G@ INTERMEDIATE STRING/FULL ORCHESTRA Themes from Leroy Anderson’s Irish Suite Part 2 TRADITIONAL Arranged by LEROY ANDERSON Adapted by DOUGLAS E. WAGNER INSTRUMENTATION 1 Conductor 4 FHom 1 Percussion 1 Ist Flute 1 1stBTrumpet (eiangle/Snare Drum) 1 2nd Flute 1 2nd B+Trumpet 8 1stViolin 2 Oboe 3. Trombone & 2ndViolin 1. Ist Clarinet 1 Tuba 5. 3rd Violin (Viola .C) 1 2nd Bb Clarinet 1 Mallet Percussion 5 Viola 2. Bassoon @ells/Chimes/Xylophone) 5 Cello 1 Bs Bass Clarinet 1 Timpani (F-G-D) 5. String Bass Highlights from the last three movements of this legendary suite are now available. Major themes are presented with all of the color and fresh invention of the original score. This is music that will delight and entertain audiences of all ages, and is as much fun to play as its to listen to! Consider programming this arrangement together with Leroy Anderson's Irish Suite ~ Part 1 (38440) for an extended presentation of the entire suite in half the time. NOTES TO THE CONDUCTOR ‘The irish Suite, by the dean of American light music, Leroy Anderson (1908-1975), is one of the most endearing works in the orchestral repertoire. Drawn from familiar irish folk tunes, its six movements ate drawn from a rich musical palette, brimming with color and fresh invention: |. Thelrish Washerwoman |i, The Minstrel Boy IL The Rakes of Mallow WV. TheWearing of the Green V, The Last Rose of Summer Vi The Girl | Left Behind The original four movements, commissioned in 1947 by the Eire Society of Boston, were by all accounts written in less than two weeks time. Arthur Fiedler and the Boston Pops Orchestra premiered them that year. A few years later, ‘Anderson added “The Wearing of the Green” and"The Last Rose of Summer’ NOTE FROM THE EDITOR All Belwin string parts have been carefully bowed and fingered appropriately by level. The Yellow Very Beginning series includes many bowings as well as reminder fingerings for first-time readers. The Red Beginning series includes frequent bowings to assist younger players. Fingerings for altered pitches are often marked. The Green Intermediate series includes appropriately placed bowings for middle-level students. Fingerings and positions are marked for notes beyond first position. The Blue Concert series includes bowings appropriate for the experienced high school player. Fingerings and position markings are indicated for difficutt passages. Bob Phitlips setwe/Pop Suter as ote ort md ote meh ong cata atone ghee tem @elwin ORCHESTRA ‘endondpoame oso pags oath thane arThemes from Leroy Anderson’s “Irish Suite” — CONDUCTOR SCORE. Duration - 5:00 “the Wearing ofthe Green Flutes Oboe Bs Clarinets Basson 0B» Bass Clarinet) FHom Bs Trumpets ‘Trombone Tuba Mallet Percussion Siionseos “Timpani ae) (eagle Dass) Violins Viola (Violin 11) Cello String Bass 0431s ‘Tone: GD “The Wearing ofthe Green” Presto assai (J = 152) ES ee Fri ee 1 2 3 4 tf s “Te Wong ofthe Gren ‘dona Armed y LEROY ARDERSON {£102 (Renewed WOODBURY MUSIC CO. ‘Wide Pi Rp dnd by ALFRED MUSIC PURLISEING CO, TNC. Pin gals WOODBURY SOME. Me Reed ng Pathe Perma Part 2 ‘Traditional Arranged by Leroy Anderson Adapted by Douglas E. Wasgner even Poehan eyn ob. 1 Cs. ql 1 Ben. (B.C) Ta. - \ Tots. a 1. Tua Mi Pere. | Timp. Pere. ' 1 Vies. | n| Via, in. catlo. Ste. Bass 404318y Fis. a | 0». y chs. | eae 0 | Ba, (B.C) Hi, 1 ‘pts. a hb, ‘Tuba Mit Pere. ‘Timp. | Pere | F | Vins | 0 Via. om | Catto Str Base 404318n| ov. | r os. | ' Bsn. Gb. cy \ mn. y Ts. | a | am. i Tuba Mu. Pere. | Timp. | Pere. y Vins, i a | Yu Win. cello Ste. Bass 404318Fis, qT Ob. 1 Cs. ql Bsa. BrB.CL) Ha. 1 ‘Tots. q| Te. Tuba Mit. Pere, ‘Timp. Pere. u Vins. ql Via, (Vin. mp Cato Str. Bass 4031sOb. cls. Bsa. (BB.CL) ‘pts. Tr. ‘Tuba Mit. Pere. Pere. Vins. Via. (Vin) Cello Str. Bass 404318u ob. Cs. Bsn. @BB.CL) Ha, ‘Tpts. “teh. Mk. Pere. Vins. nl (Vin, 10) Cello Str Bass 4431s. :Ob. ls. Bsn. BBC ‘Tpts. Tr. Mit. Pere. Timp. q Via. (Vin. Str Bass 404318,0. Y Hs. a ov. 1 Cis. t a Bsn (Bb B. CL) He 1 Tots | x a. Tuba i Mu. Bere | Timp | Pere. Vins. | TI | Vi. | is. | i Cello Si BassEls, Cs. Ben, BB.CL) ‘Tpts. | rb. ‘Tha Mit. Pere. Timp. Pere. Vins. a Vie. (Vin. Cello Str. Bass oats2 Hs, nq Os. BB.CL) wl Tb. ‘Toba Mit. Pere. ‘Timp. Via. & é Cello Str. Bass 04318“The Last Rose of Summer” 1B Andante con espressione (J= 54) Fis. - 7 nl Cs. W Bsn. BB.CL) a. ‘Tpts. ‘rb. ‘Tuba Mit Pere. Timp. “The Last Roe of Sues” | ‘Andante con espressione we Vins. a ” ” f 2 ~ 2 Ps ain ERE esson reticle sous Sos TRcney wCoDAURY NIC CO.14 1 Ms, q ob. 1 ls. w Ben. B.C) Ba, 1 ‘pts. | Te. Tuba Mlt. Pere. ‘Timp. Pere. Vins. 0 Via. (Vin. 11H, Catto Str. Bass anaais1 Fs. ul on. 1 cs. y| Bsn, BB. CL) Hn. | ‘Tpis. | orb. ‘Tuba Mit, Pere. Timp. Pere, | Vins. | Via. Vin. Cello Str Bass 40431 1m 6 Atempo we 1516 1 | is. n| 0. 1 | os. , m Bsn, Geb.) Hin t Ths | u| | Th. | ‘Tuba Mit Pere. Timp. Pere. 1 | Vins. I m i Via. (in. Catt i Str Bass 0 wy m we 1 ms 16 4043187 Ob. cls. n| Bsn, BB.) Hn. ‘Tp. ‘Toba ‘Mit. Pere. Timp. Vins. Via. (Vin, 1) Cello Str. Bass 40431818 A tempo rit, nl ov. y as ; 0 Ba | Bey | ma, | 1 ‘Tpts. 0 | ‘Trb. | ee aatPere, Tiny, | Perc. | 1 / Vins / a ve. iia | cen Se: Bass . eet) Poe ws i we on w v0 404318the i Allogro ala mareia (~ 25) ob. cs. 0 Bsn. (BB.Cl) Tpts. w ‘Tuba ‘MIL. Pere. Timp. sD. Pere. t “Tn Git Toft Behind Me" Allegro alla marcia’ (= 126) Vins. | Via. (via. 11D Catto Str. Bass “Tiina, Ananged by LEROY ANDERSON 1544 tRnwed) WOODBURY MUSIC CO, 404318 Bz ws va 16 w ey 19)20 Fis. Ov. nl ‘pts. rp. Tuba Mit. Pere. ‘Timp. Pere. 0 Via. (Vin. Catto Str. Bass oasis,1 Ob. Bsn, (BB.CL) Hn ‘Tots. Tr. ‘Thba Pere. Via. (in. 1m Calla Str. Bass 4ossis,2 Fis, Tpts. “Te. MM. Pere. Pere. Via. (Vin. cao Str. Bass 18 wa SF ss 15 w sa 1on. Te. Mit, Pere. ‘Timp. Vins. a Via. (Vin, 11) Catto Str Bass 40431824 css. Bsa. @B.CL) Tyts. ‘rb. Mit. Pere. Timp. Pere. Vins. Via. (vin. 1H1) Str. Basswe nl | o. 1 oe i 1 | oa Bi.ew o 1 ps. a mm. Taba Pee mp. vee, ' Vins. | A ve Via. i cate suc Bas 4031,26 fy Ms, | m | ob. q cs. : 1 Ban. B.C Hn. 1 ‘pts. a 1. | tue Mit. Pere | ‘Timp. | Pere. | Vins. / ri Via. (vin. Cato | Str. Bass us we” ow w wy we oy naveTis. ni Ov. 1 as, u| Bsn. BB. C1) ‘Tpts. ql MU Pere. Timp. Pere. Vins. Via. (Vin) cello Str. Bass 4083182B Presto (J= 144) | y Fs. " Ob. 1 cs, q| | Bsn. (BB.CD | Ha, | 7 | ‘Tpts. | | | Tr. | ‘Tuba * xstoptone Mut. Pere, | Timp. | Pere. | 1 | Vins. | q Via. (Vin. Cello Str. Bass angus