INTERMEDIATE STRING/FULL ORCHESTRA Leroy Anderson’s Irish Suite - Part 1 TRADITIONAL Arranged by LEROY ANDERSON Adapted by DOUGLAS E. WAGNER: INSTRUMENTATION 1 Conductor 4 FHorn 1. Percussion 1 IstFlute 11st Trumpet (Snare DrunvTiangle/ 1 2nd Flute 1 2nd BeTrumpet Crash Cymbal) 2 Oboe 3. Trombone 8 IstViotin 1 1st B Clarinet 1 Tuba 8 2ndViolin 1. 2nd Be Clarinet 1 Mallet Percussion 5. 3rdViolin Viola T.C) 2 Bassoon (ylophone/Bels) 5 Viola 1. Bo Bass Clarinet 1 Timpani 5 Cello (GED) 5 String Bass NOTES TO THE CONDUCTOR ‘The /rish Suite, by the dean of American light music, Leroy Anderson (1808-1975), is one of the most enduring and ‘endearing works in the orchestral repertoire. Drawn from familiar Irish folk tunes, its six movements present a rich musical palatta, brimming with color and frech invention: The Irish Washerwoman I, The Minstrel Boy Ii The Rakes of Mallow 'V. The Wearing of the Green V. The Last Rose of Summer VL. The Girl Left Behind The original suite, commissioned in 1947 by the Eire Society of Boston, was by all accounts written in less than two weeks. Arthur Fiedler and the Boston Pops Orchestra premiered it that year. Major themes and episodes from the first three movements are presented in this five-minute work that will delight ‘audiences of any age. The scoring is designed to fatter any orchestra, but most especially ensembles that are comprised of less-experienced players. While the instrumentation has been scaled down a bit for this level, the composer's original intents have been faithfully preserved NOTE FROM THE EDITOR All Belwin string parts have been carefully bowed and fingered appropriately by level. The Yellow Very Beginning series includes many bowings as well as reminder fingerings for first-time readers. The Red Beginning series includes frequent bowings to assist younger players. Fingerings for altered pitches are often marked. The Green Intermediate series includes appropriately placed bowings for middle-level students. Fingerings and positions are marked for notes beyond first position. The Blue Concert series includes bowings appropriate for the experienced high school player. Fingerings and position markings are indicated for difficult passages. Bob Phctlips Behav Pop Sting Editor Fete nate Ou bd ender main bes cated yan avon hsp ye @elwin ORCHESTRA2 Theres from Leroy Anderson’s Irish Suite — Part 1 CONDUCTOR SCORE ‘Traditional Duration - 5:00 Arranged by Leroy Anderson a ep eet Adapted by Douglas E. Wagner Allegro con brio (= 116) 3333 Lae sae Flutes Szzzz 0 f Oboe q Bs Clarinets q| Bassoon | (Bb Bass Clarinet) F Horn 1 B» Trumpets q| ‘Trombone ‘Tuba Mallet Percussion | GislephaneBels) Timpani Ged) ont | Percussion en roan 7 f “te rsh Washerwortan™ Allegro con brio (J.~ 116) Sees y ‘Violins fn q yooe | iota 4 | ‘(Violin 111) Cello String Bass feet 2 3 4 s 6 “ite (RISE! WASHERWOMAN™ ©1953 (Reseves) WOODBURY MUSIC COMPANY ae ‘Workevide Pint Rights mnie by ALFRED MUSIC PUBLISHING CO. INC, ey ‘Thin Anangs=ent © 2012 WOODBURY MUSIC COMPANY aud © 2012 EM MILLS MUSIC, INC. Purchase length 384408 ‘All Rights Resorved itelang Publ Pecfoonance ovfommonct recordingOb. ls. BB.C1) Tots. Tb. Tuba Via. (Vie. Cello Str. Bass 384408,Fis. Ob. Bsn. BoB.CL) Bn. ‘Tpts. Trb. ‘Tuba ‘Mit. Pere. ‘Timp. Pere. Vins. Via. (Vin. 1m) Cello Str. Bass aeaans,| Fis, q | Ob. 1 Cs. un , Hn. | y | Tpts. | | Tb. | ‘Tuba | Mit. Pere. Timp. Pere, | i Vins. I a | Yu. in. 17) i Cello | Str, Bass 384403oD. ‘Tpts. ‘Tro. Tuba Mt. Pere. Pere. Vins. Via. (Vie. 0D Cello Str. Bass 384408Fis ri on. 1 Os. ee u | Hs, 1 pts. 1 Th. Tuba MIt. Pere. ' Timp. Pere. i 1 Vins. i a | Vi. (Vin. Catto Str. Bass 3R440s.ob. cs. Bsn. (BB.Cl) q Tred. ‘Tuba ‘Mit. Pere. Timp. Vins. Via. (Vin. 111) Cetto Str. Bass 384408Ob. Bsn, (BoB.CL) Hn. Tpts. Teh. Tuba Mit. Pere. “Timp. Pere, Via. (Vin. 1m Cello ‘Str. Bass seados10 Fis, Ob. n Bsn. (BB.CL) Hn. ‘Tpis. ‘Tuba Mit. Pere, Via. (Vin. 1H) Cello Str. Bass 0 51 2 8 cy ca 384408,i ; | Fis. q ob. i Cis. wl ‘ Bsn. | (@BB.CL) Hn. 1 ‘pts. nl Trp. | ‘Tuba Mit. Pere. | ‘Timp. Perc. | 1 Vins. | 1 | Via. (Vin. 111) Cello, Str. Bass 384408i accel. Presto (4.= 120) 1 Fis. 0 Ob. fi ls. |! m / Bon, (BB.Cl) Hn. | 1 | ‘pts. | w ‘Te. Tuba Mit. Pere. ‘Timp. Pere. Presto (J.~ 120) | 4 | ; | Vins. ql Via. (Vin. HD) Cello Str. Bass 384408re : | Fs. | Ob. 1 Ck. ! al | Bsn. | (BB.CL) | Hn. | Tpts. 1 | Ted. Tuba Mit. Pere. Timp. | Pere. | ; | Vins. | q Via. (vin. Cello Str. Bass, 38ad0s“4 Fs, n Ob. cs. Wl Bon. (B>B.Cl) Hn. 1 pis. 0 we ‘Tuba Mit. Pere, { Timp. Hi23 tos 9LOLY oa Fitod o Lol | Lo] Hi2 3 tos QL) Via. (Vin, HD) Cello Str. Bass ” 8 16 n 8 » 38440815 “tne Minstrel Boy” 33 ‘Xndante eon'mato (J=80) Ob. Tuba Mit. Pere. P “he Minstrel Boy” | Andante con moto (4 = 80) Via. (Vin. 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