc g
III Deus tu convertens lxxxiv Benedixisti Misericordia Adv2 3
Mens. dec. vi 7
XL', vii T h o m
II Dextera Domini cxvii In tribulatione Impulsus Ep 3 23
XL.3 iii 57
Cena D 95
Inv. Cruc Bl &c
* D i e m festum virginis ? Prosa Mundo praesenti Agatha g
¥H- Diffusa est xliv Eructavit Specie Purif E8I &
pi. k
.*AC -f-C f' ^ Assumpt i95 c
Nativ
Matrona W
lxxxvi OFFERTORIA
Mr
olim Vig: SS. Joh. B : Laur : Mat: And. SS. Felix : Vine.: J Bapt T h o m Tol
Hadr. : Nicom: Chrysogonus. Thom. Cant. E
VIII Gressus meos cxviii Declaratio Cognovi XL.3 vii
IV Illumina oculos xii Usquequo Respice XL.2 vii
Trin4
L. vii: M.iv g
Trin8 M.iv
XL2 M S
VIII Immittit angelus xxxiii Benedicam In Domine XL'v
Accedite Trin14
VIII Improperium lxviii Salvum m e fac Adversum m e XL6
Ego vero
*In conspectu exxxix Confitebor Confiteantur Michael passim
I In die solemnitatis Exod. iii Audi popule N o n adorabitis Pasch. v
Pent, v E H h H e
*Ingressus est Lu. i Elizabeth J Bapt Mig M.iv
tin honore ? Raphael Miss
I tin nomine meo Mar. xvi. N o m e n Jesu.
II In o m n e m terram xviii Csali enarrant Dies diei Ap
olim SS. Simon & Judas.
V tlnsurrexerunt ? v Vulnera Miss
V Intende voci v Verba m e a Dirige XL. 3 vi
Trin'
II In te speravi xxx Illumina Quam magna XL.' iii
Trin13
IV Intonuit de cselo xvii Diligam Liberator Pasch. iii
Pent, ii
*Introibo ad altare xii i pro infirmo M
VIII lnveni David lxxxviii Potens es Veritas m e a Cf
olim SS. Silvester : Steph. papa : Sixtus : Callixtus: &c. Vig. Pont A C
V I In virtute xx Vitam petiit M a g n a est Mr
olim SS. Valentinus : Basilides : Joh. B : Tiburtius : Agapitus : &c. Steph passim
*Jesu bone ? Mort Nov
V Jubilate deo omnis xcix Ipse fecit Laudate Ep'
XL. 4 ii
F.p' passim
Ep2 M
Asc.1 S
I Jubilate deo universa lxv Reddam Locutum est Ep2
Pasch4
Ep' g M
lxxxviii OFFERTORIA
M
xc OFFERTORIA
COMMVNIONES
COMMUNIO PSALMUS DIES p
(IT) But most Sarum books & Thom do not have this at all, but "Dico autem vobis"for St. Hippolytus or (Miss) for
Many Martyrs.
xcii COMMVNIONES
( V ) But in T h : it appears as " Justi autem " at the first two places.
COMMVNIONES xcv
N
xcviii COMMVNIONES
V Ultimo festivitatis Joh. vii [Benedic anima mea cii vel ciii Vig. Pent pi. L
Si quis sitit Tol] Mens, quarti vii V a l
VTI U n a m petii xxvi [Exultate xxxii Mig Trin.3 146
Si exurgat Tol] Rog. iii T h o m
III *Unguentum in capite cxxxii Ecce quam bonum Pontif A C
VIII Venite post m e Mar. i Andr. pi. h
Vig. Andr. passim
Vera fides ? Nativ. B.V.M pi. u
1 Videns Dominus Joh. xi [Deus deus meus xxi XL. 4 vi 69
Domine dominus noster viii Car
Exclamavit Jesus Tol]
VIII Video caelos Act. vii [Cum autem esset C a s Steph. 16
Positis autem genibus Tol]
I Viderunt omnes xcvii [Memor fuit C a s Nat (3) 15
Jubilate D e o Tol] Circumcisio ?
Vig. Transfig M.iv
TV Vidimus stellam Mat. ii [Coram illo C a s Ep. 19
Magi veniunt Tol]
V tVincenti dabo Apoc. ii N o m e n Jesu
VI Voce m e a iii XL.' ii 38
X L vii M.ii
I Vos qui secuti Mat. xix Ap 203&PI.Z
olim SS. Simon & Juda
II Vovete et reddite lxxv Trin'7 161
VII V o x in R a m a Mat. ii [Iratus Herodes Tol] Innoc 18
XC1X
ANTIPHONS
DIES p
RESPONSORIA
DIES p
MISCELLANEA
DIES p
AD COMMVNICANDVM
DIES p
HYMNI
DIES
CORRIGENDA
p. xi line i. after " Festivals " add " except in Septuagesima."
p. xii note i. for "at the Xth century" read "in the Xth century."
p. xxiv line n . for "Naboris" read "Nabor."
p. xxv line 22. after "similarly" insert "the"
p. xxvii note 5. for " M S S . " read " M S . "
p. xxx line 22. for "adopted " read " adapted."
p. xxxi line 9. for " X l V t h and X V t h centuries " read " X V t h century."
p. lxii For the ps of Vide Domine read " Posuit m e . "
p. lxvi Read " Justus non conturbabitur."
p. lxxiii line 6. for " pi" in the outer column read " ?"
p. lxxix T h e Alleluia Surgens Jesus is H n d mode.
p. lxxx T h e biblical reference of Terribilis should be " Genesis xxviii."
p. lxxxv T h e Offertory Confessio et pulchritudo is IVth mode.
p. lxxxv T h e Offertory Diffusa est is V H I t h mode.
p. Ixxxvi T h e Offertory Exultabunt sancti is IVth mode.
p. lxxxviii T h e Offertory Miserere mihi is V I H t h mode.
p. lxxxix T h e Offertory Si ambulavero is V I H t h mode.
p. lxxxix T h e Offertory Stetit angelus is 1st mode.
*** In the Index the symbols Bl T h and W are sometimes given in italic by mistake.
MS. ADDITIONAL 12194
OF THE BRITISH MUSEUM
A SARUM GRADUAL
OF THE XIIITH CENTURY
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