Professional Documents
Culture Documents
In 1950, Oscar Preuss hired producer George Martin as his assistant. When
Preuss retired in 1955, Martin succeeded him as Parlophone's manager.
Parlophone specialized in mainly classical music, cast recordings, and regional
British music,[4] but Martin also expanded the reach into novelty and comedy
records. A notable example was The Best of Sellers, a collection of sketches and
comic songs by Peter Sellers undertaken in the guise of a variety of comic characters.[5] It reached
number three in the UK Albums Chart in 1958. Musicians signed to the label included Humphrey
Lyttelton and the Vipers Skiffle Group.[6]
A consistently successful act for Parlophone was teen idol Adam Faith, who was signed to the label
in 1959.[7] The label gained significant popularity in 1962 when Martin signed Liverpool band the
Beatles.[3] Parlophone gained more attention after signing the Hollies, Ella Fitzgerald, and Gerry
and the Pacemakers in the 1960s.[8] Martin left EMI/Parlophone to form Associated Independent
Recording (AIR) Studios in 1965.[9] Norman Smith took over as Parlophone director, though EMI
chairman Sir Joseph Lockwood unsuccessfully attempted to recruit Joe Meek for the job.[10]
Parlophone became dormant (except for Beatles reissues) in 1973 when most of EMI's heritage
labels were phased out in favour of EMI Records,[11] only to be revived in 1980.[12] During the next
decades the label signed Pet Shop Boys, Duran Duran, Roxette, Radiohead, Supergrass, Guy
Berryman, the Chemical Brothers, Blur, Coldplay, Kylie Minogue, Damon Albarn, Conor Maynard,
Gabrielle Aplin, and Gorillaz.[13]
On 23 April 2008, Miles Leonard was confirmed as the label's president.[14]
On 7 February 2013, it was confirmed that Warner Music Group would acquire Parlophone Label
Group for US$765 million. The deal was approved in May 2013 by the European Union, which saw
no concerns about the deal because of WMG's smaller reach compared to the merged UMG and
Sony. Warner Music closed the deal on 1 July. Parlophone Label Group was the old EMI Records
label that included both the Parlophone and the eponymous EMI labels. The EMI trademark was
retained by Universal (as Virgin EMI Records) while the "old" EMI Records became defunct and
was renamed "Parlophone Records Ltd."
Soon after acquiring Parlophone, WMG signed an agreement with IMPALA and the Merlin
Network (two groups which opposed the EMI/Universal deal) to divest $200 million worth of
catalogues to independent labels in order to help offset the consolidation triggered by the
merger.[19][20] In April 2016, the back catalogue of British rock band Radiohead, who had sued
Parlophone and EMI over a dispute in music royalties, was transferred to XL Recordings.[21]
WMG treats Parlophone as its third "frontline" label group alongside Atlantic and Warner.[22] In
the US, most of Parlophone's artists are now distributed under Warner Records except Dinosaur
Pile-Up, distributed by 300 Elektra Entertainment's Roadrunner Records, Coldplay and Tinie
Tempah, both distributed by Atlantic Records, and David Guetta, distributed by Atlantic's
electronic music imprint Big Beat Records.[23]
Roster
Parlophone's roster includes many popular music artists. Its contemporary HMV was more of a
classical music label and ceased issuing popular music recordings in 1967; later known as EMI
Classics, it was absorbed into Warner Classics in 2013; English Columbia was replaced by the EMI
pop label. Parlophone also operates Regal, a contemporary revival of the historic Columbia
Graphophone budget/reissue label founded in 1914. The list records those who achieved notability.
The Beatles
The Beatles' albums in the U.K. up to Sgt. Pepper's Lonely Hearts Club Band were issued on the
Parlophone label. Subsequent releases – The Beatles (also known as the "White Album"), Yellow
Submarine, Abbey Road and Let It Be – were issued on the Beatles' own Apple record label,
manufactured and distributed by EMI and bearing Parlophone catalogue numbers.
On 6 June 1962, producer George Martin signed the Beatles to Parlophone,[24] in turn, making the
Beatles' deal one of the cheapest by Parlophone.[25] Despite the separation of Parlophone from
EMI as a condition of EMI's acquisition by UMG, Universal was allowed to keep the Beatles'
recorded music catalogue, which is now managed by the subsidiary Calderstone Productions.[26]
Vertinsky Parlophone Early 20th century Please Please Me by With the Beatles (side
B.23017, made in Parlophone record the Beatles (side 1) – 1) – Parlophone
Germany label of the 78rpm 1963. Parlophone yellow and black label
acoustic era gold and black label
The labels shown here include those used for 78s and LPs. The label design for 7-inch singles had
the same standard template as several other EMI labels, with the large "45" insignia to the right. In
recent years, design uniformity has relaxed from release to release.
References
1. Womack, Kenneth (30 June 2014). The Beatles Encyclopedia: Everything Fab Four (https://bo
oks.google.com/books?id=xWRyBAAAQBAJ&pg=PA711). ABC-CLIO. pp. 711–. ISBN 978-0-
313-39172-9. Retrieved 26 December 2018.
2. Garside, Juliette (7 February 2013). "Warner Music buys Parlophone label" (https://www.thegu
ardian.com/business/2013/feb/07/warnewr-music-parlophone-record-deal). The Guardian.
Retrieved 2 August 2018.
3. "BUSINESS | EMI: A brief history" (http://news.bbc.co.uk/2/hi/business/616485.stm). BBC
News. 24 January 2000. Retrieved 2 August 2018.
4. Owsinski, Bobby (14 March 2016). "How George Martin Changed The Finances Of The Record
Business" (https://www.forbes.com/sites/bobbyowsinski/2016/03/14/how-george-martin-change
d-the-finances-of-the-record-business/). Forbes. Retrieved 2 August 2018.
5. Hall, Julian (2006). The Rough Guide to British Cult Comedy (https://books.google.com/books?
id=nfi4GcEUWtwC). London: Rough Guides. ISBN 978-1-84353-618-5.
6. Frame, Pete (4 November 2011). The Restless Generation: How Rock Music Changed the
Face of 1950s Britain (https://books.google.com/books?id=5-SaAwAAQBAJ&pg=PT616).
Omnibus Press. pp. 616–. ISBN 978-0-85712-713-6. Retrieved 26 December 2018.
7. Thompson, Gordon (10 September 2008). Please Please Me: Sixties British Pop, Inside Out (h
ttps://books.google.com/books?id=IcFBLtl7sq8C&pg=PA291). Oxford University Press.
pp. 291–. ISBN 978-0-19-971555-8. Retrieved 26 December 2018.
8. "Ron Richards: Record producer who worked with the Beatles" (https://www.independent.co.u
k/news/obituaries/ron-richards-record-producer-who-worked-with-the-beatles-the-hollies-gerry-
and-the-pacemakers-and-1702080.html). The Independent. 11 June 2009. Archived (https://gh
ostarchive.org/archive/20220525/https://www.independent.co.uk/news/obituaries/ron-richards-r
ecord-producer-who-worked-with-the-beatles-the-hollies-gerry-and-the-pacemakers-and-17020
80.html) from the original on 25 May 2022. Retrieved 2 August 2018.
9. Farquhar, Peter (14 March 2016). "A photographer was in George Martin's abandoned AIR
studio the week he died" (https://www.businessinsider.com.au/pictures-an-australian-photograp
her-was-in-george-martins-abandoned-air-studio-the-week-martin-died-2016-3). Business
Insider Australia. Retrieved 2 August 2018.
10. Womack, Kenneth (4 September 2018). Sound Pictures: The Life of Beatles Producer George
Martin, The Later Years, 1966–2016 (https://books.google.com/books?id=qghODwAAQBAJ).
Chicago Review Press. p. 26. ISBN 978-0-912777-77-1. Retrieved 23 September 2022.
11. "EMI Label Launch Spurs Logo Plan" (https://books.google.com/books?id=NQkEAAAAMBAJ&
pg=PA53). Google Books. Billboard/Nielsen Business Media. 3 February 1973. Retrieved
1 March 2013.
12. "ATV Northern Developing Production Ties to EMI" (https://books.google.com/books?id=jiQEA
AAAMBAJ&pg=PT57). Google Books. Billboard/Nielsen Business Media. 13 September 1980.
Retrieved 1 March 2013.
13. "Warner Music Group Integrates Parlophone Roster, Including Coldplay, David Guetta and Pink
Floyd" (https://www.hollywoodreporter.com/news/warner-music-group-integrates-parlophone-6
67019). The Hollywood Reporter. 19 December 2013. Retrieved 2 August 2018.
14. "EMI Rings Changes" (http://www.musicweek.com/story.asp?sectioncode=1&storycode=10339
97). Music Week. 23 April 2008. Retrieved 16 February 2011.
15. Ingham, Tim (26 November 2012). "Universal's Capitol takes shape: Barnett in, Beatles on
roster" (http://www.musicweek.com/news/read/steve-barnett-named-chairman-of-universal-s-c
apitol-records/052695). Music Week. Intent Media. Retrieved 18 April 2013.
16. Sweney, Mark (21 September 2012). "Universal's £1.2bn EMI takeover approved – with
conditions" (https://www.theguardian.com/media/2012/sep/21/universal-emi-takeover-approve
d). The Guardian. London. Retrieved 21 September 2012.
17. Pakinkis, Tom (15 November 2012). "Nine groups in Parlophone race, 12 eyeing other
UMG/EMI assets" (http://www.musicweek.com/news/read/blackwell-fuller-eying-more-umg-emi
-assets-as-parlophone-interest-stacks-up-report/052557). Music Week. Retrieved 1 March
2013.
18. Negishi, Mayumi (7 January 2013). "Sony, BMG in joint bid for Parlophone, EMI labels" (https://
www.reuters.com/article/entertainment-us-emi-sonybmg-idUSBRE90600T20130107). Reuters.
Retrieved 1 March 2013.
19. Sisario, Ben (15 May 2013). "Warner Music Gains Approval to Buy Parlophone, a Last Piece of
EMI" (https://www.nytimes.com/2013/05/16/business/media/warner-music-gains-approval-to-bu
y-parlophone-a-last-piece-of-emi.html). The New York Times. Retrieved 17 May 2013.
20. Sisario, Ben (19 February 2013). "Warner Music Makes a Deal With Small Labels" (http://medi
adecoder.blogs.nytimes.com/2013/02/19/warner-music-makes-a-deal-with-small-labels/). The
New York Times. Retrieved 17 May 2013.
21. "Radiohead's Early Catalog Moves From Warner Bros. to XL" (http://www.billboard.com/article
s/news/7318964/radioheads-early-catalog-warner-bros-xl). Billboard.com. 4 April 2016.
Retrieved 5 April 2016.
22. "Warner Music Group Outlines Parlophone Integration Process, Expects $70 Million in Annual
Cost Savings" (http://www.billboard.com/articles/business/1559599/warner-music-group-outline
s-parlophone-integration-process-expects). Billboard.com. 25 April 2013. Retrieved 30 January
2014.
23. "Coldplay, David Guetta Go To Atlantic Records; Radiohead & Pink Floyd Catalogs, Kylie
Minogue, Damon Albarn To Warner Bros: WMG's US Plans for Parlophone" (https://www.billbo
ard.com/articles/business/5840082/coldplay-david-guetta-go-to-atlantic-records-radiohead-pink
-floyd). Billboard.com. 18 December 2013. Retrieved 30 January 2014.
24. Lewisohn, Mark (2010). The Complete Beatles Chronicle:The Definitive Day-By-Day Guide To
the Beatles' Entire Career (https://books.google.com/books?id=7D1mRwAACAAJ&pg=PA56).
Chicago Review Press. pp. 56–. ISBN 978-1-56976-534-0. Retrieved 17 January 2021.
25. "The Beatles Biography" (https://web.archive.org/web/20120914170117/http://www.thebiograph
ychannel.co.uk/biographies/the-beatles.html). Archived from the original (http://www.thebiograp
hychannel.co.uk/biographies/the-beatles.html) on 14 September 2012. Retrieved
29 September 2012.
26. "The Beatles, Universal, and Calderstone Productions" (https://www.thoughtco.com/the-beatles
-universal-and-calderstone-3219909). thoughtco.com. 6 March 2017. Retrieved 29 May 2017.
External links
Official website (http://www.parlophone.co.uk)
Parlophone (https://www.youtube.com/parlophonerecords) on YouTube